Rainbow Flower and Pot
Finley has decided, quite rightly, that what she wants to paint, draw, or colour, is much more important than any of the page prompts in the drawing book I got her. That said, this could easily be a comic book cover – or the cover photo of my next book.
“I want to see the world again through the eyes of a little child” – Picasso. The gift of so doing is precious.
Me and My Bride!
A friend wrote to me today and sent her greetings to ‘you and your bride’. Well, that delightful phrase set me thinking. Clare (my bride!) and I have known each other for 61 years and we have been married for 56 of them, 57 this Christmas. I often wonder how this wonderful woman has put up with me during all those years.
Mrs. Thomas Thomas, my good friend from the little village in Wales where my parents had their house, once told me about a friend of hers. That friend had been married for 35 years and had never had a quarrel or a fight with her husband. ‘There she goes,’ she told me one morning. ‘Never a fight with her husband. Bloody boring marriage, if you ask me.’
The point, I suppose, is that yes, there can be disagreements within a marriage, and doubts, and uncertainties, and questions about major decisions, and no, we don’t agree on everything? How could we? And one of the best parts about marriage, well, ours anyway, is agreeing to differ, and then making up again, as quickly as possible, after any disagreements.
Whatever, it is hard to argue against 61 years of togetherness and happiness. The secret formula? Clare’s – to learn my languages with me, to help me with my work, to lift me up when I am down. Mine – to love cooking for her, spoiling her, bringing her flowers, and trying to support her as she has supported me.
We have often led separate lives – Clare as a tennis player, a national gymnastics judge, a dedicated show secretary of the local kennel club, a show dog owner, groomer, and handler. Me – as a rugby player and coach, a researcher who has travelled frequently and visited important libraries in my field, a poet and short story writer who has taken and led workshops and writing groups.
We have also worked together at all levels. Each of my four graduate courses (MA, Toronto, 1967) demanded a paper every two weeks. Sunday, Monday, Tuesday – paper #1. Wednesday, Thursday, Friday -paper #2. Saturday – rugby with U of T Blues or Toronto Irish. Sunday, Monday, Tuesday – paper #3. Wednesday, Thursday, Friday – paper #4.
I would sit in the kitchen and write the papers in longhand. Clare would sit at the other side of the table and type each page as I finished it. She did the editing too, when and where necessary. She also developed her computing skills faster than I did. Result: web pages, art work, design, photography, and several of my book covers. Our keys to success include team work, mutual assistance, deep caring and sharing, but separate paths, when and if we needed to take them.
So, there you have it. A swiftly-penned picture of me and my bride, or, as I call her, my better two-thirds. My life would have been very, very different without her. And don’t forget: behind every lucky man, there stands a wonderful woman.
Nos Sadwrn
Saturday today, just another Saturday. Took a morning whirlpool bath, had breakfast went shopping, then decided to post something. But post what? Anything.
Qui tacet consentire videtur – whatever that mans, and I am sure someone out there can help me. Life takes funny steps at my age, and forgetting things is one of them.
Ephemera – the title of the leading painting, shows a poem being half-obliterated by autumn leaves and early snow. Everything seems so ephemeral, so quick to pass by. As for me, I blossomed and flourished like a leaf on a tree, but now I wither, slowly, shrinking back into myself. Or is it just a version of my myself? To thine own self be true. So easy to say. But I am no more myself, I have become the fifth of the twelfth. Or, as Apollinaire, whoever he was, once wrote: je ne me sens plus la, moi-meme. Je suis le quinze de l’onzieme. Oh accents, accents, accents – you can’t find them when you need them and you can’t lose them without expensive elocution lessons. And even with those lessons, rhythm and accent come creeping back again, when least you expect them to.
Jyst nos Sadwrn arall yn – and maybe there’s someone out there who can sort that one out for me too. But in spite everything, I guess it’s anither day, another post, and a drop more water under the Mirabeau bridge as well as just another Saturday night. meanwhile – Odeur du temps, brin de bruyere – et souviens-toi que je t’attends –
Flower Power
The hollyhocks are back. A little bit late, but just starting to reveal themselves in all their glory. It’s been a strange spring, with frost warnings (and two actual frosts) in June, heavy rain, T-Storms, a tornado watch, extra hot days and, thankfully cold nights with the temperatures at +4C, even this month, July.
The yucca plant is flowering again, with three flourishing stems this time. It only started to flower late last week, but it, too, is full of promise. Somehow, while there are flowers, there is still some hope, some beauty, and some time and space for rejoicing.
Ah, daffodils, my favourite flowers.
Daffodils
Winter’s chill lingers well into spring.
I buy daffodils to encourage the sun
to return and shine in the kitchen.
Tight-clenched fists their buds,
they sit on the table and I wait
for them to open.
For ten long days the daffodils
endured, bringing to vase and breakfast-
table stored up sunshine and the silky
softness of their golden gift.
Their scent grew stronger as they
gathered strength from the sugar
we placed in their water, but now
they have withered and their day is done.
Dry and shriveled they stand paper-
thin and brown, crisp to the touch.
They hang their heads as their time
runs out and death weighs them down.
Click here for Roger’s reading on Anchor.
Daffodils
Vis brevis, ars longa – life is short but art endures. Maybe my daffodils will last longer than the yucca and the hollyhocks. They will certainly outlive this year’s bloom. Time and tide wait for no man, and flowers too are subject to the waxing and the waning of the moon. That’s life, I guess. Long may it last.
The Water Tower
10
In the beginning the artist decided to start
with the sky and work his way downwards.
He chose and mixed his paints. Then he climbed
to the tower’s top and began to paint.
“Let there be sky,” the artist said.
He masked his face, pressed the button,
and refreshed the sky’s battered surface
turning it to a delicate shade of blue.
The morning and the afternoon took up that day.
When evening came, he packed up
his equipment and went home to rest.
Click here for Roger’s reading on Anchor.
The Water Tower 10
The Water Tower
St. Andrews
New Brunswick
Geoff Slater
Illustrations
Roger Moore
Poems
The Water Tower
9
How do you paint this water tower,
that garden, these flowers, those woods?
Up and down: two dimensions. Easy.
Where does light begin and darkness end?
Where do these things come from – depth
tactility, energy, water’s flow,
that rush of breathless movement
that transcends the painting’s stillness?
This water tower is more than a reservoir.
Restored, it reaches out, an old friend,
with all its strengths that reinforce the needs,
physical and spiritual, of so many people.
The water tower itself is more than a tower:
it symbolizes the creative power of life and art.
Click here for Roger’s reading on Anchor.
The Water Tower 9
The Water Tower
8
Circles within circles and wheels within wheels,
the restless gears always churning,
we both know how it feels.
Some call it a gift, some call it a calling,
but we who follow the creative way
rarely know the how and why
of who pushes whom with what,
nor when, nor where, yet still we try
to scale that ladder, to reach that sky,
and always will, until we shrivel,
give up the creative ghost, and die.
Even the water tower frowns
when I write ‘die’. Yet death will take us all.
Tombs and tombstones will crumble and fall.
Monuments, their words carved in stone,
will fall sideways, perish, and die,
their words erased by the sandpaper polish
of wind, snow, hailstones, sun, and time.
The Water Tower 7
Lifted up, so close to the stars,
and even though we cannot see them
we know they are there,
looking down as we labour here below.
Are they sentient?
Do they smile on us, or frown?
Is our fate really up there, written in their ranks?
Or is it in our own hands to raise ourselves
up from the mud, to sail this frail bone-boat,
to make something out of nothing?
Fate? Destiny? The windmill’s sails
throwing us back down, into the mud,
or lifting us up to the stars?
Which is it to be? Such questions
are too deep for you and me.
Your work is in your paint,
mine in my words,
yet paintbrush and pen are guided, both,
by the hand that holds the artist’s hand.
The Water Tower 5
Does the left hand know
what the right hand is doing?
Does the pencil know
where the artist’s hand is going?
Does the artist know
the point of arrival
before he even sets out
and takes his first step
on that life-long journey?
Or does he play the music by ear,
the paint by eye,
the pencil and brush
by the deftest of touches
that follow a path set
long ago in the summer stars
and the winter nights
of longing and strife?
Only the artist knows:
and he might not be telling.
The artist scales Jacob’s ladder,
per ardua ad astra,
through hardship to the stars.
He discovers a jigsaw puzzle
of shattered color and shape,
a serpent’s shed skin of paint,
battered patterns broken, stripped,
dangling, swayed by the wind
that washes and renews the world.
What world you ask?
The painter’s world. The world that dwells
within the meditating mind.
The creation that awaits the artist’s touch
in order to come alive and beckon us.
The secret, sacred world
of the artist’s hidden garden,
soon to be revealed.
rogermoorepoet 