Photos

The Red Room

I looked for a picture of music, but could find nothing. No Carlos, no flute, no nothing. So, I invite you to use your imagination: just pretend these are the notes of an Andean flute, floating in the early morning air. Now close your eyes and listen carefully. Can you hear the music?

The Red Room

Carlos makes music on his flute.
He lives in the Green Room,
with its door just opposite mine

He creates the highest note of all
and it floats before me in the air,
a trapeze artist caught in a sunbeam
and suspended between the hands
that fling and those that catch.

His musical rhythms are different.
I try to follow his fingering.

In the space between notes,
tropical birds flash jungle colors
as they flit between flowers.

With a whirring of wings,
all music stops,
save for the robin’s trill
refreshing the early summer
with his eternal song.

Comment:

I finally found a photo of Carlos.
Here he is, in Kingsbrae Gardens,
playing Beethoven’s Ode to Joy
on ‘half-filled’ water bottles
tuned to play a perfect scale.
Like an Andean bird, the man
could pluck notes from the air
and fill the world with music.

Dreamcatcher

Dreamcatcher

In my dreams, I track the sails of drifting ships,
white moths fluttering before the wind.

I think I have caught them in overnight traps,
but they fly each morning in dawn’s forgiving light.

I give chase with pen and paper, fine butterfly nets
seeking wild thoughts waiting to be caught, then tamed.

I grasp at something just beyond my fingertips,
but I can’t quite remember what it is.

I wake up each morning unaware of where
I have been the night before.

“¡Qué será, será!”

“¡Qué será, será!”

In one room in my head
my mother’s mother
sits with me on her knee
at the kitchen table
playing patience.

Elsewhere, I stand on a stool
beside my father’s mother
helping her to mix the cake
she will later bake
in the coal-fired oven
of the black, cast iron stove.

My mother’s father
sits before the television.
He leans back in the chair,
raises his foot so he can’t see
the adverts on the screen,
and puts his fingers in his ears.

My father’s father lies in bed,
downstairs, in the middle room.
His dog lies beside him,
licking his hand.
We all wait for the death
that has haunted him
since he was gassed
in World War One.

Clare sits at the computer,
following the figures
that track the pandemic.
I sit here watching her,
humming softly to myself:
“¡Qué será, será!”


Summer is Ice-Cream

I can’t put a real ice-cream up here,
it might melt and spoil the computers,
yours and mine,
so here’s a cardboard one instead!

… after my grandfather died I slept with my grandmother in her large double bed when I was there on my own … but when all the cousins were there we shared a double bed and three or four of us slept at the top and three or four of us slept at the bottom and we were so small and short in those days that our feet never touched in the middle and the bed was like an earth worm … an octopus earth worm with several heads and no feet … or all the feet in the middle … like a centipede … and sometimes my parents would have to snuggle in with us too … though we scarcely woke up when they arrived or departed … and with tears we would go tired to bed … and the grown-ups would promise that it was only for an hour or two … for a little rest … and we were so far north that the summer sun was in the sky until late at night … but sleep we did and they never woke us up … and we didn’t wake up until the dawn chorus of birdsong … bird after bird chirping and singing in the hedge with its bluebells and primroses … the hedge that divided one bungalow field from the other …

… and we were in the first bungalow field, which was the best one, obviously, because we lived in it … and there was another bungalow field behind us and we could look through the gaps in the hedge and occasionally there were gaps we could crawl through … but they were well guarded because there was an all out war between the two fields and we didn’t like the boys in that second field and they didn’t like us … and we fought our skirmishes through the hedge and at the gaps in the hedge and the people in the field behind us would rent out their bungalows to boys with strange accents who would be instant enemies the moment they opened their mouths or heard us talk and vice versa, the other way round … and it was the silent arrow or spear shot or thrown through the hedge … and the long trailing root set out to trip the unwary, and once we tied a rope across the field, a trip wire to trip those foreign warriors, and we meant to take the rope down before it got dark, but we forgot and we missed the enemy but we caught my father and all the uncles walking back home in the dark from the local pub … and didn’t they trip and all fall down in a great big squealing piglet pile … and the aunties thought it very funny because once they were down, they couldn’t get up again … and the aunties said it had nothing to do with the rope … that they were all falling down anyway, falling down all the way home from the pub they were, and stumbling … but we had hoisted our allies with our own petard and next day we were brought to justice and the justice was severe … and what, they said, if we had caught one of the farmer’s cows … and if it had broken a leg … then who would be responsible then, to the farmer, for payment, and we all hung our heads in shame for those days everyone was big on responsibility and being responsible was a big thing … and even the dog, our scout and protector, our war horse and chariot, for we were Ancient Britons that summer, sat there silent and serious and hung his head in shame at the hot bitter words and he wasn’t even wagging his tail … and the adult jury, twelve sober uncles, tried men and true, all pronounced us guilty and sentenced us to a day without cricket, a day with no jam on the bread, a day in which we must eat up all the greens, a day with no puddings, a day with no sweets, no treats, no ice cream …

… but summer was ice-cream! Who wants ice cream in winter when the hands are cold and the ice wind blows straight down from the Arctic? But in summer, to rob a child of ice-cream is to commit a capital crime against childhood … and the ice cream was miles away, and to run to get it and to bring it back before it melted was a rare adventure that had to be carefully planned … go to the end of the field, run through two sets of lanes, stop at the first ice cream shop and if there was no ice cream there because it had all been eaten by that awful foreign army, run another mile to the next shop … and if you were lucky there would be some ice cream there … and no we didn’t want cones … cones were for the babies … the tiny children who couldn’t control their ice creams … we wanted wafers, like the big boys we were, although we were all still in short trousers … and there were three penny wafers and six penny wafers, and even chocolate bars with thin chocolate on the outside and the ice cream inside … and there were lollipops and other marvels … like Cadbury’s ’99’ … but that day all this was forbidden … forbidden because we had set a trip wire for the enemy and caught, by accident, our very own men … oh the injustice, the burning injustice of it all …

Summer in Wales

Summer in Wales
aka
Cricket, lovely cricket!              

Summer in Wales is always as I remember it: glorious days of sun and sand and blue skies and warm winds … and especially the sun on the beaches with the water sparkling and little boys and little girls playing cricket on the dry wrinkled sand packed hard when the tide goes out and leaves the land stranded … and uncles and aunties bowl under arm, not over arm, so the little ones could manage to score lots and lots of runs … and I remember us, standing breathless between the wickets, or at the wicket, if there was only one set of stumps, or a picnic basket stood on its side, or three pieces of driftwood, with sea-weed for bails, and what are bails, you ask?

              Well, bails are the sea-weed that is draped over the driftwood that stands as stumps. And we guard our stumps with the cricket bat that somebody has brought and we bowl with wet tennis balls, because nobody will risk a red, leather ball on the sands, with the wet tide standing there, waiting for the ball to be hit at it, or into it, and it’s cold, but not that cold, and when uncle hits the ball, right out so sea, someone has to run after it, then dive, and then swim after it, and if it’s real runs you want, then uncle runs two or three quite quickly; then the aunties tell him to stop running so fast or he’ll have a heart  … so he slows down and trots four or five; then he walks six and seven; and when you throw the ball back, he’s walking eight or nine; and then the dog intercepts the ball, catches it in his teeth, and starts running around with it in his mouth and everyone is trying to catch the dog except my uncle who is now limping very, very slowly between the wickets, but he’s already up to eleven or twelve; and then the little ones start crying because “It’s not fair!” Loud sniff! Then uncle stops in the middle of the wicket and sits there, waiting for somebody to run him out; except everyone is tired, except the dog, who is tireless and completely energized, and now the centre of attention; and nobody is going to catch him;  and finally uncle walks to the wicket and he lifts the piece of seaweed with his bat and everybody appeals, then he’s finally “OUT!” because officially he’s hit his own wicket and that’s illegal and now the game can go on once more, with everyone happy and God’s in his heaven and all’s right with the world …

And the dog has dropped the ball right at the edge of the waves and is barking furiously at the incoming waves as time and tide march up the beach and sweep us and our memories all away.

Hot Water Duck

Canada Geese at Mactaquac

Hot Water Duck

The worst punishment of all was to be sent to bed early.  You climbed upstairs by candlelight, if you were lucky, or groped your way upwards in the dark, if you had been really bad. You entered the cold, dark, damp of the bedroom and punishment was not to have supper, and not to have a warm hot water bottle or a warm baked brick to keep you warm in bed. I loved that hot brick, baked in the oven or by the fireside, then wrapped up in a towel. Bricks and bottles: they banished damp from the bed and kept you warm for a while, or burned if the wrapping fell off. The hot water bottles: they were made of tin not rubber, and once, I remember a cast iron duck, that my grandmother baked in the oven, then wrapped in swaddling clothes, like a little baby. But if the grown-ups said you had been naughty, or nasty, or cheeky, or just plain wicked, then you were given nothing to keep you warm, and you lay in bed and shivered until you cried yourself to sleep.

Canada Geese and Fall Foliage at Mactaquac

Rain Again

The rain in Spain
does not stay on the plain

Rain
              When it rained in South Wales, it rained everywhere soaking rich and poor alike. There was no escaping the eternal wetness of Welsh Rain. Whenever we traveled, especially by bus, to another part of Swansea Town, it would be raining there too, but, as my auntie used to tell us when we came back home: “Smile now. Look happy. And remember: we had lovely weather all day. The sun was shining over there where we were. Raining here, at home, all day, was it? What a pity. You should have come on the bus with us!” I remember her smiling, all wrinkles round the eyes, her false teeth shining white, as she flashed a horse’s collar coal-scuttle of a grin, absolutely shameless. But we’d back her up. We’d all smile happily and laugh, and dance, and jump up and down, basking in the joy of the falsified sunshine of her wonderful smile, her shining false teeth. And she was right: where we had been together, the sun had shone all day, in spite of the umbrellas, our wet, cold feet, and all the undoubted evidence of a day of rain.

 

Empty Nest

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Emptiness
is an
Empty Nest

The wind at the window
scratches tiny notes.
I can no longer hear the tune
nor read the words.

Who walks beside me
as I pace my lonely path,
abandoned
in this empty house.

My self-portrait
stares back at me:
a splintered selfie,
framed in a sliver
of silvery glass.

Above me,
the monkey-faced moon,
that itinerant tinker,
walks a fractured way
over broken glass.

The knapsack on his back
is cobbled together
from a finery of cobwebs
and clumsy clouds.

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The Origin of the World

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The Origin of the World
Gustave Courbet:
L’Origine du monde

The origin of the world and where I came from,
her deep, moist cave that cast me from dark to light.
She loved me, she said, depriving me of her warmth,
leaving me to go back to her lover, loving him more.

Was it guilt that drove her to drinking whisky?
A forty-ouncer a day at the end, sometimes more.
She would wake in the night, wander the house,
banging against chairs, tables, walls, and doors.

She ran up bills in local shops, and the keepers
would dun me for the money she owed. She also
borrowed cash and some days her fingers were bare.
She left pawn shop IOUs on the table and I drove

 into town to redeem her rings. Once, in a drunken
frenzy, she cursed her only child. A mother’s curse is a
terrible thing. A living albatross, it claws lungs and heart.
Its weight drove me to the bottle. I too sought oblivion.

Reborn each day, mornings cast me back from dark to light.
Joy came when blackness descended, the albatross flew,
amniotic waters rocked me in warmth and comfort,
and my body’s boat floated once again on an endless sea.

Comment: The photos show light shining through bottles in The Bottle House on Prince Edward Island. There is something very special about sunlight shining through stained and colored glass. Color distorts, speckles hands and face with a pointillistic magic, and the circular framework becomes a sun in its own right. As for Courbet’s painting, it still has the power to shock the viewer as it sets the eternal conundrum of the power relationship between the viewer (male) and the viewed (female). And remember: El ojo que ves no es ojo porque lo ves, es ojo porque te ve  / the eye you see is not an eye because you see it, it is an eye because it sees you, as Antonio Machado tells us. As for the poem, it stands or falls on its own, as does the painting. Visual shock or verbal shock: take your pick, but I hope you do not walk away unmoved.

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