Dead Day

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Dead Day
A Thursday Thought
12 July 2018

Funny how a day without soccer suddenly seems a dead day. Yesterday was filled with world cup fever. Anticipation, build-up, cheering, Croatia (champions), defeat (England), football (fantastic) … today the world cup has a rest and people start to breathe more easily. As a result, all -over, boredom, cleaning up, defeat (deja vu), emptiness, future (hopes on hold) … all the alphabet soup of life packed into a few short hours.

Where do we look for meaning? Is there even any meaning to look for? I watched 120 minutes of soccer, yesterday … that’s two hours. Well spent or wasted? Meaningful or not? The world heats up. A hurricane moves up the coast, turns into a tropical storm, then back into a hurricane. Hit or miss? I still don’t know, but I hope it misses. The last big one hit in 2014. We went ten or twelve days without power, and that in the Province’s capital city. Five trees were downed in our yard. More than a dozen were tugged up in my neighbor’s place. Why? Why us? Why here? Why now? Is this personal? What did we do wrong? Values? Meaning? Yet, for 120 minutes yesterday, I could forget my immediate woes and concentrate on football’s joys and sorrows. I guess that holds meaning in itself. I thought so yesterday. Today, I’m not so sure.

Out driving yesterday, I pulled into the roadside twice to allow ambulances to pass. An ambulance, a mysterious closed vehicles, lights flashing like a mad Christmas tree manned by a crew of Dr. Who Daleks. Yes, it was warm. Yes, people were excited. I guess someone, somewhere, was overcome by something and the telephone rang and the call went out to the ambulance. Values? Meaning? “What is this life if, full of care, we have no time to stop and stare” … at the ambulance, lights flashing, sirens sounding, as it rushes by and we pull over into the side of the road to allow it to pass. Values? Meaning? A sense of an ending? A sense of a beginning?

Today, more than anything, a sense of being suspended, of waiting in a bubble, in a certain silence, for something to happen, don’t know what, or when, or why, or where, or to whom. The world, instead of moving on, seems to stand still. Even the leaves on the trees have stopped shaking. The silence before the storm, perhaps? What storm? And who will it strike? And where? And how? And when?

How will it begin? How will it all end?

 

 

Good Heavens!

Skeleton

Good Heavens: it’s hard to believe that I am a blogger when, currently,  I so seldom blog. I guess it’s the online courses, back to back, eight weeks of creativity online, but a different line from the blog line, and then another eight weeks, five gone and three to go. So much to catch up with. So much to do. Also, all that hard work and then the discovery: a poem published on my blog is a poem published and it is not eligible for publishing elsewhere.

Oh dear … that somehow sucks … like a rose, a poem is a poem is a poem and there is an enormous difference between publishing, can you really call it ‘publishing‘, a poem here and publishing it in a journal or submitting it to a competition, with real live editorial groups poring over its content and then giving it the thumbs up, or thumbs down, as the case may be.  Whatever: rules is rules, I guess, made to be broken, but we lesser mortals break them at our peril, I guess.

Whatever: the reading lessens in three weeks time, also the writing load, and the critiquing load, and all the other loads we writers must carry around with us, on our backs, like a snail carries its shell, aka its house. Lesson: be like a hermit crab, moving in, moving out, changing your residence as it suits you … one way tickets that will keep you in the pink, or some other suitable color.

So: since the start of May I have written / revised more than seventy poems, but I daren’t put them on the blog … why not? Because I would like to publish them in more traditional fashion or else submit them for competitions where unpublished work is demanded. Screwed up? Yes, but the whole world is whirling towards a screwed up state right now. What to do? To publish or not to publish? Where to publish? Where not to publish?

You know, deep down, I am not sure that it matters a damn. I’ll play their game, by their rules, for a month or two, then when the shot-gun riders on the poetic garbage trucks (aka the gate-keepers) move in and warn me off, I’ll come back here and publish it all anyway.

Meanwhile: believe, breathe deep and believe. I’m not going away, not just yet, anyway. But I am taking a small break, and I am moving in a slightly different direction … but I am absolutely certain that I’ll be back.

Wednesday Workshop: Codification

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Codification
Wednesday Workshop
30 May 2018

For me, it is vital to see how others read and interpret my work … what comes across, what doesn’t, how things are understood and read, sometimes in the same way, sometimes in different ways. It is always easy to pick out some favorite phrases. However, deciphering, interpreting, and then reacting to, a poem’s inner code, is a very different matter.

I love the cut and thrust of dialog … I was at our Tuesday night writing group meeting last night from 7-9:30 pm and we had a great time, back and forth across the table pecking, like wild birds perched on a literary feeder, at each others’ texts. My own texts are thickly layered and highly codified and I have become very interested in the theory of literary codification.

My own ideas are a development of those of Northrop Frye as he expressed them in The Great Code. When we lose our common code, to what extent do we need to explain a private one? This is of great import to Frye’s studies on William Blake, perhaps (in spite of his seeming simplicity in certain poems) one of the most difficult of English poets.

Perhaps the answer lies in Karl Jung’s theories on the racial subconscious: that we all share deep, (human) racial symbols that transcend words and often appear as symbols and images. If this is true, then we communicate, at a non-speech level, through metaphor and symbol, and that is more powerful and outreaching than linear language, however well and clearly codified it may be.

This emphasis on symbol, image, and metaphor leads us, of course, into surrealism, free writing, concrete poetry, sound poetry, and all those efforts to abandon the linear and reach into the subconscious roots of ‘that which binds us together as human beings’ … in my humanistic theories, to find the links that behind is more productive than the reinforce the fears and misbeliefs that separate. Alas, not everyone thinks that way in the literary world, and private codes can easily be used as wedges to force people apart.

We need codes, preferably codes that we can share. The question is, how explicit would we be, as writers, in explaining those codes? How closely should we imitate the writing codes of other people?

The eternal mystery of Aladdin’s Lamp: “New codes for old.” And don’t forget the magic words “Open Sesame.”

Ah, the joys of codification.

Commentary
This is my first post for some time, ten days in fact, 20 May. No excuses other than other commitments: to the WFNB, to my online poetry course, to my physical writing workshops, to my own creative condition … I am creating furiously at present. Codification is something that has interested me for some time: the Biblical Code, The Western Tradition, Courtly Love, the Icy Fires of Petrarchism, Romanticism,  Impressionism, Expressionsim, Surrealism. Modernism, Post-Modernism … the -isms, once started, are apparently endless. All of these -isms spiral round the ideas of verbal codes. In codification, I would like to start a discussion on what these codes are, how they affect us, what do they mean, especially when they can be so totally personal. By all means, join the discussion: what do you mean by codes? How do you use them? How do you interpret the codes of other people?

Fear

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A List of Fears
(exercise: tick all that apply)

of failure
of success
of inadequacy
of being caught short
of being found out
of the blank page
of revealing intimate details
of feeling stupid
of typos or punctuation or bad grammar
of presumption
of being laughed at
of new things or old things
of something borrowed
of new topics or new methods
of research or hard work or perfection
of rejection or dejection or ejection
of losing yourself or finding yourself
of caring or not caring
of the unknown or the unknowable
of peer pressure
of speaking out loud
of being unable to write like …
of being wrong or right
of political or social consequences
of free speech
of hurting others
of being misunderstood or understood
of large or small audiences
of clothing or mechanical failure
of starting or finishing or writer’s block
of having nothing to say
of having nothing worthwhile to say

fear of fear

Commentary:
Last Saturday, in Quispamsis, I facilitated a two hour workshop on things that writers fear. I began with a list of all the things that I have feared at various times during my writing career. This morning, I turned, with great trepidation, those fears into the list poem I reproduce above.  If you wish to discuss any of these fears, or add other fears of your own to the list, and remember, this is a list of writers’ fears, then please do so. I will be happy to enter into a dialog.
As for the fear of feeling stupid, I often offer this small piece of advice. It has been known to comfort those who actually have a fear of feeling stupid. (1) buy a small fluffy toy, preferably a Teddy Bear, that will fit into your pocket or purse. (2) christen that small fluffy toy with the name of Stupid. (3) you carry Stupid around with you all day knowing that you can put your hand in your pocket or purse and feel Stupid all day and nobody is going to know or care.
The moral of the story is this: when you can laugh at your fears, you fear them no more. And remember: you can stop feeling Stupid whenever you want to.

Wednesday Workshop: Recycling

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Wednesday Workshop
09 May 2018

Recycling 1

“You never know when you might need it,” my

grandfather said, finger-nails cracking red-
waxed parcel string. Bright sealing wax rained down
on the tablecloth, covering it with hard,
scarlet chips, wax cracked, tight knots emerging.
One by one, my grandfather first loosened
them, then sought the string’s free end, following
it along its snaking way from knot to
knot. Like Theseus following his twine
through the labyrinth below the palace, my
grandfather mused, hesitated, followed
the clues given him by the knotter’s mind.
Set free from its parceled knots and lashings,
he looped the string around his fingers and
tied the twine into a tight bow that he
stowed away for future use. Reef knots, slip
knots, sheep-shanks, bowlines, bowlines-on-the-bight,
he showed me how to tie them all. He taught
me too how to never tie granny knots.
“Never cut string with a knife: untie knots,”
strict his advice and followed still today.

Recycling 2

finger-nails
cracking red-waxed
parcel string

sealing wax rained down
staining snow white tablecloth
wax cracked
hard scarlet flakes
tight knots emerging
loosened

now seek the string’s
free end
then follow it
the way it snakes
linking knot to knot

muse
hesitate
unknot
the mind of she who tied

set free these
parceled knots and lashings
loop string around fingers
tie tight the twine

a child’s bow
to be stored
for future use

Recycling
Haiku 1
[7/11/7]

string yields blood-bright scarlet wax
a thread to lead through the parcel’s labyrinth
open now the magic box

Recycling
Haiku 2
[5/7/5]

blood-bright scarlet wax
a thread through the labyrinth
open now the box

Commentary:
There are many ways to recycle. All are valid. Some are more valid than others.

Downsizing

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Downsizing

a double sword
this clearing out
of odds and ends

the library diminishing
book by book
so many memories
slipped between the covers
dust-bound now
yet springing so quickly
back to life

sorrowful not sweet
these multiple partings
from people I will never see again
save in my dreams

I think of book burnings
so many heroes
going up in flames
fire their beginnings
fire their ends

fire the means of forging
the Omega and Alpha
of the book world
that surrounds us

fire encircling us
death’s bone fires
consuming us
outside and in

Be Leaf

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Be Leaf

An autumn leaf,
brown crisp flaked from a tree,
floats breeze-blown
into my mind’s-eye corner
and settles down to sleep.

What joy to lie there
forgotten by the madcap
rush of televised folly,
false news filmed, fake news
hustled and bustled
by a burgeoning wind of change.

No science now, no truth,
no facts, no knowledge,
just news, fake news, false news,
the word pack shuffled and reshuffled,
each verbal insult dealt and redealt,
true falsehoods peddled
by tinker men and tailors who stitch
words to meanings,
while the real truth
lies dead and safely buried:

a leaf among leaves, lying forlorn,
forgotten beneath autumn trees.