Dreams

Clepsydra

Clepsydra

WFNB 2025 BAILEY PRIZE: 3rd Place
Citation

Clepsydra relates a process of identity loss, as time’s passing removes the people closest to the eroding narrator. Its consistent form – the manuscript is one long poem made up of 48 sections of varying length, each of which begins and ends with an ellipsis – provides a framework in which the narrator strives to describe how their sense of self drains away, drop by drop, the way the liquid in a clepsydra (a water clock) marks the passing of time. Amazingly, the poems convey existential dread through remarkably vivid and grounded images of things like “seals basking in sunshine, / knowing themselves, being themselves, / thinking themselves safe, / kings and queens of their seal-dom, / never questioning” (19) and “…an osprey, sudden, the swoop, / turned into a stoop, water shattered, total immersion, then emerging, / lusty thrust of wings, claws clasping, / prey imprisoned” (20). Sense slides in and around the sounds of the words as well as in their dictionary meanings. In Clepsydra the author rigorously plumbs a difficult subject: the loss of subjectivity.

Exhortation

Thank you for the privilege of reading your poetry manuscript, Clepsydra. I was quite taken with all of its virtues: a meaningful concept, carried out in an impressive form which is followed both rigorously and nimbly in each section.

Introduction

     The National Museum of Wales, in Cardiff, had a working Clepsydra that fascinated me. School children could enter free, and every week day, during the school holidays, I would visit the museum and also the Clepsydra.

     I have built the structure of the Clepsydra into the verses of this book. The words flow down, from left to right, just like the waters of the Clepsydra. Sometimes they overflow the line, and sometimes they hold back, just a little. This visual construction fortifies the idea of the ebb and flow of time, water, and memories.

     I first met the poetic image of the Clepsydra in the poetry of Antonio Machado – No temas. Tú no verás caer la última gota que en la clepsidra tiembla. / Never fear. You will not see the fall of the last waterdrop that trembles in the clepsydra. I have, for better or for worse, repeated this theme throughout the poetic dialog.

     I would like to thank the judge, the poet Kathy Mac, for her comments and her excellent suggestions. I have followed most of them in this revision of the original manuscript. My thanks go to all who have read Clepsydra at one time or another.

Clepsydra

1

… time, and my own place
     not this dry museum
          filled with dust

its ghosts, running rampant,
     raging silent
          over ancient artefacts

the clepsydra dreaming
     time like its liquid
          slipping
               through clay fingers
 
runnels of water
     ebbing flowing
          continually running down

earthen-throated
     its hour glass structure
         
each terracotta bowl
     lower than the one before
   
a mini-cataract
      a constant waterfall
            second by second
                    time dwindling away…

Do you play in your daily life? What does ‘playtime say to you?

Daily writing prompt
Do you play in your daily life? What says “playtime” to you?
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Do you play in your daily life? What does ‘playtime say to you?

Poesía de juego y poesía que expresa la autenticidad del ser / poetry as play and poetry that expresses the authenticity of being. For me, poetry is play. However, it is far more than just ‘play‘ – because it is a play that expresses the authenticity of my being.

I write in my journal on a daily basis. As I write, I sometimes spot little gems, thoughts or word clusters that can be turned into poems. For me, playtime is when I start to elaborate the words (signifiers) and turn them into thoughts (signified). The meaning may be the message, but the words that carry the message are the building bricks of the poetry of play which sometimes, with a happy Midas touch, turns into the poetry of gold that expresses the authenticity of who and what I am.

But play is also what I do when I paint. And sometimes I sit beside my mirror image friend, Moo, and paint with him. While Moo is great with colours, he is sometimes at a loss for words. Then I help him by playing with words, shuffling them around, until he finds the title that he wishes for his poems. Sometimes I consult, on Moo’s behalf, with other friends, and they are the ones who join in the game, and settle the dispute by agreeing upon the name that Moo will finally choose for his painting.

But, speaking of painting, there is no play better than the game of making meaning out of color [does it really matter how you spell it? ] and shape while taking a line for a walk and turning it into something playful yet meaningful. Mix and match, and stitch and patch, and then add the lines and title that ease the metamorphosis of color into shape and meaning.

There are other games I play to help fill in the daily gaps that have entered my post-retirement life. Online games of patience, crosswords, chess games with their intricate patterns of red and white or light and dark. Then their [now it does matter how you spell there!!!] are mining games when I dig deep into other people’s poetry and search among the gems of Octavio Paz, Antonio Machado, Dylan Thomas, John O’Donohue, Milton Acorn, Valverde, Quevedo, St. Teresa of Avila, Gongora, Sor Juana, Cervantes, or many other friends, their voices now silences, with whom I speak with my eyes, in order to find something that inspires me to play yet another game – hunt the symbol.

Re-reading Rudyard Kipling is a game too. “Do you like Kipling?” “No, I never Kipple.”And in books like Kim, the great game of life goes on and on, and Kipling’s signifiers (words) turn into a signified (meaning) that is warped by my creative mind and changed into my ideas of a new game in which hunt the symbol turns into the game of Brillig where the slithey troves of new words, fresh words, are reborn into my game-world and emerge from their game-whirled into my own word-play conversation with my own thyme and plaice [or should that be time and place?] And long may Moo and I play that game!

Nightmares

Nightmares

The jaws that bite,
the claws that snatch,
the hands grasping you
through the railings
as you scuttle upstairs.

Those same hands descending,
beating, shaking you,
back and forth, a rag doll,
then thrusting you into
that cold, dark cupboard
beneath the stairs, no story,
your childhood reality.

And now, those dreams come back
and you lie awake watching
as the grey revenants return
and the nightmares repeat
themselves, again and again.

And return they will, until
that final curtain call,
when the stage turns black,
and you’ll never be taunted,
haunted, and hunted ever again.

Comment:
On Thursday night we discussed the difference between poetry of play and poetry that expresses the authenticity of being. Into which category does this poem fall. Intertextuality – the idea of texts talking to texts. How many different texts can you count, talking to each other in this poem that may even be a Jackpine Sonnet?





Solitary 1 & 2

Solitary 1 & 2

1

They drove me there,
passed through the gates,
unpacked my trunk,
chatted with the head,
shook my hand,
then drove away.

The metallic clang
of the closing gates
still lives with me.

How old was I?
Six? Seven?
I no longer know
and there’s nobody
left alive to tell me.

I remember so well
the woodgrain on the desk,
the carved initials,
the loneliness that bit,
the barred windows
of that empty classroom.

2

An only child,
taken away,
left among strangers?

Why, why, why?
Doubt’s pinball
bounces round
my empty skull.

What am I?
Who am I?
Why am I?

How did I become
whatever it is
that I became? 

mea culpa
mea culpa
mea maxima culpa

Was I the one to blame?

Comment:
I prefer it as two poems, rather than a poem and a commentary. It may even be better written in the third person. I’ll have to think about that! It’s always a good way to work. Thank you to all who commented, by email or otherwise! Your comments always help me think, and re-think.

And then there’s the nights – KTJ

Then There’s The Nights … KTJ                

As a child my days were good.
Full of wonder and being misunderstood.
Growing and learning without knowing love.
But always guided by the Lord up above.
The days were filled with hope in my sights.

Then there’s the nights.

Trying to make sense of my life in a bed I did not own.
Fighting demons no child should ever fight alone.
Dreams of monsters under the bed.
Thoughts of not belonging filling my head.
Longing for a normal Mom and Dad.
Crying myself to sleep and feeling sad.

At 14, I thought I was grown.
Stealing my food and living alone.
Leaving behind a brief life with my dad.
Street life was hard, but it was all that I had.
The days seemed to pass by all right.

Then there’s the nights.

Fear of passing by where the dead lay to rest.
I’d stand with my thumb out and hope for the best.
I was told it was the living I should fear.
But my mind was confused
and my thoughts were unclear.
Sleeping in ditches and dreaming of a home.
No one to care for me, I was alone.

Years passed by as if in slow motion.
People came and went, playing on my emotions.
More than one marriage, with hopes of a happy home.
Each time I was sure I was done being alone.
I kept telling myself life was sunny and bright.

Then there’s the nights.

Sleeping once again in a bed I didn’t own.
Waiting for a husband who does not come home.
Anger and confusion running through my head
Wondering if he was sleeping in another woman’s bed.
I wanted to scream and demand he be true.
But you don’t have that option if someone’s abusing you.

I’ve finally made it to the last quarter of my life.
I no longer desire to be anyone’s wife.
I have my independence and a loving heart.
I want love, but I also need time apart.
To grow and learn and miss the ones I love.
I have been truly blessed by God above.

Then there’s the nights

Sometimes sleeping in a bed, I don’t care if I own.
Nights full of contentment for me and me alone.
I’ve let go of the dream of two hearts and souls
intertwined as one.
Finally, my worries and grief are done.
The rest of my journey will be full of peace and love.

Once again, I thank the good Lord above.

Comments
Yesterday, I posted a painting that KTJ associated with one of her poems, Addiction. Last night, my friend, Moo, painted this painting which accords with one of KTJ’s poems entitled And then there’s the nights. This is the lead poem in her first poetry collection, I am my tattoos. This linking of the verbal (poetry) with the visual (a painting) has been a technique I have used before. The movement between visual and verbal often generating a shifting pattern of colors and images in the reader’s / viewer’s mind. These collaborations between artists are very productive. Long may they continue.

NB If you, dear reader, would be interested in writing for one of Moo’s paintings, just drop me a line, or leave a note in the comments section.

Addiction by KTJ

Addiction

Joy, desire, companionship, laughter,
sharing feelings, caring, and dreaming.

Two people so alike in many ways,
painfully different in others.

All my cravings, and desires
set out before me in a beautiful world
so different than my own.

A broad chest to lay my head on,
listening to a heartbeat
that is not my own. 

Strong arms holding me close,
providing comfort.

Cool grass between my bare toes,
earth from the gardens
embedded under my fingernails.

Like an addict,
craving love and validation.

Basking in the glorious
short-term feeling of bliss.

This world, this person,
both my drugs of choice.

Fantasy, then reality,
going from one to the other,
walking out of fire into
an ice bath over and over.

A fantasy world
hiding beneath
a dark cloak of reality.

Comments:

It’s funny how your paintings speak to me. As soon as I opened this email, my first thought was… this is the perfect painting for my poem “addiction”. The colors and the art work bring to life the sentence, “like walking out of a fire and into an ice bath”. KTJ 

So, here we are – the poem and the painting can now be found on the same page. I don’t usually put other people’s poems up on my blog. However, should any of my readers be inspired by one of Moo’s paintings, and should that reader decide to write a poem about it, I would happily consider publishing both poem and painting on this blog. No money involved – my pitiful pension won’t stretch that far.

No promises. But an interesting start to a new idea.
Pax amorque –
rogermoorepoet.

If you were going to open up a shop, what would you sell?

Daily writing prompt
If you were going to open up a shop, what would you sell?
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If you were going to open up a shop, what would you sell?

That is a very hard question to answer. I think of all the material things that everyone else can think of, but I do not want to sell commonplace things – antique furniture, paintings, books, stamps, groceries – I could go on and on, but I will resist the temptation to do so.

When I lived in Santander, Spain, the local wines were sometimes called ‘sol embotellado‘ / bottled sunshine. I wouldn’t want to open a wine shop, but I would love to bottle the essence of a warm sunny summer day and – why should I sell it? I wouldn’t. I would give it away, free of charge, to all the needy people, inner city boys and girls, the impoverished, those who live in the streets and sleep in doorways or under bridges at night. Oh the joy and happiness that would come when they opened their bottle of summer sunshine and felt the warm fresh air gather around them so they could breathe it in.

But why stop there? I would also give away ‘essence of butterflies’, that special feeling that comes on the colored wings of a butterfly and combines with the joy of flowers and the gift of taking flight. How special that would be. But sell it? It is much too valuable to sell. Put a dollar, Euro, yen, rupee, or sterling price upon it, and all its powers would vanish, like fairy dreams fading away.

Fairy dreams – yes, I would offer them as well to those who needed them. And not the sort that fade away, but those fairy dreams that suspend us in the wondrous beauty of their ethereal light. And I would bottle hope, and self-belief, and the power to change oneself from what one is to what one is destined to be. And I would add essence of self-knowledge and powder of Davey Lamp light that would enable the seekers to seek in the darkest corners of their souls and find that elusive inner self, and bring it out from the darkness. And I would stock fragrant filaments of firefly that would also allow my customers to enlighten that darkest of nights, the dark night of the soul. And a map of hidden foot paths that would allow the wanderer to wander and never get lost.

How about an elixir of happiness and joy? A quintessence of rainbows, perhaps? Or a magic lantern that would shine out from heart and eyes and enlighten the soul friends of those lucky souls who were able to locate and enter my shop of conditioners, vital vitamins, and soul magic for all those lost and lonely people. And there, that mirror on the wall – look in it, gaze deep into your own eyes, and maybe, just maybe, you will find my shop.

And “What will your shop be called?”, you ask. Look into your heart and you may find the answer engraved therein. It will be called The Gift Shop of Hope Restored. I look forward to welcoming you when you open the door and step in.

What are you curious about?

Daily writing prompt
What are you curious about?
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What are you curious about?

I am curious about how you generate prompts for people to write about. Do you put words in a hat and pull them out? Or do you examine a multitude of Christmas crackers to see what words of wisdom are contained within them? As for me, I am curious about Olde Curiosity Shoppes and the curious things that one finds in them.

I am also curious about aliens. There are so many of them. At night, they often invade my brain and stamp around causing enormous damage up there. I think they think the own the place, throwing parties at two in the morning and chanting things that shouldn’t be chanted. They embarrass me. Even worse they sometimes shame me. You should hear the things they say and sing. Snippets of old rugby songs and limericks that never even saw the shores of the Emerald Isle. Sometimes, next day, they are still partying, and those little snippets go earwigging their way on and on.

What’s worse, they speak several languages and I hear them chanting in Latin, French, English, Spanish, Catalan, Italian, Galician, and even in Welsh. As for the Welsh, it rolls on and on – ar hyd a nos – in fact they sing until Harry is hoarse. I looked in the mirror one morning, and I saw a whole crowd of them waving their tentacles like multiple octopi and chanting yma o hyd. And yes, indeed, they were still there. They weren’t going anywhere. They followed me around all day.

Another thing about which I am curious – how do I de-alienate the aliens who have alienated me from my old peaceful world of curiosity shops? “Ho-ho-ho-ho-ho, tell me if you know, who the, why the, where the, what the, where do aliens go?”

And if you happen to be curious about what makes me tick, well, I have a long arm and a short one, just like a grandfather clock, and a key in the middle of my back with which you can wind me up and set me off on any topic, however curious it may be. Just light the blue paper and retire.

If humans had taglines, what would yours be?

Daily writing prompt
If humans had taglines, what would yours be?
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If humans had taglines, what would yours be?

I really only want a one word tag – poet, and that’s the name of my blog – rogermoorepoet.com.

An award-winning teacher, researcher, poet, and short-story writer, I was born in Swansea, the same town as Dylan Thomas, the famous Welsh poet, whom I emulated in my youth. I wrote poetry throughout my childhood, but I never took lessons, nor was I known as a poet.

Early in 1962, I sent a sonnet to the poetry competition of the Stroud Festival of Religion and the Arts. I left school and was studying in Paris, when the results came out and I discovered that I had won first place in that competition. In my absence, a deserving boy from my school was sent to pick up the award, a book of poetry, signed by Ursula Vaughan Williams. The poem was published in Trydan and I have a copy of it somewhere.

Throughout my undergraduate career (1963-1966), I wrote poetry. Much of my early work appeared in my university’s student arts review, The Nonesuch Magazine – the Flower of Bristol that giveth great light. Alas, I was not studying English, and only the English students seemed capable of being called poets, so I was always called something else. I wrote a lot about nature, back then. One day, when I hand delivered my poetry submission, the editor of Nonesuch, an English student, asked me if I was a pantheist. “Good heavens, no,” I told him. “I’ve got a girl friend.” This answer did nothing in university circles to affirm my wanna be status as a poet.

Some of these poems survived and a couple appeared in Stars at Elbow and Foot. Here is one from Last Year in Paradise.

St. Mary Redcliffe

Time and Temple Meads
have begrimed your wand-thin spire,
the tallest in England.

You waved goodbye
to the Cabot boys,
Nova Scotia bound,
as they set sail.

Starlings lime your belfry,
gift and inspiration
of Merchant Adventurers,
that gentlemen’s company.

Worms wriggle and gnaw
at your ship’s figure-head,
harbored now, bare-breasted,
sturdy in your oak-beam nave.

Rust rustles and creaks
at the Edney Gates,
wrought to last centuries
by Bristol ironmasters,
themselves apprenticed
to learn time’s laws.

I call myself a poet. I think of myself as a poet. In Santander, Spain, I was known as the mad Welsh poet! What an honour it would be to have Roger Moore Poet as my tagline. I’d rather leave the ‘mad Welsh’ out.

But why stop at one tagline? I am also an award winning teacher and researcher. And a long-term rugby coach. How would they be as tags? Roger Moore Coach? Roger Moore Teacher? Roger Moore Researcher? Not quite the same thing. No resonance and I can produce no links to attach to those names. They are much more run of the mill. Anyone can be a coach, a teacher, a researcher. Not everyone can be a poet, let alone a famous poet, like Dylan Thomas. Besides which, I live in Idlewood, not Milkwood.

There is one other alternative, however. Roger Moore 007. Alas, that one belongs to someone much more famous than me, even though we share the same name. But I might go one step further. How about 3M-007? That would do at a pinch – pretty unique – there aren’t many of them about! I love it. So there we go – a choice of two taglines, either of which fit – Roger Moore Poet and Roger Moore 3M-007.

Which one would you choose for me? “A rose by any other name would smell as sweet.” But remember, I ain’t no rose. So please don’t tread on the tails of my all-disguising, multi-colored 3M-007 poetry coat.

What do you do to be involved in the community?

Daily writing prompt
What do you do to be involved in the community?
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What do you do to be involved in the community?

Covid started a long period of isolation for many people of my age. We started by washing everything that came into the house – beware of touching things, they might carry the Covid virus. Then it was wear a mask and avoid crowds. Then it was telephone calls, parcels of groceries left on door steps, groceries ordered online and then picked up by car, no visitors, avoid crowded places…. At times, it bordered on hysteria.

That was 2020. But Covid wasn’t over. I have cut my own hair since 2019 and I still avoid crowds and wear a mask. As I emerged less and less, I saw fewer and fewer people. Old friends faded away, some, the less fortunate ones, permanently. Most ceased to visit. Gradually communications ceased.

2024 – May -01 – I purchased a new Rollator – a Nexus 3. For a week now, I have been out walking with it. Thirty minutes a day. I go round the block. I also visit the local park and walk the trails. Life is still out there, waiting to be lived. When I walk round the block, neighbors come out from their houses and talk to me. I have a little seat on the Rollator and can sit and chat with them for as long as they want. Old friends have returned.

Yesterday, I met some new friends. “We haven’t seen you around here before. Are you new?” A boy and his mother. The boy took a liking to my Rollator – he was three years old. He climbed on it, sat on it, tooted a non-existent horn, rang a non-existent bell, and brum-brum-brummed a non-existent engine. What fun we had. I told his mother I was an author and asked her if she would like a copy of Teddy Bear Tales to read to her boy. She said yes and when I see her next, I will give her one.

So, back to the question – What do you do to be involved in the community? I walk around the block and now I carry copies of my poetry books and short stories in my little carry bag. When I meet people, I offer them gifts of poetry and prose. Sometimes they say yes – and that is how I get myself involved with the community – as the Island View Bard.