Spotlight

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Spotlight

Imagine a spotlight of sun peeping for a moment through dark, cool woods. Then this glimpse of wood texture beneath the bright, creamy butter color of these fungi. A moment’s magic caught by the camera and preserved forever, or until the computer crashes, or the funds for this blog page run out. So much potential beauty lost in the impermanent mists of time.

Old, ruined buildings. Churches and barns, their people moved on, their roofs crumbling, their windows boarded up. A heavy snowfall and, back-broken, they fall to their knees and yield to the weight of snow. A storm-surge of age and ailments break over them. Wildflowers creep up and in. The names on the gravestones slowly vanish, layer by layer, letter by letter, until even the names are no more.

Such will be our fate: all our glory reduced to nothing. Sic transit gloria mundi [Thus pass the worlds’ glories] as the Romans once said. All our books and words reduced to dust. No more living words, just  Polvo seco de tesis doctoral [Dry dust of a doctoral thesis] in the prophetic words of my good friend, the Spanish-Canadian poet José María Valverde.

KIRA Video

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Kira Video

So, our July project, a video of the first KIRA poet reading his KIRA poem, is now completed. I read One Small Corner at KIRA and Geoff Slater, Jeff Lively, and Cameron Lively added video to verse in this blend of magic. Thank you so much: I really appreciate this visual rendition of my words. So much so, that for once, I am at a loss for words. I will just let the video speak for itself and myself. Just click on the link below and you will be transported to KIRA and Kingsbrae Gardens on a magic carpet. swift and smooth.

KIRA Promotional Video

Our September / October project is to inaugurate the first KIRA Boutique Retreat (Creative Writing). This will run from September 30 to October 6. I will be one of the facilitators, along with Geoff Slater, the artistic director at Kingsbrae and Jeremy Gilmer, this year’s writer in residence (July 2018). For a description of my own stay at KIRA last year (June, 2017), click on the first link. Click on either the second or the third link below for more information on KIRA and the Boutique Retreat.

KIRA: an intensive creative experience WFNB, August 5, 2017).

 KIRA – Kingsbrae Garden

KIRA Boutique Writing Retreat

MT 2-6 Monkey Meets An Anarchist Ant

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MT 2.6
Monkey Meets An Anarchist Ant

(Memories of El Camino de Santiago)

The anarchist ant dresses in black.
He wears a little red base-ball cap
backwards on his head.
His eyes are fiery coals.

“Phooey!” He says.
“It’s folly to go with the flow.”
So he turns his back
on his companions and marches
in the other direction.

Some ants call him a fool.
The Ant Police try to turn him.
The Thought Police try
to make him change his mind.

Others, in blind obedience
to a thwarted, intolerant authority,
first bully him, then beat him,
then bite him till he’s dead.

Comment: One of the legends of the Road to St. James, the pilgrim route across Northern Spain that I walked in 1979, states that if you do not walk the road as a human being, in your own lifetime, you will come back as an ant and be forced to walk it ant form, when you are dead. I stood on the hill outside Astorga, looking back at the city. On the old pilgrim road, at my feet, and beneath the old Cruz de Harapos, a colony of ants was busy walking in a long line towards Santiago de Compostela. One turned his back on the group and started to walk the other way, but he didn’t last long. “Go to the ant, thou sluggard.” Fair enough. But watch out for the ant-police and the thought-police. 

Obsolescence

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Obsolescence

The programs that no longer work.
The files you can no longer access.
Photos that vanish
leaving a blank space in the album.

Memory that goes on the blink.
Forgotten phone numbers,
the birthdays of family members,
that carton of eggs left in the store,
your cousin’s face, her name,
the parking spot where you left your car.

“What day is it today,” you ask,
for the second or third time.
“What time is it?”
“Who’s that coming for tea?
Are you sure I know them, dear?”
“Where did you say we were going?”

“Just round the corner, to visit a friend.”
Or should that be … round the bend?

Comment: Apparently I placed this poem on Facebook a year ago, but I have found no trace of it here, on the blog. This time last year, I lost both of my computers to what was diagnosed as obsolescence. Luckily I had most things backed up. The group who swore they could transfer 99% of my hard-drive material to the new machine, migrated just 1% (my desk top) and the other 99% went on walkabout. I was able to piece much of it back together, but obsolescent programs and out of date apps no longer functioned. So much material was deemed irretrievable. This experience made me realize, yet again, how fragile is our hold on our possessions, our memories, our sanity, and yes, our very lives. For me, it is a very sobering thought that, with a flick of a switch, I, like my computer, could be turned off, and 99.9% of the wonders of my beautiful existence would totally disappear from the memory-banks of this earth. Some say, and I believe them, that, like my computer, I will be re-cycled, recirculated. I will become a part of the wider oceanic world-consciousness. Alas, we can have faith in whatever we wish to believe, but sometimes, we really don’t know.

MT 2-5 Monkey Meets Pontius Parrot

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Monkey
Meets
Pontius Parrot
(With glorious  memories of Macarronic Latin)

 Pontius Parrot is very clever
and very pontifical.
He pontificates from his pulpit.
“Pretty Polly!”

His name isn’t Polly
and he doesn’t have a pulpit
but he parrots words
in Macaronic Latin:

“Caesar adsum jam forte.”

Pontius Parrot is
perky at the podium.
He bounces up and down,
preens himself prettily,
rattles his chains,
shakes his bars:

“Brutus aderat.”

 Shame and scandal
wear him down.
A dysfunctional family
of feathered friends
henpecked him
until he was black and blue
and threw up copiously:

 “Caesar sic in omnibus.”

He dips his wings in holy water,
calls for some soft soap,
and washes
feathers and claws.

Poor Pontius Parrot,
He can only say
“Repent!”

“Brutus sic in at.”

Comment: Anyone who suffered through school Latin, especially if they went to boarding school or grammar school, will recognize famous Macarronic Latin quotes such as the verb bendo, whackere, ouchi, sorebum, and the one the author of Monkey Temple reproduces in the above poem. If you are unfamiliar with Macarroni Latin and have had the good fortune to have avoided both grammar and boarding schools, just read the Latin normally in English and you will establish its Macarronic meaning.

MT 2-3 Monkey Visits the Poisonous Snakes

MT 2-3
Monkey Visits the Poisonous Snakes

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Monkey Visits the Poisonous Snakes

A swift death
was never their style,
the cobras, the vipers,
the adders and subtractors,
the bean counters and snatchers,
the diminutive dudes.

They prefer death
by blow-gun
their poison dart
injected through
hollowed fangs

or Chinese Water Torture,
the slow drip after drip
of poison inserted into ears
and veins, a drop at a time,
and slowly gathering …

… until their victim slows down,
ceases to struggle,
stands there, eyes open,
unable to move,
poisoned and paralysed.

Comment: with all the exciting things that are happening concerning my new poetry writing, I forgot all about my monkeys. It seems they have been bouncing up and down, fretting in their cages, bounding all over the ruined, broken-down temple, poor little blighters. Apparently, on their last visit to the rest of Bristol Zoo, they left the big snakes and decided to visit the little, poisonous ones. I guess they didn’t like them at all. Does anyone? I hope there are no ‘snakes in the grass’ near you, and I don’t mean grass snakes. And watch out for snake charmers, some of those snakes believe more in harm than charms.

PS Let me know if you want a voice text. I haven’t recorded this one yet.

Loss of …

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Loss of …

By the time I remembered your name,
I had forgotten your face. Then I couldn’t
recall why I wanted to talk to you.

I trace dark landmarks on the back of scarred
hands: blood maps, unremembered encounters,
dust covered photographs, grey, grim, anonymous,

not belonging in any family album.
At night I cruise among islands, emerald green
against sapphire seas. Why didn’t I visit

some of these places? Golden sand trickles through
night’s fingers and time’s hour glass, as stars
sparkle and planets dance in Platonic skies.

My memory fails. I wake each morning
unaware of where I have been the night before.
I track the sails of drifting ships, white moths.

I think I have caught them in overnight traps,
but they fly each morning in dawn’s forgiving light.
I give chase with pen and paper, fine butterfly nets

seeking wild thoughts waiting to be caught, then tamed.
I grasp at something just beyond my fingertips,
but I can’t quite remember what it is.

Comment: I first published this poem on July 31, 2018 (click here for the original post). Here it is now, in revised form. I find the revision process to be totally fascinating: the polishing of old ideas, the arrival of new ones, a different structure, a reshaping of the poem’s internal logic. So much happens in the revision process. Many great poets wrote and rewrote their poems, again and again.  I consider Francisco de Quevedo and Juan Ramón Jiménez to be poets who continually revised. A perusal of the variants to their poems (28 versions in the case of some of Quevedo’s poems) gives the reader an understanding of how the great poets think, of how they purge, intensify, sometimes simplify, usually improve their initial instincts. We lesser poets can learn so much from the greats. Above all, we can understand that poetry is a life-long practice, that it is a love of words and emotions, that it is a desire to catch and preserve the uncatchable that can never be completely caught. The critics say that the reader can never know the writer’s intentions. I agree with that, to a certain extent, as I never know why I am writing what I put down on the page. I guess I often have no intent. More important, my original intention can change as I write, and what I write is by no means what you understand I wrote when you read, for each of us processes the imagery, especially metaphors, in a different, and very personal, fashion. That said, when I rewrite a thought pattern emerges and my intentions become that much clearer, not from the words on the page, but from the footpath that led me in different directions until the final version emerged on the page.