Rage, Rage 46 & 47

Rage, Rage
46

I fall into
the easy sleep of age,
pencil in hand,
notebook on knee.

Shadows grow longer
as my life grows shorter,
day by day.

Now it is so easy
to stumble and fall,
each slip a steep slope
down which I slide.

So difficult now
to regain my feet.

I must crawl to where
I can haul myself
first to my knees
and then stubbornly
upward until I can stand.

47

Now-a-nights
I fall easily into dreams
that all too often
turn into nightmares
that rise up from my past
to trouble my sleep.

I struggle and scream
and pinch myself awake,
only to find my cheeks
wet with tears and my mind
all shook up by the return
of childhood fears.

Freud and Jung pull the strings
of those mental puppets
that dance in my head.
Some nights I am afraid
of falling asleep,
for fear that I may never
get up from my bed.

Comments:

Coming to the end of Rage, Rage. When it is finished, that will also be the end of the trilogy – Clepsydra [Chronotopos I], Carved in Stone [Chronotopos II], and Rage, Rage [Chronotopos III]. I have written a fourth volume in the sequence – No Dominion [Chronotopos IV], but this is very personal and I will probably only share it with family members and the closest of friends. However, do not despair – I have an alternate fourth volume, but that is still being written. It us under wraps, and may well replace No Dominion. We shall see.

As for Freud and Jung, they certainly do pull the strings of those mental puppets that dance in my head. Moo says that there should be no strings attached. He has therefore drawn all those strange puppet like figures, a but like an Aunt Sally, really, but has left out the strings and the man / men / woman / women / people pulling them. An Aunt Sally or a lovely bunch of coconuts? Time well tell, if you ask it nicely.

Maybe one of my teddies will tell. They all romp around the room with me at night and I am sure they suspect much of what goes on in my dreams. Here they are – a selection of friendly teddy bears. Be very careful, though, they can be very grumpy, especially if you wake them up suddenly. They don’t like things that go BUMP in the night.

Rage, Rage 36 & 37

Rage, Rage
36

How many times
must I open these
Pandora’s Boxes
packed so lovingly
to give me the tests
I loathe?

Yesterday they gave me
a throw-away plastic potty,
and three wooden spatulas.

I also got
an air-dry sample card,
stamped and dated.

37

Today
a teenage apprentice
prompts me to reveal
my birthdate, then binds my arm
with a thick rubber thong.

She tells me to make a fist
and probes with blunt fingers,
searching in vain for a fresh vein
she can open to extract
and bottle a sample
of my precious blood.

I watch my body’s sap
pumping out
in irregular spurts,
driven by my heart,
that worn-out
flesh-and-blood machine.

Drip by febrile drip,
blood accumulates
and the teenager smiles
with youth’s perfections:
slim body, wit, and grace.

Now, my heart is once more
a time-bomb ticking
beneath her fingers.

Comment:

“Youth’s perfections: slim body, wit, and grace.” Those were the days, my friends, I thought would never end. Then I watched my weight rising, my body thickening, my hips and knees sticking. But I am still me – my own hair, my own teeth, my own limbs, creaky as they are.

I remember. back in the days, watching the TV series – $6 million dollar man.” remember him? Artificial everything and he could out run a car, out jump a kangaroo, outswim an otter, out fight the world’s greatest ever boxers, with one hand tied behind his back. Everything artificial. The willing suspension of disbelief.

Well, I called a couple of friends from my rugby playing days, and guess what? They were all in competition with the $6,000,000 man. An artificial hip… an artificial knee … an artificial shoulder. One of my friends, probably the best player of the lot, had a shoulder replacement, two hip replacements, and two knee replacements. Try going through a metal detector with that lot clanking like Don Quixote’s armor on a warm day.

And DQ was lucky. His magic balsam would heal a man, even if he had been chopped in half by a malignant giant with a sharp sword. Instructions to his squire – “if that happens to me, just join the two halves together as closely and as carefully as you can. Then sprinkle a few drops of the balsam on my body and watch how the two halves grow back together, almost instantly.”

Well, it doesn’t always work like that. I spent half an hour soaking my thumbs in hot water when I got them stuck together using some form of Crazy Glue or Gorilla Glue or Rhinoceros Glue or Elephant Glue or the like. Now there’s a magic balsam for you. However, don’t get into any hot water until the halves are well set and the flesh has grown afresh. Otherwise you might come apart in the bath!

PS Moo did not think this was an amusing piece. So he would only give me a very early cartoon of a ticking alarm clock – well, four of them. And each one set to go off at a slightly different time. Way to go Moo.

Rage, Rage 35

Rage, Rage
35

Now,
once a month, they stick
a needle in my arm
and check the levels
of my PSA, cholesterol,
and testosterone.

Is my blood pressure rising?
Is my cholesterol high?
Are my electrolytes
ticking slowly down?

The doctor keeps telling me
it’s a level playing field
but every week
he changes the rules
and twice a year
he moves the goal-posts.

What game is he playing?
A man in a black-and-white
zebra shirt holds a whistle
to his lips while another
throws a penalty flag.

It comes out of the tv set
and falls flapping at my feet.
Now I know for certain that
I’m living in the Red Zone
and I’m running out of time.

Comment:

Now, once a month, they stick a needle in me! Not always in the same place. But, I sometimes feel like a pin cushion. “The slings and arrows of outrageous fortune” have turned into the “probing instruments of innumerable doctors.” Try repeating those lines at speed and you will end up repeating the message, from lips to ear, like the battalions waiting to go over the top, used to do in the trenches of WWI.

Original message – “Send reinforcements, we’re going to advance.” Last message in sequence – “Send three and fourpence, we’re going to a dance.” Funny how times change. I am re-reading Don Quixote (yet again) and am bowled over by the length and complexity of the sentences. Then I realize how words, culture, times, and attitudes have changed. “Change and decay in all around we see…” – indeed we do.

How many people now know what ‘three and fourpence’ means? And how about LSD – and no, it’s not a psychedelic drug, it’s code for pounds, shillings, and pence. Well, for the original Latin terms for them anyway.

Oh the joys of AI – “The terms librasestercia (commonly sestertius), and denarius are the direct Roman ancestors of the British pre-decimal currency system (£sd), which was in use until 1971. The system was adopted from the Roman/Frankish model where a pound (libra) was divided into shillings (solidus) and pence (denarius).”

Oh the wonders of the British pre-decimal currency system (£sd). Four farthings = one penny; 12 pennies / pence = one shilling; 20 shillings = one pound; 21 shillings = one guinea. What fun we had adding and subtracting British coinage in those days, let alone multiplying and dividing for those wonderful state examinations.

Ah well, it’s all forgotten now, as are the jabs, the needles, and the tests. Anyone got a Wills’ Woodbine? Or a Player’s Navy Cut? And how about a Lucifer to light your fag? There weren’t any fags in my boarding school. Fagging was strictly forbidden. As was smoking. And drinking. And loads of other things that we did anyway.

Rage, Rage 10

Rage, Rage
10

My body’s house
has many rooms
and you, my love,
are present in them all.

I glimpse your shadow
in the mirror, and your breath
brushes my cheek
when I open the door.
Where have you gone?

I walk from room to room,
but when I seek,
I no longer find
and nothing opens
when I knock.

Afraid, sometimes,
to enter a room,
I am sure
you are in there.

I hear your footsteps.
Sometimes your voice
breaks the silence
when you whisper my name
in the same old way.

Comment:

Rage, Rage – and still I rage against the dying of the light and, like Dylan Thomas, ask the ageing of this world not to go gentle into that dark night. Yet, as my beloved and I age, we watch day’s shadows growing longer, and night stealing steadily along. What can we do?

Well, since the winter solstice, we can start counting the minutes as each day adds a minute or two and gifts some more light and strength to the sun. Sunrise today – 8:03 AM. Sunset today – 5:09 PM. That means 9 hours and 6 minutes of sunlight. Well, it would, if it weren’t cloudy, with a cold wind, and a dropping temperature. My guess is that it will get dark much before it ought to. And that’s not nice – no respect!

Of course, my beloved is a sun bunny and a Leo, and she perishes in these shortened days. I was born in them and they don’t affect me as badly as they do her. But I can still Rage, Rage, because there is so much to rage about – icy streets, the usual potholes, roads that hide ice beneath a thin covering of snow, some strange drivers who don’t seem to have bought winter tires. Oh yes, I love them. One came twisting and turning down the same side of the road as me only this morning. Luckily he hit the snow bank before he hit me. But, I ask you, what was he thinking?

So there’s Rage, and Rage Rage, and also Road Rage. Way to go! I think we should call a national rage day and all stay home for 24 hours, just to cool us all down for a bit. Oh dear, that might lead to cabin fever – and that would be an outRage.

Carved in Stone 61 & 62

Carved in Stone
61

Water through the water clock,
water off a duck’s back,
the waters of life,
continually flowing,
trapped in our children
and their children,
and the love we create
never lost, just circling,
like the hands of the clock,
like the planets and stars.

But who will wind up
the clockwork universe,
and tend the mechanism
that balances planets and stars?

What will happen
when the clockwork
finally runs down,
the last candle is snuffed,
and the water clock dries up?

62

Whoever, whatever remains
will be left to contemplate
Ozymandias with his two vast
and trunkless legs of stone,
standing in the desert.

“Look on my works,
ye mighty, and despair.”

Commentary:

“Look on my works, ye mighty, and despair.” Well, Moo does have a sense of humor after all. I thought he did. From Ozymandias to the meaning of “works” to the destiny of the work we did. What a journey. It goes from the joy of the children who build a snowman to the warm spring wind that melts him to the crows and the dog who do what crows and doggies do. Intertextuality – the links between verbal and visual and think about it – such strange things happens in Moo’s creative mind.

But what do we leave behind? Think about it. Only the wake of the ship in which we sail. The wake – that white trail we leave behind us, on the surface of the sea, slowly vanishing as we also vanish, pulling away into the unknown that always lies ahead. Moo is right – so many things disappear out of the frame of the painting. “There are no pockets in shrouds” said the preacher in the hospital where I took my father, so long ago for treatment.

And even if there were, how would you fit a snowman, several crows, a cardinal, and the rear end of a dog into the pocket? “Contemplate Ozymandias with his two vast and trunkless legs of stone, standing in the desert. Now contemplate the fate of the snowman. Now look on my works, ye mighty, and despair.”


Carved in Stone 43

Carved in Stone
43

Back home, in that little cul-de-sac,
the husbands are away,
working their night shifts,
while the wives are at home,
entertaining the truckers,
those long-distance drivers,
who park in that street and lodge there,
overnight, in the houses.

The children, boys and girls,
go out into the street,
climb into the trucks,
duck under the tarpaulins,
and, with all of us sworn to silence,
practice what their elders
are doing back home.

Commentary:
Monkey see, monkey do. And who knows what Monkey sees or does when the lights are turned out, darkness descends, and the honor of the blood cult takes control. Ask the animals, they will teach you. That was the motto of Bristol Zoo, where the Monkey Temple ruled, and Alfred the Gorilla and Rosie, the Elephant, were King and Queen of the beasts.

Knowledge – where does it come from? How do we attaint it? Is there a difference between knowledge, what is known, felt, and worked out for yourself, and education, when you obey orders and do what you are told to do (and how to do it). “We don’t need no education, we don’t need no thought control.” I have always loved Pink Floyd and The Wall. So many walls, so many barriers, so many things to break down in order to build them up again. Songs – Frank Sinatra – “I did it my way!” And who teaches what and to whom, underneath the tarpaulin when the lights are out? “Hey, teacher, leave those kids alone.”

And beware of anyone who tells you that “we teach you to think outside the box.” That person will only give you a slightly bigger box, of his or her own making, inside of which you will be forced to think.

Of course, there are other ways in which we can think about education. How about this one? Filling empty heads with knowledge. How many ways are there to do this? And what is the exact content of the jug from which the knowledge will flow? And how many sows’ ears does it take to make a silk purse? “Hey, teacher, leave those kids alone.” Giddy up, Neddy I’m on my hobby horse now.

Joy of Words

Joy of Words

If the words won’t come, don’t worry.
Sooner or later, they will arrive, driving
down in flurries. Think wind-driven leaves
or the soft white whisper of snaking snow.

There is a moment when all sounds cease
and you can be at one with your inner self,
there, where summer sunshine twinkles
and soft rains bring forth clarity and joy.

What are words anyway, but soap bubbles
emerging from an iron ring to rise in
child-hood’s skies, soaring, dying, around
the cloudy thrones of sun-kissed clouds.

We, their so-called creators, are left below,
building cotton-wool castles spun from air.

Commentary:
Moo suggested I use this painting of his to illustrate this poem. He called it originally The Olde Order Passeth, but the original phrase, from Tennyson’s Idylls of the King, should really be The Olde Order Changeth, lest one good custom should corrupt the world.

And yes, things do change. Here we have a fourteen line sonnet. Structure giving order to chaos. And words change, the world changes, our thoughts change, the weather changes. Hymns Ancient and Modern – Age and decay in all around I see, oh thou who changeth not, abide with me.

And what do we do when we meet with change? Weather – I change my clothes. There is no such thing as bad weather, only inadequate clothing. It used to be a useful saying, that one, but not any longer. When change changes into disaster, it is a very different kettle of fish. Thoughts change – mine just did. A useful phrase suddenly becomes an inadequate reaction to a changing situation. The world changes – sometimes for better, sometimes for worse, but how do we, each one of us, confront that change? How do we adapt to it?

I know far too many people who, like the ostrich, bury their heads in the sand and pretend that change is not all around us, that the world is the same as it always was. We humans are experts at adapting. We must adapt. But how do we adapt? Each one of us must answer that question in his or her own way. The alternative is to close our eyes, bury our heads, and pretend that nothing is happening.

Another alternative is to seek within for that moment when all sounds cease and you can be at one with your inner self, there, where summer sunshine twinkles and soft rains bring forth clarity and joy. Perhaps that is the world the ostrich discovers when he removes himself from this world and enters that other one beneath the sand. Who knows? Not even the ostrich, I would guess.

Carved in Stone 13

13

What is life?
Is it just an illusion,
as Calderón tells us,
and nothing but a dream?

And what is time?
Does it bend, as Dalí shows us
when his surreal clock breaks into pieces,
time and numbers flying off
as it explodes over a waterfall?

Another clock folds –
a pancake draped
over the bough of a tree.
 
Time – a water clock,
a marked candle,
a grandfather clock,
with Roman numerals,
and time marching,
round and round,
erasing the past,
establishing a future
that will itself
soon be erased.

And what am I
but a moment on time’s clock,
a drop in the clepsydra,
a striation on a flickering candle,
a piece of roughly polished sea-glass
perched on a lonely beach?

Commentary:

Well, Moo has done me proud this time. Two early paintings, both depicting aspects of time, as conceived by Moo. In the first, time is seen as a tick-tock time bomb, or rather a set of tick-tock time-bombs. In the second, in imitation of Salvador Dali (Moo always set his sights high!), a clock going over a water fall and the hours flying off the clock face as time bends. So, tell me if you can, what is time?

Perhaps more important, what is life? Is it a dream, an illusion? And if it is a dream, what happens when we wake up? I know what happens when I wake up – I get up and go pee. Is that to be my final reality? By extension, is life our only reality? Or is our life a series of lives, as some religions would persuade us? And if a cat has nine lives, how many lives do we have? Can they be numbered? Or, like innumerable onions, do we peel away layer after layer? And if so, what is in the centre of the onion when we finally get down that far?

And why do some people write center while others write centre? Is life an illusion, a play? If so does it take place in a theatre or a theater? Or is really a sort of metatheatre or metatheater, life in rings, like the onion, lay after lay, layer after layer? Oh dear, this is all much too complicated. I’ll ask Moo to paint me a painting of life and we’ll see what he comes up with. He’s a bit lazy at the moment and his paint brush has the bends and refuses to cooperate. It’s probably made of cat bristles, and is untrainable and almost impossible to train, let alone to herd. Never mind. We’ll abandon all this for now and give the cat the task of training Moo to paint another painting.

Carved in Stone 8 & 9

8

Primeval places,
both light and dark,
surround us.

Dark depths inhabit
the human heart,
and woe betide us if we forget
that eternal darkness
and allow it to thrive again,
for what we believed dead,
will surely rise once more,
and return at night,
to haunt our dreams.

9

One day I abandoned
the temporal quest and left behind
mindless quarrels, bitter strife,
and envious, petty jealousies.

Surrounded by light and trees,
I now confront fall’s splendours,
harvesting golden days,
collecting and storing them,
safe from ravaging storms.

I seek a distant, but honest truth,
that moves, relentless,
through time’s mists.
It sometimes reveals itself
in the low sun’s spotlight
and each enlightenment
lends meaning to many good things
I thought had been lost.

Yet they still linger,
their shadows flickering
across the walls of memory’s cave.

Commentary:

I spoke to a good friend tonight, he shall remain anonymous, just like Anonymous Bosch, and he encouraged me to continue with my blog and my commentary.

Dark night of the soul – yes, we all have them. We question ourselves, our worth, our place in the world and we ask ourselves the five Ws – five W’s – West Indies only had three Ws – Worrell, Walcott, and Weekes – so we add another two, just for ourselves.

Who am I? What am I? Where am I? When am I? Why am I? How many of us ask ourselves those questions and how often do we do so? Like many of us, I am afraid, and I ask myself those questions more and more often as I age. We all do, unless we are non-sentient beings and just waffle along from show – click -to show -click- to show click – to show!

So, if you are reading this – ask yourself the 5 Ws. Who am I? What am I? Where am I? When am I? Why am I? If you can’t be bothered, click to another blog. However, if you are willing to be engaged, send me a snail mail or a husky mail, by sled, via the north pole. I am sure it will get here quicker than Canada Post.