Surrealism

Carved in Stone 16 & 17

16

The Bulls of Guisando,
pre-historic, unweighable,
the bearers of Roman graffiti,
itself two thousand years old.

Were they carved as boundary markers,
or designed to designate pastures,
for horses, pigs, sheep, and bulls,
all grazing in their stone dreams?

Celtic, pre-Roman,
they speak to my Welsh blood,
and to the Irish soul
that will always be a part of me.

I place my hand
on the dimpled granite hide
and feel time coursing
beneath the stone skin.

Granite ships,
islands in a sea of time,
I sense a heart beating,
something surviving
within the stone.

17

We are powerful people,
we creative artists,
we carvers of stone,
we dreamers,
whether we dream
by day or by night.

Those of us
who dream by day,
often see our day-dreams
come true.

Commentary:

“Those of us who dream by day, often see our day-dreams come true.” Lawrence of Arabia – The Seven Pillars of Wisdom. You recognized the quote of course, wrth gwrs. Intertextuality, the weaving of words through text after text in different combinations according to our time and space. Some of us think we are original, but there are only so many plots to a play, 24 or so, if I remember my Aristotle correctly, and I have changed the number, just to test you. Oh ye of too much faith!

We think we are original, but, as Picasso said, the painters of the cave paintings, all those many years ago, created everything we artists could ever dream of. We all borrow in one way or another and originality is merely a disguised form of borrowing. The faces change, the actors change, the medium changes, the times change, but otherwise, everything else is the same. Sad, really, that we should claim originality (and fresh water) for all that water that has passed under so many bridges.

Welsh blood and Irish soul – not even original, but shared by so many in my family. Add an English education, studies and residence in Spain, France, Mexico, Canada, and the USA, and what do you have? An intellectual mongrel, that does not know its own mother, like so many other mongrels, and that shakes its coat only to shed so many multi-cultural and multi-lingual fleas.

And remember – “Great fleas have lesser fleas upon their backs to bit them, and lesser fleas have smaller fleas, and so ad infinitum.” Intertextuality – they were only playing leap-frog and one jumped over and another jumped over someone else’s back.

Clepsydra 27

Clepsydra 27

… the museum closes its doors
     inside the clepsydra murmurs
          on and on

evening falls from the sky
     in great cataracts of light
          stars flare like candles

who will see
     that last drop of water
          trembling at
               the clepsydra’s edge,

who will snuff out
     that last flickering
          flame of my life
               as the final verses
                    of the children’s song
                         loom closer

… Here comes a candle
     to light you to bed.
          And here comes a chopper
               to chop of your head…

Commentary:

Moo got it right this time – “evening falls from the sky in great cataracts of light, stars flare like candles …” Lovely painting of a star ‘flaring like a candle’ against the evening sky. I think he called the painting Affirmation. Yup, he’s nodding his head, and he has his eyes wide open. He’s not dropping off into one of those drowsy moments of old age. Too early in the morning to do ‘noddy’ I say. Oh-oh, there he goes. It’s Billy Cotton Band Show Time … “Wakey-wakey!” Now how many of you remember the Billy Cotton Band Show on BBC Radio on Sunday afternoons, just as people are dropping off to sleep after the enormous Sunday dinner and dessert? Hands up if you’re over eighty and remember that. Oh dear. Not a good idea. Moo’s hand’s gone up and he’s still got his eyes shut. Ah well, appearances aren’t everything.

And look at that comma after – the clepsydra’s edge, (line 10) -. The one that got away. There’s always one that gets away, no matter how hard we try – and try we do. Clepsydra is meant to be a single sentence, with no punctuation other than an ellipsis at the beginning and end of each sequence. And what have we here? A common or garden comma, growing like a large, spring dent-de-lion / dandelion in the middle of a patch of flowery images and metaphors. Out, out fowl spot! What bird was that? A Flying MacBeth just dropped something on my windshield. ‘What a foul fowl was that fellow,’ said the soccer referee pointing to the penalty spot. A round spot with a whale of a tail.

“Any questions?” I asked my students at the end of class one day. A brave young lad raised his hand. “I have a question, sir?” [I liked it when they called me, sir. It happened about once or twice a year. I always knew something drastic was about to happen when I received a knighthood.] “Ask away,” I replied. “What the heck are you on? I’d love to have some of that. Can you give me some, sir!” Two knighthoods in one day. I’ll be a KG next, instead of an RG. I bet you don’t get that joke! Answers by snail mail and dog sled, please!

Raven

Raven

When Raven flies through his trap door in the sky, a light bulb clicks off in my head and I fall into darkness. Is there some safety net before oblivion? Raven’s claws scar crow’s feet on a fingernail moon. His bleak black beak widens the hole in my head and the Easter egg of my skull shows thin blue cracks. Outside my window, the river moves backwards and forwards with the tide. Raven shrugs at cancerous creatures, promising nothing. He soars into clear skies in search of his private exit and extinguishes sun, moon, and stars, plunging our world into blackness. The light on the point picks out a heron, mobbed by a clacking ring of gulls. The sea mist wraps the real world tight in its cloak. Now sea and lighthouse, heron and gulls, are distant things of memory. Raven, shoulders hunched, stands like a stone, an anthracite block hacked out from the coal seam in my mind, hand carved from feathers and my forefathers’ blood.

Commentary:

I had forgotten all about this poem in prose. It comes from Fundy Lines, if I remember correctly. Photo credit (below) to one of my former students, an excellent poet herself, who took the trouble to locate the correct rock and then take a photo of book and rock together.


Moo thought his painting of a dark shape that looks a little bit like a bird of ill-omen would be just what this prose poem needed. Maybe he’s right. I trust him with his choice of paintings. Well, most of the time anyway. He can be a bit ‘off’ from time to time, but mostly we form a good team, especially where Surrealism is concerned.

I guess Raven formed part of my Surreal sequences. I really do enjoy Surrealism. The mixing of metaphors, for example, the unexpected meeting of a sewing machine with a carving knife and an umbrella on an operating table. And look what Raven’s up to. He discovers a trap door in the sky. Well, that would be very useful, if we had wings and could fly. Then he turns off the light bulb in my head. I didn’t even know I had one in there. I guess Raven, like coyote and zopilote is a bit of a Trickster. Next he changes into a woodpecker and widens the hole in my skull. Poor old me – avian trepanning – no wonder I have problems! My head becomes an Easter Egg and has cracks in it giving birth to what? Some mad ideas, I guess, pecking their way out into the wonderful world in which Moo and I live in perfect harmony with my beloved and our cat. And look at all those Welsh mining memories – lignite, house coal, steam coal, anthracite, jet – and remember, when the coal comes from the Rhondda down the Merthyr – Taff Vale line, I’ll be there.

It will be a long way from Canada to Taff’s Well. Maybe Raven will be kind and fly me there, through his Island View trap door that has direct access to the trap door just above Castell Coch, the Fairy Castle of my childhood. That would be faster, and easier, than my old two-wheeler Raleigh bicycle with it’s Sturmey-Archer three gear click on the handlebars. I bet Raven can fly faster than I can pedal. And if I could have pedaled as fast as Raven flies, downhill and uphill, I would have been King of the Mountains and an all time winner of the Tour de France. Now that would have been surrealistically surreal, seeing me as a cereal winner, with my snap, crackle, and pop! Not that my dad would have been happy. He never was happy with anything I did!

Clepsydra 4 & 5

Clepsydra 4 & 5

4

… candles and the clepsydra
     marking time
          witnessing
               the transition
                    from day to night

drip-by-drop
     falling water
          flickering candle flames

less certain
     than the monotonous
          tick-tock
               of a pendulum clock
 
time and tide
     wait not
          for ship nor man

though time is marked
     on calendars
          and prison walls

days passing into weeks
     spring into summer into autumn

daylight lengthening
     shortening
          until bleak mid-winter
               comes again …

5

… black midnight
     all is lost
          who now can count the cost

stiff upper lips
     forget how to pray
          fingers clasping
               unclasping
                    never grasping
                         life’s simple flow

with silent steps
     planets and stars
          slowly turning
               writing out our lives

sun by day
     moon by night
               the sky alight
                    with shimmering fires

midnight curtains
     burning lights
          crazy curtains
               drawn in night’s sky

a lost dog hurls
     his coyote cry
          who on high
               now listens to his call

not the planets
     nor the Archer
          nor the dog star
               who never barks
                     anything
                          but summer’s flames

pity the poor dogs below
     bitches in heat
          waiting alone
               for their lover’s paws
                    their welcome snuffles

locked and bolted
    the door
          heightened
               the canicular heat …

We’ll Rant and We’ll Rage …

We’ll Rant and We’ll Rage …

Spring is here. An election is near. Road repair season has started.

1. Spring potholes – they are terrible and they are everywhere.

It was so bad in one area of town that people filled them with water and put out little plastic yellow ducks to float on them.

That way they could be seen, which saved the loud clunk of them being heard and felt.

In one place, some street artist used the potholes as the centerpiece for porno pictures.

Success –  early next morning, the potholes had been filled in.

2. Spring road repairs – horrific – and all too abundant.

We have a sign at the bottom of road saying “Caution – Construction  – drive carefully for the next 6 kms.”

At the 1 km mark, a lollipop person with a STOP sign. 

Ahead of us, 24 cars – behind us, the traffic line up is building. 

We wait 15 minutes.

A white half ton appears, followed by a line of cars. 

The half ton pulls into a drive ahead of us.

We count the cars as they drive past.

99 of them. Then a pause.

The white half ton reverses out of the drive and pulls up in front of us.

On his tail gate a sign that says “FOLLOW ME”.

He pulls away, and the first car follows him, as do we all.

He drives at 10-15 kph.

After 1.4 kms, we see the road works – the actual working space is less than 200 meters long.

We keep driving. 

At the 3 km mark, the white half ton turns off, into someone’s drive.

Alas, the driver of the first car has no sense of humor and doesn’t follow the leader into the drive but sets off at speed down the road.

I count the cars that are waiting to return – 59 of them and more arriving.

It has taken us close to 25 minutes to negotiate 200 meters of road repair.

3. Bridge closures – there are three bridge crossings from the south side to the north side of the river.

One is at Mactaquac, over the dam, about 15 kms up stream from the Westmoreland Bridge, the central crossing point. 

The Mactaquac crossing has been reduced to ‘one way at a time’ traffic for the last two or three years, and will stay like that for most of the summer. 

Don’t ask, they won’t tell and I can’t tell, because I don’t understand.

The third bridge is the Princess Margaret. 

It is closed to all traffic for the next five weeks and this is the third year that someone has been working on it.

So, for the next five weeks, we are all reduced to crossing the river by one bridge, the Westmoreland, unless we drive 15 kms to a ‘one way at a time’ crossing or 20 kms down river to the Burton Bridge at the Town of Oromocto.

Rage, rage, against the dying of the light!
My thanks to my good friend, Dana Webster who inspired me to write this by sending me a rant of her own. NB Click here to link Dana’s Creative World.

Monkey’s Clockwork Universe

Monkey’s Clockwork Universe

Some days, monkey winds himself up
like a clockwork mouse.
Other days he rolls over and over
with a key in his back like a clockwork cat.

Monkey is growing old and forgetful.
He forgets where he has hidden the key,
pats his pockets, and slows right down
before he eventually finds it
and winds himself up again.

One day, monkey leaves the key
between his shoulder blades
in the middle of his back.

All day long, the temple monkeys
play with the key, turning it round and round,
and winding monkey’s clockwork,
tighter and tighter, until suddenly
the mainspring breaks

and monkey slumps at the table
no energy, no strength,
no stars, no planets, no moon at night,
the sun broken fatally down,
the clockwork of his universe sapped,
and snapped.

Comment: a big thank you to all who have reminded that yes, I did write this book, and yes, it is one of my favorites. Oh those naughty little monkeys. For those of you who have read the book or heard me reading poems from Monkey Temple, all is well in Monkey Land and the King of Harlem, with a wooden spoon, still gouges out the crocodile’s eyeballs and beats the monkeys on their backsides, with a wooden spoon. I thank my old friend, Federico Garcia Lorca, for that wonderful vision from his own book, Poet in New York.

What was the last thing you searched for online? Why were you looking for it?

Daily writing prompt
What was the last thing you searched for online? Why were you looking for it?
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What was the last thing you searched for online? Why were you looking for it?

The last thing that I searched for online was a prompt that I wished to be prompted by, but I promptly lost it before I could respond to it. Then I went looking, but still couldn’t find it, even though I searched everywhere I could think of.

I grow forgetful as I age, and now I can’t remember what the prompt asked for, and that’s a pity because I remember that I had a lovely answer. Now I can’t remember my answer either. So I am stuck in a sort of one-way street, going in the wrong direction, as I draw near to a roundabout that will lead me back the way I came.

I am afraid some Minotaur or other will seek me out, because I am lost in a labyrinth without the thread of Theseus to lead me out. And its no good searching online, because I no longer know what I am looking for. And that’s a bit like my life at the present time – a pointless search for meaning as I wander, amazed, through a baffling maze of days, seeking, I know not what, and never finding it. I don’t want to give up on it yet, because I know that the answer lies just around the corner, lurking like the last sardine in a sardine can, or the last piece of squid, cowering blackly in its own ink, in the tin, not wanting to be eaten.

Life leads me a merry dance, as king-like, a one-eyed man in the kingdom of the blind, I rule my world. For, en el reino de los ciegos, el tuerto es rey / in the kingdom of the blind, the one-eyed man is king. And no, I didn’t search for that online. It came to me in a sort of dream because, as Goya says, el sueño de la razón produce monstruos / when reason sleeps, monsters are born. And now I see them everywhere, those monsters, and I search online for solutions, but none appear. And so I continue on my merry-go-round way, leading my ragamuffins around those ragged rocks.

Modern Society

Daily writing prompt
What would you change about modern society?
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What would you change about modern society?

Good question – what indeed? First, define society. It’s not as if a single society dominated the world. Do we then distinguish between the world, this geoidal planet on which we live, and the multiple societies that inhabit this world? If we do, then what right do you, or I, or any other individual have to change any or all of the world’s cultures and societies? And how do we change them?

Many ways have been tried in the past, very few successfully. The Spanish Inquisition burned many books and censored others. Other book burnings and spurnings have taken place, and in some places, they are still happening. But are they effective in the long term? Good question. Short term, maybe. Long term, I am not so sure.

Do we limit education, and by extension, knowledge, to a few , limited people, who believe what we believe, and do what we want them to do? That has been tried as well. Short-term successes, but long term disasters. As well as depriving people of education and books, we can also enslave them. This is still happening in many places.

So, another definition: what do we mean by change? Change for the better? Change for the worse? Change for change’s sake? Change for the betterment of our own selves and the devil take the hindmost? And what do we mean by modern? So many questions – so few answers.

Albert Camus once wrote that he was ‘optimiste, quant au monde, pessimiste quant a l’homme‘ – an optimist where the world is concerned, a pessimist where humankind is concerned. Personally, I am not sure that this particular thought stands up any longer. Is it still possible to be optimistic about a planet that we are capable of blowing to smithereens, a planet, moreover, that is currently suffering from wind and rain, fire and flood, famine and war, pandemic and a pollution like none we have ever seen before?

How can I change the world? I am just a single human being. Well, I am a married one, actually. But I only have one vote. I rather fear that single vote (votes don’t marry and produce offspring) will have little effect on my ability to make any change at all to modern society.

Pass the soap and a towel, please, as a certain person said a long time ago. I want to cleanse my hands and purge my soul. I am too old a dog to try and learn new tricks.

Which activities make you lose track of time?

Daily writing prompt
Which activities make you lose track of time?
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Which activities make you lose track of time?

I guess it depends on how you define activities. Sleeping certainly makes me lose track of time. But sleeping is not an activity, you say. So I say, what about sleep walking? A track to walk on, and sometimes sleep walkers lose track of themselves, and hands of the clock lost in the dark ahead of them, on they go, tick-tock, little clockwork soldiers marching until someone or something wakes them up. Where am I? They ask. And what time is it?

Watching my fox terrier chasing his tail as he runs round and round in circles, never quite catching it, but never giving up his high hopes of catching that little rat-tail of a tail that dangles there behind. And round about and out and in all day that silly dog did spin, spinning in prose and spinning in rhyme, until I lost all track of time.

Same thing happens with that little electric railway that ran on a single loop around the kitchen table. Diddle-da-diddly-da, just like a real train, except no smoke, no puff the magic dragon, no sense of a schedule or arriving and departing on time, when circular time is meaningless, as are the numbers on the sundial when the sun isn’t shining, or the hands on the clock when the numbers are missing, and you don’t know whether you are looking in time’s mirror or are standing on your head in the Antipodes and all the while the clock hands are marching round and round, tick-tock, and there is no track by which time can be tracked. And the runaway hands went round the track and the ghost train hooted whoo-hooo, as it vanished into the timeless tunnel of darkest night, and then exited. like Rip Van Winkle, the engine driver with a huge beard, and the carriages all covered with cobwebs and skeletons peeping out of the compartments and sitting beside some of the travellers as they snore on their seats.

And wow, the activity, if it be an activity, of walking my fingers over the keys has just made me lose track of the last ten minutes. And now it is time for me to drive to hospital, have a needle stuck in my arm, and allow a nurse to draw my blood. And the moment from the first sight of the needle to the moment it is withdrawn from the end is e-n-d-l-e-s-s and takes an eternity.

Bone Fire Night

Bone Fire Night

Sometimes the sun’s too bright
and we are best, at night, by moonlight,
when shadows flicker and we seize,
in the shimmering half-light,
half-truths glowing in the dark.

In the full light of day, these ideas
take forms, flesh themselves out,
grow skin and bone, flesh and blood,
their skeletal beings standing,
fully-clothed, beside us.

They take on match-stick bodies,
twisted, pipe-cleaner shapes,
or stick their stakes into the ground,
hold out their arms, and turn into
scarecrows that scare away the truth

Do they bring us release from our
darkest yearnings, or are they those
self-same cravings, hankering after
their day of glory, that precious moment
when they stand upright in the sun?

With the advent of bone fire night,
we stack them into wheelbarrows,
place them on the gathering pile
of outmoded thoughts and ideas,
light a match, and watch them burn.