That is one of the questions I most hate to be asked. What on earth is there to tell? One direction is the Muhamad Ali route – “I am the greatest!” Some people take that route and walk you down the highway of their lives, everything from winning the egg and spoon race (age seven), to coming second in the three-legged race (age 9), to finishing third in the slow bicycle race (age 11). And that’s just the start. A similar route is the 007 route – license to kill – shoot from the lip – a blast from the past – history, herstory, my-story – by me!
No way. My history is a mystery and long may it remain so. There are many magic moments (thank you Perry Como – my mother’s favorite singer) and many tragic moments. Some might be worth mentioning, most I’d rather keep quiet about. I think sometimes of the famous examination question – write down everything you know – except I can’t remember who was examining who, nor why they were being examined. Sounds a bit like the Civil Service to me, before they ask you to swear the Official Secrets Act.
On the other hand, if a person asks me a direct question, I will try to answer it to the best of my limited ability. Who is Lisi? I don’t know. Her identity has baffled the literary critics for close to 400 years and I certainly haven’t been able to solve it. Why did Cervantes write the Quixote? Try asking him yourself – but I guess if he’s been silent since 1616, he will remain silent for a lot longer. Not everyone is – or wants to be – the Memory Man – “We know Easter is a Moveable Feast, when did Easter Sunday last fall on Boxing Day?”
Trick question – Easter Sunday is a race horse, not a holy holiday. Boxing Day, in Britain, used to be the day for point to points and obstacle races for horses. But the Memory Man knew that. He also knew the name of every jockey, every horse, their weights, their odds, the order in which they finished, and the name of the fence which caused Easter Sunday to fall on Boxing Day.
So, tell us about yourself. No. I won’t. I am not the memory man and I will reveal as little as I can. Remember the old song – “Yesterday is history, today is still a mystery, but what a day it’s going to be tomorrow.” Right – now I am ready to tell you about myself. I am not yesterday’s man, I am today’s man, and today is still a mystery. Sorry, I can’t do better than that!
A month ago, on November 23, I posted my last message on this blog. Since then, nothing. Silence.
For thirty days and thirty nights the world has been as silent as the painting I posted above. It has been as silent as snow flakes circling. As quiet as the ribbons tied silently together. Nothing stirred. Nothing moved. Nothing.
Can an absence be a presence? Sometimes it is, for example, when we lose a tooth, a family member, or a friend. In their absence, we lament the loss of their presence. With a tooth, we run the tongue around the empty space, noticing the tenderness of the flesh, the hollow within the gum.
It’s the same with friends. They go AWOL. Move on. Forget their promises of eternal friendship. They become the empty space where the tooth once stood. At first we grieve. Then we become used to their absence. Then, one day, we realize that their voices have fallen silent and then they are friends no more.
Right now, there is a hollow in my life. An absence. I cannot put my finger on what is missing, absent, as always, without leave. Maybe it is the Christmas beliefs that dogged my childhood. Maybe it is the emptiness that warns of oncoming storms, each one greater than the one before. Maybe it is just the premonition, the suspicion, that all is not well with the world.
This year we gave more money than ever before to the Feed a Family Fund. Then we sent extra money to the local foodbank. Everywhere we see that the social ball of string is unwinding and ends no longer meet. It seems our society no longer has the will or the means to justify any ends, except selfish ones. Is it everyone for themselves, then, and the devil take the hindmost? Sometimes it feels like it.
I have seen the hindmost, human beings they are, just like you and me, except they are wrapped in blankets, begging at traffic lights, sitting outside the supermarket, a coffee cup at their feet, hoping for a penny to drop. Where have all the pennies gone? Gone to the smelters everyone. So they wait for a nickel to drop, or a dime, or even a quarter.
Covid-19 and all its subsequent derivations may well have been at the heart of all this. The isolation. The masking. The distancing. The fear of the unknown. The fear of the stranger in our midst. We have become used to living with those fears. We still have Covid-19 and its variations, some with long term complications. We now have a virulent flu as well. And there are various viral infections circulating.
The Apocalypse? Not yet. The Apocalypse has four horsemen and I have only mentioned three. So – where is the fourth one hiding? When will he appear? What will he look like? Maybe he’s lurking in a food bank, an unrepentant Grinch preparing to steal the food? Perhaps he hides in an unheated house? Can he be spotted at the dinner table, where the parent or parents are not eating, so that a child may eat?
I throw these questions out. Outside my window, clouds gather and snow starts to fall. I listen carefully. But all I can hear is the silence to which I have grown accustomed.
Secret and sacred, this shadow world that walks naked in the inner chambers of the mysterious mind.
Here, in the valley, surrounded by whaleback hills, the horizon limited by fir and fin, I live without limits beneath a limitless sky.
Dream boats sail above me on a sumptuous azure sea and I am a mammal, feet rooted in the soil, dwelling at the bottom of a sea of air.
Mysterious, the circles weave their cycles – sunrise to sunset, moonrise to moonset – and in my dreams a photo of the rising earth seen from a cyclical satellite we call the moon.
I followed a path and found my way, but evening shadows led me astray far from the uplands and the sun to a land where darker waters run.
Where now, I ask, the summer beach, salt water, cool, within easy reach? I no longer hear the sea-gull’s cry, white-wings lofting him to the sky.
I tread winter’s path of ice and snow bent branches forcing me to stoop low, a horse-shoe hare running out ahead, behind, a white wolf fills me with dread.
My feet are cold, my steps are slow, my muscles ache, my blood won’t flow. Head spins, lungs throb and clutch at air, my heart fills up with dark despair.
Rant, I say, rant and rage away, rage, rage against the death of friendship, and loathing built now on what was once holy oath and undying love. This is a blood sport where even the spectators are spattered with the refined frenzy of friends turned into fiends and foes, and this is a protest, a rant against love that doesn’t last, that doesn’t stand the test of time, against families that break up, against a society that breaks them up, driving wedges and knives between people once bound by the puppet strings of love, against relationships that can no longer continue, against the rattling of dead white bones in empty cupboards where skeletons dance their way into legal daylight and the spectators call for more: more blood, more money, more blood money, and the engagement diamond is a blood diamond now, a tarnished garnet, and where is the Little Old Lady of Threadneedle Street, that spire inspired needle that will stitch their world back together, and stitch you back together when you’ve been shocked out of your own ruby-sweet rose-tinted world and torn into little bits in their oh-so-bitter one, the biters bitten and those bitten biting back in return, a new world this world of snapping turtles, turtles standing on the back of turtles, and turtle after turtle all the way down until this carnival world puts down its dead clown mask and turns turtle in its turn.
Comment: My thanks to Brian Henry for publishing this on Quick Brown Fox.
Sometimes you wake up in the morning and you realize that you can do no more. What is it about family split-ups, the ugliness of a disputed divorce, the glue coming unstuck in an already unstable marriage, a financial settlement that satisfies nobody and impoverishes both sides of a divide?
And how do you bridge that divide when you are friends with father, mother, children and the wounds are so deep that everyone wants out, whatever the costs and whatever it takes? And what is it about the deliberate wounding of each by the others, leaving permanent scars that will never heal over, no matter how hard one tries?
And what is it about lawyers, when too many guests gather around the Thanksgiving turkey and knives are out for everyone to take the choicest cuts leaving nothing but a skeletal carcass, no flesh on the bones, and the guests all hungry and their empty bellies rumbling for more, more, more.
My thanks to Brian Henry for publishing this on Quick Brown Fox.
Septets for the End of Time ~ Why do the people? by Roger Moore
1
Divide and Conquer
They divided us into houses, Spartans and Trojans, and encouraged us to compete with each other, single combat, and then team against team, house against house, eternal, internal civil war.
We divided ourselves into Cavaliers and Roundheads, Monarchists and Parliamentarians, Protestants and Catholics, and we continued those uncivil wars that marred the monarchy, brought down the crown, and executed the Lord’s anointed.
We fought bitterly, tribe against tribe, religion against religion, circumcised against uncircumcised, dorm against dorm, class against class, territorial warfare. We defended our bounds, bonding against all outsiders to guard each chosen ground.
With it came the denigration of the other. Not our class. Scholarship boy. Wrong end of town. Wrong accent. We don’t talk like that here. Speak the Queen’s English, you… and here … we inserted the appropriate word of vilification.
Our wars never ended. We carried them from prep school to junior school, to senior school, sometimes changing sides as we changed schools or houses, always clinging grimly to our best friends, protectors, and those we knew best.
After school, all those prejudices continued to hold us down, haunted us through university, red-brick or inspired spires, Trinity Oxford, Trinity Cambridge, or Trinity Dublin, each gilded with the white sniff of snobbery that gelded us.
Alas, we carried them, piled in our intellectual rucksacks, through university, into grad school, out into the wide world, infinitely small minds based on prejudice and pride, continuing our tribal warfare, unable to understand anything at all, other than us or them, shoulder to shoulder, divide and conquer.
2
Rage, rage …
Sometimes you wake up in the morning and you realize that you can do no more. What is it about family split-ups, the ugliness of a disputed divorce, the glue coming unstuck in an already unstable marriage, a financial settlement that satisfies nobody and impoverishes both sides of a divide?
And how do you bridge that divide when you are friends with father, mother, children and the wounds are so deep that everyone wants out, whatever the costs and whatever it takes? And what is it about the deliberate wounding of each by the others, leaving permanent scars that will never heal over, no matter how hard one tries?
And what is it about lawyers, when too many guests gather around the Thanksgiving turkey and knives are out for everyone to take the choicest cuts leaving nothing but a skeletal carcass, no flesh on the bones, and the guests all hungry and their empty bellies rumbling for more, more, more.
3
Reconciliation
Rant, I say, rant and rage away, rage, rage against the death of friendship, and loathing built now on what was once holy oath and undying love. This is a blood sport where even the spectators are spattered with the refined frenzy of friends turned into fiends and foes, and this is a protest, a rant against love that doesn’t last, that doesn’t stand the test of time, against families that break up, against a society that breaks them up, driving wedges and knives between people once bound by the puppet strings of love, against relationships that can no longer continue, against the rattling of dead white bones in empty cupboards where skeletons dance their way into legal daylight and the spectators call for more: more blood, more money, more blood money, and the engagement diamond is a blood diamond now, a tarnished garnet, and where is the Little Old Lady of Threadneedle Street, that spire inspired needle that will stitch their world back together, and stitch you back together when you’ve been shocked out of your own ruby-sweet rose-tinted world and torn into little bits in their oh-so-bitter one, the biters bitten and those bitten biting back in return, a new world this world of snapping turtles, turtles standing on the back of turtles, and turtle after turtle all the way down until this carnival world puts down its dead clown mask and turns turtle in its turn.
Roger Moore is an award-winning poet and short-story writer. Born in the same town as Dylan Thomas, he emigrated from Wales to Canada in 1966. An award-winning author, CBC short story finalist (1987 and 2010), WFNB Bailey award (poetry, 1989 & 1993), WFNB Richards award (prose, 2020), he has published 5 books of prose and 25 books and chapbooks of poetry.
Over 150 of his poems and short stories have appeared in 30 Canadian magazines and literary reviews, including Arc, Ariel, The Antigonish Review, theFiddlehead, the Nashwaak Review, Poetry Toronto, Poetry Canada Review, the Pottersfield Portfolio and The Wild East. He and his beloved, Clare, live in Island View, New Brunswick, with their cat, Princess Squiffy, but they live on the far side of the hill from the St. John River, with the result that there is not an island in view from their windows in Island View. Visit Roger’s website here.
“I met a traveler from an antique land who said: “Two vast and trunkless legs of stone stand in the desert. Near them, on the sand, half sunk, a shattered visage lies, whose frown, and wrinkled lip, and sneer of cold command, tell that its sculptor well those passions read which yet survive, stamped on these lifeless things, the hand that mocked them and the heart that fed. And on the pedestal these words appear: “My name is Ozymandias, king of kings. Look on my works, ye Mighty, and despair!” Nothing beside remains. Round the decay of that colossal wreck, boundless and bare the lone and level sands stretch far away.” [Percy Bysshe Shelley]
Comment: Not my poem – I only wish it was – but certainly it expresses some of my sentiments at the current time. What on earth is happening? Who do we think we are? What do we think we’re doing? Where do we think we are going? ‘Vanity of vanities – all is vanity.’
It’s so easy to cast the tiniest pebble into the tranquil pond.
Sit and watch the ripples spreading, flowing outwards, touching unknown shores with a smidgen of warmth, a lapping of love.
Reaching out, from the center to the periphery, not knowing where the outreach is going, but knowing that the effort is never in vain if it helps someone’s suffering, reduces their loneliness, brings light to their lives, and relieves their pain.
Bread cast upon the waters, returned in great store, three, five, seven, ten times more than what you cast.
Your spider-web lines thrown inwards and outwards in a gesture of faith, hope, and a charity chest of tenderness to lighten a burden, to remove the dark from another’s heart.
It’s so easy to select a pebble, but who will throw that first stone?
rogermoorepoet 