Giving Thanks

Rage, Rage 30 & 31

Rage, Rage
30

A pack of miniature wolves
infiltrated the midnight forest
flourishing in my other lung.

When the pibroch played,
they pointed their noses
at the spot where the full moon
would have been, if
I had invited her in.

They mingled their howls
with the bagpipes’ caterwaul
and I lay awake all night
with my heart beating
arrhythmic suspicions
on its blood red drum.

The drum played,
the pibroch wailed,
the wolves howled,
my body lay scarred by
an absence of sleep
and the presence of moonlight
that drove stars from the sky
and filled the room with shadows
and shifting shapes.

31

The full moon drew up water,
imposed high tides,
drew the wolves
by their drawstrings
out of my chest.

The piper paid his rent,
packed up his pipes,
took a sip of his whisky,
Bell’s – ‘a drop before ye go,’
and marched away,
leaving me alone.

Now silence rules my lungs.
Five deer stand silent
in the woods beneath my window.
I watch them watch the piper
pipe himself away.

It’s all over now,
the cough, the splutter,
the aches and pains
that told me I was alive.

I miss
the swish and roar
of my incoming,
outgoing breath.

Comment:

The piper marched away, leaving me alone. That’s the funny thing about pain, especially in our old age. It lets us know that yes, we are still alive. I know we are better off without it, but when it is there, it is better than the emptiness that will follow when we slip into the dark night that awaits us. Or perhaps it will be the golden dawn of another age. Many people tell us many things, but I don’t know how many people really and truly know. As I get older, I speculate more and more.

I once asked my grandfather if he was worried about dying. He looked at me for a long time. Then he said, “Well, one thing’s for certain. I know I am going to die. I’ll die if I worry about it and I’ll die if I don’t worry about it. So why worry about it?” He was a wonderful man with a wonderful attitude about so many things. But then he had survived the trenches in WWI and there weren’t many things he hadn’t seen. He rarely talked about it, but when he did, he told the most wonderful stories. And he sang all the old WWI songs too. A one man entertainment act for the small boy that would climb up onto his lap and say “Grandpa, tell me a story….” and he would begin “Once upon a time…” and that was the start of the magic.

And it’s the magic that we need. The magic that is so often missing in this age of information overload. “What is this life if, full of care, we have no time to stand and stare.” Nor do we have any time to crawl into grandpa’s lap and seek those magic words – the words that start the willing suspension of disbelief – “once upon a time, a long time ago …” And, with a wave of the magic wand we are transported into a wonderland of dream and magic.

Rage, Rage 27

Rage, Rage
27

Last night
an east wind blew
outside my window.
It whistled and groaned
as it herded the stars
from left to right.

The stars pursued
the westering moon
and planets danced
to the rhythms
of the accordion playing
music in my chest.

The sky’s planetarium
folded and unfolded
its poker hands
of silent cards
marked with my fate.

Comment:

The photo is of the Hunter moon, as seen from Island View. It is quiet out here, very quiet, with very little light pollution. At night the stars shine bright and the constellations to North and South are clearly visible. Not so much so to East and West where the older trees tower. Occasionally, we get to see the Northern Lights. They can be incredible – great curtains of light hanging from the Northern Horizon. So bright, so clear, you can almost hear them crackle.

I have always loved the image of the planets dancing. If you have followed my poetry you will know that the idea of the Master of the Terracentric Universe, in Platonic and Neo-Platonic Theory, plays a large harp. The planets dance, forwards and backwards, to the sound of that harp. Of course, all that poetic beauty disappeared with the work of Galileo, Kepler, and all the students of the helio-centric universe. It is good to remember it though.

My beloved, born a Leo, loves to follow the progress of the sun. Each day she times its first appearance as it peeps above the ridge. Then she watches for it to arrive on the kitchen walls, and times that too. It is as if we lived as they lived thousands of years ago, in touch with nature, communicating with nature. And yet we are but a ten minute drive from the city centre.

The accordion playing music in my chest – you will have to wait until stanzas 28 & 29 for me to clarify that sound for you. I have been remiss in my postings. Very irregular, like my recently diagnosed A-Fib heart beat. Perhaps, after all, everything is linked, right down to the tiniest details, like posting blog notes and remembering all my e-friends out there. The known and the unknown.

Speaking of the known – Orion is gradually striding his way to the west. He dominates the southern sky at this time of year. He reminds me a lot of the Naked Man of Cerne Abbas. Except the Cerne Abbas man doesn’t move, while Orion definitely does. Or is it us who move around him. Your answer to that question will make you heliocentric – an observer, a measurer, like my beloved. Or it will make you Terracentric – a poet like me, well, an aspiring poet, who prefers the beauty of myth to the cold realities of science. Well, sometimes. Not always. But certainly in terms of my affinities to Plato and his celestial followers.

Bleak Mid-Winter

Bleak Mid-winter
from
All About Angels

The reverse side of a tapestry this fly-netting,
snow plugging its tiny squares,
clotting with whiteness the loopholes
where snippets of light sneak through.
Black and white this landscape,
its colorless contours a throwback
to earlier days when dark and light
and black and white held sway.

Snow piled on snow.
The bird-feeder buried and buried, too,
the lamps that can no longer shine
beneath their cloak of snow.

The front porch contemplates a sea of white,
wave after wave cresting whitecaps,
casting a snow coat over trees
with snow-filled nests standing
shoulder-deep in the drifts
while a slow wind whistles
and high and dry in the sky above
the sun is a pale, thin penny
drifting through ragged clouds
hat threaten to bring more snow.

Comment:

A Golden Oldie, or rather, a Black and White Oldie, from when New Brunswick winters were colder and much more snowy. The iterative thematic imagery in the poem links to the hymn, In the bleak mid-winter. There are several reminisces of the hymn within the above lines.

It used to be sung as a an entry hymn in the Christmas Carol Services at King’s Stanley Church, along time ago, when I was in school. The procession would exit the vestry and move slowly though the church towards the altar. The first verse of the solo was sung solo. Then a duet followed. Then the whole choir joined in. I remember doing the solo one year, when both our lead singers were stricken with some form of laryngitis. We drew lots and I got the short straw.

The unique drum accompaniment that day was the sound of my knees knocking together, backed up by the loud beating of the heart in my chest. I preferred hiding in the choir, to stepping up out front and leading it.

Last year, we used our snow blower on three occasions. This winter, we have yet to use it. If during the next month or so I am forced to wake it up and shake it out of its cobwebs, I will be sure to sing “In the bleak midwinter” as I plow my drive. Alas, there will be no choir to accompany me. Those days are long past, and in the past they must remain, as the Flower of Scotland reminds us. They will be singing that in Edinburgh on Valentine’s Day. And Scotland will need a strong brave set of hearts to upset the invading armies from south of the border.

Wild Life

Wild Life

I see green grass
Small ponds
Winding roads
Patches of sorrow

Turquoise blues 
Hills to climb
Softness
Strength 

Flowers blooming
A small animal
Covered in feathers 

An eye
Keeping watch
Purity of white

Ekphrastic Poem
©
Yolande Essiembre

Comment:

My good friend Yolande Essiembre sent me her Ekphrastic poem after viewing this morning’s painting by Moo. Wild Life II is a better representation of the colours of the original. However, Moo added in some (what he calls!) helpful touches – the black shapes that reinforce the suggestions of the original. Yolande wrote her poem based on Version I – but with the stronger colors of version II. Magic – oh what a tangled web we weave when first we practice to deceive. And all artists weave their webs of deceit. As Cervantes says – Tanto la mentira es mejor, cuanto más parece verdadera. / The closer it approaches the truth, the better the lie.

Imitatio – imitation – one of the bedrocks of classical rhetoric. “Imitation is the best form of flattery”. Flattery, yes, but what we find, in art above all, is that there exists only one original. However good the copy, the flattery – the imitation, if you prefer – it is never as good as the original. The original of this painting exists in one time and one place. The two deceptions are not the original. In fact, Wild Life I no longer exists because Moo has repainted it. It has turned into Wild Life II.

So many questions – which version do you prefer – I or II? De gustibus non est disputandum. There is no arguing about taste. Which is the better version? Well, each viewer must choose. But remember, each version is a deception, and each deception is a lie. And there is only one original. Oh what a tangled web we weave.

But we can, I hope, agree on one thing – Yolande’s verbal version (which I publish here with her permission) is verbally picture perfect. It is how she sees the painting. It is what the painting means to her.

Thank you so much Yolande. Moo and I hope to publish your words and visions more often. With your permission. we will do so.


Rage, Rage 22 & 23

Rage, Rage,
22

I trace dark contours,
scarred desiccated lines
blurred on the back
of my wrinkled hands.

Blood maps, they are,
unremembered encounters
with immovable objects,
wounds that bleed freely,
deep below the surface,
subcutaneous.

23

When I dream,
I imagine the sky
to be a crystal ball,
twinkling with stars
that tell the time
and my fate.

With silent steps
they creep and steal
hours, days, weeks, years,
whittling my life away,
splintering it
a little bit more
every day.

Time, like golden sand,
trickles through
night’s fingers.

I hold in my hands
an hourglass
through which my life,
secretly, silently,
slides down
and trickles away.

Comment:

“Unremembered encounters with immovable objects,” – oh dear. Anti-coagulants, blood-thinners for short. Moo’s skin is dry anyway. Now that he’s on anti-coagulants, he bruises every time he bumps into something. And Moo bumps into things. He’s one of those people who fall out of bed and go bump in the night. How do I know? He stole my teddy bear and my teddy bear told me. Anyway, his cardiologist calls it collateral damage. A sort of side dish that arrives when ever he stumbles into anything. That’s Moo, not the cardiologist.

As for me, I miss the old myths. I love the idea of the platonic, terra-centric universe. The planets move back wards and forwards around the earth in a slow dance. In order to dance, you need music. So the Platonic creator is a master musician who pays the harp. The stars dance to his music. Fray Luis de León uses this Neo-Platonism in his poetry. For him the sky is ‘un gran transunto donde vive mejorado todo lo que es, lo que será, y lo que ha pasado’. – a large space where, much improved, dwells everything that is, that will be, and that ever was. A lovely thought. Nothing is lost. Everything is saved – but in a state of betterment, all mistakes erased.

Moo would like that. His collateral damage all turned back into perfect skin. Oh dear. He wouldn’t be happy. He’d have nothing to paint. I am sure he paints his bruises when he runs out of inspiration.

Rage, Rage 18

Rage, Rage
18


I nod off again and dream
of a summer beach,
burning sand, tide way out,
sparkling waves, clouds moving,
inaudible, as they drift by.

I dream of my beginning
and find a forlorn formlessness
that sought the solace of sound
only to discover waves and wind
as I drifted on an amniotic sea.

The wind of change has blown.
I awake and pick up my book.

Voltaire –
“Si jeunesse savait,
si vieillesse pouvait.”

“If youth knew,
if age were able to.”

Comment:

The wind of change has blown and, by all accounts, it is still blowing. A Nor’ Easter here, swinging down from the Arctic and bringing us cold weather, ice, and more snow. Driving isn’t too bad, for the roads are cleared regularly, especially when schools are in. Most enterprises have cleaned, salted, and sanded their premises. Some haven’t. Yesterday, it took two people to move my shopping cart from the shop to the car, a matter of about thirty yards. The wind was so strong. It tussled and tugged, drove me where I didn’t want to go, and two people stepped in to help me. Then I discovered an undug doorway. I parked my car at a sharp upward angle, on the snow. A man offered me his arm. I said no, but he stood beside me, hands held out to help, just in case. Leaving that same shop, I was accompanied by a young lady who insisted on carrying my bags, taking my arm, and leading me to my car. The dangers of falling on down hill ice were even greater than going uphill.

I dream of my beginning, more and more often nowadays and now-a-nights. I know, spell check underlined that word. A neologism, not a proper word. But I like it, for though I dream by day, nodding suddenly into a shallow sleep, it is by night that I really do my dreaming.

At night, I find I can roam a world that has become hostile in the light of day. I can, and do, dream of my childhood on the Gower Peninsula. The fields are still there. My grandmother walks among the bluebells, and together we tell the time by the old dandelion clock. The larks still rise on Bishopston Common and Bluebells, Cowslips, and Primroses still hide beneath the trees. The sands at Brandy Cove are still clean. There is no pollution in my dreams and no oilers clear their tanks in the pristine waters of the Severn Estuary. There is no industrial haze and, on a clear day, I can still see, from the steps of the bungalow, Ilfracombe, across the bay.

And the people – my family and friends are still there. My uncles and aunts, my cousins, all young still, my parents and my grandparents … and all my dogs return, one by one, from their canine adventures. At night the cows can be heard crunching grass, and wheezing in my dreams. I met one, once, on a night trip to the outhouse – we had no indoor plumbing. And, on one memorable night, I stepped into a wet, warm cow patty, left like an anti-personal landmine, just outside the back door. I still shiver as I think of that warmth creeping up between my toes. No amount of wiping has ever really removed it. It haunts like the ghosts of summers past that drift at midnight round my room. waiting to be plucked from the air.

Rage, Rage 16 & 17

Rage, Rage
16

I doze in my chair.
The book I am reading
tumbles to the floor.

I fumble with my claw
and its metal hand
pincers the book,
then raises it.

The cat needs feeding.
I pick up her bowl
with my claw
but scatter her kibble
on the floor.

I can’t remember
where I put
the garden kneeler –
I just leave the kibble
where it lies.

Icing on the cake,
I pop my pills and now
I’ll feel less pain
for an hour or two.

17

On my own.
Outwitting old age,
accepting its growing limitations
 with as much grace and humor
as I can and must.
Trying to feel no bitterness.

That aspirin this morning,
falling into my shirt,
then appearing on the floor
a moment before
I sat on the loo.

A blue-eyed, mini-aspirin
winking at me quite happily.

I reached for my claw,
picked the pill up
and swallowed it,
washing it down with a smile,
and a draught of laughter.

Comments:

I doze in my chair. Just about sums it up. I remember playing darts in the Red Lion, Knowle, Bristol. When I threw an occasional good dart, the locals would whisper “Dozy, dozy.” To them it meant “lucky, lucky.” After a bit, I began to play better. One of the professionals made me my own darts set. Hand made. Adjusted to how I throw. I got better and better. One night, playing 301, double in, double out, I needed 131 to finish. I made it in a three dart finish – 57 (treble 19) – 42 (treble 14) – 32 (double 16). This was the only three dart finish, over 100, that I ever made!

I left the darts there. “Weed the board,” they shouted – meaning – clear the board of wasted darts so the next player could throw. “Check!” I countered, meaning I wanted them to check that I had won the game. “Dozy, dozy,” they cried. And, if I went back there, more than sixty years later, those who survived, and remembered, would still call me Dozy.

So, I sit here and doze about my life. The good days, the bad days, the in-between days. Faces drift in and out – [that’s why Moo painted me the picture] – and sometimes I can put names to them and sometimes not. And that’s life. A collection of personal memories – very vivid – and a selection of faces that we can no longer name and names to whom we can no longer fit a face.

My life – A blue-eyed, mini-aspirin winking at me quite happily.



Rage, Rage 14, 15

Rage, Rage
14

As for you, my love,
one moment you were with me,
at the airport,
the next, you were not.

I turned away for a second,
and, when I looked again,
you had walked
through the boarding gate,
and passed out of my life.

Now, I can’t think straight.
Hair leaks from my head
like straw from a scarecrow.

My teddy bear brain
has morphed from sawdust
into a mess of lonely grey jelly.

15

Memories deceive me
with their flickering
shadow shows.
Shapes shift with a click
of the magician’s fingers.

What magic lantern
now slips its subtle slides
across night’s screen?

Desperate, I lap,
like a wild Alpine goat,
at salt-licks
that increase my thirst
and drive me
deeper into thick,
black clouds
of want and need.

Comments:

Shapes shift with a click of the magician’s fingers. Indeed, they do. I love the shape-shifting nature of snow. One day, the ash tree stands stark against dark pines. The next, the garden is winter white and the trees are dressed in their fine wedding garments. The table is no longer a table, though I do not know exactly what it has turned into. The distant trees seem to lean in close. The railings lose their summer dirt and snow turns everything inside out and upside down.

It reminds me of Pete Seeger – “Snow, snow, falling down, covering up this dirty little town.” Except the garden isn’t dirty, just a little abandoned in winter until the snow arrives, or, even better, the ice storm, followed by sun, when we suddenly seem to live in the heart of an icy diamond, looking out.


Rage, Rage 11

Rage, Rage
11

In one room in my head
my mother’s mother
sits at the kitchen table,
with me on her knee,
playing patience.

In another room,
I stand on a stool in the kitchen
helping my father’s mother
to mix the cake she’ll bake
in her coal-fired oven.

My mother’s father
sits before the television,
leaning back in the chair,
raising his foot so he can’t see
the adverts on the screen,
putting his fingers in his ears
so he can’t hear them.

My father’s father lies in bed,
his dog beside him.
The dog licks his hand,
waiting, like all of us,
for the death that threatened
since he was gassed
in World War One.

I sit at the computer,
following the figures
that track the latest pandemic
singing softly to myself
“¡Qué será, será!”

Comments:

Brightlands – 1956 – we sat behind the goal posts, watching the soccer First XI playing. A dream of Doris Day drifted down to us and we sang this song as we watched the game. Strange how a moment in time can suddenly reappear in full clarity and grace us with its remembered presence. Beside us, the River Severn, Sabrina, in Latin – flowed out to the sea. Then the tide turned. The river ceased to flow, and the Severn Bore swept everything before it as we gazed in amazement at the rolling clash of river and tide.

Above, I have posted five memories, each taken from a small room in my head, and turned into words. “In my father’s house, there are many mansions.” And I can say the same of the memories that crowd my head. Some as bright as the bright lands where our school played their school, some as raging as the fight between the river and the sea, as witnessed by the tidal bore, and some as dark as the mist and fog that always fell with the change of river and tide.

So – what about your memories? Does a word here or a word there, a phrase or a metaphor, make you stop for a moment and explore the Olde Curiositie Shop that thrives in the attic in your own mind? I do hope so. For that is what I would like to think, that my words are stirings that jerk the puppets of memory that dwell in each of our minds. I would be so happy to know that a thought of mine has set your own mind dancing to tunes of its own.

Never mind. “¡Qué será, será!” Whatever will be, will be.

Two Poems

1
The Day Before
My Birthday

Warm air.
Cold snow.
Grey ghosts of memory
drift beneath the trees.

If it were fall …
… if the sun were to shine …
rainbows would grace
the spun webs of spiders
clinging to the trees.

If, if, if …

A warm winter day,
or so they say,
snow diminishing,
a wind from the south,
up from Florida,
rain on its way.

My birthday tomorrow.
The temperature to fall
way below the date.

-16C on January 16.

My fate
to be a winter baby,
to never know
what the weather
will be like
on that date.

2
My Birthday

I won’t sit here
with head in hands
fearing the future
or brooding on the past.

Every day I survive
is a bonus now,
each sunrise
a celestial celebration.

I welcome daylight
with open arms and now,
on my birthday,
I will accept
all gifts with joy.

Sunshine floods through me.
It fills me with hope.
Its beacon beams .
A full tide of love
overflows in my heart.

Comment:

Bilbo Baggins gave away presents on his birthday. Today it is my birthday and I have joined with Moo to give away two poems, the first written yesterday, and the second today. Moo painted the picture, as always, and presented it to me for my birthday. A nice gift. Thank you, Moo.

I got some other nice gifts too. In the local superstore I discovered Polvorones. I have never seen them there before. It is a long time since I have seen them here in New Brunswick. So, what a lovey find that was. Tengo polvorones.

I don’t make New Year’s Resolutions. That’s why I never break them. That said, I do intend, and Moo agrees with me, to start posting regularly once more. So hang on to your hats – and let’s see how long that intention lasts.