Giving Thanks

Rage, Rage 22 & 23

Rage, Rage,
22

I trace dark contours,
scarred desiccated lines
blurred on the back
of my wrinkled hands.

Blood maps, they are,
unremembered encounters
with immovable objects,
wounds that bleed freely,
deep below the surface,
subcutaneous.

23

When I dream,
I imagine the sky
to be a crystal ball,
twinkling with stars
that tell the time
and my fate.

With silent steps
they creep and steal
hours, days, weeks, years,
whittling my life away,
splintering it
a little bit more
every day.

Time, like golden sand,
trickles through
night’s fingers.

I hold in my hands
an hourglass
through which my life,
secretly, silently,
slides down
and trickles away.

Comment:

“Unremembered encounters with immovable objects,” – oh dear. Anti-coagulants, blood-thinners for short. Moo’s skin is dry anyway. Now that he’s on anti-coagulants, he bruises every time he bumps into something. And Moo bumps into things. He’s one of those people who fall out of bed and go bump in the night. How do I know? He stole my teddy bear and my teddy bear told me. Anyway, his cardiologist calls it collateral damage. A sort of side dish that arrives when ever he stumbles into anything. That’s Moo, not the cardiologist.

As for me, I miss the old myths. I love the idea of the platonic, terra-centric universe. The planets move back wards and forwards around the earth in a slow dance. In order to dance, you need music. So the Platonic creator is a master musician who pays the harp. The stars dance to his music. Fray Luis de León uses this Neo-Platonism in his poetry. For him the sky is ‘un gran transunto donde vive mejorado todo lo que es, lo que será, y lo que ha pasado’. – a large space where, much improved, dwells everything that is, that will be, and that ever was. A lovely thought. Nothing is lost. Everything is saved – but in a state of betterment, all mistakes erased.

Moo would like that. His collateral damage all turned back into perfect skin. Oh dear. He wouldn’t be happy. He’d have nothing to paint. I am sure he paints his bruises when he runs out of inspiration.

Rage, Rage 18

Rage, Rage
18


I nod off again and dream
of a summer beach,
burning sand, tide way out,
sparkling waves, clouds moving,
inaudible, as they drift by.

I dream of my beginning
and find a forlorn formlessness
that sought the solace of sound
only to discover waves and wind
as I drifted on an amniotic sea.

The wind of change has blown.
I awake and pick up my book.

Voltaire –
“Si jeunesse savait,
si vieillesse pouvait.”

“If youth knew,
if age were able to.”

Comment:

The wind of change has blown and, by all accounts, it is still blowing. A Nor’ Easter here, swinging down from the Arctic and bringing us cold weather, ice, and more snow. Driving isn’t too bad, for the roads are cleared regularly, especially when schools are in. Most enterprises have cleaned, salted, and sanded their premises. Some haven’t. Yesterday, it took two people to move my shopping cart from the shop to the car, a matter of about thirty yards. The wind was so strong. It tussled and tugged, drove me where I didn’t want to go, and two people stepped in to help me. Then I discovered an undug doorway. I parked my car at a sharp upward angle, on the snow. A man offered me his arm. I said no, but he stood beside me, hands held out to help, just in case. Leaving that same shop, I was accompanied by a young lady who insisted on carrying my bags, taking my arm, and leading me to my car. The dangers of falling on down hill ice were even greater than going uphill.

I dream of my beginning, more and more often nowadays and now-a-nights. I know, spell check underlined that word. A neologism, not a proper word. But I like it, for though I dream by day, nodding suddenly into a shallow sleep, it is by night that I really do my dreaming.

At night, I find I can roam a world that has become hostile in the light of day. I can, and do, dream of my childhood on the Gower Peninsula. The fields are still there. My grandmother walks among the bluebells, and together we tell the time by the old dandelion clock. The larks still rise on Bishopston Common and Bluebells, Cowslips, and Primroses still hide beneath the trees. The sands at Brandy Cove are still clean. There is no pollution in my dreams and no oilers clear their tanks in the pristine waters of the Severn Estuary. There is no industrial haze and, on a clear day, I can still see, from the steps of the bungalow, Ilfracombe, across the bay.

And the people – my family and friends are still there. My uncles and aunts, my cousins, all young still, my parents and my grandparents … and all my dogs return, one by one, from their canine adventures. At night the cows can be heard crunching grass, and wheezing in my dreams. I met one, once, on a night trip to the outhouse – we had no indoor plumbing. And, on one memorable night, I stepped into a wet, warm cow patty, left like an anti-personal landmine, just outside the back door. I still shiver as I think of that warmth creeping up between my toes. No amount of wiping has ever really removed it. It haunts like the ghosts of summers past that drift at midnight round my room. waiting to be plucked from the air.

Rage, Rage 16 & 17

Rage, Rage
16

I doze in my chair.
The book I am reading
tumbles to the floor.

I fumble with my claw
and its metal hand
pincers the book,
then raises it.

The cat needs feeding.
I pick up her bowl
with my claw
but scatter her kibble
on the floor.

I can’t remember
where I put
the garden kneeler –
I just leave the kibble
where it lies.

Icing on the cake,
I pop my pills and now
I’ll feel less pain
for an hour or two.

17

On my own.
Outwitting old age,
accepting its growing limitations
 with as much grace and humor
as I can and must.
Trying to feel no bitterness.

That aspirin this morning,
falling into my shirt,
then appearing on the floor
a moment before
I sat on the loo.

A blue-eyed, mini-aspirin
winking at me quite happily.

I reached for my claw,
picked the pill up
and swallowed it,
washing it down with a smile,
and a draught of laughter.

Comments:

I doze in my chair. Just about sums it up. I remember playing darts in the Red Lion, Knowle, Bristol. When I threw an occasional good dart, the locals would whisper “Dozy, dozy.” To them it meant “lucky, lucky.” After a bit, I began to play better. One of the professionals made me my own darts set. Hand made. Adjusted to how I throw. I got better and better. One night, playing 301, double in, double out, I needed 131 to finish. I made it in a three dart finish – 57 (treble 19) – 42 (treble 14) – 32 (double 16). This was the only three dart finish, over 100, that I ever made!

I left the darts there. “Weed the board,” they shouted – meaning – clear the board of wasted darts so the next player could throw. “Check!” I countered, meaning I wanted them to check that I had won the game. “Dozy, dozy,” they cried. And, if I went back there, more than sixty years later, those who survived, and remembered, would still call me Dozy.

So, I sit here and doze about my life. The good days, the bad days, the in-between days. Faces drift in and out – [that’s why Moo painted me the picture] – and sometimes I can put names to them and sometimes not. And that’s life. A collection of personal memories – very vivid – and a selection of faces that we can no longer name and names to whom we can no longer fit a face.

My life – A blue-eyed, mini-aspirin winking at me quite happily.



Rage, Rage 14, 15

Rage, Rage
14

As for you, my love,
one moment you were with me,
at the airport,
the next, you were not.

I turned away for a second,
and, when I looked again,
you had walked
through the boarding gate,
and passed out of my life.

Now, I can’t think straight.
Hair leaks from my head
like straw from a scarecrow.

My teddy bear brain
has morphed from sawdust
into a mess of lonely grey jelly.

15

Memories deceive me
with their flickering
shadow shows.
Shapes shift with a click
of the magician’s fingers.

What magic lantern
now slips its subtle slides
across night’s screen?

Desperate, I lap,
like a wild Alpine goat,
at salt-licks
that increase my thirst
and drive me
deeper into thick,
black clouds
of want and need.

Comments:

Shapes shift with a click of the magician’s fingers. Indeed, they do. I love the shape-shifting nature of snow. One day, the ash tree stands stark against dark pines. The next, the garden is winter white and the trees are dressed in their fine wedding garments. The table is no longer a table, though I do not know exactly what it has turned into. The distant trees seem to lean in close. The railings lose their summer dirt and snow turns everything inside out and upside down.

It reminds me of Pete Seeger – “Snow, snow, falling down, covering up this dirty little town.” Except the garden isn’t dirty, just a little abandoned in winter until the snow arrives, or, even better, the ice storm, followed by sun, when we suddenly seem to live in the heart of an icy diamond, looking out.


Rage, Rage 11

Rage, Rage
11

In one room in my head
my mother’s mother
sits at the kitchen table,
with me on her knee,
playing patience.

In another room,
I stand on a stool in the kitchen
helping my father’s mother
to mix the cake she’ll bake
in her coal-fired oven.

My mother’s father
sits before the television,
leaning back in the chair,
raising his foot so he can’t see
the adverts on the screen,
putting his fingers in his ears
so he can’t hear them.

My father’s father lies in bed,
his dog beside him.
The dog licks his hand,
waiting, like all of us,
for the death that threatened
since he was gassed
in World War One.

I sit at the computer,
following the figures
that track the latest pandemic
singing softly to myself
“¡Qué será, será!”

Comments:

Brightlands – 1956 – we sat behind the goal posts, watching the soccer First XI playing. A dream of Doris Day drifted down to us and we sang this song as we watched the game. Strange how a moment in time can suddenly reappear in full clarity and grace us with its remembered presence. Beside us, the River Severn, Sabrina, in Latin – flowed out to the sea. Then the tide turned. The river ceased to flow, and the Severn Bore swept everything before it as we gazed in amazement at the rolling clash of river and tide.

Above, I have posted five memories, each taken from a small room in my head, and turned into words. “In my father’s house, there are many mansions.” And I can say the same of the memories that crowd my head. Some as bright as the bright lands where our school played their school, some as raging as the fight between the river and the sea, as witnessed by the tidal bore, and some as dark as the mist and fog that always fell with the change of river and tide.

So – what about your memories? Does a word here or a word there, a phrase or a metaphor, make you stop for a moment and explore the Olde Curiositie Shop that thrives in the attic in your own mind? I do hope so. For that is what I would like to think, that my words are stirings that jerk the puppets of memory that dwell in each of our minds. I would be so happy to know that a thought of mine has set your own mind dancing to tunes of its own.

Never mind. “¡Qué será, será!” Whatever will be, will be.

Two Poems

1
The Day Before
My Birthday

Warm air.
Cold snow.
Grey ghosts of memory
drift beneath the trees.

If it were fall …
… if the sun were to shine …
rainbows would grace
the spun webs of spiders
clinging to the trees.

If, if, if …

A warm winter day,
or so they say,
snow diminishing,
a wind from the south,
up from Florida,
rain on its way.

My birthday tomorrow.
The temperature to fall
way below the date.

-16C on January 16.

My fate
to be a winter baby,
to never know
what the weather
will be like
on that date.

2
My Birthday

I won’t sit here
with head in hands
fearing the future
or brooding on the past.

Every day I survive
is a bonus now,
each sunrise
a celestial celebration.

I welcome daylight
with open arms and now,
on my birthday,
I will accept
all gifts with joy.

Sunshine floods through me.
It fills me with hope.
Its beacon beams .
A full tide of love
overflows in my heart.

Comment:

Bilbo Baggins gave away presents on his birthday. Today it is my birthday and I have joined with Moo to give away two poems, the first written yesterday, and the second today. Moo painted the picture, as always, and presented it to me for my birthday. A nice gift. Thank you, Moo.

I got some other nice gifts too. In the local superstore I discovered Polvorones. I have never seen them there before. It is a long time since I have seen them here in New Brunswick. So, what a lovey find that was. Tengo polvorones.

I don’t make New Year’s Resolutions. That’s why I never break them. That said, I do intend, and Moo agrees with me, to start posting regularly once more. So hang on to your hats – and let’s see how long that intention lasts.

Rage, Rage 7

Rage, Rage
7

Blood of my blood,
my daughter’s daughter,
time is not on our side.
 
I sometimes wonder
if I’ll survive,
if you and I
will ever meet again.

When we talk online
I see you trying
to understand, to hold
my image in your mind,
to figure out this shadow
that moves and talks
on the computer screen.

Words, born from old Welsh
melodies, bring poetry
to my heart, place music
on my lips.

But they fall short,
and fail to satisfy
my need to reach out
and hold you.

In spite of that I still survive
and live in hopes to see you
in our realities of flesh and blood.

Commentary:

When I first came to Canada, such a long time ago, I communicated with home by means of air mail letters written on special air mail paper that came in very thin, foldable envelopes. Very rarely I communicated by means of very expensive telephone calls of a limited three minute duration. How times have changed. Now via Skype (as was), Team (as is), Messenger, FaceTime, and other means, we can have unlimited face to face conversations, free of charge, with people on the other side of the world. And yet, face to face and screen to screen, there is still something missing. The cat senses it. She stares at the screen and sniffs – then she bristles and hisses. She fails to understand a known voice that has sound and movement but no smell.

And yet, what we now have is so much better than what we had before. Communication is so much easier. We have generated a generation that works in the audio-visual world, not in my preferred world of written verbalization. How we have changed. I can do so many things, in my head, that the younger generation cannot do, even with pen or pencil and paper. However, when my computer fails me, or my cell phone acts up, it is to that younger generation I go, because they dominate this new world in which we live.

I gave one of my academic articles to a friend the other week. “I can’t read this,” he said. “Tell me, what’s it all about?” I started to explain. “Hold on,” he said. He asked his AI program to read my article and generate, in words a 14 year old could understand, the main contents of my not-so-easy-to-read academic writing and thinking. About thirty seconds later, the analyzed contents appeared on the screen before him. I threw my mind back to when Coles Notes were forbidden. “Anybody caught using Coles Notes will be given an automatic F.” Then I looked at my own article, analyzed perfectly, and set out in the very way I had planned it, albeit with a simplified vocabulary – and the longer words explained in a sort of appendix. Quite simply, I was blown away.

Then my mind went back to my childhood in Wales. No running water, no electricity, no indoor toilets, no telephones, no television, a radio with limited stations and programming … imagine what we have come from – imagine where we are going. My only questions – will we control it or will it control us? And you know what it is. The clarion call goes out across the centuries. – Quis custodiet ipsos custodies? Who shall guard the guards? Who shall police the police? Who shall program the programmers? Each generation must find its own answers to those questions. And the sooner you do it, the better because it’s not going to be my problem for much longer!

Rage, Rage 5 & 6

Rage, Rage
5

Empty now the house,
clean the floors
where she scattered her toys,
polished the grubby tables,
where her small hands
splattered food,
wanted and unwanted.

Empty the bathroom,
the tub where she took
her daily bath,
dry the towels she dampened,
wrinkled the toothpaste tubes
she happily emptied.

Empty too
this heart of mine
wherein she built her nest.

Like a wild bird, she has flown,
joined the end of summer migration,
yet I still possess a part of her
within my emptiness.

6

I remember how she stood
at the window, excited,
gazing at the birds.

“Finch,” I pointed.
“Goldfinch. Grosbeak.”

Her hands plucked at the air,
not a feather fell,
she caught nothing.

“Yellow, she cried, “yellow,”
jumping up and down with joy.

Her nose, all wet and runny,
left damp, sticky smudges
on the cold window-pane.

I see the greasy smears
that remain where her nostrils
pressed against the pane.

Still the glass stays unwashed
and now that shadow stands
between me and the sun.

Commentary:

Empty house, empty nest. How many homes have just enjoyed the festive spirit, rejoicing in the company of family and friends. Alas, the holiday is almost done. In many houses, the taxis have left for the airport, the cars have driven away, the rooms that were filled with warmth, joy, and laughter are cold and empty. Only the shadows remain. The echo of voices that are now silent.

The old remain, as they were before the festive invasion, old and lonely. The young have flown back and away to their usual lives, their schools, their jobs. I sit before my screen and type these words. My beloved sits in another room and watches TV. When the adverts come on, the volume increases and the same tedious voices mouth their joyless messages. My nest may be empty, but I do not have an empty head. And I don’t want it swamped by the commercial acumen of the tv set.

My head contains many rooms and many of those rooms are filled with memories that will, as Albert Camus said, last me a lifetime. One summer afternoon, examined in its intensity, will last forever, or for as long as the viewer lasts. Alas, I mourn for those who age, who suffer from Alzheimer’s and the like, and whose heads are empty. What do they think, what do they feel, what twilight memories flicker through the empty nests of their ageing brains? I hope and pray I never know.

Rage, Rage 2 & 3


Rage, Rage
2

These problems start the day
you realize you are alone.
Your beloved goes away,
for a holiday,
to be with your daughter
and grandchild.

Now the house and the cat
are yours, and yours alone.
No problem you say and
everyone believes you.

You jumped in the car,
drove daughter, and child,
holidays done,
to the airport.

Your beloved went with them,
her holiday about to begin.
And that’s when it all began.

3

When I come back home
from leaving them at the airport,
the front door stands open.

I thought I had closed it
when we left.
I tip-toe in and call out
“Is anybody there?”

Echo answers me –
‘… there, there, there …”

Commentary:

Raymond Guy LeBlanc, one of my favorite Acadian poets, published his poetry book, Cri de Terre, in 1972. My painter friend Moo, who also likes Acadian poetry, borrowed the title and changed it slightly when he painted this painting – Cri de Coeur. Earth Cry / Heart Cry.
What is all creativity, visual of verbal, but a cry from the land or a cry from the heart? Sometimes it is more than a cry – it becomes a clarion call, a shout out, a calling out.

So many of us are born with creativity in our hearts. So few of us carry that creativity, be it verbal or visual, into the adult world, a world that all too often grinds us down and sifts us out. We become grey people in grey clothing sitting behind grey desks beneath artificial lighting, doing grey jobs that slowly turn us into nine to five (or longer) dusts.

Moo has promised me a series of red paintings for this sequence. We shall see how he does. Red for anger, red for age, a red flag for danger, a red rag to wave at the raging bull of life, to provoke it, then bring it under control.

Nadolig Llawen – Welsh for Have a Joyous Festive Season. You can add other languages, as you wish. But above all remember Pedro Calderon de la Barca’s words – “Life is a dream and dreams are nothing but dreams.” One day, we shall all wake up. Artists and dreamers, grey ghosts and people of straw and dust.


Carved in Stone 72 & 73

Carved in Stone
72

Is this world I create real?
Of course it isn’t.

It exists only in my head,
and on the page,
but perhaps, one day,
you too will see
the things I have seen.

Yet the world I describe
is as unreal as the words
from which it is woven.

73

Heraclitus once wrote
we can never bathe
in the same river twice.

This is the Catch 22
faced by all poets,
to remember,
and to try to recreate.

Shadow hands on cave walls,
colored pictographs on gesso,
hieroglyphics on papyrus,
ink on paper, raw words,
and in the end,
everything reduced
to these three little letters
carved in stone –

RIP

Commentary:

If you have read this far, we have walked a long journey together – 73 verses that comment on life and the meaning of life. Hard reading in places, easy in others. I trust you have enjoyed the journey and found some stops and resting points along the way in which to contemplate the ways in which the threads of your own life intermingle with mine.

Throughout this journey, I have tried to use a four step process. (1) Verbal – the poems themselves. (2) Visual – photos that intertwine with the verbal. (3) A Commentary – that goes beyond the verbal and visual and opens up the ideas a little more. (4) A Dialog between myself – the poet – and Moo – the visual artist who has so frequently loaned me his paintings when he thinks they illustrate my words.

It’s been a topsy-turvy journey through what Bakhtin calls a world of carnival, where little is at it seems, and the world is turned upside down. That said, we have a clear choice – to slide down the downside of this life, or to scale the upside, to contemplate, with joy and happiness, the world from those heady heights.

Blessings. Pax amorque.
And thank you for travelling with me.