Describe a man who has positively impacted your life.

Daily writing prompt
Describe a man who has positively impacted your life.

Describe a man who has positively impacted your life.

Does it have to be a man? Many women have impacted my life in a positive fashion. My Welsh grandmother taught me how to cook. She would stand me on a small stool placed beside the stove and I would watch as she explained what she was doing and why she was doing it. She allowed me to stir the various mixtures, to help beat the eggs, and when she baked, she always gave me a small piece of cake mix or dough so that I could create something for myself and bake it in the oven with the all the other things. It is hard to beat that type of impact. The small stone she threw still sends ripples through my kitchen and that of my daughter and granddaughter.

When I think of kitchens, I think of the many, many kitchens that I visited when living in France, Spain, and Oaxaca, Mexico. In each of them I picked up so many hints and ideas. In Santander, how to make a tortilla espanola / Spanish omelet. Every evening, my first landlady would leave, on the kitchen counter, one egg, one potato, and one onion. That was my supper – but I had to make it myself. I have made Spanish omelets for 60 years now. Some are simple, others combine different ingredients. All come from the kitchens I have visited in Spain.

In France, I learned the Parisian way to scramble eggs. Again, my landlady taught me how to scramble them her way, the only correct way. My scrambled eggs, learned as I was perfecting my knowledge of French language and culture, are still the talk of the table, when I serve them. Oaxaca was a total revelation, as I have said on many occasions, as was Oaxacan cooking. The first thing I learned – how to prepare quesadillas. Alas, there are no offerings of flor de calabaza with wish to garner them, not here in Canada, not that I have seen, anyway. Next came pico de gallo, that inimitable blend of cilantro, onion, jalapeno, tomato, lime, and salt. All of these recipes came, verbally, and practically, from the wonderful women who have enriched my world, as did the bacon and eggs, on a tortilla, with salsa mexicana, and the eggs scrambled in orange juice. And we won’t talk about the chapulines, grass-hoppers fried in garlic, nor the avocado with tuna delicacies.

Of course there have been men as well. Mon, the friend who spent twenty-three years in a Franco jail as a political prisoner, and survived. He built his own boat, powered by an old engine from a bakery that he adapted, and together we fished the Bay of Santander, every Sunday, for three consecutive summers. He taught me the secrets of the bay, where the fish were, where they hid, how they moved with the tides. He would encourage me to jump over the side, in deep water that lifted me up with the surge of the Biscay, under my armpits, and wouldn’t let me back on board until I could name every part of the bote. I became a very quick learner, especially as he was eating the omelet and drinking the wine as I was speaking. It was another incredible enrichment.

 Juanra, from Avila, was another such teacher. He would take me on his Sunday excursions to buy the week’s wine for his hostal-restaurante, and together we would visit La Seca, and other local wine-growing regions. I remember the day he and the lady who owned the vineyard we were visiting baptized me. We stood, thirty five feet underground, beside a wooden barrel, one of twelve in that cellar, that contained 5,000 litres of white wine. Juanra climbed a six foot ladder, and stood beside a tiny feather that acted as a plug to keep air out of the barrel. The lady, who performed the role of high priest, gave me a glass, showed me where to hold it, beneath the spigot, so that the wine would fill it and I could taste and test it. She turned the tap on – but no wine came out – then she held my hand ‘to keep it and the glass steady’. “Ahora / Now!” she gave the command. Juanra withdrew the feather, the wine flowed, and the lady jiggled my arm and soaked me from wrist to elbow, shrieking with a high-pitched laughter that blended with Juanra’s bass guffaw. “Ya te hemos bautizado,” they cried in unison. “Now we have baptized you.” And there I stood, a child of the vineyard and an adopted son of the land.

Just one? Only one? How could you be so cruel? I remember with great fondness one of my rugby coaches. Many of the people who surrounded him thought he was a clown, and told me so behind his back. But he had a certain something – and I wasn’t sure what it was. One day, at a national coaching conference, he took me on one side. “You already know everything that people here can teach you. But, somewhere, there is one piece of gold. You may find it here, or there, or in the bar. But that one piece of gold is what you will take home with you.”

When I coached the provincial junior team, one summer, I invited that coach to visit and to help me coach. We walked onto the field together. “Leave this to me,” he said. I asked him what I could do to help and he said – “Nothing. Just sit in my back pocket. See what I see. keep quiet. Ask questions later.” He started with a warm up game of rugby, which he refereed. “Whenever I blow the whistle three times – like this peep! – peep! – peep! – I want you to stop wherever you are. Don’t move until I tell you to.”

Then followed the most wonderful master coaching session I have ever witnessed. A ruck – peep! – peep! – peep! – – “Who was first to arrive?” No answer. he pointed. “You were. What did you do? Why did you do it?” This went on and on – scrums, lineouts, kick-offs, penalties, 25 yard drop outs – we weren’t metric yet. “Peep! – peep! – peep! – What did you do? Why did you do it? What else could you have done? Why didn’t you do that?”

They had called him a clown, the ones with the papers, and the coaching certificates, and the education, behind his back, and to them he was clown. But to me, he was a master coach. He taught me how to look, to listen, to see, to ask questions, and never to judge anyone until I had walked in a person’s shoes, or sat in their back pocket, not just for a mile, but for a whole wonderful weekend. He had a wonderful sense of humor and the clown left everyone laughing. Clown? He might have been the Prince of Clowns, but I have never forgotten what he taught me, nor how he taught it.

Listen!

Listen

When I cannot write,
I take a paint brush,
and start to paint.

When I paint, I listen
to the brush as it moves
itself over the canvas.
I listen to the colors
as they demand attention
and tell me where to place them.

I listen to the paint as it says
‘just here, not too thick,
not too thin, a swirl please,
gently now.”

I also listen to flowers, trees,
the wind in the willows,
the songs of falling leaves,
and the voices of birds
that mourn their empty nests,
abandoned on the branches.

Comment:

This poem also came from yesterday’s prompt – what do you listen to? The act of ranting, based on a prompt, usually generates imagery and ideas that can then be used in either poetry or prose. For me, the secret is to cut away the dross and to search for the gems that are often hidden within verbal outpour. This leads, in my opinion, to enhanced creativity.

Real People

Real People

They lie there, lifeless, in their little black coffins.
They refuse to pick up their beds and walk.
Powerful as you are, you are powerless now.
You are unable to grace them with the gift of life.

Listless, disappointed, you turn away. Don’t look,
but now, while you are not watching them, they move.
A gesture here, a wink of the eye, a tiny smile,
a broken tooth, a scar from a dog bite, and they come alive.

Now they stand before you, dressed in the clothes
you wove for them, from their own words.
When you listened, they spoke. They didn’t want
to be forced into falsehoods, forged from your fake words.

True to their own natures, they now walk and talk,
naturally, in the words you heard when you let them speak.

Fake News

 Fake News

Sometimes at night I hear deer walking across the lawn outside my bedroom window. Intruders in the garden, they rattle the feeders then walk darkly into the woods. Sometimes a coyote howls at the fingernail moon and my heart pumps sudden blood, rapid, through my veins.

            Below me, in the hall, the grandfather clock ticks the night away. I stitch myself up in my dreams, count the black sheep in the family, and iron old ghosts upon the ironing board until they are as flat as the white shirts we wore in boarding school on Sundays.

            If I close my eyes, they rise up before me, those Sunday shirts, flapping their arms, and mouthing their apologies for the sorry life they made me lead. No, I didn’t need to spend those days praying on my knees before the stations of the cross. Nor did I need to ask forgiveness for all the transgressions pulled from me, like teeth, in the Friday confessional.

            Marooned in a catholic cul-de-sac, I walked round and around in rigid circles. An academic puppet, I was trapped in the squared circle of an endless syllogism. Who locked me into this labyrinth of shifting rooms where sticky cobwebs bound windows, doors, and lips? Why did the razor blade whisper a love song to the scars crisscrossing my treacherous wrist? Who sealed my lips and swore me to secrecy?

            A tramp with a three-legged dog, I slept beneath a pier at midnight and woke to the sound of the waves rolling up the summer beach. Once, I stole a deckchair, placed it at the edge of the sea, and told the tide to cease its climbing. The moon winked a knowing eye and the waves continued to rise. Toes and ankles grew wet with wonderment and I shivered at the thought of that rising tide that would sweep me away to what unknown end?

            Last night I wrapped myself in a coward’s coat of many-colored dreams. My senses deceived me and I fell asleep in a sticky web spider-spun by that self-same moon that hid among the clouds and showed her face from time to time. My fragile fingers failed to unravel all those knots and lashings and I was a child again walking the balance beam that led from knowledge to doubt.

            A thin line divides the shark from the whale and who knows what swims beneath the keel when the night is dark and the coracle slides sightless across the sea? I gather the loose ends of my life, weave them into a subtle thread, and make myself a life-line that will bind my bones and lash my soul to my body’s fragile craft.

Click here for Roger’s reading on Anchor.
Fake News

           

Lorca’s Duende

Lorca’s Duende

Duende
“Todo lo que tiene sonidos oscuros tiene duende.”
“All that has dark sounds has duende.”
Federico García Lorca (1898-1936)

It starts in the soles of your feet, moves up
to your stomach, sends butterflies stamping
through your guts. Heart trapped by chattering
teeth, you stand there, silent, wondering: can I?
will I? … what if I can’t? … then a voice
breaks the silence, but it’s not your voice.

The Duende holds you in its grip as you
hold the room, eyes wide, possessed,
taken over like you by earth’s dark powers
volcanic within you, spewing forth their
lava of living words. The room is alive
with soul magic, with this dark, glorious
spark that devours the audience, soul
and heart. It’s all over. The magic ends.

Abandoned, you stand empty, a hollow shell.
The Duende has left you. Your God is dead. Deep
your soul’s black starless night. Exhausted,
you sink to deepest depths searching for that
one last drop at the bottom of the bottle to save
your soul and permit you a temporary peace.

Click on this link for Roger’s reading.
Lorca’s Duende

Comment:

I guess the secret is to have infinite trust and to hand yourself over to those higher powers during the performance. Some can do it individually, others need to be part of a team. It works differently for each one of us. But when the lower element surrenders to the soul-fulfilling higher element, miracles happen. And when they are over, we are left bereft. It’s the same, in many ways, with mystical experiences. After we venture into the beyond, Messiaen’s Au-dela, upon our return to our earth-bound existence, we are left stunned and stranded by our former voyage into absolute beauty.

When I Paint

Meditations on Messiaen
Insights from Beyond

7

When I paint

I choose at random a brush and a color.
Then I stroke bright lines across a white page.
Fresh snow waiting for tracks and footprints.

“I draw meaning out of shape and color,”
Henri Matisse with scissors and cut outs.
And I am here with brushes and tubes of paint,
totally clueless, waiting for inspiration to descend.

But it doesn’t. Just these lies, these colors, these shapes
that define my life and elaborate a destiny
that I never planned nor wished for.

Colors, so vibrant. Anger. Energy. Tranquility. Rebirth.
Thoughtfulness. Meaningful. Moments held
in the mind’s eye, clasped between fingers,
dripping off the ends of a brush,
mixed and mingling in the unconscious mind’s eye
that contemplates, yet never judges, the colors
that unfold subtle, untold meanings, across the page.

Click on this link for Roger’s reading.
When I Paint

Two Dead Poets

Two Dead Poets

I enjoyed the WFNB readings last night. Thank you, Ronda, for organizing them, and thank you Susan, for hosting them. It was nice to see so many young friends gathered together on my zoom screen. I would have said ‘old friends’, but we don’t want to be reminded that yes, we are all getting older. Best wishes and many thanks to all who attended and congratulations to all the award winners.

Anyone interested in reading the rest of my memoir can read it by clicking on the link below. I will post a live reading of it on this blog later today.

MO – modus operandi –

  1. Click on the first link. The text of the story will appear on a different screen.
  2. Click on the live reading. The podcast – audio will appear on another screen.
  3. Turn on your volume.
  4. Turn on the podcast.
  5. Return to text screen (1. above).
  6. Read text while listening to the voice.

This will give you a unique audio-visual experience.

Two Dead Poets

I just completed the live reading. A Tour de Force. My longest single reading ever – over 12 minutes. My voice faltered a couple of times towards the end. My apologies for that.

Two Dead Poets
Live Reading

Saturday at KIRA

Early morning sun through mist.

Scroll down for the text of the selected poem.

Saturday at KIRA

Visitors Day at KIRA and the artists work in their studios showing their methods and techniques to visitors from the local community and further afield. The mist disappears very quickly and we are left with sunshine and warmth. A good day for sitting out on the porch and waiting for guests.

View from my book table.

I sit behind my table on the porch at KIRA, making notes in my journal and waiting for the advent of guests. I have no plans other than to sit ad write. If people arrive and wish to engage me in conversation, that will be great. It will be even better if they pick up a book, open it, choose a poem or a passage of prose, and allow me to read it to them. They can follow the text while I read. When people do arrive, they look first at the covers of the saddle-stitch books and chapbooks. Many comment on the wonderful pencil sketches that Geoff provided for them. A couple are drawn to the bright colors and cartoons of the larger books. Title and cover combine together to persuade each visitor to pickup a book and start to read it.

Visitor’s view of the book table.

This is more or less what guests and visitors see when they approach the book table. You have to imagine me, the poet, sitting behind that table, masked if I do not know the guests, unmasked and at a safe distance if I do. I find it difficult to read out loud with the mask on. It is much easier, mask off.

I promised one guest, alas, I have forgotten her name, that I would post a poem and a voice recording of it, here on my blog, so that she and her friends could hear me read. This is the poem I read to her. I do hope she is able to locate my blog and follow this up. Here is the poem, from Sun and Moon. Poems from Oaxaca.

Santo Domingo
Worshipping Gaia before the great altar
in Santo Domingo

If the goddess is not carried in your heart
like a warm loaf in a paper bag beneath your shirt
you will never discover her hiding place

she does not sip ambrosia from these golden flowers
nor does she climb this vine to her heavenly throne
nor does she sit on this ceiling frowning down

in spite of the sunshine trapped in all this gold
the church is cold and overwhelming
tourists come with cameras not the people with their prayers

my only warmth and comfort
not in this god who bids the lily gilded
but in that quieter voice that speaks within me

and brings me light amidst all this darkness
and brings me poverty amidst all this wealth

I will post some of the other poems that I read on the porch over the next few days. Meanwhile, be patient with me. I feel that I am all off-balance, trapped between two worlds, part of me is away in KIRA and part of me is home in Island View. I find it difficult to work on my KIRA2021 project, a rewrite of The Nature of Art and the Art of Nature. This manuscript placed second in the WFNB’s Alfred G. Bailey poetry award in 2020. Since then, I have been revising it and adding to it, with KIRA2021 in mind. However, creating and posting seem to be two conflicting skills right now. The need to express (open blogging) and the need to create (secretive and non-sharing). I hope this helps to explain my irregular postings and my absences from this blog.

Duende

Spotify
Remember to scroll down to the correct audio episode.

Duende
“Todo lo que tiene sonidos oscuros tiene duende.”
“All that has dark sounds has duende.”
Federico García Lorca (1898-1936)

It starts in the soles of your feet, moves up
to your stomach, sends butterflies stamping
through your guts. Heart trapped by chattering
teeth, you stand there, silent, wondering: can I?
will I? … what if I can’t? … then a voice
breaks the silence, but it’s not your voice.

The Duende holds you in its grip as you
hold the room, eyes wide, possessed,
taken over like you by earth’s dark powers
volcanic within you, spewing forth their
lava of living words. The room is alive
with soul magic, with this dark, glorious
spark that devours the audience, soul
and heart. It’s all over. The magic ends.

Abandoned, you stand empty, a hollow shell.
The Duende has left you. Your God is dead. Deep
your soul’s black starless night. Exhausted,
you sink to deepest depths searching for that
one last drop at the bottom of the bottle to save
your soul and permit you a temporary peace.

Click on the link below to peruse my books for sale.

Books for Sale

Dalí ‘s Clock

Spotify

Remember to scroll down to the correct audio episode.

Dalí ‘s Clock
Salvador Dalí

A clock, a sheet hung out, strung out,
on a canvas washing line. No wind,
no pegs, soon to be sun-bleached, dried,
then folded in on itself, corner to corner
the sheet, and the watch, how will it fold?

Face to face, in half circles, perhaps, or
back-to-back with time cut in half, a tick
without its companion tock, a stutter of time,
halved, then quartered, then in an eighth,
a quesadilla of broken springs and tiny
wheels within wheels, all disjointed,
with glass fragmenting, shattering.

While we watch, our clockwork universe
disintegrates before our eyes, in a tiny
explosion as all chronological creation
implodes into a logic of carnival, absurd
our words and world, devoid of meaning,
a pocket-watch going over a waterfall,
a timepiece soon to break into rusty pieces,
painted by a man who dreams he isn’t mad.

Click on the link below to peruse my books for sale.

Books for Sale