And every valley shall be filled with coal. And the miners will mine, growing old before their time, with pneumoconiosis a constant companion, and that dark spot on the grey slide of the sidewalk a mining souvenir coughed up from the depths of lungs that so seldom saw the sun and soaked themselves in the black dust that cluttered, clogged, bent and twisted those beautiful young bodies into ageing, pipe-cleaner shapes, yellowed and inked with nicotine and sorrows buried so deep, a thousand, two thousand feet down, and often so far out to sea that loved ones knew their loved ones would never see the white handkerchiefs waved, never in surrender, but in a butterfly prayer, an offering, and a blessing that their men would survive the shift and come back to the surface and live again amidst family and friends, and always the fear, the pinched -face, livid, living fear that such an ending might never be the one on offer, but rather the grimmer end of gas, or flame, or collapse, with the pit wheels stopped, and the sirens blaring, and the black crowds gathering, and no canaries, no miners, singing in their cages.
Comment: A friend wrote to me about the closing of the pits in Nottinghamshire and how the mining communities had suffered, were still suffering, and might never recover. This poem is the first one in a sequence on the mine closures in South Wales and other mining communities. Poems For the End of Time – the book is available here.
Here, in the abyss, where song-birds pluck their notes and send them, feather-light, floating through the air, here, you’ll find no vale of tears, no fears of shadow-hawks, for all blackness is abandoned in the interests of sunlight and song.
Here, the crystal liturgy surges, upwards from the rejoicing heart, ever upwards, into the realms of light, where color and sound alike brim over with the joy that, yes, brings release to head and heart.
Here, seven-stringed rainbows reign, the everlasting harp is tuned and plucked, and an eternity of music cements the foundations of earth and sky.
Here, the master musician conducts his celestial choir, their voices rising, higher and higher, until they reach the highest sphere, and song and voice inspire, then expire, passing from our eyes and ears into unbounded realms of light.
Here, the seven trumpets will sound their furious dance, a dance that will announce the end of this singer, the end of his song, but never the end of song itself.
Septets for the End of Time ~ Why do the people? by Roger Moore
1
Divide and Conquer
They divided us into houses, Spartans and Trojans, and encouraged us to compete with each other, single combat, and then team against team, house against house, eternal, internal civil war.
We divided ourselves into Cavaliers and Roundheads, Monarchists and Parliamentarians, Protestants and Catholics, and we continued those uncivil wars that marred the monarchy, brought down the crown, and executed the Lord’s anointed.
We fought bitterly, tribe against tribe, religion against religion, circumcised against uncircumcised, dorm against dorm, class against class, territorial warfare. We defended our bounds, bonding against all outsiders to guard each chosen ground.
With it came the denigration of the other. Not our class. Scholarship boy. Wrong end of town. Wrong accent. We don’t talk like that here. Speak the Queen’s English, you… and here … we inserted the appropriate word of vilification.
Our wars never ended. We carried them from prep school to junior school, to senior school, sometimes changing sides as we changed schools or houses, always clinging grimly to our best friends, protectors, and those we knew best.
After school, all those prejudices continued to hold us down, haunted us through university, red-brick or inspired spires, Trinity Oxford, Trinity Cambridge, or Trinity Dublin, each gilded with the white sniff of snobbery that gelded us.
Alas, we carried them, piled in our intellectual rucksacks, through university, into grad school, out into the wide world, infinitely small minds based on prejudice and pride, continuing our tribal warfare, unable to understand anything at all, other than us or them, shoulder to shoulder, divide and conquer.
2
Rage, rage …
Sometimes you wake up in the morning and you realize that you can do no more. What is it about family split-ups, the ugliness of a disputed divorce, the glue coming unstuck in an already unstable marriage, a financial settlement that satisfies nobody and impoverishes both sides of a divide?
And how do you bridge that divide when you are friends with father, mother, children and the wounds are so deep that everyone wants out, whatever the costs and whatever it takes? And what is it about the deliberate wounding of each by the others, leaving permanent scars that will never heal over, no matter how hard one tries?
And what is it about lawyers, when too many guests gather around the Thanksgiving turkey and knives are out for everyone to take the choicest cuts leaving nothing but a skeletal carcass, no flesh on the bones, and the guests all hungry and their empty bellies rumbling for more, more, more.
3
Reconciliation
Rant, I say, rant and rage away, rage, rage against the death of friendship, and loathing built now on what was once holy oath and undying love. This is a blood sport where even the spectators are spattered with the refined frenzy of friends turned into fiends and foes, and this is a protest, a rant against love that doesn’t last, that doesn’t stand the test of time, against families that break up, against a society that breaks them up, driving wedges and knives between people once bound by the puppet strings of love, against relationships that can no longer continue, against the rattling of dead white bones in empty cupboards where skeletons dance their way into legal daylight and the spectators call for more: more blood, more money, more blood money, and the engagement diamond is a blood diamond now, a tarnished garnet, and where is the Little Old Lady of Threadneedle Street, that spire inspired needle that will stitch their world back together, and stitch you back together when you’ve been shocked out of your own ruby-sweet rose-tinted world and torn into little bits in their oh-so-bitter one, the biters bitten and those bitten biting back in return, a new world this world of snapping turtles, turtles standing on the back of turtles, and turtle after turtle all the way down until this carnival world puts down its dead clown mask and turns turtle in its turn.
Roger Moore is an award-winning poet and short-story writer. Born in the same town as Dylan Thomas, he emigrated from Wales to Canada in 1966. An award-winning author, CBC short story finalist (1987 and 2010), WFNB Bailey award (poetry, 1989 & 1993), WFNB Richards award (prose, 2020), he has published 5 books of prose and 25 books and chapbooks of poetry.
Over 150 of his poems and short stories have appeared in 30 Canadian magazines and literary reviews, including Arc, Ariel, The Antigonish Review, theFiddlehead, the Nashwaak Review, Poetry Toronto, Poetry Canada Review, the Pottersfield Portfolio and The Wild East. He and his beloved, Clare, live in Island View, New Brunswick, with their cat, Princess Squiffy, but they live on the far side of the hill from the St. John River, with the result that there is not an island in view from their windows in Island View. Visit Roger’s website here.
Last Year’s Snow Mais ou sont les neiges d’antan? Villon.
Meditations on Messiaen Inner Migrants
4
Last Year’s Snow
Last year’s snow: where did it go? The snow-blower blew it around while my daughter made snow angels, but that snow melted, so long ago. We made a snowman.
I remember rolling snowballs around the yard. They grew so big we could hardly lift them, one large lump onto another, and then we planted stick-arms, a hat, a nose.
Our dog visited him. Sniffed. Drilled yellow holes into his feet. Crows sat on his arms, cawed and cawed, totally unafraid, no scarecrow this, this fake man made entirely of snow.
The crows saw worse in the roadside snowbanks. Dead deer, snow plowed into the banks and abandoned at roadside, their bodies waiting for spring sun to resurrect them.
Our annual question: where did the snowman go? And its sequels: last year’s snow, the birds that nested in last year’s nests, what happened? Where did they go?
I have searched near and far, but I haven’t found them, not a trace, not a song, not a feather floating down. Where did they go?
No hay pajaros en los nidos de antano. Miguel de Cervantes.
Duende “Todo lo que tiene sonidos oscuros tiene duende.” “All that has dark sounds has duende.” Federico García Lorca (1898-1936)
It starts in the soles of your feet, moves up to your stomach, sends butterflies stamping through your guts. Heart trapped by chattering teeth, you stand there, silent, wondering: can I? will I? … what if I can’t? … then a voice breaks the silence, but it’s not your voice.
The Duende holds you in its grip as you hold the room, eyes wide, possessed, taken over like you by earth’s dark powers volcanic within you, spewing forth their lava of living words. The room is alive with soul magic, with this dark, glorious spark that devours the audience, soul and heart. It’s all over. The magic ends.
Abandoned, you stand empty, a hollow shell. The Duende has left you. Your God is dead. Deep your soul’s black starless night. Exhausted, you sink to deepest depths searching for that one last drop at the bottom of the bottle to save your soul and permit you a temporary peace.
I guess the secret is to have infinite trust and to hand yourself over to those higher powers during the performance. Some can do it individually, others need to be part of a team. It works differently for each one of us. But when the lower element surrenders to the soul-fulfilling higher element, miracles happen. And when they are over, we are left bereft. It’s the same, in many ways, with mystical experiences. After we venture into the beyond, Messiaen’s Au-dela, upon our return to our earth-bound existence, we are left stunned and stranded by our former voyage into absolute beauty.
Wisdom in the wrinkled skin, the grin that glows with humor, the sun sign of old age, or merely that of ageing, the knowledge that, yes, many have walked this wobbly way before, and many will follow.
What is pain, but the knowledge that we are alive, and relatively well, and still on the green side of the grass. Long may it last. When the pain is gone, we shall soon follow. For this is age, and age is this pain, and the painful knowledge that we are no longer young, can no longer bend the way we bent, or touch our toes, or even see our toes, some of us. The golden arrow pierces the heart. Fierce is the pain. But when that arrow is withdrawn and the heart no longer lives in love, why, how we miss that pain, how we weep to find it gone, perhaps never to come back again.
Pain, like rain, an essential part of the cycle of the seasons, of the days and the weeks, and all the months and years that walk us around time’s circle, in time with the earth and its desire to open its arms, and welcome us, and greet us, and bring us rest, from our pain.
Rant, I say, rant and rage away, rage, rage against the death of friendship and loathing built on false love. This is a blood sport where even the spectators are spattered with the refined frenzy of friends turned into fiends and foes, and this is a protest, a rant against love that doesn’t last, that doesn’t stand the test of time, against families that break up, against a society that breaks them up, driving wedges and knives between people once bound by the puppet strings of love, against relationships that can no longer continue, against the rattling of dead white bones in empty cupboards where skeletons dance their way into legal daylight and the spectators call for more: more blood, more money, more blood money, and the engagement diamond is a blood diamond now, a tarnished garnet, and where is the Little Old Lady of Threadneedle Street, that spire inspired needle that will stitch their world back together, and stitch you back together when you’ve been shocked out of your own ruby-sweet rose-tinted world and torn into little bits in their oh-so-bitter one, the biters bitten and those bitten biting back in return, a new world this world of snapping turtles, turtles standing on the back of turtles, and turtle after turtle all the way down until this carnival world puts down its dead clown mask and turns turtle in its turn.
Comment:
National Reconciliation Day today, the first in Canada. Now that is a valid reason to rant. Let us hope for reconciliation, for a healing and a mending. I love Canada. I love all Canadians. I came here by choice, stayed here by choice, and I am very grateful to have been accepted by the Canadian communities in which I have lived. I hope I have graced Canada, with my presence, as Canada has aided me and helped me along in all my endeavors, academic, sporting, teaching, creating, and editing. As Norman Levine once wrote: Canada Made Me. In my case, it is true. On this first National Reconciliation Day, my thoughts and thanks go out to my brothers and sisters, all of us Canadians.
I don’t know what happened this morning: I put the same post up as yesterday. Different photo, same post. I really don’t know what to think about what I was thinking. Old age? Confusion? A troubled mind? All of the above!!! Never mind: here we go again, and maybe my next rant will be about getting out of touch and loss of memory! You never know what’s coming next, and that’s the beauty of Messiaen.
Vingt-et-un, twist and bust, always hoping, seldom winning, holding out one’s hand for hand-outs, for special treatment, for some thing that raises us above the everyday nothingness.
Twist, yes. Let’s twist again, like we did back when. But this isn’t Oliver Twist: “Please sir, may I have some more?” though everyone is heading for the poor house and the beadles are gathering by Bedlam’s door with their handcarts and dogs and the full enforcement of a blue-serge law made to twist and torment, though I have never understood the law, especially when it is left in the hands of lawyers, for “the law, dear sir, is an ass”, a striped ass at that, black and white like a zebra, though grey and costly in the areas that matter most.
And what is there to do but rant away about the injustice of it all, the size of the pay-checks and now you must check-out the food banks, the soup kitchens, the meals on wheels, the charitable eating and boarding houses, because there’s no more roof over the head and the house is sold and the incomes are split and the children are more-or-less cared for, though rather less than more, and the dog is turfed from his dog house and the pussy cat booted from her feathered bed.
Sometimes you wake up in the morning and you realize that you can do no more. What is it about family split-ups, the ugliness of a disputed divorce, the glue coming unstuck in an already unstable marriage, a financial settlement that satisfies nobody and impoverishes both sides of a divide?
And how do you bridge that divide when you are friends with father, mother, children and the wounds are so deep that everyone wants out, whatever the costs and whatever it takes? And what is it about the deliberate wounding of each by the others, leaving permanent scars that will never heal over, no matter how hard one tries?
And what is it about lawyers, when too many guests gather around the Thanksgiving turkey and knives are out for everyone to take the choicest cuts leaving nothing but a skeletal carcass, no flesh on the bones, and the guests all hungry and their empty bellies rumbling for more, more, more.
rogermoorepoet 