Rage, Rage 26 with Bonus Poem

Rage, Rage
26

In my dreams, I track 
the sails of drifting ships,
white moths fluttering
before the wind.

I think I have caught them
in overnight traps,
but they fly each morning
in dawn’s unforgiving light.

I give chase
with pen and paper,
fine butterfly nets
with which to catch
and tame wild thoughts.

I grasp at things
just beyond my fingertips.

I wake up each morning
unaware of where
I have traveled
in my dreams.

Comment:

White moths fluttering before the wind – my dreams at night. How do I trap them, catch them, squeeze them between my fingers, hold them, pin them to the show case of memory? I remember in Oaxaca – the young boys, trapping the moths. Huge, gigantic butterflies, moths, as large as birds. They severed their wings, and sold them to the passing tourists. Such beauty, such colour.

I heard an angry buzzing, looked down, and saw flightless bodies, wings clipped, rowing their stumps of bunt oars, skidding sideways across the gutters, and dreaming painfully of the stars.

Bonus Poem

Dreams

White moths fluttering
before the wind
my dreams at night.

How do I catch them,
trap them,
pin them
in memory’s showcase?

In Oaxaca
young boys traps moths.
Gigantic moths,
huge jungle butterflies,  
as large as birds.

They cut off their wings,
sell them like postcards
to passing tourists.

I hear
an angry buzzing
and look down.

Flightless bodies,
wings clipped,
rowing stumps of blunt oars,
skidding sideways
across the gutters
dreaming painfully
about the stars.

Rage, Rage 26

Rage, Rage
26

In my dreams, I track 
the sails of drifting ships,
white moths fluttering
before the wind.

I think I have caught them
in overnight traps,
but they fly each morning
in dawn’s unforgiving light.

I give chase
with pen and paper,
fine butterfly nets
with which to catch
and tame wild thoughts.

I grasp at things
just beyond my fingertips.

I wake up each morning
unaware of where
I have traveled
in my dreams.

Comment:

White moths fluttering before the wind – my dreams at night. How do I trap them, catch them, squeeze them between my fingers, hold them, pin them to the show case of memory? I remember in Oaxaca – the young boys, trapping the moths. Huge, gigantic butterflies, moths, as large as birds. They severed their wings, and sold them to the passing tourists. Such beauty, such colour.

I heard an angry buzzing, looked down, and saw flightless bodies, wings clipped, rowing their stumps of bunt oars, skidding sideways across the gutters, and dreaming painfully of the stars.

Losing Your Language

Losing Your Language

To lose your language is to lose
your butterfly soul as it flutters
to reach life’s sweet-scented rose.

So much butterflies see at night,
released from their earthbound bodies,
roving in dreams, among the stars.

They enter ancient rooms where friends,
return at night, pale ghosts outlined
among the wall’s flickering shadows.

You, tongue-tied and silent, earth-bound
indeed, are as small as a fly, struggling
in a spider web of voiceless words.

You yearn for the freedom of flight,
for the liberty of culture restored,
for the return of your own lost world.

Comment:

Tongue-tied and earthbound – it happens. The ties that bind snap one day, the kite takes flight and is soon lost among the clouds. What happens when the river runs underground and we lose sight of everything we once knew it by? No more trout, the waters ripping as they rise to the flies. No more tinkle of water over stone, or the rushing roar of the spring freshet. No mor coolness beneath the trees. Ephemeral beauty – here today and gone tomorrow. A moment rejoicing, and a lifetime lamenting. Sorrow, like tears, is in all things.

Carpe diem – seize the day. Sip slowly at beauty’s cup. Enjoy life while you can. Make the most of every hour of sunlight and, like the sundial, count only the happy hours. And make each one count.

Rage, Rage 25

Rage, Rage, 25

A carton of eggs,
milk left behind,
a walking stick
abandoned on a cart,
discovered
in the lost and found
in the supermarket.

My cousin’s face,
her daughter’s name,
the parking spot
where I left my car.

Time and place
wave goodbye
and are quickly gone.
So much has become
ephemeral.

“What day is it today?”
I check my watch
for the third or fourth time.
I forget phone numbers.

I look at photos
but they are blank spaces,
gaps in the photo album.

Scenes on the tv screen –
“I recognize those faces,” I mutter,
“who are they?
Where did I see them before.”

Comment:

Ephemeral – “Something that is fleeting or short-lived is ephemeral, like a fly that lives for one day or text messages flitting from cellphone to cellphone.” Heraclitus says we can never step in the same stream twice – because the waters are not the same and neither are we. We change, things change. They do not stay the same. Here today and gone tomorrow. Like the flowers our kind neighbor brought us when our kitty cat passed away last week. She, too, was ephemeral. Just like the flowers. Just like us.

Some things leave us with sorrow – our pussy cat was 18 years old, and her passing took away her pain. Yet she still left us sad and grieving. And those 18 years seemed to pass in a dream. Where did they, where did she go? There is sorrow too in memory loss. The days of our lives, once fresh their memories, now filling with a sadness as we try to recall them. Memory loss – one of the great sorrows of aging.

So many things slipping away. Seasons passing. Daylight hours waning then waxing again, just like the moon. Water between fingers. Grains of sand through the hour glass. So many blank faces in the photo album. “Who is that?” “I can’t remember.” More and more of the family names fading away, slipping into the distance. And all too soon, we shall join them, leaving an empty nest, for, as Cervantes once wrote – “No hay pájaros en los nidos de antaño” – there are no birds in last year’s nests.

Wild Life

Wild Life

I see green grass
Small ponds
Winding roads
Patches of sorrow

Turquoise blues 
Hills to climb
Softness
Strength 

Flowers blooming
A small animal
Covered in feathers 

An eye
Keeping watch
Purity of white

Ekphrastic Poem
©
Yolande Essiembre

Comment:

My good friend Yolande Essiembre sent me her Ekphrastic poem after viewing this morning’s painting by Moo. Wild Life II is a better representation of the colours of the original. However, Moo added in some (what he calls!) helpful touches – the black shapes that reinforce the suggestions of the original. Yolande wrote her poem based on Version I – but with the stronger colors of version II. Magic – oh what a tangled web we weave when first we practice to deceive. And all artists weave their webs of deceit. As Cervantes says – Tanto la mentira es mejor, cuanto más parece verdadera. / The closer it approaches the truth, the better the lie.

Imitatio – imitation – one of the bedrocks of classical rhetoric. “Imitation is the best form of flattery”. Flattery, yes, but what we find, in art above all, is that there exists only one original. However good the copy, the flattery – the imitation, if you prefer – it is never as good as the original. The original of this painting exists in one time and one place. The two deceptions are not the original. In fact, Wild Life I no longer exists because Moo has repainted it. It has turned into Wild Life II.

So many questions – which version do you prefer – I or II? De gustibus non est disputandum. There is no arguing about taste. Which is the better version? Well, each viewer must choose. But remember, each version is a deception, and each deception is a lie. And there is only one original. Oh what a tangled web we weave.

But we can, I hope, agree on one thing – Yolande’s verbal version (which I publish here with her permission) is verbally picture perfect. It is how she sees the painting. It is what the painting means to her.

Thank you so much Yolande. Moo and I hope to publish your words and visions more often. With your permission. we will do so.


Rage, Rage 24

Rage, Rage
24

Breakfast time –
butter-fingers:
slippery tableware
totters and falls

A delicate cup
hovers
over the table cloth,
a flying saucer
poised in flight.

It crashes down
and its broken body
rests in pieces
on table and floor.

Bottle tops
screwed up too tight,
or cold from the fridge,
refuse to undo.

Plastic wrappings,
defy all efforts
of inarticulate,
arthritic fingers

So many slips, now,
between cup, fingertip,
and trembling lip.

Comment:

Moo is sulking. He decided that he had no paintings with grubby little insensitive fingers in. Go find another friend, he told me, if you’ve got one, and we’ll see what that one can do to help. So I checked and found this lovely pair of gloves, photograph by Geoff Slater, himself an established artist – which is more than I can say for Moo. Now, now. Cool down. No point in opening hostilities. Especially at your age. Okay, okay. Sorry, Moo. But I do love Geoff’s photo. It is an example of what my hands feel like when I am in arthritis mode. Or should that be arthwrongus? Those cups and saucers are very unstable. Well, don’t shake the table, and keep your relationship stable. Or you’ll be coughing and stamping like a hoarse.

Puns are the lowest form of wit. So – is arthwrongus a pun? If so, it strikes me as the highest form of neologism-style wit. And yes, arthwrongus certainly is what I feel when I knock things around, spill drinks, and generally make a mess of the table cloth. There doesn’t seem to be anything right about that.

And it’s getting worse. Yesterday, I spilled the ink when I was refilling my fountain pen. The day before, I had a cheap bottle of wine – it lasted three days – but on the third day, I knocked the penultimate glass all over the new table cloth. That was a disaster, for the table cloth, a blessing for me. Good riddance, I said. I threw away the last of that bottle and opened a new one to celebrate. And this time I chose a decent wine.

And I guess that’s the secret of growing old. Turning our disasters into opportunities. I like that idea. Maybe I’ll tell you about some more disasters another. But first, I’ll apologize to Moo and see if I can get him painting again. He doesn’t work well with a sulky paintbrush!

Rage, Rage 22 & 23

Rage, Rage,
22

I trace dark contours,
scarred desiccated lines
blurred on the back
of my wrinkled hands.

Blood maps, they are,
unremembered encounters
with immovable objects,
wounds that bleed freely,
deep below the surface,
subcutaneous.

23

When I dream,
I imagine the sky
to be a crystal ball,
twinkling with stars
that tell the time
and my fate.

With silent steps
they creep and steal
hours, days, weeks, years,
whittling my life away,
splintering it
a little bit more
every day.

Time, like golden sand,
trickles through
night’s fingers.

I hold in my hands
an hourglass
through which my life,
secretly, silently,
slides down
and trickles away.

Comment:

“Unremembered encounters with immovable objects,” – oh dear. Anti-coagulants, blood-thinners for short. Moo’s skin is dry anyway. Now that he’s on anti-coagulants, he bruises every time he bumps into something. And Moo bumps into things. He’s one of those people who fall out of bed and go bump in the night. How do I know? He stole my teddy bear and my teddy bear told me. Anyway, his cardiologist calls it collateral damage. A sort of side dish that arrives when ever he stumbles into anything. That’s Moo, not the cardiologist.

As for me, I miss the old myths. I love the idea of the platonic, terra-centric universe. The planets move back wards and forwards around the earth in a slow dance. In order to dance, you need music. So the Platonic creator is a master musician who pays the harp. The stars dance to his music. Fray Luis de León uses this Neo-Platonism in his poetry. For him the sky is ‘un gran transunto donde vive mejorado todo lo que es, lo que será, y lo que ha pasado’. – a large space where, much improved, dwells everything that is, that will be, and that ever was. A lovely thought. Nothing is lost. Everything is saved – but in a state of betterment, all mistakes erased.

Moo would like that. His collateral damage all turned back into perfect skin. Oh dear. He wouldn’t be happy. He’d have nothing to paint. I am sure he paints his bruises when he runs out of inspiration.

Cribbage

Cribbage

Red and white markers
chase each other
along the S bends,
past the skunk lines
to the final straight
where a single space
awaits the winner.

I don’t remember
who won, nor do I care.

We shuffle the cards
and deal again
as we wait for sleep
to descend and bless us.

We fast, tonight:
no food, no water.

When midnight strikes,
we put away the deck
and pegging board,
and bid each other
goodnight.

Sleep well if you can,
my friend:
morning will bring
a much more serious game
that neither you nor I
can afford to lose.

Comment:

A Golden Oldie from 2015. We were both receiving treatment for cancer, in Moncton, at the Georges Dumont Hospital. We both had sessions the next day, he had opted for surgery, while I was undergoing radiation treatment. We could not sleep, and so we sat up and played cards. It helped reax both of us and we talked while we played. I do not remember the conversation – nor the cards – just the immense peace and brotherhood that wrapped itself around us as we waited together.

A little later, we both left the hospital and we never met again. I remember how he played cards, his pegging skills, his ability to read the hands. But I can’t remember his face, or his name. Yet here he is, a ship that passed me, nameless now, in the night, and still, I hope sails on.

Looking back on those days – I remember such closeness in the Auberge, such camaraderie. Those who had been there longest sharing the secrets of survival skills with the newest arrivals. One of the greatest joys for me, was to meet with so many wonderful Acadians – male and female – who shared their language, their knowledge, and their culture. I remember the quilting sessions, the gossip around the table – and I was the only man in the group. The ladies wanted to know where I had learned to sew so well, but I fudged the answers and wouldn’t tell them. I still keep that knowledge to myself. I remember, too, the painting sessions. And the musical evenings with dance and song. So much encouragement, so much fun – and all in the face of disaster, for not everyone survived their treatment. As for me, I was one of the lucky ones. And I recall those days as blessed, in spite of the fear and sometimes the pain.

Rage, Rage 21

Rage, Rage
21

A yellow-bellied
sapsucker hops over
syrup-sticky squares.

His hand-carved
chess board
glistens
as feasting flies
swarm, dark,
beneath the sun.

My thoughts
are deeply rooted.

They branch out,
walk wordless
through stark
realities.

I raise my hands
But hear only silence.

The answers to my questions
tumble from the tree
and lay their leaves to rest
in the restless foliage
shuffled at tree foot
by the wind.

Rage, Rage 20

Rage, Rage
20

Words emerge
from the silence 
of blood and bone.

They break that silence
the day they are born.

Silence, once broken,
cannot be repaired
and a word once spoken
cannot be recalled.

The greatest gifts –
knowing how and when
to sink into silence,
knowing how to be alone
in the middle of a crowd,

So many word-worlds
smothered at birth
and those worlds, dismissed,
forgotten, still-born,
their names never spoken.

Comment:

So, are you paying attention? Did you notice anything? Has something gone missing? Moo tells me that he doesn’t think anyone will notice what I have. Can you prove him wrong? Good question! Whatever, as they say, or “So what?” as Miles Davies plays. Or, as Buddy Holly once sang “I guess it doesn’t matter any more.”

Moo wants me to tell you that he painted this painting last night. He calls it No More Blues. Guess what? There are no blue shades in it. Cunning, eh? And daylight hours are back up to 9:30 – 9.5 hours sunlight on this cold, wintry day. And it is cold at -14C. On the other hand, Moo’s painting is toasty warm and you can hold up your chilled fingers and warm them on his painted fires.

As for me, I am having great fun preparing my writing for competitions that I never win. I am also paying to enter them. But I choose carefully nowadays – so many publications and competitions want so much money just for sending them a manuscript they will possibly never read and probably (nay, almost certainly) reject. I am so happy that I do not have to live off my earnings. I have 17 books on KDP Amazon and guess what? I received $3.61 in earnings in 2025. And I must declare it on my tax forms. I hope it doesn’t send me up a tax bracket!

I guess it’s a case of Fly me to the stars and let me see what writing pays on Jupiter and Mars. Not much probably. I bet they don’t read poetry in any of those Mars Bars I am always reading about. That said, I wonder what language Mars Barmen speak? And do they have Mars Bar Flies, like we have Bar Flies here on earth? Oh the wonders of language and the Joy of Words. The Joy of Six, as well – and that’s Sex in Latin. Get the joke? Oh, to be multilingual, now that spring’s a coming. Easy now. Don’t get too excited. And look at all those little white angels flying in Moo’s painting.