Ash Wednesday

Meditations on Messiaen
Revelations

3

Ash Wednesday

Each of the select will be marked with a seal,
ash on the on the chosen one’s forehead
signifying all grief and guilt consumed,
reduced to the ashes of this burnt-out sign.

Dust to dust and ashes to ashes, for of dust
are we made, and though the embers may glow
for a little while, that ash will soon grow cold.
Words are quick forgotten yet memories linger.

They wander among celestial fields of glory
where nimbuses of nebulae crab sideways
to claw-crack veiled mysteries in an effort,
often vain, to reveal them and lay them bare.

Bird song, far below, flickering fading,
luminous confusion of son et lumière,
infused with the ineffable joys of paradise
and time eternal, successive yet simultaneous.

Birds in the branches of the Tree of Life
gather its fruits with multitudinous song.

Forgotten offerings litter the hidden path,
trodden by the few wise men who in the world
did live. Gold, frankincense, and myrrh may not
be accepted. The offerings are we ourselves, for a
broken and a contrite heart will not be despised.

Click on the link below for Roger’s reading.

Ash Wednesday

Clockwork Universe

Meditations on Messiaen
Revelations

2

Clockwork Universe

A golden globe of sunlight, this orange,
moving in time with the shadows in the skies
that time has ticked to captivate the stars.

Its auburn skin burgeons, polished shiny
by the low fall sun penetrating the window,
desiring to slice this tree-fruit into segments.

A Prelapsarian orange, it glows with the glory
of its unblemished birth in that distant garden
where everything was perfect, before the Fall.

Apples and oranges, chalk and cheese.
Clichés ring out but oranges and lemons sing
the bells of St. Clements as children dance.

Heads bowed they pass beneath archways
of linked hands, imaginary scaffolds bringing
candles and choppers to chop off their heads.

So much more certain, a clockwork orange,
wound up and ready to serve as an alarm clock
that awakes us to the realities of unsustainability.

Or are we all just marginal oranges, placed here
to be devoured, when needed, or thrown away
when our time has run out and our glow is gone?

Circular perfection, balanced now in my hand.
When my nail pierces the peel it releases a perfect
storm of essence of orange, assaulting the senses,
droplets, scent on nostrils, tangy taste on tongue.

Click on the link below for Roger’s reading.

Clockwork Universe

Brother Donkey

Meditations on Messiaen
Revelations

1

Brother Donkey

A statue of St. Francis stands in the corner
of the roof garden. He holds out his hands
for Plaster of Paris birds to settle upon them.

St. Francis wears a brown, sack-cloth cassock
bound at the waist by a knotted, white cord.
Living birds would come to him, if he called,
but he is silent. He knows the birds by their names,
not the Latin or Spanish names, nor their names
in Mixtec or Nahuatl. He knows their true names,
their own ineffable names that grace each of them
and brightens their songs of colored glory.

Brother Sun, by day, and Sister Moon, by night,
bless him with their soft-feathered gifts of light.
Alas, he is bound to this earth by Brother Donkey,
the flesh and blood body he once wore and now
wears in effigy. Of the earth, earthy, his thoughts
are bent on beating this sackcloth body down
and raising his mind in birdsong that will reach up,
higher and higher until it achieves his Kingdom Come.

In front of him, the Bird of Paradise offers him
that which he most desires, a return to earth
in avian form, winged like a miniature angel
armed with a golden harp and an aura of song.

Click on the link below for Roger’s reading.

Brother Donkey

Time Beyond Time

Meditations on Messiaen
Quartet for the End of Time

7

Time Beyond Time

Time beyond time and the eternal
ever-present in the quotidian.

When the Seventh Angel sounds his trumpet,
time will be no more and this earth
will be pulped, like an orange,
in an almighty hand, clenched into a fist.

Thus it is writ, and sundry have read the words.
repetitive forms cycle and recycle themselves,
diatonic chords disassociated by duration.
Laud, bless and praise always the vivid joy,
light and color lighting up the skies
in an aurora borealis seldom seen.

Indefectible light, unalterable peace,
rhythmic repetition, time’s serpent
circling around itself and devouring its tail
in assonance and dissonance, the utmost beauty
of raindrop birdsong, its liquid forever decanted.
Infinitely slow, ecstatic is the message.

“Laud, bless, and praise him all thy days
for it is seemly so to do.”
Old One Hundredth.

Click on the link below for Roger’s reading.

Time Beyond Time

Crystal Liturgy

Meditations on Messiaen
Quartet for the End of Time

6

Crystal Liturgy

Here, in the abyss,
where song-birds pluck their notes
and send them, feather-light,
floating through the air,
here there are no tears,
no fear of shadow-hawks,
for all blackness is abandoned
in the interests of sunlight and song.

Here, the crystal liturgy surges,
upwards from the rejoicing heart,
ever upwards, into the realms of light,
where color and sound alike
brim over with the joy that, yes,
brings tears of release to head and heart.

Here, the seven trumpets will sound
their furious dance that will announce
the end of this singer, the end of time,
but not the end of song itself.

Here, seven-stringed rainbows reign.
Here, the harp is tuned and plucked.
Here, the everlasting music
cements the foundations of earth and sky.
Here, the master musician conducts
his eternal choir, their voices rising,
higher and higher, until they reach
the highest sphere, and song and voice
inspire, then expire, passing from our eyes
and ears into the realms of everlasting light.

Click on the link below for Roger’s reading

Crystal Liturgy

A Stone



Meditations on Messiaen.
Quartet for the End of Time.

1

A Stone

I cast a stone into the sea.
A round, flat stone,
it skipped from wave to wave
and refused to sink.

My heart sank within me
as I counted each bounce:
five, six, seven…
then the stone sank
bearing with it
my seven deadly sins
and I wept no more.

I, who have lost all that I had,
mother, father, brothers,
land of my birth,
I laid them all to rest
and I dried my tears,
forgot my fears,
and counted my blessings
as I walked, no longer alone,
along the shore.

Click on link below for Roger’s reading.

A Stone

Thursday Thoughts

I’ll have to think about this.

Thursday Thoughts
29 July 2021

Thursday is thought day, but what on earth am I thinking about? Well, yesterday I talked about open and closed imagery in poetry. I also talked about direct meaning and indirect meaning. So today’s thought is in Spanish and I have taken it from a poem of Federico García Lorca (1898-1936). “En la noche, platinoche, noche que noche nochera.” Sense and nonsense: what on earth does this mean? A literal translation gives us “in the night, silver-night, night which en-night-ens (more?) night”. Sense or nonsense? We shall find out. First, I would like you to read this article: https://moore.lib.unb.ca/Scholteach/platinoche.htm

Quite simply, the article discusses the difference between plain speech and poetic language. However, language has a tendency to simplify itself, to reduce itself downwards. Sentences become shorter. Ideas are simplified. Slogans replace thought. Emotion replaces reason. How and why this happens is a mystery, but I can assure you that it has happened throughout history. Just think of the breakdown from Classical Latin to Vulgar Latin to the various Romance Languages and Dialects that have replaced Latin in the areas where it used to be spoken. Break down, eliminate, simplify.

Thursday’s thoughts: why does this happen? How does it happen? Is it accidental? Is it deliberate? Should we follow meekly along and reduce our own thought and verbal processes? Should we just go gentle into that dark, but simplified, night? Should we resist? How can we resist? The answers to those questions will vary considerably. Each person who takes the time to read this will have a different set of reflections. That said, those answers are important, not just to each one of us as an individual, but also to us human beings as an inter-linked chain in society. All poets, all philosophers, all those who care about language, must reflect deeply on how they can preserve it, care for it, and make it mirror the depths, not of their own education, because not all of us privileged enough to be deeply educated, but our own intelligence. I have lived in places where people neither read nor write. It is so easy to dismiss them as ‘stupid’. I can assure you that they are not ‘stupid’ and to think of them is such is to ignore totally the oral tradition, the wisdom tradition, the cultural traditions from which these people come. We underestimate them at our peril.

What can we do? As poets, we can preserve the traditions and dignity of the depths of meaning, logical, emotional, sub-conscious, that is included in poetry. As writers, we can concentrate on using words with care and attention, of making our meaning clear, of elaborating our thoughts in such a way that others can follow them. As readers, we can look at inner structures, the deeper meaning of words, the emotional forces that try to persuade us, sometimes dishonestly, that this or that is best for us. As human beings we can extend our vocabularies, pay attention to words and their effects, and we can stand up for the linguistic and cultural traditions into which we were born, or in which we have chosen to live.

Now, always with your consent and permission, I will offer you the link to yesterday’s blog post https://rogermoorepoet.com/2021/07/28/22862/ Here you will find, if you choose to click on it, and it is always your choice, a discussion on meaning in language that will run parallel to this one.

In Praise of the Other

In Praise of the Other
A Thursday Thought

I have lived with the Other.
He treated me well.

To him I was the Other,
yet he fed me when I hungered,
gave water when I ran dry.

I fell ill and he cared for me,
nursed me back to health.

He taught me his language,
culture, history, and skills.

He loved me, never forced me
to forget myself and become
something I could never be.

He made me what I am today:
a believer in humanity,
not man’s inhumanity to man.

Vets

Autumn Leaves, the Peace Park, Mactaquac

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Vets
A Thursday Thought

Mary Jones

I met her unexpectedly in a restaurant in St. George.
I was masked, but she knew me right away. She hadn’t
changed. How could she have? She is as she is. Straight
forward, upright, honest, true to her words and her values.
Ex-military. A United Nations Peace-Keeper. A Blue Beret.
World traveller to some of the roughest, toughest, ugliest,
craziest spots. Everywhere she went, she helped keep the peace.

She came back home to find out what she already knew: that
rural New Brunswick was as wild as anywhere she had been.
She was anonymous, here, was just another number in a book,
a casualty in a nameless war of attrition after which the winners
rewrite the history of events, twisting them this way, that way
to suit themselves and their own instincts and interests.

“Best of the best,” I wrote in the book I gave her. Fortuitous,
it was, finding her again, finding that copy close to hand,
reserved for her alone. That book and this poem are my tribute
to her for her courage, her fortitude, and her strength of will.
They are also a tribute to her role in making the world a safer place
in which others, less fortunate, can create, without fear, their lives.

Comment: There is very little more to be said. Each former soldier is an individual with a history and personality of their own. This is my tribute to a very good friend who served her country and the United Nations Peace Keeping Forces with pride and distinction. Mary Jones, I, an academic, a writer, and a non-combatant, salute you for all the positive values which you have brought into this sometimes troubled world of ours. You and your well-being are in my Thursday Thoughts.

Chaos Theory

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Chaos Theory

Chaos theory:
it states that we don’t know
what we’re doing and
it wouldn’t really matter
anyway, even if we did,
because life lacks meaning,
chance rules, and Lady Luck
with her lusty locks attached
to her forehead and she,
all bald and hairless
from behind, must be caught
as she arrives, because later
is much too late, and when past,
she’s gone for good and
our good luck’s gone with her,
and we’re left for ever,
sitting there, head in hands,
bemoaning all that milk spilled
before we ever had a chance
to actually taste it.

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