Why am I?

Why am I?

A coast line
where sea and shore
engage in a never-
ending dialog
of silence and sound.

Who sees such things?
The man or woman
who has eyes to see.

Who hears such words?
The person who has ears
to hear and a heart
with which to feel.

And who am I,
this old man walking
life’s sands at the tide’s
foaming edge?

With a clarity of vision
that morphs light into shadow,
and then back out again,
would you tell me, please,
who, and why, I am.

“The chorus of the ocean, the silence of stone.”
John O’Donohue, Anam Cara, p. 78.

Time and Tide

Time and Tide

Sitting, waiting patiently for
whatever may come along,
that is all I have left,
save for impatience, anger,
and frustration.

These canes that help me walk
will sometimes slide on the ice,
or catch in a crack and tumble me
forwards, into a stumble or fall.

I can only sit for so long
before a screen or an empty page.
Anguish gets the better of me
and I rise to my feet and lumber
round the house, avoiding
the loose ends of carpets
and the skittering cat.

A dropped plate that I can’t pick up,
the table shaken so that liquids spill,
such events are more frequent now.

I sometimes think I am sitting,
enthroned on time’s sea-side sand,
trying to hold back the rising tide,
that cares not, nor listens, nor obeys.

Swansea

Swansea

To be Welsh in Swansea is to know each stop on the Mumbles Railway: the Slip, Singleton, Blackpill, the Mayals, West Cross, Oystermouth, the Mumbles Pier. It’s to remember that the single lines turn double by Green’s ice-cream stall, down by the Recreation Ground, where the trams fall silent, like dinosaurs, and wait, without grunting, for one to pass the other. It’s to read the family names on the War Memorial on the Prom. It’s to visit Frank Brangwyn in the Patti Pavilion and the Brangwyn Hall. It’s to talk to the old men playing bowls in Victoria Park. It’s to know that starfish stretch like a mysterious constellation, at low tide, when the fishnets  glow with gold and silver, and the banana boats bob in the bay, waiting to enter harbour, and the young boys dive from the concrete pipes without worrying about pollution.  But when the tide turns, the Mumbles Railway has been sold to a Texan, the brown and yellow busses no longer run to Pyle Corner, Bishopston, Pennard, Rhossili, sweet names of sand and tide, where my father’s ghost still fishes for salmon bass, casting its lines at the waves as they walk wet footprints up the beach to break down the sand-castle walls I built to last forever at Brandy Cove and by the Slip on Swansea sands.

Click here to listen to Roger’s reading on Anchor.

Movement

Movement

Incoming tide, a sparkling sea,
waves dancing beneath the sun,
white-maned ponies prancing.

Summer light changing as a cloud
moves its shadow over meadows
where cows graze, their advance slow,
gentle their movements, browsing.

Autumn wind, the dry leaves
casting a red-gold rainfall
over the lawn, shuffling along,
in time to the whispered wind song.

Silent, the deer, soundless as they move
through the trees at garden’s foot,
walking the tight-rope edge
dainty, between kempt, and wild.

Click for Roger’s reading on Anchor.
Movement

Boats

Boats

At night the boats arrive to carry you
away to the lands in which you dream.

Each boat carries a different cargo. Each
boat means a different size and shape.

To find out what they carry, you must climb
on board, raise the hatch cover, and descend
to where the riches rest in the dark below.

Ancient maps, formed by Freud, then redone
in the symbolic imagery of Jung, point out
the perils the traveler may meet as he sails away.

“Here be monsters, here be dragons, here be
anything you wish to configure in your dreams.

And here be the spice lands, emerald isles
embedded with their scents in a turquoise sea.

But steer clear of Scylla and Charybdis,
the pool that whirls, the rocks that close and
crash to crush you with their grinding teeth.”

Click here for Roger’s reading on Anchor.
Boats

Oily-Garcks

Oily-Garcks

And the oily-garcks betrayed the earth.
They drilled it full of holes
until the planet looked like a circle
of Swiss bankers’ cheese floating in space.

Mining, fracking, exploitation, internal combustion,
everything combined to make rainfall rise,
rivers flood, wild winds blow, hurricanes hustle,
lightning strike, again and again,
until forests flared, skies grew dark with cinders,
and land was reduced to water, dust, and even more ash.

The oily-garcks read their bibles and in their pride
they built super-fortunes, super-structures, super-yachts,
modelling those super-yachts, two or three each,
on double or triple the dimensions of Noah’s Ark.

Then they loaded them. They invited, two by two,
their friends, physicians, doctors, opticians, surgeons,
specialists, generalists, nurses, masseurs and masseuses,
body guards, anybody, really, who would keep them alive.
Next came their wives, concubines, girl friends, partners,
and those they loaded, old and new, by the dozen.

Earth warmed and her ice caps melted.
The seven seas rose higher and higher until
there was only one cruel, grey, destructive sea.

The oily-garcks set sail in their arks beneath
dark skies and an even darker future.
They sailed for forty days, forty weeks,
forty months, and then for forty years.

Nothing.

Gaia, raped, mocked, tortured, and destroyed,
had neither given nor promised a rainbow covenant.
No let up in the rains and winds, no supply ships,
no neutral landing sites, no undrowned friends,
no friendly rainbow in the sky to promise peace.

The oily-garks had brought no living food.
Their fridges were stacked with frozen dishes,
caviar, lobster, tenderloins, great wines, fine liqueurs.
They didn’t even bring a dove, just helicopters
launched from helipads that took off, year after year,
in search of the land that had disappeared.
They searched and searched until their fuel ran out.
In all that time, what did they see? They saw the sea.

Click here for Roger’s reading on Anchor.
Oily-garks






Fundy Lines

Fundy Lines

I just received this. One of my best friends reading Fundy Lines along the Fundy Shore. Thank you so much.

The Messenger

Clarity is essential now:
the cycle of seasons,
the will and willingness to change.
Nothing can alter this flow:
rain and river, pond and sea,
the moon pull of the tide.

Each half-truth glimpsed
through the helmet’s slotted visor
as we charge in the lists,
knee against knee,
spear against spear,
knight against knight.

On the shore at the earth’s edge,
a new planet mapped in miniature:
each grain of sand, a speck of dust,
light upon the palm,
yet the whole beach, in unison,
weighing us up, weighting us down.

This world, immanent, renascent,
growing more solid
through its thinning veil of mist.

Freckled the water,
as the wild man sculls towards us,
over the waves, over the sand,
a fisher of what kind of men?

Was he without guilt,
he who cast that first stone?

The pond’s water-mask,
reconfigures in ever-widening circles
traveling who knows where
o lap at an unseen shore.

Light bends like a reed.
Liquid are the letters dancing,
distorted, on speckled waters
and the white sand undulating
under the rising waves.

Click here for Roger’s reading on Acorn.
The Messenger

Osprey

Osprey

An osprey on the wind
wings thrusting
for maximum lift
then flattened
for feather-tip control

Wheeling up and away
the soft-wing
sway of him
ascending his celestial
staircase
in a rush of blue air

Light his flight
sky steps
danced to wind music
played over beach below
and rock and rolling waves

Watch him
wave good-bye
with a waggle of his wings
and a well-judged flick
of his paint brush tail
brown white and black lines
neat strokes
across a cerulean sky

Click here for Roger’s reading of Osprey

Sea Shore Poems 2

Whitecaps

… white-capped the waves,
pushed inland by a strong,
warmth-bearing wind, and hazy
the crazy paving sky, with its
cloud figments floating,
lazy, the heat, with summer’s
heavy hand now sudden upon
sea and land, wave upon wave,
this heat wave, holding us now,
as wind tied, the tide, strives to flee
but cannot free itself from wind grip,
and bit between teeth, white horses
cap the waves, leave seaweed
stranded high and dry in fierce sun,
Irish Moss and Madcap Dulse,
their iodine tang fulfilled on chance
winds that blow us willy-nilly, this way,
that way, any way the wind blows …

Click below for Roger’ reading.

Whitecaps

Sea Shore Poems 1

Words
Poems from the Sea Shore

Here, on the seashore,
the whisper of waves,
splashed with a flash of sun,
wind fingering the hair,
the light a delight,
and wordless this world
though its beauty be
configured in words.

The scything of the sea,
the land seized in snippets,
grey stones, red rocks,
gelatinous mudflats,
blue on white striations.

Seagull wings
snipping celestial ribbons,
salt caked keen on lips,
sea weed scents sensed
yet never seen.

Captivated we stand here,
unattached our single wings,
save to this singular beauty:
peregrine, the falcon soul,
so solitary as it soars.

Click on the link below for Roger’s reading.

Words