Poetry

Poppy Day

Poppy Day

Remembrance Day
11 November 2024

I wasn’t there
I never saw the gas clouds
            rolling over our positions
            never felt the barbed wire’s bite
            nor the bayonet’s jab

I never hung out my washing
            on the Siegfreid Line
            (“Have you any dirty washing, mother dear?”)
            never broke out of barracks
            never did spud bashing
            nor feasted on bread and water
            nor heard the rifle’s rapid rattle

I wasn’t there
            to see them carried away in carts
            coughing spluttering vomiting
            or bandages over their eyes
            walking slowly to triage a hand on
            the shoulder of the man ahead
            the sighted leading the blind

I wasn’t there
            but both my grandfathers were
            both decorated
            one mentioned in dispatches
            signed by Winston Churchill
            that one uninjured
            the other one gassed
            coughing up his lungs
            bit by bit for forty years

I am here now
    to remember
    and to honor them
           though so much
    has been lost

Comment:
My friend, the painter known as Moo, painted this poppy today. My generation, unless they served voluntarily, as many have done, was never conscripted. As a result, the horrors and tragedies of combat were never known to us, except as seen through they eyes of other people. I think of Wilfred Owen and his magnificent, heart-rending poems from WWI.
Today, I pay tribute to those members of my family who served in the armed forces by land, sea, and air. I also pay tribute to the veterans who survived, and to those who gave their lives in the defense of our country.

Exploring the Divine in Nature

Divinity

outside us or in us
the divine is always with us

green god
of the mountain ash
garlanded now
with autumn berries

lady hollyhock
and her flock
of butterflies and bees

colibri
martyred soul
reborn
as a hummingbird

our garden
a paradise
where the creator
still strolls

some of her
many faces
glimpsed
among the leaves

in this half-light
as the sun
goes down

In Laud of Light

In Laud of Light

Sun, moon, and stars
wait, day and night,
outside my window.

I sometimes glimpse
the crackling shimmer
of Northern Lights.

They crown me
with joy and pleasure,
treasures I will treasure
until the natural end
when stars, sun, and crown
come tumbling down.

I will be left alone,
seemingly naked,
yet clothed in
an eternity of light.

Comment:

Hunter Moon in Island View, NB.
Pure chance – I looked up, and there it was.
Oh to be clothed in such a glorious light!

Solitary

Solitary

They drove me there,
passed through the gates,
unpacked my trunk,
chatted with the head,
shook my hand,
then drove away.

The metallic clang
of the closing gates
still lives with me.

How old was I?
Six? Seven?
I no longer know
and there’s nobody
left alive to tell me.

I remember so well
the woodgrain on the desk,
the carved initials,
the loneliness that bit,
the barred windows
of that empty classroom.

Comment:
Looking back, I wonder just how and why I ended up in a series of boarding schools, starting when I was only six years old. What does that abandonment do to an only child, taken away, and left among strangers? I still have nightmares and wake up screaming, from time to time.

Why, why, why? The pinball of doubt bounces round the interior of my head as I struggle to plot different paths, different ways, how life could have, might have, been so different.

I guess that schooling, force fed, made me what I am. But then the pin ball starts again – what am I? Who am I? Why am I? And how did I become whatever it is that I became? Mea culpa, mea culpa, mea maxima culpa – was I then the one to blame?

Chuck Bowie

Chuck Bowie
(June, 2019)

We met at St. Andrews, at low tide, on
the underwater road. In secret we
shared the closed, coded envelopes of thought,
running fresh ideas through open minds.

Our words, brief vapor trails, gathered for
a moment over Passamaquoddy,
before drifting silently away. Canvas sails
flapped white seagulls across the bay.

All seven seas rose before our eyes, brought
in on a breeze’s wing. The flow of cold
waters over warm sand cocooned us
in a cloak-and-dagger mystery of mist.

We spun our spider-web dreams word by word,
decking them out with the silver dew drops
proximity brings. Characters’ voices,
unattached to real people, floated by.

Verbal ghosts, shape-shifting, emerging from
shadows, revealed new attitudes and twists,
spoke briefly, filled us with visions of book-
lives, unforgettable, but doomed, swift to fail.

Soft waves ascended rock, sand, mud, to wash
away footprints, clues, all the sandcastle
dreams we had constructed that afternoon,
though a few still survive upon the printed page.

Comment:
This is a ‘get well soon’ post for my friend, Chuck Bowie. Let us hope it gives him that little boost all artists need, when they feel a little bit down. An excellent writer, I am pleased to support his work and bring it to the attention of the readers of this blog. The poem, incidentally, is taken from my own book, The Nature of Art and the Art of Nature.

Chuck and I met at St. Andrews, on the beach, and spent a pleasant hour or two discussing both art in general and the structure and characters of this book in particular.

Was that really in June, 2019, more than five years ago, when he was resident artist at KIRA? So many tides have risen and fallen since then. So much water has gathered and flowed. Vis brevis, ars longa – life is short, but our art outlives us – long may both authors and their art survive and flourish!

A Touch of Frost

A Touch of Frost

1

Cooler nights
have brought
a touch of frost
to higher ground.

At night,
temperatures fall.
By day,
they build.

I watch as Autumn,
finger on lips,
tiptoes
through the garden.

2

With a wave of its wand,
winter threatens.

A gust of wind
swirls the leaves,
bears tufts of snow
dancing round the tree.

I watch
as my grandchild grows,
my child grows older.

She has a gentle
touch of frost,
a grey fringe
at the curl’s roots.

When I glance
in the mirror,
I see the full effects –
drifts of snow
gathered on my head.

I look
at my beloved.
Her hair –
a crab apple tree
in full spring bloom.

Comment:
Nice to add a new poem of my own to this poetry page. Today’s poem came as a result of discovering Moo’s painting – A Touch of Frost. Painting and poem, painter and poet – a great collaboration.

Addiction by KTJ

Addiction

Joy, desire, companionship, laughter,
sharing feelings, caring, and dreaming.

Two people so alike in many ways,
painfully different in others.

All my cravings, and desires
set out before me in a beautiful world
so different than my own.

A broad chest to lay my head on,
listening to a heartbeat
that is not my own. 

Strong arms holding me close,
providing comfort.

Cool grass between my bare toes,
earth from the gardens
embedded under my fingernails.

Like an addict,
craving love and validation.

Basking in the glorious
short-term feeling of bliss.

This world, this person,
both my drugs of choice.

Fantasy, then reality,
going from one to the other,
walking out of fire into
an ice bath over and over.

A fantasy world
hiding beneath
a dark cloak of reality.

Comments:

It’s funny how your paintings speak to me. As soon as I opened this email, my first thought was… this is the perfect painting for my poem “addiction”. The colors and the art work bring to life the sentence, “like walking out of a fire and into an ice bath”. KTJ 

So, here we are – the poem and the painting can now be found on the same page. I don’t usually put other people’s poems up on my blog. However, should any of my readers be inspired by one of Moo’s paintings, and should that reader decide to write a poem about it, I would happily consider publishing both poem and painting on this blog. No money involved – my pitiful pension won’t stretch that far.

No promises. But an interesting start to a new idea.
Pax amorque –
rogermoorepoet.

Silent Light

Silent Light

Silent light,
          breaking soundless,
dispelling night’s mists,
          lighting up flowers,
so graceful,
          when decked out in light.

At night,
          the moon turns into a mirror,
a silver boat
          suspended in space.

Silent,
          its light enlightening
the heart’s dusky craters,
          the mind’s gloomy shafts,
where hidden treasures hide,
          waiting for the light.

The Value of Space

Space, round an object,
     reveals its aura,
its implicit innocence.

Consider the shimmer –
          a sunlit orange
basking in its basket.

Observe
          the pride of the cat,
nestled on cushions,
          its coat prickling
with sunlight.

Space
          surrounds us.
We walk within it,
          live because of it.

Space
           fills us.
Water
          in our body’s sponge
a part of us,
          as we become
a part of it.

Author’s Notes

We crave the space around us, the silence between words, but invasive noise destroys us, body and soul. We must seek the sanctity of silent light and space.

Prompts and Impromptus

Prompts and Impromptus

The creative process is different for each one of us. I think of three different creative modes.

The Quarry and Treasure Trove – I write in my journal every day. I have done so for nearly forty years. For me, it is a treasure trove of creativity and I can return to it anytime I want to to revive old memories and to research old moods. I think of it as a quarry that contains valuable images and metaphors that can be used in different ways to create and recreate. I also find that, as I journal, I distinguish between that which is mere dust and ashes and can be abandoned, and that which is a genuine gemstone that can be polished and published. Writing regularly helps me to distinguish between the commonplace and that one piece of gold that emerges.

Impromptus – Some people, like the cat above, wait patiently for inspiration to come. Sometimes it does, sometimes it doesn’t. When it doesn’t, they blame Writer’s Block or something similar. While you can sit and wait for inspiration, using the methods outlined in The Quarry and Treasure Trove you can ‘go out and make things happen’. Seek and you will find. Knock and it will open. Now that’s inspiration for you!

Prompts – The creative writer can also use prompts. I have used those that appear in Word Press, but only in sporadic fashion. I do not use them everyday. In fact, I have been a bit down and otherwise engaged recently, and my visits to social media have been very limited. I apologize to my friends – we few, we happy few, we band of siblings.

One of my best friends has been helping me through this rough patch. She has been putting together a book of creative prompts. She converted that into a webpage called  judyandco.com and I highly recommend her work to anyone who, like me, gives up the ghost for a little while, and then wishes to regain the creative spirit. As she wrote to me only this morning – “there’s a bunch of free stuff on there” -.

So, for those who need a kick start for their creativity, try clicking on  judyandco.com – I am sure you will find inspiration there.

In Place of Grief

In Place of Grief

A double meaning of course / wrth gwrs. (a) to be in a place of grief and (b) to do something in place of grief i.e. instead of grief. Take your pick. One of my close friends immediately called it Chains. I replied – Ray Charles – “Take these chains from my heart and set me free.” Sometimes, with a great effort, we can do that ourselves. But, if the hole we have dug for ourselves, or that has been dug for us, is too deep, then we may need help.

Creativity is always a help. Painting and poetry, for me. And sometimes the hand of friendship, reaching out from the anonymity of hyperspace – the space beyond the space in which I live and with which I hold my Bakhtinian Dialog what he calls my chronotopos – my dialog with my time and place. Alas, sometimes it is a monolog – and then, when I get not reply, either from time nor from place, I feel an existential grief.

Door

A door slammed shut
          in my heart.

That closed door
          left me outside,
shivering in the cold.

Now I no longer know
          who or what I am.

The shadow of nothingness
          wraps its black shroud
around my shoulders.

Dark night of the heart,
          and me alone,
walking an unlit road
          with no end in sight.

(a) The shadow of nothingness is Meister Eickhard’s Umbra Nihili. A reference to the medieval philosopher.

(b) The dark night of the heart is a reference to St. John of the Cross’s dark night of the soul, part of the Via Purgativa, the mysterious road walked by the Mystics.