Questions

Questions
Four Elements, p. 137

After my mother died,
I lit a candle in every church,
a real bees’ wax candle,
not those tiny electric lights
that glow for a little while,
when you insert money
in the insatiable slot.

Like the minuterie
on each landing of a Parisian
staircase, it gives enough light for
a quick prayer, or a very short
moment or two of silence.

Where does the light go
when the electricity switches off?
Where does the flame go
when the candle is snuffed?
Where did my mother go
when her light went out?

One day, but not too soon, I hope,
I will have to follow her and find
the answers to all of my questions.

Click here for Roger’s reading.

No Turkey, No Presents, No Tree

No Turkey, No Presents, No Tree.

And that’s how it is this year. Partly by choice. We decided against the stress of a turkey. Is it cleaned out correctly? Is it stuffed properly? Will we put bacon on top? Is it cooked to perfection? What about the trimmings? Stuffing (inside and out)? Bread sauce? Cranberry sauce? And the vegetables? And the Christmas Pudding? Will it be ready on time? Does it look nice? Have we laid the table properly? There are only two of us now. How much turkey can two people eat anyway? So we’ll have none of that this year. No stress. No cooking. No washing up. No leftovers. No turkey. The poem – The Twelve Days of Turkey – makes this clear.

As for the presents, well, that’s a sad story. We don’t really need anything. The house looks like a cross between a junk-shop and a museum gone mad. As Dylan Thomas said of Swansea Museum: it looks like a museum that belongs in a museum. And that’s what the inside of our house is beginning to look like. A crazy place inhabited by two crazy people and a crazy cat. Well, the cat would have loved some wrapping paper to play in, if it were a normal cat, but it’s not. So even the wrapping paper won’t be missed. No presents means no disappointment and that means that the Poem of Lower Christmas Expectations does not have to be written.

As for the tree, well, we don’t have a living tree, chopped down, and fed water daily, so that it can sprinkle its needles steadily over the carpet before it’s time to go. And the, on the way out, it drops the lot. Then we must vacuum clean, Hoover, Dyson, brush up, do the necessary, whatever it is, to make the place clean again. And oh, that cold January air when we open the sliding door to force the tree out. Force it out indeed – after 12 or so days inside, it doesn’t want to go out in the cold and freeze. And neither do we.

So, it’s a minimal Christmas. Three LED trees from past years. Clare’s Auntie’s artificial tree from her old shop in Cheap Street, Frome. Some strings of lights. Everything inside the house and nothing outside. And inside we have warmth, light, a fire in the stove, and for dinner, a tourtière, Acadian, all nicely spiced. With a selection of trimmings, to be determined later. Bread sauce and cranberry sauce probably. Oh yes, and we have a variety of puddings that can steam while we are eating. A minimal Christmas, then. No high expectations. The Christmas Mangers from Mexico and Spain all in place. And Christmas music, also from Mexico, on the disco and ready to go.

And yes, this will be the best Christmas ever. Because it is taking place within our hearts. And all best wishes for a wonderful day and an even better year to follow, to all of you, too.

Me and My Bride!

Me and My Bride!

A friend wrote to me today and sent her greetings to ‘you and your bride’. Well, that delightful phrase set me thinking. Clare (my bride!) and I have known each other for 61 years and we have been married for 56 of them, 57 this Christmas. I often wonder how this wonderful woman has put up with me during all those years.

Mrs. Thomas Thomas, my good friend from the little village in Wales where my parents had their house, once told me about a friend of hers. That friend had been married for 35 years and had never had a quarrel or a fight with her husband. ‘There she goes,’ she told me one morning. ‘Never a fight with her husband. Bloody boring marriage, if you ask me.’

The point, I suppose, is that yes, there can be disagreements within a marriage, and doubts, and uncertainties, and questions about major decisions, and no, we don’t agree on everything? How could we? And one of the best parts about marriage, well, ours anyway, is agreeing to differ, and then making up again, as quickly as possible, after any disagreements.

Whatever, it is hard to argue against 61 years of togetherness and happiness. The secret formula? Clare’s – to learn my languages with me, to help me with my work, to lift me up when I am down. Mine – to love cooking for her, spoiling her, bringing her flowers, and trying to support her as she has supported me.

We have often led separate lives – Clare as a tennis player, a national gymnastics judge, a dedicated show secretary of the local kennel club, a show dog owner, groomer, and handler. Me – as a rugby player and coach, a researcher who has travelled frequently and visited important libraries in my field, a poet and short story writer who has taken and led workshops and writing groups.

We have also worked together at all levels. Each of my four graduate courses (MA, Toronto, 1967) demanded a paper every two weeks. Sunday, Monday, Tuesday – paper #1. Wednesday, Thursday, Friday -paper #2. Saturday – rugby with U of T Blues or Toronto Irish. Sunday, Monday, Tuesday – paper #3. Wednesday, Thursday, Friday – paper #4.

I would sit in the kitchen and write the papers in longhand. Clare would sit at the other side of the table and type each page as I finished it. She did the editing too, when and where necessary. She also developed her computing skills faster than I did. Result: web pages, art work, design, photography, and several of my book covers. Our keys to success include team work, mutual assistance, deep caring and sharing, but separate paths, when and if we needed to take them.

So, there you have it. A swiftly-penned picture of me and my bride, or, as I call her, my better two-thirds. My life would have been very, very different without her. And don’t forget: behind every lucky man, there stands a wonderful woman.

Ghosts

Ghosts

Who are they, these ghosts
who flit into our lives
and leave us foundering
in treacherous waters
as we search for
enlightenment and meaning?

Why do they return,
revenants, to disturb
our peace and quiet,
and to trouble our sleep.

Who are they?
So deep, so distant,
we no longer know them.
Memory’s fish-hook
cannot snag them,
cannot haul them
back into daylight reality
far from night’s net
of silvery dreams.

Click here for Roger’s reading on Anchor.
Ghosts

Comment: I read the poem out loud, copied it to Anchor and Spotify, then found I didn’t like the way it sounded. So, I rewrote it. That accounts for the difference between the sound recording and the revised written text. Fun and games.

Star Struck

Star Struck

Last night, when least expected,
out of nowhere, a new star
and beyond it, the Red Planet.

Light fragments, disintegrates.
I grasp at snow flakes
as they stumble, falling stars
sliding down the sky.

I stretch out my hand
to grasp the magic of the moment,
but I cannot comprehend the mystery.

I shiver – knowing I must leave
the warmth of my bed,
my comfort zone,
to walk alone in cold and dark.


Click here for Roger’s reading on Anchor.
Star Struck


Dydd Dewi Sant Hapus

Dydd Dewi Sant Hapus

Daffodils
(for my mother)

Light in dark
bright yellow stridence
shrill golden dog’s bark
to warn off death’s wolves
that freeze her blood

she dreaded night’s unease
the devil’s wintry anti-spring
life’s darkest sparks

but loved the daffodils’
sunny March cadence
of brief piercing dance

Click here for Roger’s reading.
Daffodils

Sonnet: Angel Choir

Angel Choir
(on seeing the Northern Lights at Ste. Luce-sur-mer)
Sonnet

Listen to the choristers with their red and green voices.
Light’s counterpoint flowering across this unexpected son et lumière,
we tremble with the sky fire’s crackle and roar.

Once upon another time, twinned with our heavenly wings,
we surely flew to those great heights and hovered in wonderment.
Now, wingless, our earthbound feet are rooted to the concrete.
If only our hearts could sprout new wings and soar upwards together.

The moon’s phosphorescent wake swims shimmering before us.
The lighthouse’s finger tingles up and down our spines.
Our bodies flow fire and blood till we crave light, and yet more light.
We fall silent, overwhelmed by the celestial response.

When the lights go out, hearts and souls are left empty.
Leaving the divine presence is a gut-wrenching misery.
Abandoned, hurt and grieving, we are left in darkness.

Comment: The Spanish mystics, St. John of the Cross, and St. Teresa of Avila, wrote, in the sixteenth-century, about the ‘dark night of the soul’. That dark night also arrives when the communion with the spiritual finishes and the communicants are left alone, in their loneliness, abandoned to their earthly selves. To leave the divine presence is a heart-breaking, gut-wrenching misery. To turn from the marvels of nature can produce lesser, but still deeply moving feelings of grief and sadness. The secret is to preserve that joy and to carry it with us always, warm, in our hearts. Doing so makes the pain of separation much more bearable.

Click on this link for Roger’s reading.
Sonnet: Angel Choir

55 Years Married

Poppies by Clare

55 Years Married

White Flame
in praise of my beloved

White flame, her hair, emerging from shadows,
lighting her path downhill toward water’s edge.
Wind-driven waves splash lake-side where she
will wander. I watch her footsteps, not now
as firm as once they were. Burgeoning age

grips hip and joint. Toes and heels no longer
lift in the same old way. Component parts
break down, arteries clog, arthritis worms,
painful, into fingers, wrists, and knees. I
recall nursery rhymes: “Jack be nimble, Jack

be quick,” but she isn’t anymore and
neither of us could jump over candles.
Candlelight, inner light, outer light, her
hair, so pure, so white, her voice clear as a
bell, soft yet luminous, as she picks her
way on a perilous path through wayward

woods, not stumbling yet, nor lumbering,
and still she lives, as I still live, in hopes
to see each other, until earth stops our eyes
and we can see, sense, touch, hear no more …

Comment: Yes, we got married 55 years ago today. This poem, written for Clare, appears on page 120 of The Nature of Art and the Art of Nature in the section entitled The Nature of Human Nature. I have written several very personal poems about Clare and our relationship and they can be found in Secret Gardens the chapbook I published in 1991 on the occasion of our 25th wedding anniversary. Several poems from that collection also appear in Stars at Elbow and Foot. Selected Poems, 1979-2009. (Cyberwit, 2021). The painting that decorates this page is also by Clare. She is a talented multi-media designer and several of my book covers were designed by her. This is one of her rare paintings. We have three of them on the wall, and they are all exceptional.

Click on this link for Roger’s reading.
White Flame

Lorca’s Duende

Lorca’s Duende

Duende
“Todo lo que tiene sonidos oscuros tiene duende.”
“All that has dark sounds has duende.”
Federico García Lorca (1898-1936)

It starts in the soles of your feet, moves up
to your stomach, sends butterflies stamping
through your guts. Heart trapped by chattering
teeth, you stand there, silent, wondering: can I?
will I? … what if I can’t? … then a voice
breaks the silence, but it’s not your voice.

The Duende holds you in its grip as you
hold the room, eyes wide, possessed,
taken over like you by earth’s dark powers
volcanic within you, spewing forth their
lava of living words. The room is alive
with soul magic, with this dark, glorious
spark that devours the audience, soul
and heart. It’s all over. The magic ends.

Abandoned, you stand empty, a hollow shell.
The Duende has left you. Your God is dead. Deep
your soul’s black starless night. Exhausted,
you sink to deepest depths searching for that
one last drop at the bottom of the bottle to save
your soul and permit you a temporary peace.

Click on this link for Roger’s reading.
Lorca’s Duende

Comment:

I guess the secret is to have infinite trust and to hand yourself over to those higher powers during the performance. Some can do it individually, others need to be part of a team. It works differently for each one of us. But when the lower element surrenders to the soul-fulfilling higher element, miracles happen. And when they are over, we are left bereft. It’s the same, in many ways, with mystical experiences. After we venture into the beyond, Messiaen’s Au-dela, upon our return to our earth-bound existence, we are left stunned and stranded by our former voyage into absolute beauty.