Memories

Erratic

Erratic
Four Elements pp. 156-159

Plucked before my time
by some glacial hand,
that tore me from my land
and deposited me on
this foreign shore.

Long did I languish,
worn slowly down
by wind, rain, ice, snow.
Now I am carved anew
and learning to grow.

The old land rejected me,
wouldn’t let me back.
This land had no choice,
but I found I had lost all
notion of a distinctive voice.

Now I belong nowhere, a stranded
immigrant, I cannot return.
Neither can I call this place home,
and yet I have sent my roots
deep into its landscape.

I have grown into it,
become one with its seasons,
accepting its long hours
of silence, with white snow
falling upon darkening trees.

World Within

World Within
Anam Cara, p. 15

I have rediscovered a world within me,
a secret world where I walked as a child,
a world that nobody else has ever seen.

When I was young, that world absorbed me.
In it, I went round and round on roundabouts,
and travelled high and low on swings and
swing boats, with their rough ropes.

Alas, as always, there were rainy days.
Then the sun would wear his hat but I knew
he would come out later and join my play.

Sometimes, in the summer, thunderstorms
would roll around and rattle our corrugated roof.
Dai Jones’ cows would rush through the field,
seeking shelter from the wind and rain.

In those days, every cloud had a silver lining.
I weathered tough times, waiting patiently
for the sun to return and light up the world.

One day, I don’t remember when, someone,
I don’t know who, slammed the door and shut
me out from that world. I spent my whole life
searching for it. At last, I have found it again.

Click here for Roger’s reading.

White Wolf

White Wolf

The white wolf of winter
exits her den-warmth and
shakes snow from her coat. Flakes
fly, whitening the world.

She points her nose skywards,
clears her throat, howls until
cold winds blow their chorus
of crystals, crunchy crisp.

We cower behind wooden walls,
peer out through frosted glass.
The white wolf draws near and she huffs
and she puffs until door frames rattle.

The snow drifts climb higher,
blotting out the light. Night
falls, an all-embracing
Arctic night of endless
snow snakes slithering on
ice-bound, frost-glass highways,
side roads and city streets.

Outside, in the street lights’
flicker, snow flies gather.
Thicker than summer moths,
they drop to the ground, form
ever-deepening drifts.

Our dreams become nightmares:
endless, sleepless nights, filled
with the white wolf’s winter
call for snow and even more snow.

Click here to hear Roger’s reading.

Heart and Hearth

Heart and Hearth

I remember the old coal fires in Swansea.
My grandmother’s house in the Hafod,
with a hearth separate from the kitchen.
The hearth held a huge cast iron fire-place
where cookpots and kettles hung
 or nestled into smouldering coals.

My grandfather’s house in Brynmill,
had a magic fireplace. Banked in before bed,
it gave warmth and light all through the night.
Warmth, comfort, the family gathered,
the wisdom of the old shared with the young,
traditional tales and songs passed down.

Everybody was welcome and each one
had a special spot reserved around the fire.

Comment:

I have been revising this poem, shortening it, and changing it very gently. Funny how the old days come back and dance before us, like the flames dance on the coals, as the old ghosts walk now upon the logs.

Click here for Roger’s reading.

True Names

True Names
Iron John, p. 236

No one will know our true names
until after we have left this place.

Like that elusive moon in tonight’s sky,
our paths will be visible, seen, but not heard.

Orion herds the stars, steering them westwards,
away from the sunrise, to moon’s golden circlet.

So much has been lost, so many of us have gone,
leaving us to mourn unspoken thoughts, silent words.

In spring, sometimes, we can hear voices whispering
to us among burgeoning blossoms and leaves.

Who will bear witness to lovers’ wishes and desires
when the great separation springs upon them?

Who will sing songs, give speech to the little children
taken before their time and lost in the silent night?

Click here for Roger’s reading.

Questions

Questions
Four Elements, p. 137

After my mother died,
I lit a candle in every church,
a real bees’ wax candle,
not those tiny electric lights
that glow for a little while,
when you insert money
in the insatiable slot.

Like the minuterie
on each landing of a Parisian
staircase, it gives enough light for
a quick prayer, or a very short
moment or two of silence.

Where does the light go
when the electricity switches off?
Where does the flame go
when the candle is snuffed?
Where did my mother go
when her light went out?

One day, but not too soon, I hope,
I will have to follow her and find
the answers to all of my questions.

Click here for Roger’s reading.

Hearth and Soul

Hearth and Soul

The kitchen – hearth and soul of the house. Here we gather, sit around the table and talk our hearts out. But here, in Island View, we have a kitchen, a gathering, but no hearth, and hence no real heart around which the household revolves.

In spite of that, old habits die hard. I remember the old coal fires in Swansea. My grandmother’s house in the Hafod, with a kitchen in a separate room from the stove, with a huge cast iron fire-place where cookpots and kettles could be hung or nestled into the coals. My grandfather’s house in Brynmill, where kitchen and hearth were separated, but the fire-place still held its magic. Banked in at night, those fires gave warmth and light ar hyd a nos and then they we resurrected the next morning.

We have a woodstove here in Island View, but we rarely light it as the fine particles make breathing difficult after a while. We keep it for emergencies. This winter we lit it when the temperatures dropped to -40C, with the wind chill factor, and heat pump and electric furnace needed assistance.

Warmth, comfort, the family gathered, the wisdom of the old folks shared with the young, and the passing on of traditional melodies. All the old memories and thoughts, the wishes and desires, the hiraeth too, handed down, from old to young. Everybody was welcome and everyone had his or her special place.

Such memories tug at the heart strings – hearth strings. Anyone who shares them with me will know what I mean.

Swansea

Swansea

To be Welsh in Swansea is to know each stop on the Mumbles Railway: the Slip, Singleton, Blackpill, the Mayals, West Cross, Oystermouth, the Mumbles Pier. It’s to remember that the single lines turn double by Green’s ice-cream stall, down by the Recreation Ground, where the trams fall silent, like dinosaurs, and wait, without grunting, for one to pass the other. It’s to read the family names on the War Memorial on the Prom. It’s to visit Frank Brangwyn in the Patti Pavilion and the Brangwyn Hall. It’s to talk to the old men playing bowls in Victoria Park. It’s to know that starfish stretch like a mysterious constellation, at low tide, when the fishnets  glow with gold and silver, and the banana boats bob in the bay, waiting to enter harbour, and the young boys dive from the concrete pipes without worrying about pollution.  But when the tide turns, the Mumbles Railway has been sold to a Texan, the brown and yellow busses no longer run to Pyle Corner, Bishopston, Pennard, Rhossili, sweet names of sand and tide, where my father’s ghost still fishes for salmon bass, casting its lines at the waves as they walk wet footprints up the beach to break down the sand-castle walls I built to last forever at Brandy Cove and by the Slip on Swansea sands.

Click here to listen to Roger’s reading on Anchor.

Writing in the Red Room

Writing in the Red Room

Dawn over Kingsbrae, as seen from the writer’s desk in the Red Room in KIRA. “A poet could not but be gay, in such a jocund company.” Wordsworth, thankfully, for how words change their value as language transforms itself and old values and meanings grow wings and flit away.

Gai saber – from Old Provençal: “gay knowledge” or “gay science”, the art of composing love poetry, especially the art of Provençal troubadours as set forth in a 14th-century work called the Leys d’amors. But one doesn’t have to be gay, in any sense of the word, old or new, to write poetry, and it is difficult not to write poetry when the sun creeps over those hills and lights up the room and the bay below.

Warmth and light flood into your heart. The pen fills with words and they splash out over the page, moving the writer as the sun moves, as light moves, as light breaks where no sun shines as yet, but will, soon, so very soon, and here it comes, filling the heart once more with wonderment, the bay with light, and the page overflowing with the joy of light.

To be here is to be honored and privileged beyond words. To be able to share that joy with others is a blessing that many seek and few find, and none possess, for, like fairy gifts, such powers fade away all too swiftly. And, when all is said and done, one can only be humble, rejoice in each moment, and give thanks.

Goodbye

Goodbye

It is never easy to say Goodbye. Some goodbyes are easier than others. Some are indeed difficult. “In my end is my beginning and my beginning is in my end.” Conscious goodbyes are one thing. We say farewell knowing we will never be back that we will never see each other again. These are the hard ones.

I stood in the bar of El Rincon, in Avila, at 6:00 am, waiting for the taxi that would take me to Madrid and away for the last time. I was planning to return the following year and then it hit me – this was indeed my last goodbye and I would never return to that place. A tidal wave of emotion swept over me and I felt a deep, earthy sorrow – the sorrow of permanent loss.

It was matched on two other occasions. The first occurred when I drove to the sea shore of my childhood in Wales, with my mother’s ashes in the back seat and strict instructions on how and where to scatter them. Walking away was one of the most difficult things I ever did. Even more difficult was leaving my father, a widower now, in his bed, and saying that goodbye. It was not the final goodbye, but I knew I would never see him again, in that house, under those circumstances.

I cried in the taxi, all the way to the railway station. Great, heart-rending sobs that tore me apart, body and soul. The spill over from my nostrils reached the floor of the cab, a long, thick spider-thread of deep-seated despair, because I knew my life had changed forever, and the support on which I had always counted would no longer be there.

People and pets – both are difficult. Holding the paw of a beloved cat, while the vet slips the needle in, and the companion of ten, fifteen years, drifts quietly to sleep. Or watching a faithful dog, slipping slowly downhill, and knowing that someday, soon, the decision must be made, the dark deed done. The knowledge that one relieves suffering and brings an easy release does not decrease the heartfelt pain of that last goodbye.

I used to visit the Sappers Club in Toronto. In the basement of that establishment I discovered a wealth of photographs from WWI. The old men would lead me downstairs and, through thick salt tears, explain what each photo meant to them. Round about midnight, a group of them would stand before a photo called Goodbye Old Friend. It depicted a shell-shocked, broken horse, with a pistol held to its head. The men, they explained, had volunteered for war, and knew all about its suffering. The animals were innocent, and knew not the reason why. Ah, ending the sufferings of the innocent, human or beast, that is, perhaps, the saddest farewell, for some, but not for others.

We each will hold a private moment within our own hands and minds. To share or not to share – that is the question, for each of us – poor creatures, as Dylan Thomas says, born to die.