How do you relax?
I take a relaxative.
Month: August 2023
Share a story about the furthest you’ve ever traveled from home.
Daily writing prompt
Share a story about the furthest you’ve ever traveled from home.
Share a story about the furthest you’ve ever traveled from home.
Once upon a time, I lay in the sea, at midnight, in Brandy Cove, and I watched the moonlight lap over the waves as I lay there. I began to relax and felt the moon rise. Then I rose up with it, just like Cyrano de Bergerac, and I rose, rose, rose, up into the sky until I was level with the moon.
Was this the furthest I have traveled from home? No.
Once upon a time I climbed with Don Quixote and Sancho Panza upon the back of Clavileño and I rose up, up, up into the skies until I danced among the seven sisters, the Pleiades, and counted them, one by one. Sancho told me they were little goats, all colored differently. “And look,” he said. “That’s the earth, down there, as small as an orange pip.”
Was this the furthest I have traveled from home? No.
A long time ago, I visited Stonehenge and marveled at the temple my ancestors had created there to tell the time and worship the sun. Seven thousand years ago, they told me. I closed my eyes and dreamed I was back there with them, digging the post holes and raising the stones.
Was this the furthest I have traveled from home? No.
I also visited Hengistbury Head in Dorset. There I discovered the scrapes the Reindeer People had scratched in the chalky soil nearly ten thousand years ago. Older than Stonehenge, I lay down in the rocky soil high above what is now the English Channel. My mind went back in time. The waters slowly receded and I saw green grass where herds of reindeer crossed the meadows that still attached Albion to the mainland of Europe.
Was this the furthest I have traveled from home? No.
Once upon a time, I truly traveled and visited Avila. I wandered among the ancient ruins of the pre-Christian monuments. There I stroked the granite of the Toros of Guisando, and watched the ever-lasting storks as they nested in the towers of all the churches. I also walked the Roman Road at the Puerto del Pico. When I ran my hands over the bodies of the verracos, I marveled upon how far away from home I found myself, and how small the world really was.
Was this the furthest I have traveled from home? No.
Once upon another time, I really traveled, this time by plane. I flew to Oaxaca, Mexico, and went back a thousand years or more in time. I read the Pre-Columbian Mixtec Codices, climbed the temples, visited the tombs, consulted a witch doctor, drank mescal, ate chapulines, and entered a world beyond my world.
Was this the furthest I have traveled from home? I no longer know. But I do know that el mundo es un pañuelo – the world is a handkerchief, as the Spanish say. Yes indeed. It is a small, small world. Alas, too many people are blowing their noses into it right now and I see and grieve for this, even when I am at home.
Les croulants
Les croulants
That’s what they called the older
generations, in Paris, in 1963, when
I lived there, in St. Germain-des-Près.
Now, a member of that generation,
I remember those words and see myself
crumbling, failing, falling slowly down.
A façade, it’s all a façade. Here I am,
white-haired, wrinkled, watching time’s
oxen plowing furrows in my face as
winter’s snow layers a silvery thatch
of patchwork hair upon head and chin.
How much longer can I sustain my life,
exist in this metatheatre of give and take,
where each day takes its toll, and I give
away bits of myself, slowly, reluctantly,
sloughing them, snake-like, to dance,
then vanish, into the gathering dark.
Author’s Note
I used this painting as the cover for my novel People of the Mist.
People of the Mist
A Poet’s Day in Oaxaca
Click here to purchase this book.
Themes from this poem can be found in my poetry collection Poems for the End of Time. It is a series of metaphysical meditations written while listening to Messiaen’s Quartet for the End of Time. It is followed by Lamentations for Holy Week, a sequence based on the Spiritual Exercises of St. Ignatius of Loyola, as imitated by Francisco de Quevedo (1601 – 1613) in a series of poems composed during Holy Week. This poetry is written from the heart and expresses the authenticity of the poet’s being. Here, the poet indulges in a dialog with his time and place – much in the manner outlined by Mikhail Bakhtin in his theory of Chronotopos. This poetry is not written for the simple minded. Rather it invites the reader to explore the nature of the world, the philosophy of time and place, and the metaphysical exercises necessary to prepare for the inevitable end of time.
Poems for the End of Time
and
Lamentations for Holy Week
Souvenirs
Souvenirs
Where have they gone,
the old days, the old folk,
the old ways of doing things?
I search for them, day after day,
but my cell phone isn’t
the old-fashioned circular dial,
nor the pick-up phone
with the shared party line,
when everybody listens in.
The garage is a mad hatter’s
maze of a workshop,
in which things grow legs
and walk this way, that way
every way to Sunday,
constantly getting lost.
I think I can hear them.
chittering, chattering.
but I cannot see them
nor hold them,
even though I would like
to clutch them tight.
Bats in the belfry,
and in the attic
mislaid items,
pens, ink, paints,
a tuck box, with keys,
a cricket bat,
cracked and yellow,
abandoned,
and forgotten.
What was the last thing you searched for online? Why were you looking for it?
Daily writing prompt
What was the last thing you searched for online? Why were you looking for it?
What was the last thing you searched for online? Why were you looking for it?
The last thing that I searched for online was a prompt that I wished to be prompted by, but I promptly lost it before I could respond to it. Then I went looking, but still couldn’t find it, even though I searched everywhere I could think of.
I grow forgetful as I age, and now I can’t remember what the prompt asked for, and that’s a pity because I remember that I had a lovely answer. Now I can’t remember my answer either. So I am stuck in a sort of one-way street, going in the wrong direction, as I draw near to a roundabout that will lead me back the way I came.
I am afraid some Minotaur or other will seek me out, because I am lost in a labyrinth without the thread of Theseus to lead me out. And its no good searching online, because I no longer know what I am looking for. And that’s a bit like my life at the present time – a pointless search for meaning as I wander, amazed, through a baffling maze of days, seeking, I know not what, and never finding it. I don’t want to give up on it yet, because I know that the answer lies just around the corner, lurking like the last sardine in a sardine can, or the last piece of squid, cowering blackly in its own ink, in the tin, not wanting to be eaten.
Life leads me a merry dance, as king-like, a one-eyed man in the kingdom of the blind, I rule my world. For, en el reino de los ciegos, el tuerto es rey / in the kingdom of the blind, the one-eyed man is king. And no, I didn’t search for that online. It came to me in a sort of dream because, as Goya says, el sueño de la razón produce monstruos / when reason sleeps, monsters are born. And now I see them everywhere, those monsters, and I search online for solutions, but none appear. And so I continue on my merry-go-round way, leading my ragamuffins around those ragged rocks.
What does your ideal home look like?
What does your ideal home look like?
My ideal home looks exactly like the one I am living in right now. In the country, surrounded by trees, with blossoming crab apples in the front garden and a mountain ash in full view from the kitchen window, what more could I ask for? Blossoms in the spring, a gradual flowering throughout the summer, and now, as fall approaches, the fruit ripening.
Verde, que te quiero verde. – Green, for I love you green. But what exactly is green? I sit on the front porch in the cool of summer, and look out on a sea of greens – green grass, green leaves, light green, medium green, dark green, and all kinds of shades and hues as the sunlight filters a subtle dance of colors through the leaves. The eye distinguishes so many different shades of green. Alas, I do not have the vocabulary to distinguish verbally what I see visually. Ah, poor poet, linguistically damaged, and writing with one hand tied behind my back, I suffer from an ability to feel and an inability to express. Terminological inexactitudes, Winston Churchill called them. But in my case, they are the lies I must create when the truth overwhelms me with its beauty.
And in winter, when the cold winds blow, and the leaves lose the safety of their trees to be blown hither and thither at the wind’s will, what then? A blanket of whiteness, shadows shifting beneath the moon by night, and a million brilliant sparkles beneath the sun by day. And the visitors, every night the deer come, stay awhile, then vanish, only to reappear the next day. At midnight, in the moonlight, I watch them from my window as they dance on their hind legs and nibble the hanging fruit that the mountain ash reserves, just for them, so that they will survive, as they have done for millennia, in this paradise that surrounds my ideal home.
Windmills
Windmills
Only the pendulum clock
disturbs the silence
as the slow stars circle
and the moon hides
its face beneath
seven excluding veils.
Tranquility finds me,
seated here, head in hands,
contemplating the complicated
dance steps of a terra-centric
universe where planets weave
an intricate back and forth
to justify the falsehoods
of misguided mistakes.
Men, confident in their wisdom,
know that all is well,
that their faith in the old gods,
the old books, the words
that were written, in stone,
before the modern world began,
need no rethinking.
Those whirling sails,
imprinted on the questing mind,
are a giant’s arms, those sheep
an enemy army cloaked
in dust, coats of arms visible
only to the far-sighted
whose eyes defy vision’s laws.
Right, they were then.
Right they are now.
Nothing changes. Nothing
can possibly change.
Sheep are the enemy
and windmills wait to invade
the unsuspecting mind.
Comment: The history of Don Quixote and its reception in Spain is quite interesting. I was very sorry to read that Cervantes’s language is now considered so antiquated that interpreters are needed. I actually have a cartoon version of his quests – a picture reader, so to speak, very brief, because each picture is worth a thousand words. I have not yet seen the simplified text, rewritten with today’s reader in mind.
Don Quixote still holds many lessons for this modern world of ours and is definitely worth re-reading for, as Soren Kierkegaard (1813-1555) wrote: “There are two ways to be fooled. One is to believe what isn’t true; the other is to refuse to believe what is true.” Don Quixote, the character, threads a narrow path between those two extremes, as do many of the other supporting characters, some of whom use metatheatre for their smoke and mirror Wizard of Oz trickery. And remember, or forget at your peril, nihil sub sōle novum – there is nothing new under the sun. And yes, history does repeat itself, as you will see if you read (or re-read) Cervantes’s master piece.
Hide and Seek
Hide and Seek
Pictures and memories play hide and seek.
They hunt the slipper that hides in the words
that slither and slide across my page.
They long to emerge, fully formed, and to step,
without effort, into your mind. They want
to linger there, to baffle, taunt, and haunt you.
Digging through the verbiage, a thought,
a metaphor, a grouping of words will join and
rejoin. This is the grit that the oyster slowly shapes
into the pearl of great price that glows so bright.
Consider the opal. Plain at first sight, yet changing
color, shimmering in sunlight, a chameleon
adapting to mood and shadow, its moon dance
hovering, a butterfly over burgeoning blossoms.
Who could ever forget, once seen, star light
illuminating the bay, the moon gilding the sea,
those summer nights, our secret love flowering.
The veiled will unveil itself and tease its way,
its path over the sparkling waters of the bay.
Knock and it will open. Seek and you will find.
Comment: I had a specific, named place in mind when I first wrote this poem. Then I realized that my secret place was not necessarily the remembered place of other people who had undergone similar experiences. So, I removed the specific and made it generic.
I know you have been there, to your own special place. A warm summer night. Star light over a bay. Or maybe it was an estuary, or perhaps a river bank? The moon appearing, lighting up the waters. Walking, perhaps, hand in hand. Or sitting, as I remember it so well, in a late-night café, watching the night lights on the fishing boats, as the moon spread its golden carpet over the bay.
Coal Face
And Every Valley
And every valley shall be filled with coal.
And the miners will mine, growing old
before their time, with pneumoconiosis
a constant companion, and that dark spot
on the grey slide of the sidewalk a mining
souvenir coughed up from the depths
of lungs that so seldom saw the sun
and soaked themselves in the black dust
that cluttered, clogged, bent and twisted
those beautiful young bodies into ageing,
pipe-cleaner shapes, yellowed and inked
with nicotine and sorrows buried so deep,
a thousand, two thousand feet down,
and often so far out to sea that loved ones
knew their loved ones would never see
the white handkerchiefs waved, never
in surrender, but in a butterfly prayer,
an offering, and a blessing that their men
would survive the shift and come back
to the surface and live again amidst family
and friends, and always the fear, the pinched
-face, livid, living fear that such an ending
might never be the one on offer, but rather
the grimmer end of gas, or flame, or collapse,
with the pit wheels stopped, and the sirens
blaring, and the black crowds gathering, and
no canaries, no miners, singing in their cages.
Comment: A friend wrote to me about the closing of the pits in Nottinghamshire and how the mining communities had suffered, were still suffering, and might never recover. This poem is the first one in a sequence on the mine closures in South Wales and other mining communities. Poems For the End of Time – the book is available here.
Low Ebb
Low Ebb
We have been apart too long, my love,
night’s dark corridor lying between us
and neither of us approaching the other
when doors close and blinds are drawn.
The way to the heart of the matter is not
an easy path to walk, not any more.
Our secret ways and dreams lie cold
upon chill, empty sheets and pillows.
Each day the tide revives the beach,
flowing out, abandoning its wet debris
for the sun to perform its magic: fresh
seaweed drying above warm sand.
Sea-birds bury their beaks, writing claw
letters as crabs burrow, dig deep, waiting
for the tide to return and re-create
its alternate reality of dreamy waters.
Half of my bed performs its nightly duty.
The other half lies cold, empty, lonely.
No sea-life wanders there, not even in
my most creative dreams of sun and sand.
Comment: The loneliness of old age is compounded by many factors, including ill-health, sleeplessness, and the need to sleep in separate rooms. How many homeless people suffer that loneliness, and more, and at ages much less than ours? And then there’s the distress of trying to live in poverty, to survive from day to day, with safety net that will not protect us, if we chance to fall. A sad world then, as Polly Toynbee points out in today’s Guardian.
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