Sound of Absence
It’s a lonely walk round the animal park,
the petting zoo with its animated young,
goats, sheep, llamas, alpacas, all of them
greedy and alert, ears pricked, eyes open,
munching away, hand-fed by the visitors.
Only the wind moves the swings today.
We walk in silence, but don’t stay long.
That little body that swung the swings,
those little feet that raced from place
to place at such a bewildering pace…
they are not here. We watched them board
the plane, fly up into the sky, head west
and home, and now we, the old folk,
abandoned, hold hands, and walk alone.
Click here for Roger’s reading on Anchor.
Sound of Absence
Finley
Portrait of Moo
Moo by Fin
Finley has left. She has left me with a selection of her art and instructions to ‘show it to the world’. S o, here we have the Portrait of Moo by Fin. I guess many of you don’t know who Moo is, but don’t worry about it, neither do I and Fin has been busy for three weeks, trying to work it out for herself. Oh dear – what can the matter be? Finish the song for yourself, if you remember it in any of its many versions.
Meanwhile, I go back to my old friend, Robbie Burns, with whom I spoke only yesterday. He spoke to me through my eyes and, as I sat there talking, I digested his words of wisdom: “Ah would some power the giftie gie us to see ourselves as others see us.” The giftie gie us is, as you well know, the Scottish dialect for what comes out in Standard English as the gift give us.
So that’s how Fin sees Moo. When I next meet him, if he cares to show up chez nous, I will show him Fin’s portrait and ask him what he thinks. Until then, his identity – and I am assuming he is a he not a she – must remain a mystery as mysterous as this mysterious painting that appeared on my desk.
Shadow
Shadow
“- sometimes we live in the shadows –
sometimes we live in the sun –
but even when the sun is shining –
a shadow can fall on anyone -“
Fin on Swing
Fin on Swing
So, how do you get movement into a two-dimensional space? How do you get the to and fro, the up and down, the legs out front, the hair out back? And there are so many things missing. The alpacas watching. The goats guzzling. The peacock making whatever noise a peacock makes. Oh dear, I forgot all of those things. But then, I was never a great artist – just a dabbler in line and color, in sorrow and joy, but joy and happiness, shape and color, emotions above all. And when childhood meets second childhood – then there is joy and laughter and swings that go faster.
Orange Blossom Special
Orange Blossom Special
Today, Fin discovered the color ‘orange’! Here’s what she says about her painting.
“My painting is just amazing. I just love the way the orange flows and how it surrounds the other colors. I want to do more soon! Bye for now!”
“We can have fun with this one. Time to publish. Or perish. Bye!”
The Making of Man
The Making of Man
Finley has decided that this is how we should see “man”, in all his or her complicated manifestations. Human / hu-woman – mankind – womankind – people-kind – art of this type has no gender attached. It is singular, so not people. It is you, it is me, it is all of us.
Fin-Fin, I salute you.
Rainbow Flower & Pot
Rainbow Flower and Pot
Finley has decided, quite rightly, that what she wants to paint, draw, or colour, is much more important than any of the page prompts in the drawing book I got her. That said, this could easily be a comic book cover – or the cover photo of my next book.
“I want to see the world again through the eyes of a little child” – Picasso. The gift of so doing is precious.
Compassion
Compassion
Finley #3.
We are working together on paintings.
This is Finley’s third effort. It is called Compassion.
Mirror images and tinges of warmth and reaching out.
Finley # 2
Fin #2
Fin, while filling in squares, created a portrait of Moo.
This is my style of art. That’s how I paint. I hope you enjoy it.
Bye.