Clepsydra 12 & 13 – Pilgrim in this barren land …

Clepsydra 12 & 13 –
Pilgrim in this barren land …

12

… pilgrim in this barren land
     lost in my wanderings
          the wander-lust still tugging at me

in my back-pack
               dusty with memories
                    photos that only I have seen
                         sepia
                              spotted in places

only I know names and faces
     recall relationships
          a mystery to me, an outsider,
               such images haunt me
                    move me in ways
                         I do not understand

the irregular heart-beat
     of my life walks inside me
          down new corridors of time
               fresh music
                    strums my heart-strings

a heart
     a bridge a time too far
          lost I wander the woods
               searching for things
                    I know I must find
                         my lost self among them …


13

… but to find myself
     I must first lose myself,
          not in a barren land
               nor in the inner depths
                    of my suffering mind
                         nor the deeper depths
                              of another’s body

am I nothing more
     than an offering on the altar
          where nothing alters more
               than this interchange
                    eye to eye
                         mind to mind
                              body to body

will the I ever transform
     into the power of us
          together
               both of us

and are we much more
     than one plus one
          with three or four or more
               conjured from the word
                    that was from the beginning

or is all of this
     nothing more than
          the woven magic of pillow-talk …

If you were going to open up a shop, what would you sell?

1. If you were going to open up a shop, what would you sell?

That is a very hard question to answer. I think of all the material things that everyone else can think of, but I do not want to sell commonplace things – antique furniture, paintings, books, stamps, groceries – I could go on and on, but I will resist the temptation to do so.

When I lived in Santander, Spain, the local wines were sometimes called ‘sol embotellado’ / bottled sunshine. I wouldn’t want to open a wine shop, but I would love to bottle the essence of a warm sunny summer day and – why should I sell it? I wouldn’t. I would give it away, free of charge, to all the needy people, inner city boys and girls, the impoverished, those who live in the streets and sleep in doorways or under bridges at night. Oh, the joy and happiness that would come when they opened their bottle of summer sunshine and felt the warm fresh air gather around them so they could breathe it in.

But why stop there? I would also give away ‘essence of butterflies’, that special feeling that comes on the colored wings of a butterfly and combines with the joy of flowers and the gift of taking flight. How special that would be. But sell it? It is much too valuable to sell. Put a dollar, Euro, yen, rupee, or sterling price upon it, and all its powers would vanish, like fairy dreams fading away.

Among other things, I would also like to offer the gift of the joy of words. Colors, in the imagination of Blake, were ‘sky wounds’. What joy to take a normal word, add a second word to it and create a new verbal image – ‘sky wounds’. And what happens when the sky is wounded, you ask. Well, the wound opens, the blood pours out and ‘le soleil se couche dans son sang qui se fige’ ‘the sun sets in its own congealing blood’. Baudelaire, if I remember correctly, from Les Fleurs du Mal. What beauty in those new images. What joy in remembering and recreating them. I would bottle such gifts and give them away in my shop.

Fairy dreams – yes, I would offer them as well to those who needed them. And not the sort that fade away, but those fairy dreams that suspend us in the wondrous beauty of their ethereal light. And I would bottle hope, and self-belief, and the power to change oneself from what one is to what one is destined to be. And I would add essence of self-knowledge and powder of Davey Lamp light that would enable the seekers to seek in the darkest corners of their souls and find that elusive inner self, and bring it out from the darkness. And I would stock fragrant filaments of firefly that would also allow my customers to enlighten that darkest of nights, the dark night of the soul. And a map of hidden foot paths that would allow the wanderer to wander and never get lost.

How about an elixir of happiness and joy? A quintessence of rainbows, perhaps? Or a magic lantern that would shine out from heart and eyes and enlighten the soul friends of those lucky souls who were able to locate and enter my shop of conditioners, vital vitamins, and soul magic for all those lost and lonely people. And there, that mirror on the wall – look in it, gaze deep into your own eyes, and maybe, just maybe, you will find my shop.

And “What will your shop be called?”, you ask. Look into your heart and you may find the answer engraved therein. It will be called The Gift Shop of Hope Restored. I look forward to welcoming you when you open the door and step in.

Comment
1. The number at the beginning of this post, refers to its position in The Book of Everything. In that book, I have included 100 blog prompts (The Book of Everything) and 11 more (and a little bit extra) to give a total of 111 responses to prompts. Each one is a little bit crazy, just as this one is. But what fun to read, and write, and think slightly differently.

What brings a tear of joy to your eye?

What brings a tear of joy to your eye?

Peeling onions, of course. As my Welsh grandfather told me, years and years ago

“If, if, if,
onions climbed a cliff,
potatoes would rise
with watery eyes
if it wasn’t for if.”

There you have it, in a nutshell, or should that be an onion skin? So, why does peeling onions bring a tear of joy to my eye? Because of the things that I make with them, of course. Where would paella be, if there were no onions in the mix? Can you imagine French Onion Soup with no onions in it? How about a Spanish Omelet / tortilla española? Okay, okay – I know some purists, especially in Galicia, say that the tortilla española should consist of egg, potato, salt, and nothing more, save a touch of olive oil, perhaps. But most of the tortillas españolas that I have enjoyed (and made) include an onion or two to blend with the potatoes. And how about salsa mexicana or salsa pico de gallo? Unthinkable without their dash of sliced onion.

So, peeling onions – that always brings a tear of joy to my eye, because I know how I am going to use them and how tasty they will be. And for those who have forgotten the hungry in this world, myself included in this particular post, do not forget Miguel Hernández and his poem Las nanas de la cebolla / The Onion Lullaby. Reading that poem and understanding its background will surely bring a tear to your eye, as it always does to mine. This time, however, it won’t be a tear of joy!

Why do you blog?

Why do you blog?

Good question. And there’s no easy answer. I guess, in my case, that my computer and my teaching (I have been retired for 16 years) were closely linked. I used programs like Blackboard and WebCT to teach hybrid courses, online and in the classroom. The online factors – chat groups, info sharing, course analysis – backed up the in-class material and gave students a space in what was, back then, late 20th Century, a new, but rapidly developing teaching space and style.

I found the development of a web page allowed me to preserve course notes, to construct class material, to allow students to access material (in their own time and space) and many found this useful. I also encouraged students to build their own web pages (and this was in the twentieth century, remember!). I also told them that they would probably, long term, find the web page building more important than the material that I was teaching them, for my material, like that of many other teachers, had a limited shelf life, and was not carved in stone and everlasting. This was particularly true as rapidly changing times, methodologies, and students – often from different cultures and with different styles of learning and levels of knowledge – spelled the end of the single course outline imposed, top down, on all members of the class.

When I retired from teaching, I kept the web pages I had built. Then, some five or six years after retirement, I decided to start a blog, rather than just have a webpage. Now, blogging has become a habit. Not an incurable one – just this year I missed four months ‘blog time and space’ on this web page / blog of mine.

But is this web page of mine a blog? Not really. I don’t sell anything on it, rather I give my books away to friends who wish to read them. I don’t charge for accessing my ideas, my thoughts, my creativity, my poetry, my photos, my paintings, my philosophy. My oh my, look at all those ‘my -s’!

At this point in time I am wondering whether to continue blogging or not. I have been approached by many people who wish to enrich themselves by enriching my webpage so I can then enrich myself. But I neither want nor need that. Rather, I follow the philosophy of Miguel de Unamuno, the great Spanish philosopher. “If I can reach out and help just one person,” he said, “I will not have lived in vain. And I guess that’s why I blog – to reach out on the off-chance that one or two of my words will touch someone in a meaningful fashion and help them to understand the world a little bit better and even, maybe, to help reshape their lives.

Self-Portrait

Self-Portrait

I smell. I whiff. I gloriously stink.
My arms, my feet, my crotch, reek with beauty.
This is me. I am still alive. I’m rank.
The time has come, the Walrus said, to take
a shower. I strip. I weigh. I obey.

Hot water streams. Bathroom steams up. I draw
faces on grey glass, smiling, glum. Soft soap
works its miracle turning Japanese
nylon into a rough body cloth that
rubs and cajoles all putrid dirt away.

Butterfly from its chrysalis, I step
from the shower, sniff with caution, and stench
no more. I am clean. I no longer pong. 
My body has been taken over by
perfumes no longer mine. Who am I now?

I am no more myself. I am no more
my own gorgeous underarm muscular
ripeness. I have left my odor circling
in the soap suds and drifting down the drain. 
What a pain. It will take me a week or 
more to start smelling like myself again.

Clepsydra 6 & 7

Clepsydra 6 & 7

6

… I say I walked alone
     along a long lonely road

nobody could cross that threshold
     nor enter that inner sanctum
          where hungry metal monsters
               lay in silent ambush waiting

nobody could share that sacrificial altar
     the single bed with its iron frame
          on which I lay on my own waiting

uniformed attendants
     locked themselves
          behind their concrete defences
               away from the radiation
                    so dangerous

while I waited
     for those circling stars
          that would burn
               and scar me
                    to descend …

7

… and single beds
     were only meant for one
         
just me
     strapped in
          tied so tight
               lying motionless
                    as I waited for
                         the bed to rise …

upwards
     into that dark night of the soul
          and I the sole sufferer
               under a claustrophobic sky

behold my body
     a mass of red and green striations
          burned by pin-pricks of light
               walking across my body
                    follow the red map
                          painted on my body

burns and blisters
     body and mind scarred
          scared by knowing
               all this suffering
                    might be in vain

others walked this road before me
     some never returned
          empty places at breakfast
               hushed whispers
                    faces turned away

when the tide turns
     it brings with it
          the joy of life
               a spark of hope
                    life’s waters
                         resuming their flow …

Comment:
All that happened to me ten years ago – but the memories are still fresh in my mind. At night, I often watch those planets circling, closing in, those star ships, guns blazing, burning my skin. So many of us have walked that lonely path, lain on that bed, faced those demons. Holst’s Planets – it amazes me that the music still plays in my mind, the celestial dance still goes on in the ballroom of my head, and the memories refuse to fade, though the burns on the skin have vanished and are long gone.

Rock

Rock

You are the rock
on which I build
my life.

You are the fairy castle
planned in paradise
where the sun always shines
and stress is distant.

How often have I mapped
your inner islands,
traveled your well-known ways,
always discovering
new sacred spots
where I can immerse myself
in your inner serenity?

You are the fortress
within whose walls
I can forget my past
and create my future.

Clepsydra

Clepsydra

WFNB 2025 BAILEY PRIZE: 3rd Place
Citation

Clepsydra relates a process of identity loss, as time’s passing removes the people closest to the eroding narrator. Its consistent form – the manuscript is one long poem made up of 48 sections of varying length, each of which begins and ends with an ellipsis – provides a framework in which the narrator strives to describe how their sense of self drains away, drop by drop, the way the liquid in a clepsydra (a water clock) marks the passing of time. Amazingly, the poems convey existential dread through remarkably vivid and grounded images of things like “seals basking in sunshine, / knowing themselves, being themselves, / thinking themselves safe, / kings and queens of their seal-dom, / never questioning” (19) and “…an osprey, sudden, the swoop, / turned into a stoop, water shattered, total immersion, then emerging, / lusty thrust of wings, claws clasping, / prey imprisoned” (20). Sense slides in and around the sounds of the words as well as in their dictionary meanings. In Clepsydra the author rigorously plumbs a difficult subject: the loss of subjectivity.

Exhortation

Thank you for the privilege of reading your poetry manuscript, Clepsydra. I was quite taken with all of its virtues: a meaningful concept, carried out in an impressive form which is followed both rigorously and nimbly in each section.

Introduction

     The National Museum of Wales, in Cardiff, had a working Clepsydra that fascinated me. School children could enter free, and every week day, during the school holidays, I would visit the museum and also the Clepsydra.

     I have built the structure of the Clepsydra into the verses of this book. The words flow down, from left to right, just like the waters of the Clepsydra. Sometimes they overflow the line, and sometimes they hold back, just a little. This visual construction fortifies the idea of the ebb and flow of time, water, and memories.

     I first met the poetic image of the Clepsydra in the poetry of Antonio Machado – No temas. Tú no verás caer la última gota que en la clepsidra tiembla. / Never fear. You will not see the fall of the last waterdrop that trembles in the clepsydra. I have, for better or for worse, repeated this theme throughout the poetic dialog.

     I would like to thank the judge, the poet Kathy Mac, for her comments and her excellent suggestions. I have followed most of them in this revision of the original manuscript. My thanks go to all who have read Clepsydra at one time or another.

Clepsydra

1

… time, and my own place
     not this dry museum
          filled with dust

its ghosts, running rampant,
     raging silent
          over ancient artefacts

the clepsydra dreaming
     time like its liquid
          slipping
               through clay fingers
 
runnels of water
     ebbing flowing
          continually running down

earthen-throated
     its hour glass structure
         
each terracotta bowl
     lower than the one before
   
a mini-cataract
      a constant waterfall
            second by second
                    time dwindling away…

Great White Egret

Great White Egret

            The Great White Egret is Yolande Essiembre’s first chapbook of poetry. The title poem offers an image, a white egret, that is central to the whole collection. Summarized in this one poem are the concepts of pantheism, mindfulness, self-questioning, and receiving lessons and inspiration from the natural world that surrounds the narrator and her poetic voice.

            Pantheists often consider the universe, or nature, to be identical to the divinity. In simpler terms, it’s the old Greek idea of Gaia, the world spirit – spiritus mundi, in the Latin of Moncton’s Northrop Frye – that links nature and the divinity. Pantheism can be found in both religious and philosophical contexts, with some branches of pantheism rooted in traditional religious beliefs and others stemming from poetic perspectives. In the case of The Great White Egret, the narrative voice sees nature as an all-embracing poetic concept that makes possible a life, both physical and spiritual, in the immediate present.

            The lessons the narrator receives in the course of observing The Great White Egret are (1) to take one step at a time, (2) to be still, and (3) to be one’s own reflection. This third lesson reaches out to include the cover photograph. Verbal and visual blend when the egret, reflected in the water, parallels the reflection of the poet in the stillness of nature. This is further complicated by the double meaning of reflection as mirror image and of the thought process involved during the observation of the bird. The visual and mental images become reminiscent of the hymn “on the wings of a snow-white dove.”

Part of the beauty of Yolande Essiembre’s poetic meditations lies in the extension of image and metaphor beyond the page and into the mind of the reader where they create a mirror universe of reciprocal reminiscence and creativity. Other poems that reach out in similar fashion to explore the deity manifest within the natural world include A Force of Love in Our Universe, Breath of Life, Glimpses, and In the Sanctuary. This last poem works on the basis of repeated images that stand strong and clear, for example, “Life pressing through a blade of grass. / Leaves shimmering, dancing, waving. / Light flickering, casting shadows.” Life and movement, especially movement – pressing, shimmering, dancing, flickering, casting – create a sense of wonder in the natural setting where the poet finds sanctuary.

            Mindfulness is a mental state achieved by focusing one’s awareness on the present moment, while calmly acknowledging and accepting one’s feelings, thoughts, and bodily sensations. It is often used as a therapeutic technique and can be compared with the yoga techniques which our poet practices. This yoga technique is compounded in the poems where breathing is emphasized, as in Breath of Life, for example, where we read “Who are you breath of life / Who fills my lungs with air”. It can also be found in the poem In Your Presence “In the stillness of the morning / I breathe / I listen / I breathe”.         

This chapbook is more than a mere collection of poems. It is a compendium of personal feelings, inner thoughtfulness, and natural observations. It is the work of a thinker and feeler, in tune with the universe and continually seeking answers to some of life’s most important questions. Reading The Great White Egret, you too may start asking similar questions. More important, you may even find some meaningful answers.

The Great White Egret
Sitting, rocking, gazing upon a lake,
Pondering, reflecting, wondering.
How one can choose purpose over comfort?
How does one remain true to oneself?

On a wing span comes an answer.
A bird, a Great White Egret
Lands at the edge of the water.
Tall, magnificent, breathtaking.

Steps in slow motion, into the lake,
Advances one long leg at a time.
Proud, confident, in no hurry.
My first lesson: “Take one step at a time.”

The bird stops, remains still,
Listens, stretches its long neck,
So still that I hold my breath.
We wait.
Second lesson: “Be still.”

The majestic bird gracefully glides
In the calm clear water.
Its reflection a thing of beauty.
Like a mirror, reflects divinity.
Third lesson: “Be my own reflection.”             

Fall Foliage

Fall Folly Age

Fall Folly Age aka Fall Foliage is a play on words.
Thank you, Moo, my painter friend, for putting this title
on your painting and allowing me to use it for one of my book covers.

After intense heat
the garden is dusty dry.
The hollyhocks,
stressed out,
bow their heads
and tumble down.

Before the heat,
heavy rain drenched
the flowerbeds.
The yucca subsided
beneath waves of water.

One hollyhock,
regally proud,
stored so much liquid
in its flowery crown
that it bent and broke.

The mountain ash
bears a host of berries.
Bright orange,
they are already turning
to their winter shades.

I see so much stress
in the little world
I inhabit.
I no longer listen
to the news
or watch TV.

So much is beyond
my control.
Yet I can control
the radio and the TV
by turning them off.

The friends I meet
now have white hair.
Like me and my flowers,
they are dried up
and bent, held up
by sticks and canes.

My beloved and I
are growing old together.
We watch each other
with great care
wondering who
will be the first
to topple and fall.

Comment:

It has been a long, long time since I last wrote on my blog. Many things have distracted me, including editing books for friends, working on my own books, journaling, painting, and surfing the web in search of something positive to read. As for my own books, I published four this summer. Clepsydra Chronotopos I, Carved in StoneChronotopos II, Rage RageChronotopos III, and No Dominion Chronotopos IV. Maybe I will try to post on a regular basis and copy some of those poems here, in my blog.