Giving Thanks

Angel

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Angel

I thought for a moment that, yes,
I was an angel and I was dancing
on a pinhead with so many other
angels, and all of us butterflies
spreading our wings with their peacock
eyes radiant with joy and tears spark
-ling in time to the music that wanders
up and down and around with inscrutable
figures held spell bound in a magic moment
… and I still feel that pulsing in my head,
that swept up, heart stopping sensation
when the heavens opened and the eternal
choir raised us up from the earth, all
earthbound connections severed and all
of us held safe in an Almighty hand.

Comment: an old poem this, from 2015, when I was in Moncton at the Auberge Monsignor Henri Cormier. It was not the easiest of times. However, there was music and dancing every week. The band would start playing, and the room would slowly fill with  men and women. The bravest would dance first and then, slowly, others would join in, all our woes forgotten in an up lifting moment of movement. The ladies: high necklines, head scarves; the gentlemen: some moving slowly, all doing their best.

For a while, I felt warm and safe, protected somehow in a fantasy world where, just for one evening a week, all troubles were forgotten and we could all be normal again in spite of our suffering. That moment together with the warmth and comforting friendship of my fellow sufferers still stays with me.

A Gift

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A birthday gift, hand made, by my five year old grand-daughter, in case I go gaga and forget who I am. I have no intention of doing so deliberately … but at my age … who knows? It can happen so quickly and so easily.

Robin Red Nest

That little red nest,
my heart,
hearth and home
to a galaxy of winged gods
who nest there,
year after year,
migratory spirits
blessing me with
hope renewed
in their spring nest’s
tangle of feather and twig.

Old now,
you thump to different rhythms
and schisms sprung from my body

Age winds you up like a watch spring
stretching my lifeline egg-shell thin.

When the wind of change
blows me away,
what will replace you
and your offer of sanctuary
to those you daily nourish?

So sad I will be
to abandon you,
your visions unfulfilled
as winter winds unravel you,
twig by twig,
until nothing remains
but the bare
white-boned cradle
in which I carried you,

so lovingly.

Grandpa

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Grandpa

Going back in time,
to a better time,
an innocent time,
when we believed
in frost and rime,
and Santa Claus
and Christmas.

Stockings hung
with hope and joy
and filled with
tiny things and toys,
an apple, an orange,
a chocolate bar,
small things
brought in
from afar.

My grandpa, who
had not been good,
with a carrot,
an onion, coal,
and wood,
but a smile
on his face
and his red
underwear.

I often see him
standing there,
beside the fire,
beneath the tree.
He still means
oh so much to me.

Reyes

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Reyes

The Spanish Christmas comes on the Twelfth Day after our traditional Christmas: January 6, today. 32 years ago, we spent Reyes in Madrid. We arrived in time to see the Christmas Parade and what a sight that was, with the three Wise Men, los reyes magos, riding on their camels at the end of the parade. It had just snowed and the city, streets and squares, shone white.

It’s funny what we remember and how we remember it. “Mira, mira, mira!” “Look, look, look!” Then, in the distance, descending from the Puerta de Alacalá, the Three Wise Men. Behind us, a little boy screamed at his mother. “Don’t you want to see los tres reyes magos?” she asked him. “No,” he yelled. “I don’t believe in the three wise men. I want to go home and watch soccer on the telly!”

I wore a white sweater that evening. When I got back to the hotel, I discovered that every inch of sweater that had emerged from beneath my coat was now grey. Even the air was filthy and pollution lay in ambush everywhere. “Every time I cough, I get a mining souvenir,” Max Boyce used to sing. Well, after a couple of days in Madrid, I too was coughing up souvenirs, but they didn’t come from coal dust underground. They came from the very air I was breathing out in the city streets.

Later that week, we took the train out to the Casa del Campo to see those same three camels in the zoo. In the distance, the Guadarrama stood out clearly against the sky. The zoo welcomed us and we enjoyed breathing in the fresh air and seeing the animals in the wide open spaces behind the invisible bars that allowed us to view them in a more natural habitat.

Christmas / Reyes: a magic time for remembering things that seem to have vanished, yet that sneak up on you and shake you awake when you least expect it.

 

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Butterflies

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Butterflies

Here today and gone tomorrow. Ephemeral. Like all of us ‘poor creatures, born to die’ (as Dylan Thomas once wrote in Under Milkwood). It seems strange to look back on last summer’s photos and to remember that yes, they were here, those butterflies. Outside the window. Perching on the flowers. Showing their varied colors. Alive. Vibrant. Raising and lowering their wings.

Once upon a time, a long time ago, when I wore a grey suit and lived in a concrete, four-walled cell that they called an office, I was asked if I would edit a new journal for one of the institutions with which I was involved. ‘Sure,’ I said. ‘That would be great.’ ‘We’ll need you to submit a title and a theme,’ they said. ‘Sure,’ I said. ‘Of course I will.’

I thought about many things: titles, themes, topics, writers … Then I thought about other journals with which I had been involved in various capacities. Then I considered walking in the footsteps of the Journal of Higher Education with all of its cutting-edge articles and high-powered inspiration. I breathed a sigh of frustration, then of relief. ‘Got it,’ I said, and the Journal of Lower Expectations was born.

Alas, it was a butterfly that never spread its wings. ‘Your services will not be needed,’ came the curt reply when I submitted the title.

Think about it: a couple of years back, there were no bees in the garden: CCD (Colony Collapse Disorder). Last year, there were no birds. The feeders stood empty, and bird flu was the cry on everyone’s lips and the plague on every bird’s beak. Ephemeral. Butterflies on a rock. Australia burns and people are rescued from the beaches where they have taken refuge in the sea. Everyone, everywhere, now needs to live with lower expectations.

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Butterflies and birds and bees: will they be back next summer? Who knows? I certainly don’t. But then, I am a true agnostic. I have no scientific background worth speaking of and neither ax no knife to grind on this topic. I genuinely do not know where we are heading. But I believe least those who protest most, especially when they bluster and bluff and try to pull the cocoon of disbelief over my eyes by shouting loudly their point of view. I have eyes. I can see, even if there are no butterflies, birds, or bees to be seen. Alas: I can still see and suffer their absence.

Please
“will ye no come back again?”
Poor kangaroos, kookaburras, koalas,
wallabies and platypus ducks.

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We will miss you so much if you any of you,
let alone all of you,
along with the butterflies, birds, and bees,
go AWOL.

Black and White

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Black and White

There is a moment in winter photography when the world of color turns to black and white. Color is still there, but today it travels incognito, anonymous. The world is formed by shapes, trees draping their branches, snow weighing them down, dressing them in wedding gowns for their marriage with the new year spirits that haunt sunlit, moonlit snowbanks and dance across the snow. Even the clouds exist to give a soft, quiet dramatic touch to the winter beauty that visits the garden. And yes, it will always be there, even if we are not here to see it because it will carry on without us. As for us, we are secondary, mere witnesses to winter’s beauty and the nature that surrounds us.

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Amateur photographers can sometimes capture this effect in a moment of luck (or occasional inspiration). Great painters have always known this art of the minimal. El Greco drew light from darkness, his portraits often finding their own fire and lighting up from within.  Caravaggio, too, knew the values of chiaro-oscuro, light and dark, black and white. Velasquez was the master of the spotlight that highlighted the eggs frying in the pan, the hand of the water-carrier. Goya, in his etchings [The Disasters of War, The Caprichos] and dark paintings, drew mood and anguish from this contrast between light and dark, black and white.

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My friend Geoff Slater has caught such a moment in his sketches for Scarecrow. Above he catches the precise moment when the scarecrows, male and female, reach out to each other, and beneath a Van Gogh planetary sky, dare to dream of mobility and love. The dream world: so important to us all and especially to the creative artist who dwells in each of us. Deus est in nobis, the Latin poets used to say, it is god within us. The god of black and white who transforms the world into color and light.

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Black and white, light and dark, winter trees, Clare, two scarecrows, deer and crows: labors of love that reach out and catch us unawares, blowing our hearts wide open, letting in the sun and the wind and the ever present joy of seeing things, seizing them, sizing them up, in black and white.

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Deer Dance

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Deer Dance

They came with the snow, of course. Last year there were seven, this year six of them sniffed their cautious way, step by step, into the yard. I looked out of the bedroom at 3:00 am, and there they were, standing beneath the mountain ash and reaching up to the lower branches to snaffle the berries. They also dug into the snow and ate the fruit that had fallen beneath the tree. The night was cold and dark. I didn’t want to risk the camera and have the flash or the laser beam frighten them so I just stood and watched.

Next morning, I wondered if it had all been a dream. Then I saw the dance-steps in the snow. They have been back a couple of times now and this morning Clare spotted seven, in the early morning light, ghosting their almost perfect camouflage through the trees. So now we have a couple of questions: are there two groups this year, one of six and one of seven? Or had the seventh deer from last year rejoined the group?

We think the group of six has larger deer while the group of seven has two seemingly smaller ones. But this may be a trick of moon light and shifting moon shadows. Climate change: the local deer at sixes and sevens. What would Ocho Venado, the Oaxacan / Mixtec King known as Eight Deer, think of it? Ah, a conundrum indeed. And when and if I work out any answers, I will let you know.

Let it snow ….

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Let it snow …

A New Year, a new snowblower, and the same beautiful handy-person. Luckily I can cook, so when the hard work is done, that handy-person can sit down to hot tea and buttered crumpets. Oh the joys of retirement. Some never retire, though, and a handy-person’s work is never done. Mind you, cooking, for me, is a joy, not a chore, so I don’t ever think of it as ‘work’, that nasty, old-fashioned Anglo-Saxon four-letter word. In fact, come to think of it, teaching and research were joys, never chores. As a result, I have never done a day’s work in my life. Nor did I ever want to.

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And that’s what I wish you all for the New Year: brave blossoms that stand out against a snowy background, joys that make each day a pleasure and never a grind, happiness that drowns out the daily sorrows of this Vale of Tears through which we are passing, and a clock without hands, so that you never have to count the hours as the days tick slowly by.

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May each morning fill you with joy, happiness, and a sense of adventure. And may the evening sky fill you with peace and contentment for a day well lived.

On Editing

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On Editing

Some editors are really very good. They take the initial idea of the artist and polish it, turning what was an average piece into a great one. Others are not so good and turn an average piece into an automatic rejection.
On my kitchen wall hangs a line-painting by Geoff Slater representing one of last year’s hollyhocks from my garden. He gave it to us as a Christmas present, and I am very proud of it. Finley loved it too. She followed with great glee the white line that starts and ends Geoff’s painting. Then she stared at me.

“What are you doing?”
“I’m writing a story.”
“What’s it about?”
“A thin red line.”
“Oh!”

A little bit later, I saw my pens and pencils strewn across the table. My sketch book lay open and I noticed that an editor had edited some of my work. My thin red line had morphed from illusion to reality and there it lay, twisting in and out of the tangled web I had created the day before. Clearly, my average creation needed the touch of a four year old editor and apprentice line-drawer to move from average to genius.

Oh the joy and creativity of a four year old! It took Picasso nearly fifty years to learn to draw like that again. And here’s another painting by this prodigious four year old. I got this one for Christmas last year, too. Alas, it is not signed.

“Don’t you want to add some more?” My daughter asked her daughter.
“No. It’s finished.”
And so have I.

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Springle Dance

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Springle Dance

I guess the title comes from Tolkien where the Hobbits begin an energetic dance at Bilbo’s Party. Or something like that. Mine is a Fall Girl Dance. The hand on the right points to the poor misshapen heart as it moves between fall leaves and colorful dancing sprites and spirits that help it on its way. Where is it going? Who knows where the autumn leaves go once they leave the tree? The bodies fall to the ground, obviously. We rake them into dry, crisp piles and our children and grand-children dive into those leaf-piles, scattering them everywhere so we have to rake them up again. Think of them, the children, as forming leaf angels, a bit like snow angels, but, like the broken heart, a great deal more fragmented.

Try as I might with camera and photo shop, the colors are never quite what they were when I splashed them haphazardly, like September rain and wind-blown leaves, across the page. But life is like that: memories are discolored and distorted, old photos turn sepia, old folk turn white and grey and wrinkled and fragile, like withered leaves from the tree of life. And this is life, real life. We live it every day. Each dream, a flower, each moment a leaf, and every moment the only one we ever truly experience.

So savor those moments, both the good and the bad. They are yours and nobody else’s. Your like is what happens to you. Sometimes it is bitter with salt and vinegar and lemon juice. Sometimes it is toxic and poisonous. But it is yours. It is your chalice to drain as you stand in the garden, feeling betrayed. Like it or not, this is you. Then there are the dream moments: sugar and spice and everything nice. On those days, when the sun shines, it’s away with slugs and snails, and puppy-dog tails and hello hollow world, I see you for what you are and I welcome you for what you are. And yes, you can meet with triumph and disaster, and you can treat those two impostors just the same. You are more powerful than the forces around you. Centre yourself. Find yourself. Heal your broken heart as it wanders among the springle dancers sent to bring you peace and comfort.

Look for your self. Find your self. Be your self. You and your self are stronger than any woes that may beset you. Seek the light … and you will find it.