Clepsydra 11

Clepsydra 11

11

… gone too
     that Raggedy Ann doll
          held together
               by her patchwork heart

cross-stitched lovingly
     with needle and thread
          the sluggish drip-drip
              of her cotton blood
                    proving
                         she is still alive

neither mummified
     nor rat-and-mouse-gnawed
          in limbo perhaps
               but not dancing

asleep maybe
     dreaming in the museum’s oubliettes
          with their closed doors
               their cellars and attics
                    stuffed with memories
                         all dusty and worn

memories
     that only come alive
          at midnight
               when the full moon
                    awakens the shadows

boys and girls
     come out to play
          and walk and dance once more
               beneath liquid moonlight

the celestial lantern’s
     liquescent flame …

Clepsydra 9 & 10

9

… what lies behind this attic door
     ready to spring out
           at the slow push of my hands

cobwebbed
     this world revealed
          a universe of memories
               waiting to be called
                    back into life

what life
     the flickering half-life
          of shadows on a wall     

or the alternate reality
     of planets that lost their way
          and forgot how to dance
               around their sun

do they still move
     in rhythm to an unsung song
          an unstrung guitar
               music no one else can hear
                    played by a wandering star

lost the glimmer
     of life’s candle
          adrift on distant waters,
               but never forgotten …

10

… nor seen
     nor heard
          I am amazed by the maze
               wandering
                    among cluttered objects,

my world takes shape
     in a mad hatter’s workshop
          where things grow legs
               walk this way that way
                    constantly getting lost

I can hear them
     chittering chattering
          but I can neither
               see nor hold them

like so many bats
     they roost upside-down
          little children lost
               in memory’s attic
                    where everything ages
                         slowly gathering dust …

Self-Portrait

Self-Portrait

I smell. I whiff. I gloriously stink.
My arms, my feet, my crotch, reek with beauty.
This is me. I am still alive. I’m rank.
The time has come, the Walrus said, to take
a shower. I strip. I weigh. I obey.

Hot water streams. Bathroom steams up. I draw
faces on grey glass, smiling, glum. Soft soap
works its miracle turning Japanese
nylon into a rough body cloth that
rubs and cajoles all putrid dirt away.

Butterfly from its chrysalis, I step
from the shower, sniff with caution, and stench
no more. I am clean. I no longer pong. 
My body has been taken over by
perfumes no longer mine. Who am I now?

I am no more myself. I am no more
my own gorgeous underarm muscular
ripeness. I have left my odor circling
in the soap suds and drifting down the drain. 
What a pain. It will take me a week or 
more to start smelling like myself again.

Clepsydra 8

8

… those other faces fading
     drifting away
          their smiles their frowns
               melting away into the dark
                    where no star glows

they cannot return
     nothing walks the woods
          save a silence
               where once they strode

empty the hand
     once held out to help them

silent the prayer
     emerging from pale lips
          and unanswered

where are they now
     those who walked
          this way before us
               glum ghosts
                    hushed their chorus

I promised
     to remember them
          but I forgot them
               as one by one
                    they slipped away …

Clepsydra 4 & 5

Clepsydra 4 & 5

4

… candles and the clepsydra
     marking time
          witnessing
               the transition
                    from day to night

drip-by-drop
     falling water
          flickering candle flames

less certain
     than the monotonous
          tick-tock
               of a pendulum clock
 
time and tide
     wait not
          for ship nor man

though time is marked
     on calendars
          and prison walls

days passing into weeks
     spring into summer into autumn

daylight lengthening
     shortening
          until bleak mid-winter
               comes again …

5

… black midnight
     all is lost
          who now can count the cost

stiff upper lips
     forget how to pray
          fingers clasping
               unclasping
                    never grasping
                         life’s simple flow

with silent steps
     planets and stars
          slowly turning
               writing out our lives

sun by day
     moon by night
               the sky alight
                    with shimmering fires

midnight curtains
     burning lights
          crazy curtains
               drawn in night’s sky

a lost dog hurls
     his coyote cry
          who on high
               now listens to his call

not the planets
     nor the Archer
          nor the dog star
               who never barks
                     anything
                          but summer’s flames

pity the poor dogs below
     bitches in heat
          waiting alone
               for their lover’s paws
                    their welcome snuffles

locked and bolted
    the door
          heightened
               the canicular heat …

Rock

Rock

You are the rock
on which I build
my life.

You are the fairy castle
planned in paradise
where the sun always shines
and stress is distant.

How often have I mapped
your inner islands,
traveled your well-known ways,
always discovering
new sacred spots
where I can immerse myself
in your inner serenity?

You are the fortress
within whose walls
I can forget my past
and create my future.

Candle Light

Candle Light

Candle light
softens your features
brings out the bone shape
makes me forget
the minor flaws
of ageing.

Bone shape,
rock shape,
land scape,
your face contours
traced by the flame,
counting the years,
like tree rings.

Beneath the surface
you are as you always were
and always will be.

When I look into your eyes,
I see your soul
dancing in the candle’s flame.

Clepsydra, Poems 2 & 3

2

… who closes
     the museum doors,
          locking away its memories

dark descends,
     waters heard but unseen
          time unmeasured now
               until the coming of candles

each with its symbol
     lines that mark time
          an hour here or there,

never accurate
     seldom on time

a time that quickens
     in a whisper of wind
          the flame flickering
               time traveling faster

one candle tilts
     its waxen cataracts
          tumbling time
               cascading down
                    entering the void

that empty space
     left by the spent flame
          smouldering

where did it go
     the light
         I’d like to know
               how and why

a lifetime
     like a fire-fly’s spark
          flits away …

3

… fifteen eighty-eight
     the Spanish Armada
          its crescent glistening
               gunfire sparking
                    fireflies of flame

ponderous time
          spaced out
               relentless and slow

an unstoppable juggernaut
     on and on
          tides turning ebbing
               ever-flowing

hill beacons burning
     church bells
          ringing out their warnings

God blew
     and gusting winds
          took them away
               to the sand-dunes
                    off the Lowlands coast

flashes of flame
     fire-ships launched
          fire on the flood
               the rigging ablaze

quickly cut anchors
     now watch them go
          shepherded
               by sheepdog ships

 on Ireland’s rocky coasts
      ships and men
          their time up
               torn from the light
                   
swallowed by night’s
     dark throat …

Clepsydra

Clepsydra

WFNB 2025 BAILEY PRIZE: 3rd Place
Citation

Clepsydra relates a process of identity loss, as time’s passing removes the people closest to the eroding narrator. Its consistent form – the manuscript is one long poem made up of 48 sections of varying length, each of which begins and ends with an ellipsis – provides a framework in which the narrator strives to describe how their sense of self drains away, drop by drop, the way the liquid in a clepsydra (a water clock) marks the passing of time. Amazingly, the poems convey existential dread through remarkably vivid and grounded images of things like “seals basking in sunshine, / knowing themselves, being themselves, / thinking themselves safe, / kings and queens of their seal-dom, / never questioning” (19) and “…an osprey, sudden, the swoop, / turned into a stoop, water shattered, total immersion, then emerging, / lusty thrust of wings, claws clasping, / prey imprisoned” (20). Sense slides in and around the sounds of the words as well as in their dictionary meanings. In Clepsydra the author rigorously plumbs a difficult subject: the loss of subjectivity.

Exhortation

Thank you for the privilege of reading your poetry manuscript, Clepsydra. I was quite taken with all of its virtues: a meaningful concept, carried out in an impressive form which is followed both rigorously and nimbly in each section.

Introduction

     The National Museum of Wales, in Cardiff, had a working Clepsydra that fascinated me. School children could enter free, and every week day, during the school holidays, I would visit the museum and also the Clepsydra.

     I have built the structure of the Clepsydra into the verses of this book. The words flow down, from left to right, just like the waters of the Clepsydra. Sometimes they overflow the line, and sometimes they hold back, just a little. This visual construction fortifies the idea of the ebb and flow of time, water, and memories.

     I first met the poetic image of the Clepsydra in the poetry of Antonio Machado – No temas. Tú no verás caer la última gota que en la clepsidra tiembla. / Never fear. You will not see the fall of the last waterdrop that trembles in the clepsydra. I have, for better or for worse, repeated this theme throughout the poetic dialog.

     I would like to thank the judge, the poet Kathy Mac, for her comments and her excellent suggestions. I have followed most of them in this revision of the original manuscript. My thanks go to all who have read Clepsydra at one time or another.

Clepsydra

1

… time, and my own place
     not this dry museum
          filled with dust

its ghosts, running rampant,
     raging silent
          over ancient artefacts

the clepsydra dreaming
     time like its liquid
          slipping
               through clay fingers
 
runnels of water
     ebbing flowing
          continually running down

earthen-throated
     its hour glass structure
         
each terracotta bowl
     lower than the one before
   
a mini-cataract
      a constant waterfall
            second by second
                    time dwindling away…

Fall Foliage

Fall Folly Age

Fall Folly Age aka Fall Foliage is a play on words.
Thank you, Moo, my painter friend, for putting this title
on your painting and allowing me to use it for one of my book covers.

After intense heat
the garden is dusty dry.
The hollyhocks,
stressed out,
bow their heads
and tumble down.

Before the heat,
heavy rain drenched
the flowerbeds.
The yucca subsided
beneath waves of water.

One hollyhock,
regally proud,
stored so much liquid
in its flowery crown
that it bent and broke.

The mountain ash
bears a host of berries.
Bright orange,
they are already turning
to their winter shades.

I see so much stress
in the little world
I inhabit.
I no longer listen
to the news
or watch TV.

So much is beyond
my control.
Yet I can control
the radio and the TV
by turning them off.

The friends I meet
now have white hair.
Like me and my flowers,
they are dried up
and bent, held up
by sticks and canes.

My beloved and I
are growing old together.
We watch each other
with great care
wondering who
will be the first
to topple and fall.

Comment:

It has been a long, long time since I last wrote on my blog. Many things have distracted me, including editing books for friends, working on my own books, journaling, painting, and surfing the web in search of something positive to read. As for my own books, I published four this summer. Clepsydra Chronotopos I, Carved in StoneChronotopos II, Rage RageChronotopos III, and No Dominion Chronotopos IV. Maybe I will try to post on a regular basis and copy some of those poems here, in my blog.