Really? Wednesday Workshop

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Really?
Wednesday Workshop
19 July 2017

“Steevie K says adverbs are out. You shouldn’t use anything ending in -ly.”
“Really?”
“No. -ly words are banned. They’re as bad as Anglo-Saxon four letter words.”
“That’s folly, surely?”
“No. It’s an absolute from the best of all writers. You do agree, don’t you?”
“Oh, absolutely, in a sort of writerly fashion. I’ll leave all my -ly words on the trolley.”
“Are you being facetious?”
“Absolutely not. Clearly, Steevie K obviously has a point. Totally too many -ly words in use. Well, usually, anyway.”
“What’s more he says that people in general and writers in particular should avoid adverbs.”
“Funnily enough, I actually feel the same way, relatively speaking, particularly nowadays.”
“But you use them all the time.”
“Only in July, when there are comparatively few alternatives.”
“You know, Steevie K counts the number of times people use the -ly word.”
“Surely not? But then, he must truly be thoroughly committed to the extermination of …”
“… words ending in -ly. Of course he is.”
“I bet he lovingly caresses his dictionary as he peruses the -ly section while scratching his belly.”
“There is no -ly section.”
“You are lying, surely?”
“No. Anyway, that’s ly-, not -ly, and ly- is not a letter , it’s a combination of letters. Do you understand?”
“Truly I do. I get on swimmingly with this. All of it, actually.”
“All of it?”
“Totally. I always wondered why they said ‘jello’ not ‘jelly’.”
“Who?”
“Those with the smelly yellow-belly, of course.”
“I’ll report you to the Steevie K thought-police.”
“Surely you wouldn’t do that, not really, that’s not particularly nice?
“Really and truly.”
“Verily, I say unto you: ‘Oh shut up, you falsely bloated, heavily spotted yellow-bellied sapsucker’ …”

 

Yesterday

Ay Ay Ayeres

Digging around in the photo files that I transferred from my old computer to my Google drive, I discovered this golden oldie composed of my words and Clare’s images. What a revelation: I had completely forgotten that this group of work existed. I’ll dig them out ne by one and post them from time to time. Ayer is the Spanish for yesterday, hier in French. The title “Ay! Ay! Ayeres!” with its multiple plays All our yesterdays and its reference to the old song “Ay, ay, ay, canta no llores” draws together a series of memories, some in the past and some in the future. ‘How can we have a memory in the future?’ you ask. By recognizing a present moment, or one that lies just ahead in a future that ill become soon enough a present, as one that has already occurred in the past, thus confirming the circularity of our lives and the idea that all time is time present, one of T. S. Eliot’s recurring themes.

Ocho Venado: Eight Deer is a central figure (war leader) in the Zouche-Nuttal, a pre-Columbian Mixtec Codex. He is the war leader in the Conquests recorded in the codex (circa 1050-1100).
Quesadillas: Oaxacan tortillas filled with cheese and flores de Calabaza, gourd flowers.
Reyes Magos: the three wise men or kings who visited the Christ Child on January 6, the traditional Spanish Christmas.
Murcielago: the bat and a symbol of death in Oaxacan mythology.
Nueve Viento: Nine Wind descends from heaven to separate the sky from earth and its waters. Nine Wind at Tule meeting with Cortes is mythical not historical, though the meeting of Cortes with the Mixtec chiefs (caciques) did happen.
Apoala: The Mixtec nation was born form a cave (sometimes a tree) in Apoala, Oaxaca.
Spinning the wheels in the snow: a reference to Jean Chretien and one of his famous images.

The piece is written in a surrealist style that mixes historical fact with creative writing. The distant past is recalled (1050-1100), then the middle past (1525-1530), and finally the present appears. This mixing of time and place (Mexico and Canada) is also related to the surrealist movement. Surrealism creates a dream world in which images float and change shape within a time-space conundrum where dream is more real than reality and creates its own new meanings that are individual to each reader.

Any comments on this rediscovered piece will be warmly welcomed.

Twits or Tweets

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Twits or Tweets
(A Roger’s Rant)

Poor poets of today
sweet birds reduced
one hundred and forty letters
the song you tweet

oh twitter away your tune
your readers will not swoon
over anything longer
than the shortest rune

and if go on you must
the tv commercial calls
thirty seconds to adjust
words for everyone’s lust

sound bytes bark louder
than sonnets now beware
the dog byte of radio
and tv making a mockery
of all you once held good

no film rights for a sonnet
no actors no models
on the cat walk no talk
of moneyed contracts
honeyed words that brook

no contacts with either
upper or lower class
none of whom today
would stoop to make a pass
at passing poets
or offer to kiss their arse

Damnatus

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Damnatus / Doomed

‘Poor poets of today: condemned to be nothing more than the dry dust of an unread doctoral thesis.’ They languish, empty headed, in dark rooms, those poets, hunched over their computers, waiting fr someone or something to fill up their heads. They hammer away at their keyboards, correcting their spelling with an  ever cautious spell-check. Intent on making their poems cryptic, they shrug off the sunshine, the beach, the flowers in the garden,  the cardinals, orange and red, who clamor at the feeder, and concentrate on abstract meanings, abstruse words, and twisted thought.

Phone calls go unanswered. Friends are left hanging on the vine to dry. These poets are worse than wallflowers at a dance or lemons out on a date as their crowded heads fill up with metaphors and myths that limp their unsteady ways onto screen and page. Oh pity the blisters on their fingers, the calluses that harden their fingertips to the delights of re-writing, again and again, for they are not real writers but real re-writers, and every thought is a skirmish with unreality, a pledge to continue their servitude to their life’s mission: the curdling of words and the nurdling of poetic thought. What better poetry is there than a hamburger for the hungry or a helping hand stretched out across a street to help a beggar in need … but there are neither burgers nor beggars in these un-windowed buildings, just the poverty of a poetry undiscoverable in its lack of lustre gloom..

Where is the graduate student, earnest, destined to be penniless, who will delve into the notebooks of these poets’ lives and dig out the thought-gems, the diamonds that will make everyone great, publisher and published, poet and practitioner of the uncritical art? Will someone not take that student by the hand and lead him to pastures green, or to the sea, to taste and test the blessed salt and the winds that will drive away the mind’s unwholesome fog and bring light and understanding that will un-cuff the wrists and heal the immortal wounds for, left untreated, they will bleed for all eternity?

Oh the bright bracelet of learning bound round the heart-bleed wrist. Oh the false knowledge gained, that leads poet and critic up and down the slippery garden path towards promotion, tenure, and a seat on the picket fence. Oh those grey human bodies chained to their wooden desks in a dusky library or transfixed on metal seats in academic meditation. Sit and watch while cobwebs sprout in the unused brain and the only certainty lies in footnotes and bibliographical entries that rise like a surging tide to flood the drowsing mind that craves more sleep.

What bright word, what metaphor dim, has poisoned the wit so it effortless moves into the serenity of contemplation? Look on this pathless sea of words, ye mighty, and despair. But take great care: for what if this sylvan warrior awakes, steps out of that figmented dream, sees the reality beyond the shadows, demands a proper challenge, a walk in the park, a vision of the grass that is so much greener on the other side where the administraitors gather and garnish paper and paperclips as they strive for the privilege of herding more and more slovens in their poetic pursuits?

Oh grant them more grants, these purloined poets. Gift them pure visions of things that never were and will never be. Never let them break away from their dissolute dreams that wrap their disadvantaged forms in the ignorance of mental slumber, half-sharpened pencils, and a box of blunt sharpeners..

Time

Time

Where is time going
when it overtakes me
in its speeding car
and leaves me lumbering
along life’s highway?

It’s after five to twelve
and the morning has flashed by.
The clock is about to strike,
and the afternoon draws near.
It too will vanish, a milestone,
millstone tied to day’s neck.

I remember the old days
when the big handed pointed to XI
and the small hand pointed to XII.

Now the clock is starting to strike.
I have left the last gas station way
behind me and my motor’s failing,
and my car is running out of gas.

Jarea

PEI + bockle 2008 101

Kingsbrae 25.1
25 June 2017

Jarea

This is a glimpse of
how it might be.

Surrounded by paintings,
snapshots and memories,
all we have ever done
hanging on the walls
as if we were visiting
a gallery of our lives.

Impressions from our childhood
line up beside
expressions of our adolescence
and
abstracts extracted
from our more mature years.

Time,
we are running out of time,
and our here and now is
a quality of deafness leading us
into the next dimension.

We will see our whole life,
in that blink of an eye.
Then there will be farewells,
a sudden silence,
and we will be gone.

Old Sow

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Kingsbrae 22.3
22 June 2017

Old Sow

The good luck ship
flies its Jolly Roger
and all is well with the world.

No pirates now
bury their treasure
on Oak Island,
nor skirt the Old Sow
as she sucks away
at the ocean depths..

Porpoise and whale
come to her feeding grounds,
milking the maelstrom
she churns up from her seas.

Warm is her welcome
to travelers brave
who test their courage
on her swirling waves.