Books

Angel

Angel

Oh yes, I have been with them, the lost folk, the tramps, the homeless, the bag-women, all the gente perduta. I have stepped on their fingers as they sprawled on the sidewalk. I have trodden on their toes, tripped over their legs, bumped into their stiff, stumbling bodies and stepped in their wasted body fluids. I have stayed out all night, shared a pack of cigarettes, producing another pack or a bottle from the pouch beneath my wings. Such stories they tell, and they tell them in that antiquated language that I first heard hundreds of years ago. They know me now. I won’t say they trust me, but they tolerate my presence, a Jacques Cousteau voyeur, looking into the sea-depths of their despair.
            Garbed in garbage bags, thin trickles of wine and vomit slipping over their lips and cheeks, bloody bandages wound around needle wounds, they have scars at elbow and foot. I hear the warmish blood whistling its snake song through their arteries and veins but death shall have no dominion, not while I am on watch.
            I enfold myself in my wings and weep as these people, my people now, pillow their heads on bloody bandages. Their world is a world of vomit and reek, yet the edges of their shattered lives rip chunks from my hands and fingers, pluck feathers from my wings, tear holes in my heart. Needles I have seen and touched, blunt, shared between three, five, and twenty-five. Round and round, they go, slipping the thin threads of drug-dreams and tainted blood from friend to friend while the blunt points stab at bruised flesh and leathery vein until the freed blood oozes through fingers and hands clenched tight to hold and staunch.
            Night after night I have watched them searching for something just beyond their fingertips. As the late-night diners emerge from their opulent restaurants, I have seen my people fortifying shop doorways with cardboard castles. I have watched them climb inside, shut down the portcullis, and enfold themselves in the plastic that will keep them free from wind and rain. They all crave the bottle’s warmth. They fight and scratch for that which will hold them together, body and soul, that spiritual glue that binds the spirit before setting it on its drunken dreams of freedom. Kings and Queens, tumbled from their earthly thrones, they dream of the paradise they lost, yet think they can find again at the sharp point of a needle or the bottom of a bottle.
            Oh bird-on-a-wire dreams held captive in a skull-bone cage, how you yearn to grow wings, like me, to soar, to fly, to be released from the body, to at last be free …

Commentary:

This book, All About Angels, is available online at Amazon.ca. Click on the link below to purchase the book.

All About Angels
Paperback edition

Book of Life

Book of Life

When I lost my place, I tied my hanky in a knot,
to help me remember the number of my page.
Last night I looked in pockets and sleeve, but
I couldn’t remember where I put my hanky.

At midnight the stars dropped liquid fires and they
pooled like letters on the fresh snow of my dreams.

One night I caught some falling stars and I joined them
together, one by one, till they stretched their daisy chain
across the garden. Words grow like flowers in the Spring.

Once I could accelerate the universe. But now I slow
down when I spell my name. There is a circlet of gold
on the sky’s bright brow. What gave these stars the right
to write my future in expanding letters? A satellite moves
in a straight line, north to south and starlight crumbles
in the wake of artificial knowledge spanning the eye ball
of the planet.  Who will repair these broken tunes? Who
will glue these scattered notes back into the piano’s frame?

My tongue stumbles against my teeth and trips on my lip.
A leaf of fire scorches the deep bell sound of my throat.

Commentary:

I looked over my shoulder, backward into time and space, and discovered this poem, penned more than a quarter of a century ago and abandoned in an old folder. Moo tells me he hasn’t painted for some time – I wondered if he was on a rotating striking, like our posties (Canadian for mail men and women), but he assured me that he had been sleeping, not sleep-walking in circles. Anyway, he felt inspired, put paintbrush to postcard and gave new life to my Book of Life. Thank you, Moo.

Do you remember when we used to tie knots in our hankies to remember what we had to do? Paper tissues put an end to that. No point in tying a knot in a soggy tissue, even if you could. And as Francisco de Quevedo told us – no point in looking in your hanky after you’ve used it. No point in searching for diamonds and emeralds, let alone pearls of wisdom, they just won’t be there. Good one, Franky. Of course, he was writing in Spanish, not English and my translation can’t do him justice.

It used to be fun watching the night sky out here in Island View. So clear – the satellites passed overhead and followed different paths from the stars. No Platonic dancing to ethereal music for them. Tone deaf, the lot of them, cutting their own little paths across the night sky. We used to get Northern Lights too, Aurora Borealis. They were always spectacular. Great crackling curtains of light hanging down from the heavens almost to the rooftops. Moo wishes he could paint everything h sees. I wish I could write down in verse every thought I think. If each of us had our wishes fulfilled, we’d have two books of life – one in color and one in black and white!

On Loneliness

Loneliness

58 What relationships have a positive impact on you?

I think one of my poems answers this question best. I write “one of my poems” but it is really my ‘free’ translation of one of Francisco de Quevedo’s sonnets – Retirado en la paz de estos desiertos. I have changed the poem slightly, but I am sure Don Francisco (1580-1645) will excuse Don Roger’s impoverished effort (2023).

On Loneliness
29 December 2023

Resting in the peace of these small rooms,
with few, but welcome books together,
I live in conversation with my friends,
and listen with my eyes to loving words.

Not always understood, but always there,
they influence and question my affairs,
and with contrasting points of view,
they wake me up, and make me more aware.

The wisdom of these absent friends,
some distant from me just because they’re dead,
lives on and on, thanks to the printed word.

Life flits away, the past can’t be retained.
each hour, once past, is lost and gone,
but with such friends, I’m never left alone.

And there are so many of those literary friends. I still read Rudyard Kipling and I have just finished Kim, Captains Courageous, Stalky and Co., Puck of Pook’s Hill, and Rewards and Fairies. I read these first when I was nine or ten years old, and I return to them regularly. Other friends include Garcilaso de la Vega, Fray Luis de León, St. John of the Cross, Quevedo, Góngora, Calderón, Miguel de Unamuno, Antonio Machado, various members of the Generation of 1898, the majority of the poets from the Generation of 1927… and these are just my Spanish literary friends. I have French friends, English friends, Anglo-Welsh friends, Canadian friends, Mexican friends, and, in translation, many, many more. My relationship with each of these friends has had an impact upon me.

A recent painting, by my friend Moo, is called Fiat Lux – Let There Be Light. It is reminiscent of Dylan Thomas’s poem, Light breaks where no light shines. Intertextuality – Quevedo drew inspiration from the Stoics. I drew inspiration from Quevedo. Moo drew inspiration from Dylan Thomas. The nature of creativity, and its continuing links throughout the ages, shines clearly through these wonderful associations. Long may they continue, and may others enjoy them and be influenced by them as much as I have.

Comment:
The funny thing is that I do not remember writing this blog prompt, nor do I remember having translated Quevedo’s poem into English. I wonder how many other forget-me-nots there are out there. Or, to be more precise, in my books and in my notes. A treasure trove – that’s my guess. Borges wrote of Quevedo that he was more a library than an author, and I am beginning to think that way about my self. A strange world, this, one in which the creator abandons, and then forgets, his creations. Perhaps we should change the image – not so much a library as an orphanage, and so many lost and abandoned orphans wandering around The Little World of Don Rogelio.

Clepsydra 4 & 5

Clepsydra 4 & 5

4

… candles and the clepsydra
     marking time
          witnessing
               the transition
                    from day to night

drip-by-drop
     falling water
          flickering candle flames

less certain
     than the monotonous
          tick-tock
               of a pendulum clock
 
time and tide
     wait not
          for ship nor man

though time is marked
     on calendars
          and prison walls

days passing into weeks
     spring into summer into autumn

daylight lengthening
     shortening
          until bleak mid-winter
               comes again …

5

… black midnight
     all is lost
          who now can count the cost

stiff upper lips
     forget how to pray
          fingers clasping
               unclasping
                    never grasping
                         life’s simple flow

with silent steps
     planets and stars
          slowly turning
               writing out our lives

sun by day
     moon by night
               the sky alight
                    with shimmering fires

midnight curtains
     burning lights
          crazy curtains
               drawn in night’s sky

a lost dog hurls
     his coyote cry
          who on high
               now listens to his call

not the planets
     nor the Archer
          nor the dog star
               who never barks
                     anything
                          but summer’s flames

pity the poor dogs below
     bitches in heat
          waiting alone
               for their lover’s paws
                    their welcome snuffles

locked and bolted
    the door
          heightened
               the canicular heat …

Carved In Stone

Carved in Stone

Brief Introduction

“Poetry explains itself. If it doesn’t, it’s inexplicable.” Pedro Salinas.

I entered this collection of poems for the Alfred G. Bailey Awad (poetry manuscript), WFNB, 2025. Alas, it did not win an award, but the judge, Kathy Mac, made some excellent suggestions as to how I might improve the manuscript. I have followed her advice to the best of my ability.

Carved in Stone is the second dialog (Chronotopos II) in my Bakhtinian Dialogs with my time and my place. Clepsydra, Chronotopos I, won third place in the Bailey Award (2025) and has already been published. I have one, possibly two, more Dialogs planned.

Reception Theory – I write, you read. Any meaning that you extract from my poetry will depend on your own culture and background. Tolle, Lege – Take and read. Read slowly, and with care.

I am a poet, a dreamer, if you will. These are my dreams. When you enter my world, you mingle your dreams with mine. The result, I hope, will be an interesting intellectual blend of new creativity. Pax amorque.

1

Behold me here,
filled with a sort of shallow,
hollowed-out wisdom
accumulated over decades
while listening with my eyes
to the words and thoughts
of writers, long-dead.

Imprisoned in book pages,
do they bang their heads
against walls that bind,
or hammer with their fists
at the barred lines
of their printed cages?

These spirits long to break free,
but they choke on library dust
and pollen from verbal flowers
that bloom unseen.

Those old ones avoided
the traps of temporal power,
or, once trapped,
gnawed off a precious limb
to limp into freedom.

Comment:
The cover painting, painted for me by my friend Moo when he read the manuscript of this book, is called Coal Face. It refers to the young Welsh boys in the Rhondda coal fields, aged 8-12 years old, who went down the mines to work at the coal face. This happened when the coal seams grew thin and only small children had the ability to work at the coal face and carve and mine the coal. Here are the relevant verses (44 – 45).

44

The old man, withered,
last house on the left,
leaning on his garden wall,
coughing, spitting up
coal dust and blood.

He’s not old, when you get close,
just grown old, underground,
where emphysema
and pneumoconiosis
devour men and boys.

He spits on the side walk.
Mining souvenirs,
Max Boyce calls them,
and they appear
every time the young man,
turned suddenly old,
starts to cough.

He can’t walk far,
wearing carpet slippers,
soft and furry,
just leans on the wall.

He fell, or was pushed,
into the trap at an early age,
when the coal seams
had grown so thin,
that only a small boy
could kneel at the coal face
before the black altar
of the underground god.

There, with a pick and shovel
he learned to carve and shape
those seams.

45

No candles burned at that altar.
A single match, let alone
a candle flame,
would spell the end,
if gas leaked from the seam.

Only the canaries,
confined in their cages,
sang songs.

Doomed,
like the blind pit ponies,
never to see the light of day,
they lived out their lives
down there.

So many died underground,
unable to get out,
buried alive,
before they were even dead.

Dark Angel

Dark Angel

He will come to me, the dark angel,
and will meet me face to face.

He will take all that I own,
for my wealth is only temporary:
health, wealth, possessions are all on loan.

My house, my wife, my car,
my daughter, my grand-child,
 my garden, my trees, my flowers,
my poetry, my works of art.
I use the possessive adjective
knowing full well that these things
are only on loan. I will never be able
to preserve and possess them.

I even rent this aching heart,
these ageing, migrant bones,
this death that has walked beside me,
step by step, every day
since the day that I was born.

My death alone is mine.
It belongs to nobody else.
It will be my sole possession.
It will soon be the only thing
I have ever really owned.

Comment:

Dark Angel is the third poem in the first sequence (Crystal Liturgy) of my poetry book Septets for the End of Time. The painting, by my friend Moo, expresses his impressions of how he reacts, in paint, to my poem, in words.

“Well,” I said to Moo, “you’ve gone and done it this time. Do you think that painting really represents my poem? I see no darkness in it and certainly no angel.”

Moo gave me a long, strange look. I felt like I was looking in the mirror and seeing parts of my own soul fragmenting and falling away, like scales from my eyes.

“It’s not what the poem says,” he replied. “It’s what I think you feel as you’re writing that poem. I see the tension, the cry from the heart, the struggle to accept, and the realization that, in the end, everything is inevitable and must turn out as it will. That said, more than anything, it is the cry, de profundis, from the depth of your self that I feel. My painting depicts that cry and your suffering.”

“What if it’s not my suffering? What if it’s the suffering of Messiaen and his musicians as they play the soul music that keeps them alive?”

“But surely,” Moo replied, “that’s the whole point. Orde Amoris, according to the recent Pope who has just passed away, is love felt for the person suffering, no matter who he or she is. Pope Francis spoke in praise of the parable of the Good Samaritan. When you see someone suffering at the wayside, you stop and help that person. You don’t just walk on by. Your suffering is my suffering. When I paint your suffering I also paint my own suffering and when you grieve, then I grieve with you.”

“And when that happens, when we all grieve together, we do not grieve alone and in vain.”

“Exactly.”

Where did my mojo go-go?

Where did my mojo go-go?

Wow! My first post since January 8, 2025. What on earth has happened to me? Good question – I just don’t know.

Today’s painting, from the last day of 2024, is taken from The Idylls of the King, Tennyson. “The olde order changeth lest one good custom should corrupt the world.”

This quote is used in my Old Boys magazine at the end of each school year when the students leave the college and go out into the real world. This happened to me in 1962 – 63 years ago. Certainly I changed, and for the better, without the college. Whether the college changed or not, in my absence, I really don’t know. I suppose it did. It became co-educational, quite the thing for a boys’ boarding school. It expanded into larger grounds. It tore down at least two of the old houses, including the one in which I boarded for four years. I read about these things, but I have only been back on one or two occasions, so I don’t really know. And living in Canada, I rarely see any old boys from the school. They don’t cross the pond to visit me.

I receive the old school magazine regularly, by e-mail. However, I no longer recognize faces or places, unless the places are totally unchanged since I was there. And not many of them are. The most important page for me has become the obituaries, and I study with care those who have passed on before me and those who remain. I grieve when I see the names of old friends. But I grieve even more when I see the names of people so much younger than me falling by the wayside.

As for that mojo of mine, well, I guess that writing on a regular basis has become more and more difficult. “Don’t sit with your head in your hands thinking of time past,” says the Spanish poet. Yet time past seems preferable, in many ways, to time future. I am beginning to feel a bit like a pin-cushion, on account of all the needles now being stuck into me. Perhaps that’s where all my mojo went? Still, for anyone interested, I am still here. Still happy. I am working on my latest novel and I have two books of poetry waiting to be published. So maybe my mojo hasn’t done a bunk, just my blog mojo! I shall have to kick start it. Or maybe I’ll get that little yellow duck who wears blue gumboots to stand on a brick and give me a hearty booted boost. Yup! That should do the trick.

And so, in the words of Dylan Thomas, “I’ll take a bow, and say ‘good-bye’ but just for now.

What was the last thing you did for play or fun?

Daily writing prompt
What was the last thing you did for play or fun?
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What was the last thing you did for play or fun?

I guess it depends on how you define ‘play’ and ‘fun’. The first snow storm of the winter left us without power for 39.5 hours. That should have been horrible – the temperature outside dropped to -7C overnight, and the temperature inside fell to 58F. Rather than sit and suffer, we turned it into a fun time. A candlelight supper, a bright log fire burning in the grate, reading by torchlight and candlelight. The flames flickering across my beloved’s face and making her countenance softer and more beautiful than ever.

When we lose power, we lose everything, except our fireplace and our cell phones. Recharging them was fun. We have a portable charger, and we also recharged them in the car while driving around. The roads were good – and driving was warm – so that was fun as well.

When the power came back, we called the local tree company (Treecological) and they took down the trees, young, bendy birches, that had bent onto our power lines. When we lost power, a second time, exactly a week later, it was a much shorter power loss. While the first was a power out[r]age, the second was a power outage. Both times, when the power came back on, that first buzz of energy renewed really made us happy.

In between the two storms, we had some warmer, sunnier weather and cleaning the snow with our trusty snowblower was much easier than we expected. Mind you, it is always difficult the first time, when the body is unaccustomed to the machine and all the old tricks must be learned once more. Luckily, you can teach new tricks to an old dog, well, to this one anyway, and I managed to cut a few corners and had fun doing so.

After four consecutive days of snow blowing – one does it bit by bit when one is eighty years old – otherwise no, it isn’t much fun. But bit by bit, step by step, and the job gets done. So there we were, playing in the snow and having fun. Mind you – once in a while isn’t too bad. But for this to happen every day, over a series of years, that would not be fun. And doubly not in winter, with the cold outside and supplies inside running out or down.

Poppy Day

Poppy Day

Remembrance Day
11 November 2024

I wasn’t there
I never saw the gas clouds
            rolling over our positions
            never felt the barbed wire’s bite
            nor the bayonet’s jab

I never hung out my washing
            on the Siegfreid Line
            (“Have you any dirty washing, mother dear?”)
            never broke out of barracks
            never did spud bashing
            nor feasted on bread and water
            nor heard the rifle’s rapid rattle

I wasn’t there
            to see them carried away in carts
            coughing spluttering vomiting
            or bandages over their eyes
            walking slowly to triage a hand on
            the shoulder of the man ahead
            the sighted leading the blind

I wasn’t there
            but both my grandfathers were
            both decorated
            one mentioned in dispatches
            signed by Winston Churchill
            that one uninjured
            the other one gassed
            coughing up his lungs
            bit by bit for forty years

I am here now
    to remember
    and to honor them
           though so much
    has been lost

Comment:
My friend, the painter known as Moo, painted this poppy today. My generation, unless they served voluntarily, as many have done, was never conscripted. As a result, the horrors and tragedies of combat were never known to us, except as seen through they eyes of other people. I think of Wilfred Owen and his magnificent, heart-rending poems from WWI.
Today, I pay tribute to those members of my family who served in the armed forces by land, sea, and air. I also pay tribute to the veterans who survived, and to those who gave their lives in the defense of our country.

What could you do less of?

Daily writing prompt
What could you do less of?
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What could you do less of?
I shall deliberately misinterpret that prompt / question and answer it my way. I could do less of listening to stupid adverts, repeated ad nauseam, sometimes with gimmicky tunes – one to two lines maximum – again and again, all day, every day. Surf the channels to escape an ad, and what do you get? A synchronized set up where almost every channel is blasting out the same, or similar, ads at the same time. Have you noticed that when you leave the TV room, and retreat to the kitchen to get some limited peace, the ads follow you because the volume is turned up at ad time so you just can’t escape.

I remember my grandfather, back in the sixties, with the advent of ITV in Wales – the Independent TV channel that used ads – sitting before the TV set, his foot up before the screen and his fingers in his ears so he would not be able to see or hear those ads. Alas, once heard, seldom forgotten, and I can still sing most of those meaningless jingles heard back in my childhood. How it I hate when I go shopping in the supermarket and shoppers tunelessly whistle a TV ad as they shuffle along behind their carts. Alas, ad free programming, all too often, is either expensive or non-existent.

And what about those telephone calls when they put you on hold until the next agent is free to attend to you? I won’t mention names, because I don’t want to get sued, but I guess we have all had the same experience. I had a ninety minute online wait one day, with horrible music, an exhortation to stay on the line so I wouldn’t lose my place in the queue aka line-up, and a 90 second ad that glorified the joys of the company’s product, repeated once every five minutes. I suffered through that ad 18 times on that one call alone. Another local firm gave me the similar treatment, except that it was a one minute ad, repeated once every ninety seconds. I suffered through 10 repetitions in a wait of 15 minutes, got fed up, and hung up the phone.

Look at the peaceful scene above. That’s the view from my bedroom window in Island View. Even the crows are absent, and the early morning silence, like the sun, is golden. Two birds with one stone – a morning person or an evening person? A morning person with dawns like this, but an evening person when a sunset like this one miraculously occurs.