Circles

Circles

Secret and sacred,
this shadow world that walks
naked in the inner chambers
of the mysterious mind.

Here, in the valley,
surrounded by whaleback hills,
the horizon limited by fir and fin,
I live without limits
beneath a limitless sky.

Dream boats sail above me
on a sumptuous azure sea
and I am a mammal,
feet rooted in the soil, dwelling
at the bottom of a sea of air.

Mysterious, the circles
weave their cycles –
sunrise to sunset,
moonrise to moonset –
and in my dreams
a photo of the rising earth
seen from a cyclical satellite
we call the moon.

Click here for Roger’s reading on Anchor.
Circles

The Path Taken

The Path Taken

I followed a path and found my way,
but evening shadows led me astray
far from the uplands and the sun
to a land where darker waters run.

Where now, I ask, the summer beach,
salt water, cool, within easy reach?
I no longer hear the sea-gull’s cry,
white-wings lofting him to the sky.

I tread winter’s path of ice and snow
bent branches forcing me to stoop low,
a horse-shoe hare running out ahead,
behind, a white wolf fills me with dread.

My feet are cold, my steps are slow,
my muscles ache, my blood won’t flow.
Head spins, lungs throb and clutch at air,
my  heart fills up with dark despair.

Click here for Roger’s reading on Anchor.
The Path Taken

We’ll rant and we’ll roar…

We’ll rant and we’ll roar

Rant, I say, rant and rage away, rage, rage against
the death of friendship, and loathing built now
on what was once holy oath and undying love.
This is a blood sport where even the spectators
are spattered with the refined frenzy of friends
turned into fiends and foes, and this is a protest,
a rant against love that doesn’t last, that doesn’t stand
the test of time, against families that break up,
against a society that breaks them up, driving wedges
and knives between people once bound
by the puppet strings of love, against relationships
that can no longer continue, against the rattling
of dead white bones in empty cupboards where skeletons
dance their way into legal daylight and the spectators
 call for more: more blood, more money, more blood money,
and the engagement diamond is a blood diamond now,
a tarnished garnet, and where is the Little Old Lady
of Threadneedle Street, that spire inspired needle
that will stitch their world back together,
and stitch you back together when you’ve been shocked
out of your own ruby-sweet rose-tinted world
and torn into little bits in their oh-so-bitter one,
the biters bitten and those bitten biting back in return,
 a new world this world of snapping turtles,
turtles standing on the back of turtles, and turtle after turtle
all the way down until this carnival world puts down
its dead clown mask and turns turtle in its turn.

Comment: My thanks to Brian Henry for publishing this on Quick Brown Fox.

Click here for Roger’s reading on Anchor.
We’ll rant and we’ll roar

The Dying of the Light

The Dying of the Light
Rage, Rage

Sometimes you wake up in the morning
and you realize that you can do no more.
What is it about family split-ups, the ugliness
of a disputed divorce, the glue coming
unstuck in an already unstable marriage,
a financial settlement that satisfies nobody
and impoverishes both sides of a divide?

And how do you bridge that divide
when you are friends with father, mother, children
and the wounds are so deep that everyone wants out,
whatever the costs and whatever it takes?
And what is it about the deliberate wounding
of each by the others, leaving permanent scars
that will never heal over, no matter how hard one tries?

And what is it about lawyers, when too many guests
gather around the Thanksgiving turkey and knives
are out for everyone to take the choicest cuts
leaving nothing but a skeletal carcass,
no flesh on the bones, and the guests all hungry
and their empty bellies rumbling for more, more, more.

My thanks to Brian Henry for publishing this on Quick Brown Fox.

Click here for Roger’s reading on Anchor.
Rage, rage against the dying of the light

A great start to the day!

https://quick-brown-fox-canada.blogspot.com/2022/04/septets-for-end-of-time-why-do-people.html

With thanks to Brian Henry of Quick Brown Fox.

Septets for the End of Time ~ Why do the people? by Roger Moore

1

Divide and Conquer

They divided us into houses, Spartans and Trojans,
and encouraged us to compete with each other,
single combat, and then team against team,
house against house, eternal, internal civil war.

We divided ourselves into Cavaliers and Roundheads,
Monarchists and Parliamentarians, Protestants and Catholics,
and we continued those uncivil wars that marred the monarchy,
brought down the crown, and executed the Lord’s anointed.

We fought bitterly, tribe against tribe, religion against religion,
circumcised against uncircumcised, dorm against dorm,
class against class, territorial warfare. We defended our bounds,
bonding against all outsiders to guard each chosen ground.

With it came the denigration of the other. Not our class.
Scholarship boy. Wrong end of town. Wrong accent.
We don’t talk like that here. Speak the Queen’s English, you…
and here … we inserted the appropriate word of vilification.

Our wars never ended. We carried them from prep school
to junior school, to senior school, sometimes changing
sides as we changed schools or houses, always clinging
grimly to our best friends, protectors, and those we knew best.

After school, all those prejudices continued to hold us down,
haunted us through university, red-brick or inspired spires,
Trinity Oxford, Trinity Cambridge, or Trinity Dublin,
each gilded with the white sniff of snobbery that gelded us.

Alas, we carried them, piled in our intellectual rucksacks,
through university, into grad school, out into the wide world,
infinitely small minds based on prejudice and pride, continuing
our tribal warfare, unable to understand anything at all,
other than us or them, shoulder to shoulder, divide and conquer.

2

Rage, rage …

Sometimes you wake up in the morning
and you realize that you can do no more.
What is it about family split-ups, the ugliness
of a disputed divorce, the glue coming
unstuck in an already unstable marriage,
a financial settlement that satisfies nobody
and impoverishes both sides of a divide?

And how do you bridge that divide
when you are friends with father, mother, children
and the wounds are so deep that everyone wants out,
whatever the costs and whatever it takes?
And what is it about the deliberate wounding
of each by the others, leaving permanent scars
that will never heal over, no matter how hard one tries?

And what is it about lawyers, when too many guests
gather around the Thanksgiving turkey and knives
are out for everyone to take the choicest cuts
leaving nothing but a skeletal carcass,
no flesh on the bones, and the guests all hungry
and their empty bellies rumbling for more, more, more.

3

Reconciliation

Rant, I say, rant and rage away, rage, rage against
the death of friendship, and loathing built now
on what was once holy oath and undying love.
This is a blood sport where even the spectators
are spattered with the refined frenzy of friends
turned into fiends and foes, and this is a protest,
a rant against love that doesn’t last, that doesn’t stand
the test of time, against families that break up,
against a society that breaks them up, driving wedges
and knives between people once bound
by the puppet strings of love, against relationships
that can no longer continue, against the rattling
of dead white bones in empty cupboards where skeletons
dance their way into legal daylight and the spectators
 call for more: more blood, more money, more blood money,
and the engagement diamond is a blood diamond now,
a tarnished garnet, and where is the Little Old Lady
of Threadneedle Street, that spire inspired needle
that will stitch their world back together,
and stitch you back together when you’ve been shocked
out of your own ruby-sweet rose-tinted world
and torn into little bits in their oh-so-bitter one,
the biters bitten and those bitten biting back in return,
 a new world this world of snapping turtles,
turtles standing on the back of turtles, and turtle after turtle
all the way down until this carnival world puts down
its dead clown mask and turns turtle in its turn.

Roger Moore is an award-winning poet and short-story writer. Born in the same town as Dylan Thomas, he emigrated from Wales to Canada in 1966. An award-winning author, CBC short story finalist (1987 and 2010), WFNB Bailey award (poetry, 1989 & 1993), WFNB Richards award (prose, 2020), he has published 5 books of prose and 25 books and chapbooks of poetry.

Over 150 of his poems and short stories have appeared in 30 Canadian magazines and literary reviews, including ArcArielThe Antigonish Reviewthe Fiddlehead, the Nashwaak Review, Poetry TorontoPoetry Canada Review, the Pottersfield Portfolio and The Wild East.  He and his beloved, Clare, live in Island View, New Brunswick, with their cat, Princess Squiffy, but they live on the far side of the hill from the St. John River, with the result that there is not an island in view from their windows in Island View. Visit Roger’s website here.

Fearful Friday

Fearful Friday

“I met a traveler from an antique land
who said: “Two vast and trunkless legs of stone
stand in the desert. Near them, on the sand,
half sunk, a shattered visage lies, whose frown,
and wrinkled lip, and sneer of cold command,
tell that its sculptor well those passions read
which yet survive, stamped on these lifeless things,
the hand that mocked them and the heart that fed.
And on the pedestal these words appear:
“My name is Ozymandias, king of kings.
Look on my works, ye Mighty, and despair!”
Nothing beside remains. Round the decay
of that colossal wreck, boundless and bare
the lone and level sands stretch far away.”
[Percy Bysshe Shelley]

Comment: Not my poem – I only wish it was – but certainly it expresses some of my sentiments at the current time. What on earth is happening? Who do we think we are? What do we think we’re doing? Where do we think we are going? ‘Vanity of vanities – all is vanity.’

Vis brevis. Ars longa.

Click here for Roger’s reading of Shelley’s poem.
Fearful Friday – Ozymandias – on Acorn

Star Struck

Star Struck

Last night, when least expected,
out of nowhere, a new star
and beyond it, the Red Planet.

Light fragments, disintegrates.
I grasp at snow flakes
as they stumble, falling stars
sliding down the sky.

I stretch out my hand
to grasp the magic of the moment,
but I cannot comprehend the mystery.

I shiver – knowing I must leave
the warmth of my bed,
my comfort zone,
to walk alone in cold and dark.


Click here for Roger’s reading on Anchor.
Star Struck


Outreach

Outreach

It’s so easy to cast the tiniest
pebble into the tranquil pond.

Sit and watch the ripples spreading,
flowing outwards, touching unknown
shores with a smidgen of warmth,
a lapping of love.

Reaching out, from the center
to the periphery, not knowing
where the outreach is going,
but knowing that the effort is
never in vain if it helps someone’s
suffering, reduces their loneliness,
brings light to their lives,
and relieves their pain.

Bread cast upon the waters,
returned in great store,
three, five, seven, ten times
more than what you cast.

Your spider-web lines
thrown inwards and outwards
in a gesture of faith, hope,
and a charity chest of tenderness
to lighten a burden, to remove
the dark from another’s heart.

It’s so easy to select a pebble,
but who will throw that first stone?

Click here to hear Roger’s reading on Anchor.
Outreach

Pocket Paintings

Pocket Paintings
Peintures de Poche

My usual discipline has deserted me and, as a result, I have deserted my blog, abandoned it, gone absent without leave. It’s not that I am not creating: I am. I am just not posting. Mea culpa, mea maxima culpa. I thought that, for a change, I would post some of my Pocket Paintings / Peintures de Poches. Maybe I will be inspired to write verse about them. Maybe not. We’ll see.

Supplication

I raise my hand to heaven
in fervent supplication:
you sever it at the wrist.

I spread out my arms in despair:
you take out a tape and measure me
for a tailor-made, hand-crafted cross.

I step on my bathroom scales
only to find that they have become
the scales of your justice:
I mourn every pound I have put on.

Where can I turn for solace
when all around I see
nothing but sorrow and tears?

Covid bears us all down.
An albatross, it hangs around our necks
and when we raise a hand,
your knife is there to cut it off.

Who are you? What are you?
Where are you when we need you?
Why are you there judging us like this?

I look up at the sky.
By day, a great cyclopean eye
winks and blinks and tells me nothing.
I look at the sky at night:
a silver moon slides silently by.

Orion stalks away to the west.
He leaves me restless, breathless,
agape at all this beauty
that I dare not reach out and grasp.


My Father in Oaxaca

My Father in Oaxaca

I saw my father this evening. 
I walked through the zócalo,
opened the main cathedral doors,
looked up, and there he stood,
motionless. 

Light shone through stained glass
and gifted him a halo,
as if he were some long dead
saint come back to visit me. 

We stared at each other.
The hairs on my neck
stood on end.

My hands shook. 
When I forced my mouth open,
words stuck in my throat. 

He wore his best grey suit
over a light blue shirt
and a dark blue,
hand woven tie: 
the outfit in which
I had buried him.

Click on this link for Roger’s reading.
My Father in Oaxaca