Dreams

Clepsydra 11

Clepsydra 11

11

… gone too
     that Raggedy Ann doll
          held together
               by her patchwork heart

cross-stitched lovingly
     with needle and thread
          the sluggish drip-drip
              of her cotton blood
                    proving
                         she is still alive

neither mummified
     nor rat-and-mouse-gnawed
          in limbo perhaps
               but not dancing

asleep maybe
     dreaming in the museum’s oubliettes
          with their closed doors
               their cellars and attics
                    stuffed with memories
                         all dusty and worn

memories
     that only come alive
          at midnight
               when the full moon
                    awakens the shadows

boys and girls
     come out to play
          and walk and dance once more
               beneath liquid moonlight

the celestial lantern’s
     liquescent flame …

Clepsydra 6 & 7

Clepsydra 6 & 7

6

… I say I walked alone
     along a long lonely road

nobody could cross that threshold
     nor enter that inner sanctum
          where hungry metal monsters
               lay in silent ambush waiting

nobody could share that sacrificial altar
     the single bed with its iron frame
          on which I lay on my own waiting

uniformed attendants
     locked themselves
          behind their concrete defences
               away from the radiation
                    so dangerous

while I waited
     for those circling stars
          that would burn
               and scar me
                    to descend …

7

… and single beds
     were only meant for one
         
just me
     strapped in
          tied so tight
               lying motionless
                    as I waited for
                         the bed to rise …

upwards
     into that dark night of the soul
          and I the sole sufferer
               under a claustrophobic sky

behold my body
     a mass of red and green striations
          burned by pin-pricks of light
               walking across my body
                    follow the red map
                          painted on my body

burns and blisters
     body and mind scarred
          scared by knowing
               all this suffering
                    might be in vain

others walked this road before me
     some never returned
          empty places at breakfast
               hushed whispers
                    faces turned away

when the tide turns
     it brings with it
          the joy of life
               a spark of hope
                    life’s waters
                         resuming their flow …

Comment:
All that happened to me ten years ago – but the memories are still fresh in my mind. At night, I often watch those planets circling, closing in, those star ships, guns blazing, burning my skin. So many of us have walked that lonely path, lain on that bed, faced those demons. Holst’s Planets – it amazes me that the music still plays in my mind, the celestial dance still goes on in the ballroom of my head, and the memories refuse to fade, though the burns on the skin have vanished and are long gone.

Clepsydra 4 & 5

Clepsydra 4 & 5

4

… candles and the clepsydra
     marking time
          witnessing
               the transition
                    from day to night

drip-by-drop
     falling water
          flickering candle flames

less certain
     than the monotonous
          tick-tock
               of a pendulum clock
 
time and tide
     wait not
          for ship nor man

though time is marked
     on calendars
          and prison walls

days passing into weeks
     spring into summer into autumn

daylight lengthening
     shortening
          until bleak mid-winter
               comes again …

5

… black midnight
     all is lost
          who now can count the cost

stiff upper lips
     forget how to pray
          fingers clasping
               unclasping
                    never grasping
                         life’s simple flow

with silent steps
     planets and stars
          slowly turning
               writing out our lives

sun by day
     moon by night
               the sky alight
                    with shimmering fires

midnight curtains
     burning lights
          crazy curtains
               drawn in night’s sky

a lost dog hurls
     his coyote cry
          who on high
               now listens to his call

not the planets
     nor the Archer
          nor the dog star
               who never barks
                     anything
                          but summer’s flames

pity the poor dogs below
     bitches in heat
          waiting alone
               for their lover’s paws
                    their welcome snuffles

locked and bolted
    the door
          heightened
               the canicular heat …

Clepsydra, Poems 2 & 3

2

… who closes
     the museum doors,
          locking away its memories

dark descends,
     waters heard but unseen
          time unmeasured now
               until the coming of candles

each with its symbol
     lines that mark time
          an hour here or there,

never accurate
     seldom on time

a time that quickens
     in a whisper of wind
          the flame flickering
               time traveling faster

one candle tilts
     its waxen cataracts
          tumbling time
               cascading down
                    entering the void

that empty space
     left by the spent flame
          smouldering

where did it go
     the light
         I’d like to know
               how and why

a lifetime
     like a fire-fly’s spark
          flits away …

3

… fifteen eighty-eight
     the Spanish Armada
          its crescent glistening
               gunfire sparking
                    fireflies of flame

ponderous time
          spaced out
               relentless and slow

an unstoppable juggernaut
     on and on
          tides turning ebbing
               ever-flowing

hill beacons burning
     church bells
          ringing out their warnings

God blew
     and gusting winds
          took them away
               to the sand-dunes
                    off the Lowlands coast

flashes of flame
     fire-ships launched
          fire on the flood
               the rigging ablaze

quickly cut anchors
     now watch them go
          shepherded
               by sheepdog ships

 on Ireland’s rocky coasts
      ships and men
          their time up
               torn from the light
                   
swallowed by night’s
     dark throat …

Clepsydra

Clepsydra

WFNB 2025 BAILEY PRIZE: 3rd Place
Citation

Clepsydra relates a process of identity loss, as time’s passing removes the people closest to the eroding narrator. Its consistent form – the manuscript is one long poem made up of 48 sections of varying length, each of which begins and ends with an ellipsis – provides a framework in which the narrator strives to describe how their sense of self drains away, drop by drop, the way the liquid in a clepsydra (a water clock) marks the passing of time. Amazingly, the poems convey existential dread through remarkably vivid and grounded images of things like “seals basking in sunshine, / knowing themselves, being themselves, / thinking themselves safe, / kings and queens of their seal-dom, / never questioning” (19) and “…an osprey, sudden, the swoop, / turned into a stoop, water shattered, total immersion, then emerging, / lusty thrust of wings, claws clasping, / prey imprisoned” (20). Sense slides in and around the sounds of the words as well as in their dictionary meanings. In Clepsydra the author rigorously plumbs a difficult subject: the loss of subjectivity.

Exhortation

Thank you for the privilege of reading your poetry manuscript, Clepsydra. I was quite taken with all of its virtues: a meaningful concept, carried out in an impressive form which is followed both rigorously and nimbly in each section.

Introduction

     The National Museum of Wales, in Cardiff, had a working Clepsydra that fascinated me. School children could enter free, and every week day, during the school holidays, I would visit the museum and also the Clepsydra.

     I have built the structure of the Clepsydra into the verses of this book. The words flow down, from left to right, just like the waters of the Clepsydra. Sometimes they overflow the line, and sometimes they hold back, just a little. This visual construction fortifies the idea of the ebb and flow of time, water, and memories.

     I first met the poetic image of the Clepsydra in the poetry of Antonio Machado – No temas. Tú no verás caer la última gota que en la clepsidra tiembla. / Never fear. You will not see the fall of the last waterdrop that trembles in the clepsydra. I have, for better or for worse, repeated this theme throughout the poetic dialog.

     I would like to thank the judge, the poet Kathy Mac, for her comments and her excellent suggestions. I have followed most of them in this revision of the original manuscript. My thanks go to all who have read Clepsydra at one time or another.

Clepsydra

1

… time, and my own place
     not this dry museum
          filled with dust

its ghosts, running rampant,
     raging silent
          over ancient artefacts

the clepsydra dreaming
     time like its liquid
          slipping
               through clay fingers
 
runnels of water
     ebbing flowing
          continually running down

earthen-throated
     its hour glass structure
         
each terracotta bowl
     lower than the one before
   
a mini-cataract
      a constant waterfall
            second by second
                    time dwindling away…

Do you play in your daily life? What does ‘playtime say to you?

Daily writing prompt
Do you play in your daily life? What says “playtime” to you?
View all responses

Do you play in your daily life? What does ‘playtime say to you?

Poesía de juego y poesía que expresa la autenticidad del ser / poetry as play and poetry that expresses the authenticity of being. For me, poetry is play. However, it is far more than just ‘play‘ – because it is a play that expresses the authenticity of my being.

I write in my journal on a daily basis. As I write, I sometimes spot little gems, thoughts or word clusters that can be turned into poems. For me, playtime is when I start to elaborate the words (signifiers) and turn them into thoughts (signified). The meaning may be the message, but the words that carry the message are the building bricks of the poetry of play which sometimes, with a happy Midas touch, turns into the poetry of gold that expresses the authenticity of who and what I am.

But play is also what I do when I paint. And sometimes I sit beside my mirror image friend, Moo, and paint with him. While Moo is great with colours, he is sometimes at a loss for words. Then I help him by playing with words, shuffling them around, until he finds the title that he wishes for his poems. Sometimes I consult, on Moo’s behalf, with other friends, and they are the ones who join in the game, and settle the dispute by agreeing upon the name that Moo will finally choose for his painting.

But, speaking of painting, there is no play better than the game of making meaning out of color [does it really matter how you spell it? ] and shape while taking a line for a walk and turning it into something playful yet meaningful. Mix and match, and stitch and patch, and then add the lines and title that ease the metamorphosis of color into shape and meaning.

There are other games I play to help fill in the daily gaps that have entered my post-retirement life. Online games of patience, crosswords, chess games with their intricate patterns of red and white or light and dark. Then their [now it does matter how you spell there!!!] are mining games when I dig deep into other people’s poetry and search among the gems of Octavio Paz, Antonio Machado, Dylan Thomas, John O’Donohue, Milton Acorn, Valverde, Quevedo, St. Teresa of Avila, Gongora, Sor Juana, Cervantes, or many other friends, their voices now silences, with whom I speak with my eyes, in order to find something that inspires me to play yet another game – hunt the symbol.

Re-reading Rudyard Kipling is a game too. “Do you like Kipling?” “No, I never Kipple.”And in books like Kim, the great game of life goes on and on, and Kipling’s signifiers (words) turn into a signified (meaning) that is warped by my creative mind and changed into my ideas of a new game in which hunt the symbol turns into the game of Brillig where the slithey troves of new words, fresh words, are reborn into my game-world and emerge from their game-whirled into my own word-play conversation with my own thyme and plaice [or should that be time and place?] And long may Moo and I play that game!

Nightmares

Nightmares

The jaws that bite,
the claws that snatch,
the hands grasping you
through the railings
as you scuttle upstairs.

Those same hands descending,
beating, shaking you,
back and forth, a rag doll,
then thrusting you into
that cold, dark cupboard
beneath the stairs, no story,
your childhood reality.

And now, those dreams come back
and you lie awake watching
as the grey revenants return
and the nightmares repeat
themselves, again and again.

And return they will, until
that final curtain call,
when the stage turns black,
and you’ll never be taunted,
haunted, and hunted ever again.

Comment:
On Thursday night we discussed the difference between poetry of play and poetry that expresses the authenticity of being. Into which category does this poem fall. Intertextuality – the idea of texts talking to texts. How many different texts can you count, talking to each other in this poem that may even be a Jackpine Sonnet?





Solitary 1 & 2

Solitary 1 & 2

1

They drove me there,
passed through the gates,
unpacked my trunk,
chatted with the head,
shook my hand,
then drove away.

The metallic clang
of the closing gates
still lives with me.

How old was I?
Six? Seven?
I no longer know
and there’s nobody
left alive to tell me.

I remember so well
the woodgrain on the desk,
the carved initials,
the loneliness that bit,
the barred windows
of that empty classroom.

2

An only child,
taken away,
left among strangers?

Why, why, why?
Doubt’s pinball
bounces round
my empty skull.

What am I?
Who am I?
Why am I?

How did I become
whatever it is
that I became? 

mea culpa
mea culpa
mea maxima culpa

Was I the one to blame?

Comment:
I prefer it as two poems, rather than a poem and a commentary. It may even be better written in the third person. I’ll have to think about that! It’s always a good way to work. Thank you to all who commented, by email or otherwise! Your comments always help me think, and re-think.

And then there’s the nights – KTJ

Then There’s The Nights … KTJ                

As a child my days were good.
Full of wonder and being misunderstood.
Growing and learning without knowing love.
But always guided by the Lord up above.
The days were filled with hope in my sights.

Then there’s the nights.

Trying to make sense of my life in a bed I did not own.
Fighting demons no child should ever fight alone.
Dreams of monsters under the bed.
Thoughts of not belonging filling my head.
Longing for a normal Mom and Dad.
Crying myself to sleep and feeling sad.

At 14, I thought I was grown.
Stealing my food and living alone.
Leaving behind a brief life with my dad.
Street life was hard, but it was all that I had.
The days seemed to pass by all right.

Then there’s the nights.

Fear of passing by where the dead lay to rest.
I’d stand with my thumb out and hope for the best.
I was told it was the living I should fear.
But my mind was confused
and my thoughts were unclear.
Sleeping in ditches and dreaming of a home.
No one to care for me, I was alone.

Years passed by as if in slow motion.
People came and went, playing on my emotions.
More than one marriage, with hopes of a happy home.
Each time I was sure I was done being alone.
I kept telling myself life was sunny and bright.

Then there’s the nights.

Sleeping once again in a bed I didn’t own.
Waiting for a husband who does not come home.
Anger and confusion running through my head
Wondering if he was sleeping in another woman’s bed.
I wanted to scream and demand he be true.
But you don’t have that option if someone’s abusing you.

I’ve finally made it to the last quarter of my life.
I no longer desire to be anyone’s wife.
I have my independence and a loving heart.
I want love, but I also need time apart.
To grow and learn and miss the ones I love.
I have been truly blessed by God above.

Then there’s the nights

Sometimes sleeping in a bed, I don’t care if I own.
Nights full of contentment for me and me alone.
I’ve let go of the dream of two hearts and souls
intertwined as one.
Finally, my worries and grief are done.
The rest of my journey will be full of peace and love.

Once again, I thank the good Lord above.

Comments
Yesterday, I posted a painting that KTJ associated with one of her poems, Addiction. Last night, my friend, Moo, painted this painting which accords with one of KTJ’s poems entitled And then there’s the nights. This is the lead poem in her first poetry collection, I am my tattoos. This linking of the verbal (poetry) with the visual (a painting) has been a technique I have used before. The movement between visual and verbal often generating a shifting pattern of colors and images in the reader’s / viewer’s mind. These collaborations between artists are very productive. Long may they continue.

NB If you, dear reader, would be interested in writing for one of Moo’s paintings, just drop me a line, or leave a note in the comments section.

Addiction by KTJ

Addiction

Joy, desire, companionship, laughter,
sharing feelings, caring, and dreaming.

Two people so alike in many ways,
painfully different in others.

All my cravings, and desires
set out before me in a beautiful world
so different than my own.

A broad chest to lay my head on,
listening to a heartbeat
that is not my own. 

Strong arms holding me close,
providing comfort.

Cool grass between my bare toes,
earth from the gardens
embedded under my fingernails.

Like an addict,
craving love and validation.

Basking in the glorious
short-term feeling of bliss.

This world, this person,
both my drugs of choice.

Fantasy, then reality,
going from one to the other,
walking out of fire into
an ice bath over and over.

A fantasy world
hiding beneath
a dark cloak of reality.

Comments:

It’s funny how your paintings speak to me. As soon as I opened this email, my first thought was… this is the perfect painting for my poem “addiction”. The colors and the art work bring to life the sentence, “like walking out of a fire and into an ice bath”. KTJ 

So, here we are – the poem and the painting can now be found on the same page. I don’t usually put other people’s poems up on my blog. However, should any of my readers be inspired by one of Moo’s paintings, and should that reader decide to write a poem about it, I would happily consider publishing both poem and painting on this blog. No money involved – my pitiful pension won’t stretch that far.

No promises. But an interesting start to a new idea.
Pax amorque –
rogermoorepoet.