Reconciliation

Guess who caught a fish?

Meditations on Messiaen
Why do the people?

7

Reconciliation

Rant, I say, rant and rage away, rage, rage against
the death of friendship and loathing built on false love.
This is a blood sport where even the spectators
are spattered with the refined frenzy of friends
turned into fiends and foes, and this is a protest,
a rant against love that doesn’t last, that doesn’t stand
the test of time, against families that break up,
against a society that breaks them up, driving wedges
and knives between people once bound
by the puppet strings of love, against relationships
that can no longer continue, against the rattling
of dead white bones in empty cupboards where skeletons
dance their way into legal daylight and the spectators
 call for more: more blood, more money, more blood money,
and the engagement diamond is a blood diamond now,
a tarnished garnet, and where is the Little Old Lady
of Threadneedle Street, that spire inspired needle
that will stitch their world back together,
and stitch you back together when you’ve been shocked
out of your own ruby-sweet rose-tinted world
and torn into little bits in their oh-so-bitter one,
the biters bitten and those bitten biting back in return,
 a new world this world of snapping turtles,
turtles standing on the back of turtles, and turtle after turtle
all the way down until this carnival world puts down
its dead clown mask and turns turtle in its turn.

Comment:

National Reconciliation Day today, the first in Canada. Now that is a valid reason to rant. Let us hope for reconciliation, for a healing and a mending. I love Canada. I love all Canadians. I came here by choice, stayed here by choice, and I am very grateful to have been accepted by the Canadian communities in which I have lived. I hope I have graced Canada, with my presence, as Canada has aided me and helped me along in all my endeavors, academic, sporting, teaching, creating, and editing. As Norman Levine once wrote: Canada Made Me. In my case, it is true. On this first National Reconciliation Day, my thoughts and thanks go out to my brothers and sisters, all of us Canadians.

I don’t know what happened this morning: I put the same post up as yesterday. Different photo, same post. I really don’t know what to think about what I was thinking. Old age? Confusion? A troubled mind? All of the above!!! Never mind: here we go again, and maybe my next rant will be about getting out of touch and loss of memory! You never know what’s coming next, and that’s the beauty of Messiaen.

Click on the link below for Roger’s reading.

Reconciliation

Twist & Bust

Lady Cherry Stones with balloon!

Meditations on Messiaen
Why do the people?

6

Twist and Bust

 Vingt-et-un, twist and bust, always hoping,
seldom winning, holding out one’s hand
for hand-outs, for special treatment, for some
thing that raises us above the everyday nothingness.

Twist, yes. Let’s twist again, like we did back when.
But this isn’t Oliver Twist: “Please sir, may I
have some more?” though everyone is heading
for the poor house and the beadles are gathering
by Bedlam’s door with their handcarts and dogs
and the full enforcement of a blue-serge law
made to twist and torment, though I have never
understood the law, especially when it is left
in the hands of lawyers, for “the law, dear sir, is an ass”,
a striped ass at that, black and white like a zebra,
though grey and costly in the areas that matter most.

And what is there to do but rant away
about the injustice of it all, the size of the pay-checks
and now you must check-out the food banks,
 the soup kitchens, the meals on wheels, the charitable
eating and boarding houses, because there’s no more roof
over the head and the house is sold and the incomes
are split and the children are more-or-less cared for,
though rather less than more, and the dog is turfed from
his dog house and the pussy cat booted from her feathered bed.

Click on the link below for Roger’s reading.

Twist & Bust

Mystery and Magic

Mystery and Magic Rule

            “Sólo el misterio nos hace vivir, sólo el misterio / Only the mystery keeps us alive, only the mystery.”(Federico García Lorca, 1898-1936). The poet and the artist both create metaphors, mysteries, magic. The search for meaning, the attempt to unravel the Gordian knot that surrounds the inner core of mystery is what keeps us, as viewers, viewing, and us, as readers, reading. Sometimes, as in a mystery novel, the ending is closed. The mystery that has spurred us on is revealed and the novel ends. Sometimes, as in many of the poems and stories in my books, the ending is open. The mystery continues and we never leave the land of wonderment that we first entered when we opened the book. There is no closure. Words and memories, metaphors and images, lines and rhythms, remain trapped in our mind with the brightness of butterflies that flutter before our eyes and flitter away before they can be caught. Beauty is in the eye of the beholder. And in poetry, each beholder becomes a new creator, a new artist creating a private, imagined world.

A private, imagined world: reading The Hobbit or The Lord of the Rings is one thing. The characters came alive and I recreated them in my own mind. I remember the first cartoon rendition of The Lord of the Rings. The characters were no longer mine. I did not respond to them. I left the film early and went off to the closest bar. To drown my sorrows and forget. Same thing with Harry Potter. My own inner visions were not the external visions created for me by Hollywood or whoever. In fact, after seeing one film, I gave up on the whole series. Not my inner creations, not my heroes, not my people.

This might be a generational problem. I grew up in the age of radio, no TV, not until I was 9 years old. I remember listening to the Wind in the Willows on BBC Radio. Voice echoed in my head and each character, each episode was recreated in my own mind. I read my first copy, carefully preserved since childhood, the other night, and Ratty, Moley, and Badger were just as I first remembered and recreated them. The same with The Chronicles of Narnia, read, before they were seen.

Perhaps someone else’s visuals destroy the magic and the mystery we have created. Perhaps there is a huge difference between reading first and seeing first, or seeing first and then reading the novel. I once used A Room with a View as a textbook in a reading and writing class. Many participants had enormous problems with the written version. In fact, they did not understand the written version until after they had seen the Merchant Ivory film. “Oh woe is me: shame and scandal in the family”. But whose shame? Whose scandal? The world is changing ever more rapidly. There seem to be few absolute rights and wrongs. So many things seem to be relative. Mystery and Magic: are these the things that keep us alive?

Rage, Rage

Meditations on Messiaen
Why do the people?

5

Rage, rage …

Sometimes you wake up in the morning
and you realize that you can do no more.
What is it about family split-ups, the ugliness
of a disputed divorce, the glue coming
unstuck in an already unstable marriage,
a financial settlement that satisfies nobody
and impoverishes both sides of a divide?

And how do you bridge that divide
when you are friends with father, mother, children
and the wounds are so deep that everyone wants out,
whatever the costs and whatever it takes?
And what is it about the deliberate wounding
of each by the others, leaving permanent scars
that will never heal over, no matter how hard one tries?

And what is it about lawyers, when too many guests
gather around the Thanksgiving turkey and knives
are out for everyone to take the choicest cuts
leaving nothing but a skeletal carcass,
no flesh on the bones, and the guests all hungry
and their empty bellies rumbling for more, more, more.

Click on the link below for Roger’s reading.

Rage, Rage

Migrants

Meditations on Messiaen
Why do the people?

4

Migrants

Think natural disasters. Think famine,
wars, violence, plague. How our world changes
when refugees arrive, blend, contribute,
offer so much, their languages, cultures.

Yet we still exploit them, stealing subtle
things, their identities, their energy,
their ability to adapt, to give
so much and really to take so little.

Who would want to build a wall,
to reject them, to deny entry?
Maybe a million Indigenous people
can actually claim the right

to belong here. Most of us are immigrants,
late-comers in one way or another.
To accept, to grow together in peace,
to establish a nation where people

need not fear imminent expulsion
for the color of their skin, their language,
their religion, their political thoughts,
the fact they may not even vote for us.

Click on the link below for Roger’s reading.

Migrants

Push to Shove

Meditations on Messiaen
Why do the people?

3

Push to Shove

When push comes to shove, who stands
at one end of the gangplank, who at the other,
the shipboard one with a gun or a cutlass,
the other poised above circling sharks,
their grey triangular mini-sails threatening.

Can you hear the siren song emerging from
Davey Jones, waiting below, his locker door
open, as it has been so often before? Is this
fate or a fait accompli? Don’t ask me.

Let’s leave him there, the condemned man,
walking his plank, tied blindfold to his stake, seated
before the firing squad, standing on the crossing,
not quite ready to dance on a rope’s end, or riding
the tumbril to La Place de la Bastille, carrying
the time-bomb candle that will light him to bed.

Waiting, waiting, like them, we are all of us waiting,
in media res, waiting for push to come to shove.

Click on the link below for Roger’s reading.

Push to Shove

A Rainbow of Clichés

Meditations on Messiaen
Why do the people?

2

A Rainbow of Clichés

It’s raining outside. A tympany of raindrops
drums rhythmically on roof and window.
Thunder rolls. Lightning flashes, lighting up the sky.
our lights flicker, but we don’t lose power.

“It never rains in the bars,” they say in Spain.
Yet it’s raining in my heart, a sad song,
raindrops, tear drops, my best friend,
tested for Lyme disease, now tested for Covid.

“It never rains unless it pours,” they say in Wales.
And here it comes again, that nineteenth session
of Covid nerves, heart fluttering, nostrils twitching,
that unmasked girl standing six inches behind me,

texting, all thumbs, totally absorbed in the medium
that delivers massage after massage, click here,
out from the empty spaces between her ears and into
the void beyond, bouncing from tower to tower,

small stones cast in a tranquil pond, rippling their way
to whatever eternity lies out there, external realities ignored,
enveloped in the smoke screen of the texting self,
mask-less, fearless, coughing, not covering her mouth.

Here come those clichés. ‘I’m all right, Jack.’ ‘It’s all
about me.’ ‘My life, my freedom to do what I want.’
“It ain’t the cough that carries you off, it’s the coffin
they carry you off in.” A coughing fit, fit for a coffin.

Better, I suppose, than World War One trench warfare,
when it’s over the top, and look: officers, chaplains, men,
the whole battalion, hanging from that old barbed wire.

Click on link below for Roger’s reading.
A Rainbow of Clichés

Hot Line to God

     

Hot Line To God

What would you do if you had a hot line direct to God? What would you say? You wouldn’t need to punch in a number, he’d be right there, at the other end of the line when you picked up the phone. Hello, is that you, God? Yes, I am who I am. Would you then give your name? It’s me, John. I know. How do you know? Have you got one of those little screens that tells you who’s calling? No. I’m omniscient. You’d pause a little at this point, wouldn’t you? What would you say next? What’s omniscient? I am. But what does omniscient mean? It means I am God. I know everything. That would make you think.
            So, would you ask for definitions, like you just did, or would you move in another direction? Like this. So you know why I’m calling, then? Of course. Wow, that’s another conversation stopper. If he knows why you’re calling, why did you call in the first place? To ask him something? It’s sunny here. What’s the weather like where you are? The same as always. How’s that exactly? Heavenly. Maybe this conversation isn’t going the way you thought it might. You could try again. Well, if you know why I am calling, what are you going to do about it? Nothing. Why not? Free will. But you’ve got to do something. Why? Because I think you should. Are you omniscient? No. Then why should I do what you think I should do? Because… because
            And there you are. On the telephone to God. Left speechless. Perhaps you wonder if the phone’s been hacked. You go ahead and ask him. Has this phone been hacked? No. Are you really God? Yes. And this is your direct line? Yes. Can you prove you are God? Of course. Will you prove it to me? No. Don’t you have a code word or something that proves who you are? No. What about a security number? No. So how can I believe what you say? Either you will or else you won’t. But what if you’re a con artist, an evil genius, a thief who wants to lead me astray? Some have said I am just that. What? Who? Throughout the ages, there have been doubters. There have? Of course. But I’m not a doubter. Then why are you asking these questions? If you’re omniscient, you know why I am worried. I do. So what are you going to do about it? Nothing. Why not? Not free will again?
            Knock and it will open, seek and you will find. You mean I called you to hear those words? You will hear them if you want to. Some have ears and do not hear. But you could do something about that? What do you have in mind? The churches are empty. Make people go to church on Sunday. On Sunday? Only on Sunday? What about Friday, or Saturday? What about the other days of the week? You’re all powerful. What would you advise? Advise? I don’t give advice. Or orders. I have given people free will. They can choose what they want to do. If they want to go to the mosque, the synagogue, the church, they may find me there. There again, they may not. Some have eyes and cannot see. These would walk right past me and even if I hung there on the cross and winked at them, they’d never recognize me.
            You find it frustrating, eh? It’s like a Socratic Dialog where you only get to answer yes, or no, or three bags full. How persistent are you? Will you keep going? What other direction would you like to take? If the weather’s heavenly where he is, perhaps he’s in heaven. Why not ask him if he ever leaves heaven? Do you ever leave heaven? No. Why not? I am ubiquitous. What does that mean? It means I am everywhere. The people who really seek me can find me anywhere they look. I don’t understand. You’re not omniscient. But how can you be in two places at once? If I am everywhere, as I am, heaven travels with me, wherever I go. So I could find you anywhere I looked? If you knew how to look properly, you would. Others did. Where did others find you? John the Baptist found me in the wilderness. St. Francis of Assisi found me among the flowers and the plants, the flora and the fauna. As did St. John of the Cross. St. Teresa of Avila was slightly more mundane. She found me walking in the kitchen among the pots and pans. 
            Where should I look for you? How would I know? Because you’re omniscient. But I gave you free will. I cannot tell you how to use it. If I did, it wouldn’t be free. Couldn’t you give me a little hint? Not one. Why not? Because a hint from me would be the Word of God. And I am tired of being carried down from the mountaintop with my words carved in stone, only for the misguided to twist them out of shape and give them alternative meanings. People do that? Of course. That’s why so many no longer go to church on Sundays. Where do they go? Some of the good ones go out into the woods and contemplate the snow in winter, the leaves in summer and fall, and they find me there. Others work in the kitchen, or at their knitting, and they find me among the pots and pans, or between their stitches. Still others find me in the crossword puzzle, or the Sudoku, or in one of those brief moments when, alone, they close their eyes, breathe deep, listen to their bodies, and find that I am there within them.
            You are within us? Deus est in nobis. Meaning? God is in us. So I don’t need a telephone with a direct line to you. Not at all. And remember, telephone lines are dangerous. They can always be hacked. Now I’m confused. Sorry. Must go. There’s an emergency on the other line.
            You hear the click on the other end of the line as the phone goes down. You are overcome by a tsunami of sorrow and grief, a tidal wave of loneliness and abandonment sweeps you away and you cry out in your anguish that which you have never heard or spoken before, the words of the twenty-second psalm or of Christ on the Cross: Eli Eli Lama Sabachthani? My God, my God, why hast Thou forsaken me?

Click here to listen to Roger’s reading.

Hot Line to God

Real Friends

Real Friends
Thursday Thoughts
23 September 2021

A good friend of mine wrote to me the other day. “Have you noticed,” he asked, “that you have less REAL friends the older you get?”

In my reply, I said the following. “Oh dear yes, and triply so since Covid set in. I have a few remaining friends who correspond regularly on e-mail, a couple of friends who talk regularly on the phone, and the rest, in spite of all the Covid-19 promises of TLC for the aging, have been AWOL for the best part of two years. Mind you, I have kept myself to myself. In fact, I have become rather anti-social in face to face / mask to mask situations!”

This question-asking friend, now lives in another province, in a care home for the ageing. Over the ages, such homes have had many names. In South Wales they were called the Workhouse, and that’s where the broken old men from the mines and the industrial smelters ended up. Places of shame. Places to be feared. Then we had Old Folks Homes. Some were called Sanctuaries. Others are now called Hospices or Care Homes and the Hospitals themselves have been forced to take on the task of looking after our old and frail senior citizens. Some of our seniors were lucky, fell into good homes, and were blessed. Others were cursed, poor things, fell into hopeless surroundings, and lost all hope. As for the homes themselves, some were run by religious groups, others by charities, a few by the state or local health authorities. Some were non-profit, others, well, we are having a debate, here in Canada, about some of the more unscrupulous and unhealthy care homes that are run for healthy profits right now.

And that debate was caused by Covid-19. Under-paid employees, working several care homes, not just one, travelling from home to home, and the pandemic entering those homes and settling in there, causing immense suffering, damage, and death. I look on this as CCD. Originally, the initials spelled out Colony Collapse Disorder, the death moth that entered the bee-hives and caused their buzzing to end in silence. Now, for me, they stand for Covid Collateral Damage. And that form of CCD is everywhere.

You can see it in families that are breaking up. One partner loses their job, their self-respect, and goes out looking elsewhere for comfort and for pastures green. Another is forced into excessive overtime because other members of their team, now working from home, all of them, cannot cope with home-schooling, house-work, partner, and children present all day long. They break down under the stress, can function no longer, and society starts to fall apart.

Mind you, it has been falling apart for years. When I lived in Spain, I was adopted by a family in Santander who owned and lived in a huge house. The grand-mother was the matriarch and she shared the house with three siblings, two unmarried, and one divorced. The parents lived there, on and off, as they had jobs elsewhere. A country cousin, same age as the grand-parents’ generation, also lived there and did the cooking and cleaning. And the grand-children settled in there too, during term time. When the family gathered for the Sunday meal, there were 22-24 of us around that dining-room table. In such a large family setting, there were baby-sitters at hand, somebody was always employed, somebody always knew the solution to a problem, or could find one pretty quickly.

When we lived in Swansea, two sets of grand-parents were close, as were aunties, uncles, cousins, and a network of friendly faces, all of whom gathered round in an emergency. But, bit by bit, that family disintegrated. Some went to London, others to Bristol, a few to Birmingham, we moved to Cardiff. In Cardiff we went from a family network to a nuclear family, consisting of my mother, my father, and I. Both my parents worked and I was at a boarding-school, term-time, but a latch-key kid during school holidays, cooking for myself, looking after the house, waiting for my parents to come home. When I, in my turn, left for Canada, my parents were left as a family of two, then, when my mother died, a family of one. Of course, there were Social Services. Social Workers visited every so often, but the gaps got longer, the loneliness grew, and a terrible isolation took over every aspect of my father’s life. When I flew back from Canada to Wales to visit him in Wales one year, I found no food in the house, my father totally uncared for, unwanted and, by this stage, unwilling to cooperate. he wanted to stay in his home. He wouldn’t move. In truth, he had become a miserable old man who wouldn’t change, wouldn’t accept help, and could no longer look after himself.

On the anniversary of my mother’s death, I called him from Canada. He did not pick up the phone. I called his brother, who lived in another town some forty miles away. He’s like that now came my uncle’s reply. He’s fine. Don’t worry. But worry I did. Three days later, his brother called me back. My father had suffered a heart attack and a stroke on the anniversary of my mother’s death. He had lain on the bedroom door for three days, no food, no water, no visitors, until his brother had finally got worried and decided to come round and see what was happening.

“When the going gets tough, the tough get going.” We all know that phrase. Unfortunately, many are not that tough. They get going all right: they go right out through the door and vanish into the sunset. So, my thoughts for today: what exactly is a friend, what do friends actually do, what is a fair-weather-friend, what are friends for, how many real friends do we really have, and yes, the question that started me on this rant, do real friends diminish in number as we grow older?

As my grand-mother told me, a long, long time ago, in the warmth of her Welsh kitchen: “Roger, a friend in need is a friend indeed.” Luckily, I still I have some real friends who are there when I need them. Thank you, real friends. You know who you are and I am very grateful to you. Covid-19 and CCD have not been easy.


Poetry or Prose?

Poetry or Prose?
Wednesday Workshop
22 September 2021
Patos de setiembre.

When I write, I do not distinguish between poetry or prose. More often than not I think in terms of the rhythm and musicality of the words I am using, if the words sound right, when read out loud, they probably are. Here is a prose poem, Cage of Flame. It is written in prose, but it’s meaning is dependent on imagery, metaphors, associative fields, and musicality. Read it as you would any piece of prose, in sentences, following the guidance of the grammar. Read it two or three times quietly to yourself then, when you have grasped the poem’s rhythms, try reading it out loud. If you want to know how I would read this poem, check my recorded readings on my blog, Spotify or SoundCloud.

Cage of Flame

Now you are a river flowing silver beneath the moon. High tide in the salt marsh: your body fills with shadow and light. I dip my hands in dappled water. Twin gulls, they float down stream, then perch on an ice-floe of half-remembered dreams. Eagle with a broken wing, why am I trapped in this cage of flame? When I turn my feathers to the sun, my back is striped with the black and white of a convict’s bars. Awake, I lie anchored by what pale visions fluttering on the horizon? White moths wing their snow storm through the night. A feathered shadow ghosts fingers towards my face. Butterflies stutter against a shuttered window. A candle flickers in the darkness and maps in runes the ruins of my heart. Eye of the peacock, can you touch what I see when my eyelids close for the night? Last night, the black rock of the midnight sun rolled up the sky. The planet quivered beneath my body as I felt each footfall of a transient god.

Clearly the above is prose because it has no line breaks. But what happens when we break that prose into shorter lines and turn it into a poem?

Cage of Flame

Now you are a river flowing
silver beneath the moon.
High tide in the salt marsh:
your body fills with shadow and light.
I dip my hands in dappled water.

Eagle with a broken wing,
why am I trapped in this cage of flame?
When I turn my feathers to the sun,
my back is striped with the black
and white of a convict’s bars.

Awake,
I lie anchored by what pale visions
fluttering on the horizon?
White moths wing their snow
storm through the night.
A feathered shadow ghosts
fingers towards my face.
Butterflies stutter against
a shuttered window.
A candle flickers in the darkness
and maps in runes the ruins of my heart.

Eye of the peacock,
can you touch what I see
when my eyelids close for the night?
The black rock of the midnight sun
rolled up the sky.

Last night, the planet quivered
beneath my body and I felt
each footfall of a transient god.

            It seems to be the same text, but is it? And what happens if we change those line breaks? It will change the external structure of prose > to poem > to new poem, but it will not alter the internal structures that survive all format changes. Does the rhythm stay the same in both cases? It certainly does when I read it, but how about you? Poetry or prose? And what’s the difference anyway if the words roll off your tongue and metaphors, mystery, and magic rule?

Comment:
Clearly poetry and prose are not interchangeable, for they both fulfill different functions. The classical difference is often said to lie between history, what actually happened, and poetry, the formal arrangements of words in song. This seemingly simple definition becomes blurred, of course, when history, written in prose, is confused with epic, the retelling of history in poetic form. Prose fiction is a much later development and it is Miguel de Cervantes who gives us, in Don Quixote, his own Renaissance solution: “La épica también puede escribire en prosa” / the epic can also be written in prose. The mingling of poetry and prose underlines the use of rhetorical tropes in writing. Later, Baudelaire will offer us us his Petits poèmes en prose thus gifting the world with prose poems. Much of what I write is prose poetry or poetry in prose. Rhythm, metaphor, allusions, alliteration, similes, intertextuality all combine to decorate my writing. And yes, I am very clear about what I am trying to do.