Dreams

Boxing Day

Boxing Day

Still Life with Hollyhock
Geoff Slater

How do you frame this beaver pond,
those paths, those woods? How do you
know what to leave, what to choose?
Where does light begin and darkness end?

Up and down: two dimensions. Easy.
But where does depth come from?
Or the tactility, the energy, water’s
flow, that rush of breathless movement
that transcends the painting’s stillness?

So many questions, so few answers.
The hollyhock that blooms in my kitchen
is not a real hollyhock. Intertextuality,
visible and verbal: this is a poem about
a painting of a digital photograph of a
hollyhock, a genuine flower that once
upon a time flourished in my garden.

A still life, naturaleza muerta in Spanish,
a nature morte in French, a dead nature,
then, portrayed in paint and hung alive,
on display, in this coffin’s wooden frame.

Click on this link for Roger’s reading.
Still Life with Hollyhock

Comment: Back home in Wales, Christmas Day was for family and Boxing Day was for friends. I guess the same traditions still exist here in Island View. And what better friend than Geoff Slater? I met him in 2017 at the first KIRA residency and we have been friends ever since. We have worked on so many projects together: painting, creative workshops, videos, sound recordings, poetry, and short stories. He has illustrated several of my books, McAdam Railway Station, Tales from Tara, Scarecrow, and I have put some of his drawings to poetry, Twelve Days of Cat. Last, but by no means least, his painting of a hollyhock from my garden appears on the front cover of my latest poetry book, The Nature of Art and the Art of Nature (Cyberwit, 2021). The title of the collection, incidentally, came from sundry discussions we had on the nature of art and the Prelude: On Reading and Writing Poetry (pp. 7-31), was written at his suggestion. Poems to Geoff can be found on pp. 43, 44, and 61-62 of The Nature of Art.

So, Boxing Day is for friends. And I dedicate it to Geoff Slater and all the many friends I have made in KIRA, Kingsbrae, and throughout my multiple meanderings through the realms of academia, coaching with the NCCP and the NBRU, researching in communities like the ACH, the AATSP, and the MLA, various editorial positions on academic journals like the IFR, BACH, STLHE Green Guides, STLHE Newsletter, La Perinola, AULA, CJSoTL, Canadian Modern Language Review, Calíope, translating for different associations, including the Discalced Carmelite Nuns in St. Joseph’s Convent, Avila, and volunteering with STLHE and the 3M National Teaching Fellowship. To all those friends out there, including my friends and e-friends in TWUC, the LCP, and the WFNB, and those on Facebook, my blog, and my online Skype and Zoom courses and meetings, plus, of course, those I know via Quick Brown Fox, you are not forgotten. Here, for you, on Boxing Day, is a hug or a wave of the hand and a great, big thank you for being there.

Selection of my books
on the sea-shore at Holt’s Point.

The Nature of Art

The Nature of Art

It’s here and it looks beautiful. The photo does not do the cover justice as Geoff Slater’s painting is just phenomenal. The book holder wishes to announce that the photo does not do him justice either. He is much more good-looking in real life. I don’t have the Amazon / Kindle details yet, but I’ll post them as soon as they arrive. meanwhile, you will all have to make do with one poem. But remember: “A poetry book is a dream you hold in your hands.”

Still Life with Hollyhock
Geoff Slater

How do you frame this beaver pond,
those paths, those woods? How do you
know what to leave, what to choose?
Where does light begin and darkness end?

Up and down: two dimensions. Easy.
But where does depth come from?
Or the tactility, the energy, water’s
flow, that rush of breathless movement
that transcends the painting’s stillness?

So many questions, so few answers.
The hollyhock that blooms in my kitchen
is not a real hollyhock. It is the painting
of a photo of a genuine flower that once
upon a time flourished in my garden.

A still life, then, a nature morte, a dead
nature, portrayed in paint and hung alive,
on display in this coffin’s wooden frame.

Click on this link for Roger’s reading.
Still Life with Hollyhock

Welcome Guests

Welcome Guests

They arrived last night, late.
Bright moonlight. Soft silence.
I neither heard nor saw them.

I awoke to moonlight on snow.
Shimmering stars. Orion
proud among prancing planets
sparkling in frosted air.

I looked out. Nothing there.
White wilderness of snow,
unmarked, but shadowed.

Dawn. An anxious child
on Christmas Day, I peeped
under the tree, and yes,
I cried out, “He’s been.”
I remember brightly
wrapped packets of gifts.

Today’s gifts: hoof prints
emerging from dark woods,
circling beneath the ash tree,
leading to the bird feeders,
and back into empty woods.

“Yes!” I said aloud. “At Last.”
And joy filled my heart.

Click on this link to hear Roger’s reading.
Welcome Guests

Comment:

Reading the poem aloud, I changed some of the word order to the rhythm of my speaking voice. It’s reading before an audience and hearing their reaction that tells me when a poem is right or needs retouching. Alas, those live readings are gone for now. Anchor, Spotify, Facebook, Twitter, and this blog are good, but not quite the same. But, for a rhythm and voice poet, who loves live readings and welcomes a live audience, they are better than that midnight silence under dark trees.

Normality

Normality

In spite of grey skies,
blueish snow and early-
morning, under-cloud-
light combine to color
my garden several shifting
shades of blue-grey.

Light grows and the garden
starts to whiten. No deer as yet,
but they aren’t far away.

Two big ginger cats,
I think at first they are foxes,
stalk their marmalade path
through the trees towards the road.
I have never seen them
before. New neighbors?

One crosses the road
but the other hesitates, then flees,
as flashing school-bus lights
bring normality back to my early
-morning dream-filled world.

Click on this link for Roger’s reading.
Normality

Art from the Heart

Art from the Heart

Just out today, thanks to my good friend Jared who turned a difficult task into a simple one. And yes, this is my first art book, though there are two more, at least, to come. Thanks to Patti too for the delightful portrait of the author as a flower-child. That was some time ago. This is a very limited edition. Best friends only – BFF. NB The photos are rotten. I apologize for that. However, the cartoons are very special. Here are the two on Climate Change, much debated, sometimes denied, but all too true for this poor snowman.

Climate Change
aka

“I won’t believe in climate change until April or May.”

April May be Too Late.

Again, the book is fine.
My photos are shaky!

In Love with Love

Meditations on Machado and Mairena
In Love with Love

In a dream
I dream of you,
dream you into reality,
yearn for your name.
Now I’ll never be the same.

I dream you in a garden,
roses around you.
I stand there suffering,
my head crowned
with thorns.

Caught in the briers of your eyes,
I am trapped in the eye-
lash of your name.

Your presence taunts me.
Your absence haunts me.
My life
will never be the same,
oh Guiomar.

Click on this link for Roger’s reading.
In Love with Love 1

Night and Day Dreams

Night and Day Dreams

Someone stole the nose from a sacred statue.
He placed it on his face and I watch it
as it crosses the central square.

A moving shadow: zopilote flies high above.
I talked to him once on a midnight bus.
He begged me to fold his wings
and let him sleep forever.

The balloon lady sells tins of watery soap.
Children, newly released from school,
fill my days with enchantments.
They blow soap bubbles, tiny globes,
circular rainbows, born from a magic ring.

The voices in my head slip slowly into silence.
Some nights I think they have no need of me,
these dreams that arrive in the early hours
and knock at my window.

When morning comes, I watch them fade
and then I know they cannot live without me.
When I am gone, they will go too.

Click on this link for the original poem.

https://wordpress.com/post/rogermoorepoet.com/23643

Click on this link for Roger’s reading.
Night and Day Dreams

Memory Test

Memory

I did the memory test today. It’s hard to believe

that tomorrow I may not know where I am

nor what is the day. Others have passed this way,

none to my knowledge in my family. Sorrow gnaws

the red bone of my heart. The lady at the doctor’s

counter says she is seventy. Her bed-ridden mother,

for whom she seeks medicinal solace is ninety-eight.

Her mind, she says, is as sharp as a needle or a knife,

or a blade of grass. What dreams, I wonder, flit

through her head at night? Does she recall her child

hood with its pigtails, the first young man she kissed,

church on Sundays, the genders carefully segregated,

driving there in the family horse and cart? Thunder rolls

and shakes my world’s foundations; a storm watch,

followed by storm warnings, walks across my tv screen.

Lightning flashes: memories, are they made of this?

Click on the link for Roger’s reading.
Memory Test

The Great Pretender

The Great Pretender

This from the days when I was a wannabe artist who thought he could actually be an artist. But no, it was not to be and the masks fell off and dropped to the ground. There was no Covid back then, so I didn’t have to pick them up and put them back on again. And I didn’t have to stay two metres – six -feet – away from the painting. If you paint with the Devil, you need a long brush. Also known s a Devil’s Paint Brush.

To paint or not to paint, that is the question. So, I chose the path of mindfulness, la escondida senda por donde han ido los pocos sabios que en el mundo han sido / the hidden path along which have walked the few wise men who have lived in the world. And yes, art, in all its forms, is mindfulness, being in yourself, being aware of the moment, being taken up by that split second when paint hits paper, canvas, or whatever, and being absorbed totally in that.

Gardening will do that for you. Also what I call hyperspace, that wonderful world between fingertips, and screen where the great ideas flow naturally, like paint, and words come tumbling out onto the page. Today’s theme: The Great Pretender. Not all the words are wonderful, nor all the ideas great. The greatest skill is to be able to differentiate between gems and dross. This comes with patience and practice. But when the words flow, and the paint settles, there are few joys like it.