Existence

A Month Ago

A Month Ago

A month ago, on November 23, I posted my last message on this blog. Since then, nothing. Silence.

For thirty days and thirty nights the world has been as silent as the painting I posted above. It has been as silent as snow flakes circling. As quiet as the ribbons tied silently together. Nothing stirred. Nothing moved. Nothing.

Can an absence be a presence? Sometimes it is, for example, when we lose a tooth, a family member, or a friend. In their absence, we lament the loss of their presence. With a tooth, we run the tongue around the empty space, noticing the tenderness of the flesh, the hollow within the gum.

It’s the same with friends. They go AWOL. Move on. Forget their promises of eternal friendship. They become the empty space where the tooth once stood. At first we grieve. Then we become used to their absence. Then, one day, we realize that their voices have fallen silent and then they are friends no more.

Right now, there is a hollow in my life. An absence. I cannot put my finger on what is missing, absent, as always, without leave. Maybe it is the Christmas beliefs that dogged my childhood. Maybe it is the emptiness that warns of oncoming storms, each one greater than the one before. Maybe it is just the premonition, the suspicion, that all is not well with the world.

This year we gave more money than ever before to the Feed a Family Fund. Then we sent extra money to the local foodbank. Everywhere we see that the social ball of string is unwinding and ends no longer meet. It seems our society no longer has the will or the means to justify any ends, except selfish ones. Is it everyone for themselves, then, and the devil take the hindmost? Sometimes it feels like it.

I have seen the hindmost, human beings they are, just like you and me, except they are wrapped in blankets, begging at traffic lights, sitting outside the supermarket, a coffee cup at their feet, hoping for a penny to drop. Where have all the pennies gone? Gone to the smelters everyone. So they wait for a nickel to drop, or a dime, or even a quarter.

Covid-19 and all its subsequent derivations may well have been at the heart of all this. The isolation. The masking. The distancing. The fear of the unknown. The fear of the stranger in our midst. We have become used to living with those fears. We still have Covid-19 and its variations, some with long term complications. We now have a virulent flu as well. And there are various viral infections circulating.

The Apocalypse? Not yet. The Apocalypse has four horsemen and I have only mentioned three. So – where is the fourth one hiding? When will he appear? What will he look like? Maybe he’s lurking in a food bank, an unrepentant Grinch preparing to steal the food? Perhaps he hides in an unheated house? Can he be spotted at the dinner table, where the parent or parents are not eating, so that a child may eat?

I throw these questions out. Outside my window, clouds gather and snow starts to fall. I listen carefully. But all I can hear is the silence to which I have grown accustomed.

Sisyphus Sings Nabucco

Sisyphus Sings Nabucco

Long gone, those dead days, skeletons now,
their centers collapsed in on themselves
unable to hold fast to time’s hands
circling the clock of ages, that timeless rock.

Long days will come when light will fail
to enlighten, eyes will be dimmed, the burden
will grow heavier with life lying in wait,
to weigh us down with all those lies, each
falsehood a rock added to the daily pile.

Carrying them is one thing. Rolling them up
this hill each day, only to have them roll down,
overnight, forcing us to stoop once more,
not to conquer, but merely to live our lives,
to journey onwards, relentlessly, to endure
from the beginning of the end until the last,
and we must, we will endure to the last.

“Il faut imaginer Sisyphe heureux.”
Albert Camus

Click here for Roger’s reading on Anchor.
Sisyphus Sings Nabucco



This Vessel in Which I Sail

This Vessel in which I Sail

Trapped in this fragile vessel with the pandemic
a passenger waiting to board, I drift from port to port,
looking for a haven, safe, to have and to hold me.

No harbour will let me dock. “No room at this inn,”
they say. “No haven here.” They wave me away.

Now I have no destination. Aimless, I float and every
where I go the message is: “No vacancy: no room at all.”

Unwanted, abandoned, I wander with wind and waves,
my only friends seals, porpoises, and whales.
I walk the whale road, leaving a frail, white wake behind.

This vessel has become a gulag now, a prison
camp where I exist just to survive. Each hour of each day
endless, boundless, like this shadowy, haunted sea.

Today there is no motion, no goal. What is there to achieve
but survival? Each day’s journey is sufficient unto itself.

Apocalypse When?

Apocalypse When?

A strange, milk-cloud sky, skimpy, with the sun
a pale, dimly-glowing disc and my pen scarce
casting a shadow as the nib limps over the page.

Out on the west coast, fires still range free and this
is the result, these high, thin clouds casting a spider
web cloak over the sun face and darkening the day.

The west coast: five or six hours by plane and three
whole days to get there by train, even longer by bus,
all chop and change with multiple stops.

The wind blew and the clouds came widdershins,
backwards across the continent. Today they reached
across the ocean to claw the sun from European skies.

It is indeed a small world after all. Isostasy:
you push the earth balloon in here, and it bulges
out over there in the place you least expected.

Now we are all interconnected in an intricate network
of a thousand ways and means. What does it all mean?
Ripples ruffle the beaver pond’s dark mirror.

The forest mutters wind-words, devious and cruel,
that I sense, but cannot understand. High in the sky
clouds turn into horsemen on plunging steeds.

Fear, fire, flood, foe, poverty, unemployment, pandemic,
crops destroyed and, waiting in the wings, threats of civil
unrest, the apocalypse, and a war to end all wars.

Comment: A week in bed, unable to sit, to write, to use the computer, except standing on one leg and typing with one finger. Unable to concentrate, to create, and now, after four visits to my medical team, acupuncture, manipulation, massage, finally that pinched nerve has stopped pinching and I can get back to writing. However, my thoughts are as grey as these clouds that dim the skies. I no longer know who or what or where I am. The world around me has turned sinister and I suffer.

The result: black thoughts, black poetry, red, flaming skies, and the knowledge that all is not well, neither with me, nor with our sick little planet. There is no Planet B and this one, like me, is suffering.

Premonitions and dark thoughts. I lie awake in bed each night, sleepless, hugging my Teddy Bear and my hot water bottle, aching, suffering, waiting for the dawn.

After the Lecture

After the Lecture

After I delivered the lecture at London University, as it was back then, I caught the tube and descended at Paddington station. While waiting for the train back to Cardiff, I sat in the station bar and ordered a pint of beer and a Cornish pasty. An older man wearing a sweater and jeans asked if he could join me. I didn’t say ‘yes’ but he sat down anyway and straight away began to talk.
            I paid no attention to him until he rolled up his sleeve and showed me the collection of scars that ran crisscross, hard and welted, over his left wrist.
            “Failed attempts,” he said. “But I’ll get it right next time. “I wouldn’t want you to make the same mistakes I did. If you want to kill yourself, you must do it this way,” he reached across the table and picked up the knife I had used to cut my pasty. He pulled out a dirty hanky and wiped the knife in it. Then he laid the blade not cross-wise but parallel to the artery in his wrist. “And you must dig deep, first time, and at a slight angle.”
            “I’ve got to go,” I told him as a tinny voice came over the Tannoy. “That’s my train.” I stood up, leaving the remains of my pint and my pasty on the table.
            I got to the door of the station bar and looked back. Then I watched as my table companion finished my pasty and reached across the table to claim the remains of my beer.
            “Quite the lecture,” I thought. “Good job I didn’t spit in the glass.” Then I realized that both my day’s lectures had been effective, in one way or another.

Ego

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Ego

I am not worthy
to be called her sun,
and yet her world
revolves around me.

She spins in my space
and short-circuits
her own life to make
mine more livable.

I’d like to say ‘joyous,’
but tears are in all things
(sunt lacrimae rerum)
and
death touches mortal minds
( et
mentem mortalia tangunt).

The best I can offer:
a salt water world,
filled with inadequacies,
drowning us in tears.

Comment: Several things of note in this poem and the voice recording. Should we mix languages in a poem? Why ever not, so long as we explain them. This Latin tag goes back over 2,000 years and links my poem (Intertextuality, remember?) into a long Western tradition. Am I worthy of that tradition? Is my poem? Well, that is a totally different question. However, I am linked in, as you might phrase it. A second question: does my reading of the poem affect your understanding of the poem? If so, how and in what way? Does the phonic word play sun / son affect your understanding of the poem? If so, how? And how does the double meaning of ego work on your mind? Does the Freudian Ego / Id stand out? Or does the schoolboy “Quiz?” “Ego!” spring to mind. Or do you immediately think of the first person singular (Latin) ego as in ego sum lux, via veritas? More important: are you aware of any of this or does the poem disappear into a desert landscape of nothingness with no apparent strings attached? Good questions all: I invite you to think about them all. Blessings and best wishes. Keep safe.

Scorched Earth

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Scorched Earth

A scorch mark
still scars this woodland
where deer grazed
until spring grass
fed the flames
sown by an unknown hand.

RCMP
cars blocked
the lower road,
uniformed officers
directed us to detour
up and away.

Below us we could see
smoke, no flames,
two firetrucks.
The acridity of ash,
breeze-borne,
filtered through the car
making us cough.

No more will the deer
roam this particular place
until wounds are healed
and all trace of the fire,
like them, has fled.

Comment: Driving to the head pond at Mactaquac, a week or so ago, we met an RCMP roadblock and were diverted by the officers. We ascended Mactaquac heights, and came down the other side, rejoining the lower road which was blocked by another set of RCMP cars. It was the week after the shootings in Nova Scotia. All we could think of was the respect we have for the RCMP. The knowledge that, if someone drove a police cruiser, stolen or faked, and wore an RCMP uniform, stolen, faked, or genuine, and flagged us down, well, we would have had no doubts and we would have obeyed that person implicitly. This was apparently what happened in Nova Scotia when the gunman, dressed like an RCMP Officer, flagged some of his victims down, then shot them as they sat in their cars. I guess the wounds of forest and deer will heal more quickly than those of the victims’ families. Pax amorque / peace and love. 

Black Angel

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Black Angel

You cannot hide
when the black angel arrives
to knock on your door.

“Wait a minute!” you say,
“While I change my clothes
and comb my hair.”

But he is there before you,
in the clothes closet,
pulling your arm.

You move to the bathroom
to brush your teeth.

“Now!” says the angel.
Your eyes mist over.

You may know you are there,
but you can no longer see
your reflection in the mirror.

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Comment: Another Golden Oldie from the same dusty manuscript (as if e-files could get dusty), but a little bit more sinister, this one. As long as you can see your reflection and as long as your shadow is still clipped to your heels when the sun shines, you are probably all right. A friend of mine had a nasty turn the other night. He woke up with cramp at 3 in the morning, got out of bed to stretch, blacked out while he was stretching, and came round on the bedroom floor an hour later. It took him 10 minutes to roll over, perform a push up, get onto his knees, crawl to the chair, and pull himself upright. He climbed back into bed and forgot all about it until it was time for him to get up the next morning. Then he lay there worrying until the forces of nature forced him to his feet. Now he says he’s fine … he might be. I checked his shadow and it’s still there and when I talked with him on Messenger, he’d managed to shave.

Heroes

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Heroes

In 1898, when Spain lost Cuba, they lost the last vestige of their world-wide Empire and were forced to turn back in on themselves. Miguel de Unamuno, along with other artists from the Generation of ’98, turned to the concept of intra-historia. Historia / history means the great historical events, battles and conquests, kings and kingdoms (how male it all was!). Intra-historia / intra-history meant the every day lives that ordinary people led, lives that had remained basically unchanged for centuries, except when the men who made history rode through.
Do the small things in life: that’s all most of us can do and have done, throughout the centuries. And we are the true heroes, certainly of intra-history, you and I, and people like us, because we have worked all our lives at our daily tasks, we have brought up our children, we have made the small, micro-world which we inhabit into a better place. Intra-history is dedicated to the house-wives and the house-husbands, heroes all, who have done those small things in life, walked the dogs, fed the chickens, milked the cows, gone out to work, day after day, to put food on the table, delivered and brought up the children, looked after the sick, assisted the dying on their departure from this world, buried them, and given them peace. Heroes all, especially in these times of troubles, I salute you. 
Nurses, health care workers, pharmacists, ambulance drivers, supermarket workers who allow us to bring the food to the table, care-givers, cleaners, garbage men, street-workers, heroes all, I salute you. It is time the ‘little people’ reclaimed their world and took it back for the REAL people, the real heroes.
So, my heroes, be brave, battle on, and accept this floral tribute.
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Why?

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Why?

“Where are you going?” I ask again. “To see a man about a dog,” my father replies.  “Why?” I ask. “Hair of the dog,” his voice ghosts through the rapidly closing crack as the front door shuts behind him. “Why?” I cry out.

I recall the mud nest jammed tight against our garage roof. Tiny yellow beaks flap ceaselessly open. Parent birds sit on a vantage point of electric cable, their beaks moving in silent encouragement. A sudden rush, a clamour of wing and claw, a small body thudding down a ladder of air to crash beak first on the concrete.

“Why?” I ask.

The age-old answer comes back to me. “Wye is a river. It flows through Ross-on-Wye and marks the boundary between England and Wales.” The swallows perch on the rafters watching their fledgling as it struggles on the floor, the weakening wing flaps, the last slow kicks of the twitching legs.

“Why?” I ask.”

Y is a crooked letter invented by the Green Man of Wye,” my grandfather says.

“Why?” I repeat. “I want to know why.” Silence hangs a question mark over the unsatisfied spaces of my questing mind.

Comment: A golden oldie. We would all like to know why. But there are no answers. Just riddles cast, like two trunk-less legs of stone, on the sands of time. Nothing beside remains. Yet still we ask the age old question? Why? And still we get the age old answer from the ageing masters who rule our childhood lives and teach us everything they know: “Because.”