Dreams

Full Moon Over KIRA

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Full Moon Over KIRA

Who shall dredge this midnight moon
from the shoals of Passamaquoddy Bay?
Gaunt the moon-rakers’ faces, harsh their hands
hauling on nets, heaving her up, rippled and dimpled,
blunt her bite as she emerges from submersion,
raked from water in the traditional ritual.

Upside down, these reflected clouds,
as bright as full-moon fishing boats
distorted from below as the night wind
blows clean dry bones across a mirrored sky
where shadow fish fly wet with moonshine.

Oh pity her, you people, as she’s dragged
from her element and exposed to air and oxygen
that will slowly kill her, make her fade,
frail and fragile, not meant for this world of rock
and stone, flower and field, but destined to walk
in heavenly meadows or to rest in the shallows
where she rocks to sleep in the sea’s endless cradle.

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Monet at Giverny

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Monet at Giverny

Day’s executioner stripes evening
across the sacrificed horizon.
In blood he was born, in earth
will he rest his flesh, turning it into bread.
Purple this imperial wine streaming with day’s
death, ruffling these troubled waters.

Green footprints, the lily pads.
A halo, this drowned man’s beard,
liquescent. Like the gods, he dreamed
he walked dry on water.
Stepping stones, these goldfish
flowering beneath this thin line of cloud.

Maples flash ruby thoughts that ripple
outwards, waves cast upon a liquid sky
towards what farther shores?

Wisteria blesses him with its curly blue locks.
Narcissus, he clads himself in an abyss of lilies,
imperial, his reflection, and imperiled.
Slowly he slides to sleep, merging into his dream:
a vaulted cathedral, his earthbound ribs,
the blood space immaculate.

His lily pond turns into a fallen mirror,
shattering as it ripples in the breeze.
Shards of clouds flare like flames. Fractured
fish, red and gold, shelter beneath white lilies.

Night and day, sun and moon, leapfrog
over tranquil water. Something always survives:
sepia tints, old photos, dreaming on and on.

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Monet at Kingsbrae

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Monet at Kingsbrae

Clos Normand and the Grande Allée closed to him.
Folded his flowers, their petals tight at his nightfall.
Dark their colours, in mourning for his mornings
of light, fled far from him now, left way back behind.

The Lady of the Garden holds out her hand, hands him
an apple: l’offrande du coeur. A scarlet heart of flame
and his world regenerates in roses and in tulips. Especially
when the dying sun pours molten fire on a crimson lake.

The limpid sky brims over into low clouds trapping
a slash of colour here, and there a tree, a fountain of gold.
If the sun is an apple blushing on a setting branch, the money
plant hangs silver-white of moonlight between fine-tuned fingers.
When it rattles its seeds, coins blunt the moon’s sharp edge,
clouds weep, and earth is eclipsed by nickels and dimes.

The breeze bowls clean dry bones across the sky. Wind of change:
that first fast bite too bitter to remember and timeless this tide,
this ebb and flow, this great pond-serpent coiled around the tree,
devouring both tail and tale, dictating itself to death, forever.

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Dalí ‘s Clock

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Dalí ‘s Clock
Salvador Dalí

A clock, a sheet hung out, strung out,
on a canvas washing line. No wind,
no pegs, soon to be sun-bleached, dried,
then folded in on itself, corner to corner
the sheet, and the watch, how will it fold?

Face to face, in half circles, perhaps, or
back-to-back with time cut in half, a tick
without its companion tock, a stutter of time,
halved, then quartered, then in an eighth,
a quesadilla of broken springs and tiny
wheels within wheels, all disjointed,
with glass fragmenting, shattering.

While we watch, our clockwork universe
disintegrates before our eyes, in a tiny
explosion as all chronological creation
implodes into a logic of carnival, absurd
our words and world, devoid of meaning,
a pocket-watch going over a waterfall,
a timepiece soon to break into rusty pieces,
painted by a man who dreams he isn’t mad.

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Man of Glass

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Man of Glass
After El Licenciado Vidriera
(Miguel de Cervantes)

“I am made of glass,” I said.
“You can see right through me.”

But the harder you looked,
the less you saw.
You claimed
there was nothing there,
just empty air.

“Your glass is an illusion,” you said.
“It’s not half full
and it’s not half empty.”

“Glass is fragile,
I break easily.
Drop me, I shatter;
hot and cold will
make me crack.”

“Your fragility is in your mind,
not in the fact of your existence.”

“When light passes through me
I break into a million colors,”
I said.

“You are a prism,
the colors that you cast
change you and rain
rainbow lights
that change others
too.”

“That’s because,” I said,
“I’m made of glass.”

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GBH on the TCH

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GBH on the TCH

She climbs up from the river
where she’s been drinking.
She ripples tawny, red, and orange
across the TCH.

 As quick as a fox, they say:
black socks, brush winter-thick
held high and proud,
as quick as a shadow
melting into dark woods
on the highway’s far side.

Her cub follows close behind,
but he’s not quite as quick.
A passing car tries to swerve
only to grind him into the gravel.

Sudden, that fox-stink,
still clinging to my nostrils
 like a slow-motion death,
dreamed at night,
frame by bitter frame,
until a life-time of silence
seals the lips of parted lovers.

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Rainbow Return

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Rainbow Return

I opened the car door
and he ran across the parking lot
and jumped into the back seat.

“Where have you been?” I asked.
He thumped his great tail, sniffed,
and licked my hand.

As we drove home, he thrust his head
between the seats and placed his paw upon my shoulder.
Then he licked my ear and the side of my face.

I pulled into the garage and let him out of the car.
He raced to the end of the drive, surveyed the neighborhood,
and drilled an invisible pee into the snow.

I whistled, and he ran back to the door,
whimpering and scratching, impatient.
I held the door open and he bounded in.
“You’re back home now,” I told him.

He ran to the cat’s bowl and lapped some water,
scoffed her kibble, and lay down in his usual place.
At night, he lies beside me in bed,
a fluffy spoon carved into my body’s curve.

In the morning, he walks through the kitchen
and doesn’t make a sound.
The cat senses he’s there and bristles and hisses
at rainbow motes dancing in the sun.

He’s sitting beside me now,
head on my knee, as I type these words,
one-handed, because I’m scratching him
in his favorite spot just behind his ear.

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Tense and Tension

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Tense and Tension

Your flightless fancies flit
through a darkness of despair,
as awkward as auks,
as clumsy as penguins
stranded in zoo cages
far from their native seas,
as meaningless as the dodos,
as dead as the ashes lying cold
beneath the crematorium’s fire.

A sudden bucket
clatters down the well,
but it draws no water.
Winter ice will not melt.
Desert sands may burn boat and feet
but they will not warm your glacial heart.
The manner of your second coming
brings forth no nourishment.

A spider web on the wall
grows into a mirror.
Face to face, present and past
become ambulant tenses
that foretell no conditional.
No future beckons,
let alone a future perfect.
A dislocation of infinitives
stretches into the infinity of
an invisible futurity of
never-joining railway lines.

Fire

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Fire

Fire
a double-edged sword

Fire
the beginning
and fire the end

Fire
the means of forging
the Omega and Alpha
that surround us
day by day

Fire
surrounds us
but leads us
nowhere

we must create
our own path through
Fire
to the life beyond
Fire

so many things
to save from
Fire

so many things
to be consumed by
Fire and flame

only a fiercer Fire
will free us from
will put an end to
Fire

Basil Bear Packs

Basil Bear Packs

            “You promised.”

            “I know I did.”

            “Then take me with you. I’m only small. I’ll fit in a pocket.”

            “All right: go and pack.”

            “What shall I pack?”

            “Don’t ask me. I don’t know. I’ve never travelled with a teddy bear before.”

            The conference is a strange one. There are no women present and only one person of color. Nobody speaks to him. When he reads, I am the only one to hear his paper. It’s actually quite good.

            I move from that session to the next one. The man sitting beside me opens his briefcase and tells me to look inside. I do. He has two pistols in there.

“Are you packing?” he asks me.

     “No,” I reply. “But I packed to come here. So did my guardian.”

“Guardian?” the man raises his eyebrows. “That’s cool: a body guard, eh? You need to pack round here. But a body guard is great. Where are you going tonight?”

I tell him.

“That’s a dangerous area of town. You’d both better be packing if you go down there.”

“Thanks for the advice,” I nod to him. “Are you going to the reception?”

“Yup,” he smiles. “I’ll see you there. And don’t forget to pack.”

“Well, Basil,” I see when I get back to the hotel room. “It looks like you’ll be going out with me tonight.”

“That’s great,” little Basil gives me a big teddy bear smile.

When I get to the reception, my friend from earlier is there. He nods at me and smiles at the bulge on the left side of my jacket.

“Good to see you’re packing. Can I have a look?”

“Sure,” I say and open my coat. Basil sits up, opens his eyes, and gives him a little wave. The man’s mouth falls open. He stares at me, wild-eyed.

“Ain’t nobody gonna tackle a mad man who’s carrying a teddy bear,” I say. “Now that’s really packing.”

He walks to the bar, orders a double-double and swallows it, Ker-Splosh.

“That’s telling him,” says Basil, snuggling back down in the warm beneath my armpit. “Hi-ho, Silver: let’s go out and get those gangsters.”

Comment: For Tiffany who understands the important things on the brighter side of life.