Birds

Advent Calendars

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Advent Calendars

We have multiple Advent Calendars. Some are online, others are religious, and yet others, like the one pictured above, are forest scenes with Santa, courtesy of my daughter and Playmobile. We particularly like this one. Each day, from December 1 to December 24, we get a different set of pieces to add to the background. Then, on December 25, Santa arrives ad we keep him around, usually until the New Year, sometimes until Reyes, the Spanish and Mexican Christmas, on January 6.

Every morning, Clare opens the large Playmobile Box and adds the day’s pieces to the scene. Bit by bit, the scene grows until everyone is present in the same forest glade they have inhabited for many years now. Every year, I search for new animals, and they live in the scene next door, cats and dogs and kittens and puppies, all watched over by a framed photo (2001) of my favorite dog: Tigger.

No, the spirit of Christmas doesn’t reside in a cardboard box and its plastic figurines. Rather it resides in happy memories (horas non numero nisi serenas / I count only the happy hours) and in the new memories, usually very happy, that we create each year. Clare is a sun-watcher. Each day, she calls out the minutes as the days lengthen, post-mid-winter, and the earth tilts slowly back into spring, then summer. We also watch the sun shadow creeping up the wall (pre-Christmas) and then slowly back down again, post-Christmas, into the New Year, Reyes, and my birthday.

Christmas visitors in our plastic Christmas forest scene are joined by real visitors in the world outside. Deer walk up to the bird feeders by night and squirrels (red and grey), chipmunks, and a variety of birds feed there by day. By night we also get raccoons and the occasional fox. By day, our neighbors’ thin, predatory cats tinkle their Christmas bells, and patrol the garden in search of their Christmas dinners. Every year, we watch the splendor of birds at the feeder and hope that the cats go hungry for now, to be filled later in the safety of their own feline dishes safe indoors.

Umbrella

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When it rains, everyone needs an umbrella.

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Umbrella

Black clouds overhead,
yet I walk dry
beneath a black umbrella.

Pitter-patter of falling rain:
my ears strain to catch
a nearby robin’s song.

I have mislaid his voice
and can no longer
translate his liquid trills

nor transform them
into a sunlight that will glisten
through dripping leaves.

Frogs in the summer pond
explode light bulbs in my brain.

A rainbow glistens in the pools
beneath my feet.

I want to see my garden reborn,
with words and my world renewed.

I thirst once more for life’s
sweet, fresh water.

Here below is the voice recording of my poem Umbrella.

Name Game

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Quacker-quack-quack: I suppose there are better names for a sort of quacking duck cartoon. But then, what’s in a name? A rose by any other name would smell as sweet. But would it? What if we called it a dead rat or a mushroom riot fungal infection, would it then smell as sweet? Good question.

With names, we are looking for le mot juste, the single word or short phrase that sums up the moment and seizes it, framing it forever. As the Welshman once said, when Wales beat the South African Springboks rugby team: “Now I can die happy.” And that’s what he was called ever afterwards: Dai Appy. Then there’s Dai Arrears, who could never pay his bills on time, and Dai Lemmer, who never knew what to do, and Dai Alysis, who had a kidney problem, and Dai A’Beckett, who ate too much sugar and chocolate, and Dai Ear-Kneed, who always held his hand out for a little extra financial help, and Dai Lingual, who couldn’t speak any Welsh (you’ll have to think about that one), and Dai Ap Bolockal, who had a devilish sense of humor and always played practical jokes on his siblings, and Dai Urnal, who slept all night and only woke up in the day time, and Dai Heederal, who threw stones at sea-gulls, and Dai Nasty, who lived in a shoe with so many children that he didn’t know what to do, and Dai Rection, who always knew the way home no matter how much he had had to drink, and Dai Late, who never arrived early and thought he would live for ever, not to forget Dai Anthus, the florist, with a personality so split he was also known as Bill and Ben the Flower Pot Man,  and there’s Dai Yallog, who always mumbling to himself, born in the Mumbles, mind, and mumbled so much his wife called him Mono, and there’s Dai Verse, a rotten poet, couldn’t ever make his poems rhyme in either unofficial language, and Dai Vulge, the village gossip, who could never keep a secret, and … and … One day, I will write a book about all my Welsh friends called Dai, and indeed, there are a great many of them. What adventures they would have. Enough to turn Under Milkwood sour with jealousy, probably.

Meanwhile, back at the duck farm, Quacker-quack-quack is looking for a nice, friendly duck name. Please let me know if you have any suggestions. And stop throwing sand in the Winky Bird’s eye: he’s got enough problems as it is.

 

 

Snowman

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“Settle down, children, and be quiet. I am going to read you a story about the snowman who didn’t believe in global warming. You, at the back, Elizabeth … yes, you. Sit down and shut up and stop biting your fingernails. And no, it’s not recycling when you chew them afterwards. Stephen, stop blowing raspberries. Now, children, shall we begin?”

“Yes, miss.”

“Once upon a time, a long time ago, after a big snow storm in November, Little Justin built a snowman in his garden. It was a lovely snowman. You can see how lovely it was if you look at the picture at the top of this page. There. Isn’t he lovely?”

“Yes, miss,”

“Justin was a very clever boy and he could do magic tricks. So, he made his snowman mobile and the snowman walked all over the garden. He was a very happy snowman and he threw snowballs at Justin who caught them and threw them back. Stephen, will you stop blowing raspberries.”

“Sorry, miss.”

“Justin’s snowman could speak and understand long words and sentences. He was very clever, but not as clever as Justin. David, will you stop picking your nose and don’t put that finger anywhere near your mouth.  And Stephen, one more raspberry and I’ll make you stand in the corner. Do you understand me?”

“Yes, miss.”

“One day, Justin told the snowman all about global warming and how the spring would come and the sun would shine and all the snow would melt. ‘Phooey,’ said the snowman. ‘I don’t believe you. And anyway, I don’t care.’ ‘You just wait until April or May,’ said Justin. ‘Then you’ll believe in global warming.’ ‘Right,’ said the snowman. ‘I won’t believe in global warming until April or May. Then I’ll believe in global warming. Maybe. We’ll see.’ Justin was very upset that the snowman didn’t believe him. Stephen: that’s enough. No more raspberries, I said. Now go stand in the corner. With your face to the wall. Any more noise from you and I’ll put you in detention. Do you understand?”

“Yes, miss.”

“Well Christmas came and the snowman danced on the snowbanks and thumbed his nose at Justin. ‘Global warming sucks,’ he sniggered. Justin shivered through the cold winds of January and February. Then March came in like a lion and the cross-country skiing was wonderful and Crabbe Mountain was full of young people all having fun. Meanwhile the snowman danced away and sang under the moonlight. Some nights Justin would wake up to find the snowman’s face, like a great full moon, leering in at his window. And … what was that noise? Stephen, was that you?”

“Please, miss. I couldn’t help it. It wasn’t a raspberry, miss.”

“I know it wasn’t a raspberry. And I know what it was. You’re coming with me to see the principal. Class, you can take out your pencils and notebooks and write your own ending to the snowman story. Stephen, what you did was disgusting. You’re coming with me to the principal’s office. Right now.”

“But, miss,” Elizabeth an David raised their her hand.s and spoke in chorus” “What happened to the snowman?”

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Buzz Words

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Beware of Buzz words. Beware too of the perils of what Bobby McDonagh, in the article linked below, calls the thought incinerator. A thought incinerator is a word or phrase that can be repeated again and again to destroy thought and argument. McDonagh’s article illustrates the use of thought incinerators in politics. Being more apolitical than political, I am interested not in politics, but in the linguistic argument that involves the erosion of language and meaning and the destruction, with chanted, thoughtless choruses, of logical discourse and analysis.

Lock her up, the people have spoken, build that wall, drain the swamp, fake news, all fall into the category of thought incinerators, precisely because they can be repeated endlessly with no need to present logical arguments to support their continued usage. While these mindless chants can be attributed to one side of the political divide in the USA, more similar phrases can be found in the article below touching on the current political situation in the [Dis-] United Kingdom of Great Britain and Northern Ireland. some examples follow: the elite, project fear, Brussels bureaucrats, Brussels bullying, Brussels blackmail, the EU wants to punish Britain, whatever did Europe do for us, not to mention the notorious red bus and its far-reaching message “350 million quid a week for the NHS“. I encourage you to read the and hopefully to understand what such mindless repetitions do to incinerate thought within our so-called democratic society.

https://www.theguardian.com/commentisfree/2018/nov/20/brexiteers-trump-language-fake-news

The problem goes beyond politics and enters the realm of language erosion. In our province, the local newspapers write at a grade nine language level and like it or not, we deal on a daily basis with functional illiteracy. Spelling, if and when people actually write, has become phonetic because less and less reading takes place, and the world is summed up in catchy sound bytes from radio and television and the shorter the better. Slowly, we are reduced to devouring slogans like those repeated above.

I look at the trees in the garden: birch, pine, spruce, fir, tamarack, hackmatac (from the Western Abenaki?), balsam poplar, larch, willow, mountain ash, black willow … they can all be reduced to trees. In my garden, at the feeder, I have birds, sparrows (so many varieties), nuthatches (white and red-breasted), woodpeckers (at east three kinds), finches (many species), grosbeaks, siskins, song-birds, warblers, passerines … but as the clear-cut loggers who cleaned the hillside behind my house pronounced “trees are just trees, we’re here to clear them out,” we might just as well say “birds, just birds, we’re here to fatten them and feed them to the cats”.

The erosion of language, the erosion of thought, the dumbing-down of society, the reduction of the world to advert, slogan, and chant, the loss of thoughtful democracy … this is what I fear most. And, as I age, I fear the loss of memory as song sparrow, white-throat, chipping, Lincoln, are slowly fading into generic ‘sparrows’. Soon, alas, they will probably all flap their wings and fly away, fading into the simplistic grey mist of a disappearing species … ‘birds’. I fear that day and I fear what memory loss and thought incineration and language erosion are doing to my precious world.

More thoughts on language erosion can be found here

https://rogermoorepoet.com/2018/11/17/thinking-outside-the-box/

Early Bird

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This is the first painting I ever did on canvas. Kingsbrae held their painting session for children in June 2017, and I joined in with the five and six year olds. It was such wonderful fun. They slapped the paint onto the canvas with unbounded joy. It was hard not to be joyful with them. Many of them expressed curiosity about my painting: “What is it?” then later “What are they saying to each other?” The conversation between bird and worm (or whatever it is) was of incredible importance to them. I thought of it as my “Bonjour, Monsieur Courbet” moment. Now that’s confidence for you.

My strange accent, slowly developing as mid-Atlantic Welsh, with a touch of West Country English and a dab of Upper Canadian and a touch of New Brunswick also fascinated them. “Where are you from?” “Fredericton.” “No. Where are you really from?” “Island View, New Brunswick.” “No. Where were you from before that?” The questions continued until they had ascertained that indeed, I was not a Canadian, a real Canadian, even though I was in Toronto in 1967 to see the Maple Leafs win the Stanley Cup. 1967: that’s 51 years ago, and I still support the Maple Leafs and I still have my strange overseas accent. “You’re weird,” they told me. “I’ve been in Canada a lot longer than you,” I told them. “Where did you grow up?” They asked. I silenced them with my answer: “I don’t think I have yet.”

Happy paint-splashers, we dabbed on and on in alternating mirth and silence. Some left the table and walked away. Geoff collected our paintings and left them to dry. Later that day, we hung this painting on the wall in the KIRA dining room. It sat there for several days and nobody noticed it. Alas, a hawk-eyed young lady finally spotted it the first night she came over for dinner and “What is that?” she asked, pointing at my painting. Bold and italics combined cannot reproduce the scorn and disdain rolled up in the single word: that. I remember the butler in a country house in Somerset removing with a pair of tongs the Communist newspaper The Daily Worker from the weekend newspapers left on the doorstep. He, too, was very disdainful.

I also remember the tone of an Old Etonian, well he said he was an Old Etonian and had a rasping, high-pitched nasality that made him sound the part. This jolly goof fellow summed me up at a dinner party one night in Toronto when I first came to Canada: “Oh, you’re Welsh.” The grate of his voice was the scrape of a stick removing a dog turd from a shoe. “No,” I said. “Irish, actually.” I used my broadest Welsh accent. “My family is Irish Catholic not Capel Cymraig / Welsh Chapel. Moore is an Irish name. Llewellyn ad Jones are Welsh names. I am not called Llewellyn or Jones.”

And this reminds me of my father, standing in the elevator in a posh hotel in Bordeaux, when three Irishmen walked in. They scanned him for a moment, and then one said, in the broadest of Southern Irish brogues: “T’is the map of Ireland written all over your face.” “Yes,” says my father in his thick, Welsh accent, “I am Irish. But I was born in England.” And that brings me back to my painting. Is it the early bird that catches the worm or the late worm that gets caught by the bird? And which came first, the chicken or the egg?

Ah, the beauty of children. They accept, often without judgement and often without speculation and I love their readiness to befriend the growing child within the old man as he ages. They may not hold doctorates in philosophy, but by golly they are true philosophers in their finest moments. And then of course, they go to school to learn how to behave … and may the good Lord have mercy on them.

Haircut, anyone?

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Haircut, anyone?

Well, it’s almost time for me to have my hair cut. When I looked in the mirror to shave this morning I looked a little bit like this: beaky nose, eyes closed, well, half-closed and squinting, anyway, and all lathered up. My grand-pappy told me there’d be days like these: usually just before he cut himself shaving at the kitchen sink with his old cut-throat razor. Then he’d disappear into the outside bathroom and reappear with little Vs of toilet tissue pushed into his chin to staunch the still-leaking wounds. All that’s missing here, in this photo, apart from life itself [nature morte: still life] is my grandfather’s pink shaving cream. And a sense of humor: wreckage on life’s beach, the common destiny that awaits us all, flies and all.