Surrealism

What was the last live performance you saw?

Daily writing prompt
What was the last live performance you saw?
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What was the last live performance you saw?

Depends on how you define performance, doesn’t it? Here’s one from a couple of days ago. I left the lid of my pot of wildflower honey slightly open and, guess what? This is what I saw inside. Actually, there were fourteen of them. Some ran for it. Some were so absorbed that they just lay there, inebriated. I grabbed my cell phone and took this shot.

It could have been a video. The seven that fled, it might have been eight, looked like a broken line of can-can girls fleeing from the Moulin Rouge. But look at the color of that honey. Such a rich, warming gold. It was, quite simply, one of the best honeys I have ever tasted. And I have to say, that I cannot blame the ants for invading such a honey-trap paradise.

The live performance was the running, fleeing, burying into the honey, and wild whimpering of the ants. Then, when I squished them, it was their feeble twitching, followed by their gradual submission to a force majeur.

The Nature of Art and the Art of Nature – a live performance, followed by a still life. A nature morte, as they say in French, or a naturaleza muerta, as the Spanish say. On the bright side, I like to think that they found their land of milk and honey, their earthly paradise, before they met their tragic end.

What are your two favorite things to wear?

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What are your two favorite things to wear?
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What are your two favorite things to wear?

What a strange question. I suppose it merits a strange answer. And the answer is – it depends. You see – I live in Atlantic Canada. Here we have several sayings. One from the Bay of Fundy is – “You don’t like this weather? Hang around five minutes. It will change.”

I had the snow blower prepped for winter a week or so ago. So, what are my two favorite things to wear when snow blowing? Only two? Hat, scarf, water-proof / wind-proof coat, thick gloves, scarf, warm socks, boots that keep out the water and the cold and that have soles that grip into the snow. You mean I have to choose two things from that lot? I just checked the calendar – it’s not April the First, you know.

In summer, when the Fundy Fog rolls in from the sea and wraps scarves of salty mist around the trees, and it becomes so cold, so damp, and so chilly so quickly – what are my two favorite things to wear? I guess you can double-check the list above and eliminate an item or two. But I wouldn’t chuck out too many.

And what about cross-country skiing? As the weather changes, and as you warm up, you need several layers of removable clothing that can be taken off, when you warm up, and placed back on when you hit the shade between the trees and you start to cool down. But only two items? What are you doing to me? And what about the wind-chill factor?

Once, when I walked the picket-line at -35C, we had all been pre-emptively locked out from my former place of employment, we were visited by Flying Pickets from the Northern Part of Canada. They had a saying: “There’s no such thing as bad weather, only bad clothing.” You notice they didn’t say anything about two items of clothing. I wonder why not?

So there you have it. Be prepared, I say. It always depends. And remember: “Never mind the weather / As long as we’re together.” Perhaps those two items might just be you and me! But then, we’re not clothing, are we? Not unless we are just rag dolls.

Fake News!

Fake News!

A long time ago, wrapped in the stifling chrysalis of academia, a friend of mine tried to flutter her wings by making a joke at a very serious conference. She was delivering a paper on one of my favorite Spanish poets, in which she examined the sundry variants of a sonnet that the poet first wrote in 1603, then re-wrote in 1613, revised again in 1627-28, and revised a couple more times before its final revision in 1643, about two years before his death (1645).

At the end of her paper, she was caught off-balance when faced by an apparently serious question from the audience “Did the poet make any more revisions after 1645?” In an effort at humor, she replied, “Well, actually, no. But when they were carrying his body to the church for the funeral, he popped his head out of the coffin and proclaimed in a loud voice ‘Hell, no, I won’t go. I haven’t finished revising the poem yet.’”

This off-hand academic pseudo-joke was greeted with a babble of excited voices and an elderly fellow scholar clapped his hands, exclaimed “Wonderful!” and, in the ensuing silence, asked her what documentary evidence she had for this astonishing revelation, hitherto unknown to the academic world. If she was off-balance before, she was clearly reeling at this stage: a punch-drunk amateur academic swaying before the hypnotic fists of Dr. Muhamad Ali. She smiled sweetly, said she would produce the proper evidence at the appropriate time, and left the podium.

Later, sharing drinky-poos with the some fellow scholars, I listened to her as she made excuses for her strange sense of humor and I smiled as she explained the situation to them. They were not amused. “You, madam, are an acknowledged expert in your field,” one of them told her. “Your fellow academics trust you and believe you when you make such statements. You must be very careful about what you say.”

Fake news, indeed!

Now I must make an apology on my own behalf. Alas, if you read one of the blog items I posted recently, you might be puzzled by the Gazunda tree. I am forced to admit there is no such thing, to the best of my knowledge, as a Gazunda tree, not in the main square in Oaxaca, nor anywhere else in the world. Of course, when it rains people have been known to go under certain trees to use them as an umbrella and thus to take shelter from the rain, but this is the full extent of the origin of the name: the tourist or the golfer or the walker or whatever goes under (say it fast — Gazunda) the tree when it rains. There is nothing more to the Gazunda tree than that little joke.

And this brings us to a really serious series of questions: how do we know things are true? How do we establish the truth of a statement? Why do we believe some people and not others, some facts and not others? How do we choose between a series of alternate truths all of them presented as factual realities when, in actual fact, not all of them are true? This leads us on to the basic foundations on which our knowledge is built: how do we distinguish between scientifically established facts, and hearsay, and gossip if we are ignorant of basic scientific knowledge and principles?

To this we must add the triple increases that threaten us. These are (1) the increase in the availability of real scientific knowledge that bombards us every day with fresh facts and new information; (2) the increase in sources of information and the easy access to those sources; (3) the fact that many of these sources, far too many in my opinion, present us with a fictional or heavily biased version of a pseudo- or alternate truth. And yes, in light of telling the truth, the whole truth, and nothing but the truth, we are indeed entitled to question the existence and indeed the very meaning of these words: truth and alternate truths.

Such questioning is present in the writings of some of the early-modern philosophers. This is exemplified in the following passage that comes, I think, from René Descartes:

“There is no earth, no heaven, no extended body, no magnitude, no place and that nonetheless I perceive these things and they seem good to me. And this is the most harrowing possibility of all, that our world is commanded by a deity who deceives humanity and we cannot avoid being misled for there may be systematic deception and then all is lost. And even the most reliable information is dubious, for we may be faced with an evil genius who is deceiving us and then there can be no reassurance in the foundations of our knowledge.”

“There can be no reassurance in the foundations of our knowledge.” These are chilling words and present us with the unfortunate fact that unless we ourselves, each one of us, to the best of our abilities search out the absolute truth about all we hear, say, and do, we are indeed lost and we must wander in the dark with no light to guide us. ‘A sad life this, when beneath the axe, we have no time to check our facts.’ 

Monkey’s Clockwork Universe

Monkey’s Clockwork Universe

Some days, monkey winds himself up
like a clockwork mouse.
Other days he rolls over and over
with a key in his back like a clockwork cat.

Monkey is growing old and forgetful.
He forgets where he has hidden the key,
pats his pockets, and slows right down
before he eventually finds it
and winds himself up again.

One day, monkey leaves the key
between his shoulder blades
in the middle of his back.

All day long, the temple monkeys
play with the key, turning it round and round,
and winding monkey’s clockwork,
tighter and tighter, until suddenly
the mainspring breaks

and monkey slumps at the table
no energy, no strength,
no stars, no planets, no moon at night,
the sun broken fatally down,
the clockwork of his universe sapped,
and snapped.

Comment: a big thank you to all who have reminded that yes, I did write this book, and yes, it is one of my favorites. Oh those naughty little monkeys. For those of you who have read the book or heard me reading poems from Monkey Temple, all is well in Monkey Land and the King of Harlem, with a wooden spoon, still gouges out the crocodile’s eyeballs and beats the monkeys on their backsides, with a wooden spoon. I thank my old friend, Federico Garcia Lorca, for that wonderful vision from his own book, Poet in New York.

What was the last thing you searched for online? Why were you looking for it?

Daily writing prompt
What was the last thing you searched for online? Why were you looking for it?
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What was the last thing you searched for online? Why were you looking for it?

The last thing that I searched for online was a prompt that I wished to be prompted by, but I promptly lost it before I could respond to it. Then I went looking, but still couldn’t find it, even though I searched everywhere I could think of.

I grow forgetful as I age, and now I can’t remember what the prompt asked for, and that’s a pity because I remember that I had a lovely answer. Now I can’t remember my answer either. So I am stuck in a sort of one-way street, going in the wrong direction, as I draw near to a roundabout that will lead me back the way I came.

I am afraid some Minotaur or other will seek me out, because I am lost in a labyrinth without the thread of Theseus to lead me out. And its no good searching online, because I no longer know what I am looking for. And that’s a bit like my life at the present time – a pointless search for meaning as I wander, amazed, through a baffling maze of days, seeking, I know not what, and never finding it. I don’t want to give up on it yet, because I know that the answer lies just around the corner, lurking like the last sardine in a sardine can, or the last piece of squid, cowering blackly in its own ink, in the tin, not wanting to be eaten.

Life leads me a merry dance, as king-like, a one-eyed man in the kingdom of the blind, I rule my world. For, en el reino de los ciegos, el tuerto es rey / in the kingdom of the blind, the one-eyed man is king. And no, I didn’t search for that online. It came to me in a sort of dream because, as Goya says, el sueño de la razón produce monstruos / when reason sleeps, monsters are born. And now I see them everywhere, those monsters, and I search online for solutions, but none appear. And so I continue on my merry-go-round way, leading my ragamuffins around those ragged rocks.

Rebirth

Rebirth

“El mundo nace
cuando dos se besan.”
Octavio Paz

A new world is born
when two people kiss.
The hummingbird sips
at the hollyhock’s lips.
Bee enters the blossom
and, sated, comes out.
A butterfly perches,
flutters its wings.
The sun enters a cloud:
radiance is born.
Silver linings
morph to gold.
The sun’s needle stitches
the world together.
Oh to be a part of Eden,
Paradise born anew,
in the moment when
lip meets lip and the tongue
is a twister, touching down.
Two hearts a-whirl,
their world aflame.
Their world reshaped,
new shapes now born.
Wild flowers swaying
in an age-old dance.
Life’s journey renewed,
not always by chance.

Modern Society

Daily writing prompt
What would you change about modern society?
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What would you change about modern society?

Good question – what indeed? First, define society. It’s not as if a single society dominated the world. Do we then distinguish between the world, this geoidal planet on which we live, and the multiple societies that inhabit this world? If we do, then what right do you, or I, or any other individual have to change any or all of the world’s cultures and societies? And how do we change them?

Many ways have been tried in the past, very few successfully. The Spanish Inquisition burned many books and censored others. Other book burnings and spurnings have taken place, and in some places, they are still happening. But are they effective in the long term? Good question. Short term, maybe. Long term, I am not so sure.

Do we limit education, and by extension, knowledge, to a few , limited people, who believe what we believe, and do what we want them to do? That has been tried as well. Short-term successes, but long term disasters. As well as depriving people of education and books, we can also enslave them. This is still happening in many places.

So, another definition: what do we mean by change? Change for the better? Change for the worse? Change for change’s sake? Change for the betterment of our own selves and the devil take the hindmost? And what do we mean by modern? So many questions – so few answers.

Albert Camus once wrote that he was ‘optimiste, quant au monde, pessimiste quant a l’homme‘ – an optimist where the world is concerned, a pessimist where humankind is concerned. Personally, I am not sure that this particular thought stands up any longer. Is it still possible to be optimistic about a planet that we are capable of blowing to smithereens, a planet, moreover, that is currently suffering from wind and rain, fire and flood, famine and war, pandemic and a pollution like none we have ever seen before?

How can I change the world? I am just a single human being. Well, I am a married one, actually. But I only have one vote. I rather fear that single vote (votes don’t marry and produce offspring) will have little effect on my ability to make any change at all to modern society.

Pass the soap and a towel, please, as a certain person said a long time ago. I want to cleanse my hands and purge my soul. I am too old a dog to try and learn new tricks.

Listen!

Listen

When I cannot write,
I take a paint brush,
and start to paint.

When I paint, I listen
to the brush as it moves
itself over the canvas.
I listen to the colors
as they demand attention
and tell me where to place them.

I listen to the paint as it says
‘just here, not too thick,
not too thin, a swirl please,
gently now.”

I also listen to flowers, trees,
the wind in the willows,
the songs of falling leaves,
and the voices of birds
that mourn their empty nests,
abandoned on the branches.

Comment:

This poem also came from yesterday’s prompt – what do you listen to? The act of ranting, based on a prompt, usually generates imagery and ideas that can then be used in either poetry or prose. For me, the secret is to cut away the dross and to search for the gems that are often hidden within verbal outpour. This leads, in my opinion, to enhanced creativity.

Voices

Voices

I forced my characters
into the roles that I chose for them.
Sometimes they complained
and refused to obey me.

Late one night, they came
and knocked on the window
that opens in my head when I dream.

They started to complain
about how I was treating them
and demanded that I change my ways.

I listened as they yapped, and yammered,
and strewed their growing pains
on the counterpane before me.

When I woke up, I remembered
what they had told me and I wrote
down their stories in their words, not mine.
Then they came to life and spoke through me.

Comment:
This poem and the next one both came from yesterday’s prompt – what do you listen to? The act of ranting, based on a prompt, often generates imagery that can then be used in either poetry or prose. The secret is to cut away the dross and find the gems that are often hidden within the rant. This leads, in my opinion, to enhanced creativity.

Ghost Train

Ghost Train

I remember the little electric railway
that ran on a single loop around
the kitchen table, diddly-da-diddly-da,
just like a real train, except no smoke,
no puff the magic dragon, no sense
of a schedule or arriving and departing
when circular time is meaningless,
as are the numbers on the sundial
when the sun isn’t shining,
or the hands on the clock’s blank face
when the numbers are missing,
and you don’t know whether you are
looking in time’s distorting mirror
or are standing on your head
in the Antipodes, and all the while
the clock hands are marching round
and round, tick-tock, and there is
no track by which time can be tracked.

And the runaway hands go round the track,
and the electric train goes round the table,
 and the ghost train hoots whoo-hoo,
as it vanishes into the timeless tunnel,
then exits, the engineer, like Rip Van Winkle,
grown old with a long beard, and the carriages
all covered with cobwebs, and skeletons
leaping out of the compartments,
then sitting beside the travellers
as they snore on their seats.

Comment: Another poem based on a prose prompt. What a great source for poetry those prompts can be, when you don’t take them too seriously and allow your imagination to run riot and your memories to flow. Not automatic writing, but writing that springs from an absurd, surrealist approach to the crazy world that surrounds us. Rain that causes the yucca plant to grow, then falls so hard that it is battered to the ground by the very thing that gave it life. And so it is with my memories of the many trains on which I have travelled and with which I have played. Once upon a time, I couldn’t conceive of life without the railway. Where is it now? I haven’t been on a train for more than fifteen years. Strange how their ghosts flit through my dreams at night: fast trains, slow trains, the wrong train at the wrong time taking me to the wrong place in time. Ah, the poetry of trains yet, “ni temps passés ni les trains reviennent.” And you can give yourself a glow of satisfaction – thank you Tommy Reed – if you recognize the quote, and two more if you know who Tommy Reed is. I use the present tense because, although long gone, he is ever-present in my mind.

Today’s painting – another gift from my friend Moo.