Searching for what exactly? For the exact word, le mot juste, the word that sums it all up, catches the essence of the thing and holds it in the mind forever.
Le mot juste? Think color. Think color blind. Think blind. Think of the world we see reduced to grey scale. Think of the seven colors that stripe the rainbow sky, each with a unique name: it seems so easy, so simple.
But the world has changed. Think now of the computer, its screen more accurate than the human eye and color coordinated by a million or more tiny little pixels that multiply the seven rainbow colors by a million or two and every color numbered beyond the recognition point of the human eye: le mot juste reduced to precision of number.
Think flowers. Think scent. Think of the limited ways we describe the smell of things.
I look across the breakfast table and see my wife of fifty years, a teenager reborn, walking into the café where we first met. I search my memory and my mind for the words to describe that beauty, that surge of excitement, but I cannot find les mots justes.
Obsidian’s Edge started out as At the Edge of Obsidian and was the second volume in the Oaxacan Trilogy (Sun and Moon, At the Edge of Obsidian, Obsidian 22). When I republished it in Create Space (now Kindle / KDP) I rewrote the last two volumes and turned them into a single book, Obsidian’s Edge, so that the Oaxacan Trilogy is now a Oaxacan Duology. My apologies to those who are eagerly awaiting the third book in the series.
Early Morning in Oaxaca
… dream worlds circle outside my bedroom window … starry sky … two full moons floating, one real, one mirrored in the glass … inside the bedroom, tulips inscribe red gashes on white-washed walls … sharp fingernails scrape across paint, blood red shadows trickle down to the floor … … above the azotea, the temples of Monte Albán string out their sheets on the sky’s washing-line, glowing in the moonlight … against a background of granite and stucco, trenchant shadows sculpt dancers into grotesque, pipe-wire shapes as they struggle to escape their carved imprisonment … … priests in long black robes gape at the night sky. From their sanctuary in the observatory, they plot how they will persuade the people to believe the future they will foretell as night’s giant finger herds the wild-cat stars … … three young women walk at an angle up the temple steps … when they reach the top, a moonbeam holds them in its spotlight and they wax with the full moon’s beauty … the doorway to an unclosed grave opens its crocodile jaws and the three women descend the temple steps, ageing as they walk … at the temple’s foot, they enter the tomb’s dark mouth … an old man in a faded grey suit walks behind them … the grave swallows them all, burying them in the hidden depths beneath the mound … … dreams back themselves into a cul-de-sac, a wilderness of harsh black scars … an ancient Aztec god catches Rabbit by his ears and throws him against the second sun that sizzles in the sky … his sharp teeth burrow, burying themselves deep in the sun-fire’s light … the second sun loses its glow and turns into the moon’s cold stone … the rabbit’s skull simmers in the new moon’s dwindling pool … With a clicking of claws, knitting needles come together to pluck me outwards from my dreams and upwards towards death’s golden guillotine that floats in the sky. The moon sharpens its knife edge on the keening wind and sets my blood tingling. I want to be free, free from those nightmares, those nocturnal visions that rise up from the past and stalk me as I lie in bed. Drowsing, I long for the alarm clock to shuffle its pack of sleepless hours and to waken me with its piercing call as it tears me from these winding sheets, these grave clothes in which I lie. I wait for the sun to shine into my window.
Memories deceive me with their remembered shows, shapes shifting with a click of the magician’s fingers. What magic lantern now slips its subtle slides
across night’s screen? Desperate I lap at salt-licks of false hope that increase my thirst and drive me deeper into thick, black, tumultuous clouds.
A pandemic storm lays waste to the days that dog my mind. Carnivorous canicular, hydropic, it drinks me dry, desiccates my dreams, gnaws me into nothingness.
At night a black dog hounds me, sends my head spinning, makes me chase my own tail, round and round. It snaps at dreams, shadows, memories that ghost through my mind.
Tarot Cards and Tea Leaves are lost in a Mad Hatter’s illusion of a dormouse in a teapot in an unkempt tale. Hunter home from the hill, I return to find my house empty, my body devastated, my future a foretold mess.
Comment: Tough days around us and even tougher ahead. Covid-19 in the schools and people I know, young and old, frightened and in quarantine as a result. People I know and members of my far-flung (thank you, Jennifer, for that long-lost word) family. Funerals to the right of me, funerals to the left of me, of friends I know, acquaintances I hardly know, and many more whom I’ll never know now. “Into the jaws of Covid-19 rode the gallant six hundred, all masked, many falling, fewer of them every minute of every day.” Gallows humor keeps me alive. Last night my favorite teddy bear went AWOL. I got up at 3:00 am and sent out a search party. Sharp eyes spotted the copper band I lost last week. It had been hiding under the pillow. Then, joy of joys, they spotted Teddy’s black velvet band, the one that ties up the hair that falls over his shoulder and gets up my nose and makes me sneeze. They hauled him out from under the bed. I picked up the phone and cancelled the 911 call before the masked men in their jackboots and their PPE could break down the door and strip search the house for a missing bear. Alas, dear Mabel: I would if I could but I am not able.” How those words resound in my ears. Left ear, right ear, and, like Davy Crockett, a wild front ear. I will not give in to morbidity. ‘He who fights and runs away lives to fight another day.” I will survive for another day. Meanwhile, I’ll call for General Worthington, the fellow who can always make the enemy run. “Will you have a VC?” I said “Not me: I’d rather have a bottle of Worthington.” Alas, they don’t make it anymore. And Watney’s Daft Red Barrel has bitten the dust and gone the way of the dodo. And all my friends are in the doldrums, watching, as Admiral Brown abandons ship, mans the boats, and hauls away into fairer weather and cleaner waters. You say you do not understand? ‘Blessed are the poor in intellect, for they shall know peace in these troubled times.’
Yesterday I went limbo dancing
in the bedroom mirror.
Lower and lower I danced
until I fell into the mirror
and became my reflection.
Rough were the waters.
I know how to swim, but
I thought I would drown,
except the light was too shallow
and my feet touched bottom
when I let down my wheels.
I swam on and in
looking for a deserted island
on which to build
my idle, sandcastle dreams.
Two people said they saw
my reflection swimming,
a goldfish in a silver space.
They said I stared back at them
with circles of longing
ringing my eyes, but I laughed
when they said they had seen me,
for when I looked in the mirror
that reflected the mirror,
I saw myself limbo dancing,
heaven and hell
in a dance hall called Virus
where I drank Corona.
Whose eyes watch me now
as my video goes viral
and I twist and I dance
in a fantasy land
filled with sweet nothings.
Comment: The wind that whistles through Island View today carries snowflakes and ice pellets that pitter-patter across the window. The wind brought in clouds, grey wisps of drapery that curtained the sky. When the wind falls silent, the trees continue to wave and thereby fan the air into action and the wind starts up again. Yellow sunshine, warmth, the sun in Mexico, in Oaxaca, in Monte Alban where the danzantes dance in stone and my friends and I wander at will among sunshine and shadow. On grey days like these when I crave the sun, I conjure images of Oaxaca, its warmth and its mysteries of mescal, that early-morning spinner of inner myths, word music, and magic metaphors.