Poems

Rain or Shine

Rain or Shine

Ginger Marcinkowski
(KIRA, August, 2019)

“My walk each morning, rain or shine,
feathers my black galoshes with dewy grass.
There I would ramble through gated doors
that kept out the world and sealed in
my pen’s work for that day. 

I often found myself sidetracked,
exploring paths that led through flowerbeds,
and up to my favorite sculptures.
I paused to watch my fellow artists
as they focused on chosen subjects
unaware that I was eavesdropping. 

Then silently, I would steal away
along the well-trod path to my studio,
pausing long enough to greet the llamas
and baby goats. If I listen carefully
I can still hear their bleating. 

In wonder, every day, I climbed the steps
of wood that led to my studio, opened
the door, and turned to breathe in my good
fortune. ‘What a blessed woman you are,’
I would tell myself before taking my place
for hours on end at my desk, each moment,
each stroke of the pen, each letter added
to the growing lines on the page, a gift.”

Comment: This is a found poem, found in the sense that it doesn’t belong to me. I met Ginger at KIRA in August, 2019, and we became close friends. We have corresponded regularly since meeting and she has become one of the best beta readers I have ever had, open, fiercely, honest, knowledgeable, and challenging. This challenge for me ‘to be the best that I can be’ really does bring the best out of me as a writer.

A found poem: I found it in one of the e-mails Ginger sent. In it she described a typical day for her at Kingsbrae. Isolated from its e-mail prose, the lines shortened and the thoughts slightly re-arranged, it became this poem, Ginger’s poem, her poem. I offer it to her, as she offered her writing talents to me, openly and with great humility. It can be found in the section entitled Impressions of KIRA Artists on pages 66-67 of The Nature of Art and the Art of Nature (Cyberwit, 2021, details to follow when available).

Click on this link for Roger’s reading.
Rain or Shine

AMGD

AMGD

Mary Jones

I met her unexpectedly in a restaurant in St. George.
I was masked, but she knew me right away. She hadn’t
changed. How could she have? She is as she is. Straight
forward, upright, honest, true to her words and her values.
Ex-military. A United Nations Peace-Keeper. A Blue Beret.
World traveller to some of the roughest, toughest, ugliest,
craziest spots. Everywhere she went, she helped keep the peace.

She came back home to find out what she already knew: that
rural New Brunswick was as wild as anywhere she had been.
She was anonymous. Here she was just a number in a book,
a casualty in a nameless war of attrition after which the winners
rewrite the history of events, twisting them this way, that way
to suit themselves and their own instincts and interests.

“Best of the best,” I wrote in the book I gave her. Fortuitous,
it was, finding her again, finding that copy close to hand,
reserved for her alone. That book and this poem are my tribute
to her for her courage, her fortitude, and her strength of will.
They are also a tribute to her role in making the world a safer place
in which others, less fortunate, can create, without fear, their lives.

Comment:

This poem for my friend Mary Jones is from the section Art of the Portrait. It can be found on page 54 of my poetry book The Nature of Art and the Art of Nature. This book will soon be available online at Cyberwit.net and Amazon. More details when they are available.

Click on this link for Roger’s reading of the poem.

When I Paint

Meditations on Messiaen
Insights from Beyond

7

When I paint

I choose at random a brush and a color.
Then I stroke bright lines across a white page.
Fresh snow waiting for tracks and footprints.

“I draw meaning out of shape and color,”
Henri Matisse with scissors and cut outs.
And I am here with brushes and tubes of paint,
totally clueless, waiting for inspiration to descend.

But it doesn’t. Just these lies, these colors, these shapes
that define my life and elaborate a destiny
that I never planned nor wished for.

Colors, so vibrant. Anger. Energy. Tranquility. Rebirth.
Thoughtfulness. Meaningful. Moments held
in the mind’s eye, clasped between fingers,
dripping off the ends of a brush,
mixed and mingling in the unconscious mind’s eye
that contemplates, yet never judges, the colors
that unfold subtle, untold meanings, across the page.

Click on this link for Roger’s reading.
When I Paint

Welcome Guests

Welcome Guests

They arrived last night, late.
Bright moonlight. Soft silence.
I neither heard nor saw them.

I awoke to moonlight on snow.
Shimmering stars. Orion
proud among prancing planets
sparkling in frosted air.

I looked out. Nothing there.
White wilderness of snow,
unmarked, but shadowed.

Dawn. An anxious child
on Christmas Day, I peeped
under the tree, and yes,
I cried out, “He’s been.”
I remember brightly
wrapped packets of gifts.

Today’s gifts: hoof prints
emerging from dark woods,
circling beneath the ash tree,
leading to the bird feeders,
and back into empty woods.

“Yes!” I said aloud. “At Last.”
And joy filled my heart.

Click on this link to hear Roger’s reading.
Welcome Guests

Comment:

Reading the poem aloud, I changed some of the word order to the rhythm of my speaking voice. It’s reading before an audience and hearing their reaction that tells me when a poem is right or needs retouching. Alas, those live readings are gone for now. Anchor, Spotify, Facebook, Twitter, and this blog are good, but not quite the same. But, for a rhythm and voice poet, who loves live readings and welcomes a live audience, they are better than that midnight silence under dark trees.

North Wind

North Wind

North Wind descended from the pole
sending its wolf pack through snow-
bound trees. Listless, they stood there,
then wind and wolves came, cutting
and shuffling, playing snap-the-branch,
chase-the snow-flake, and strip-jack-
naked. Wolves danced on their hind-
legs, round and round, shaking trees,
biting at branches, testing winter games
until trees stood naked, stripped of snow,
tresses and garlands gobbled and gone.

Oh the wickedness of winter, its cold-
cut cruelty, the lash of the wind, ice-
pellets hurled, picketing fences, pecking
a wild winter-song, forlorn in its fury,
its pace, its power, its reckless race
to hurl everything away, out of its way,
snow twisted, tormented, twitching
its snake-way down barren highways
devoid of secret places in which to hide
tender faces from the North Wind.

Click on this link for Roger’s reading.
North Wind.

First Snow

First Snow

Fell softly, quietly, soundless, in the night.
I knew it was there. A lightness in the air,
a subtle change in the quality of light.
Now everything has changed: yesterday’s bare
trees wear their winter dresses, frilly tresses
garnished with garlands of snow.

The deer will arrive, sooner or later.
They always do. They troop from right
to left, west to east, as day turns to night,
then troop back, east to west, in morning light.
They step dark and diligent, flitting shadows
beneath snowy trees, one after another,
forging a single passage from yard to road,
crossing it, then vanishing into dark woods.

I saw them one night in a midnight dream.
They stood on their hindlegs underneath
the mountain ash and danced, so delicate,
reaching up with long, black tongues,
to steal bright berries from lower branches.
They danced in a full moon’s spotlight
and filled my heart with joy and pain.
How I long to see them dance again.

Click on this link for Roger’s reading.
First Snow

In Love with Love

Meditations on Machado and Mairena
In Love with Love

1

In a dream
I dream of you,
dream you into reality,
yearn for your name.
Now I’ll never be the same.

I dream you in a garden,
roses around you.
I stand there suffering,
my head crowned
with thorns.

Caught in the briers of your eyes,
I am trapped in the eye-
lash of your name.

Your presence taunts me.
Your absence haunts me.
My life
will never be the same,
oh Guiomar.

Click on this link for Roger’s reading.
In Love with Love 1

Sometime

Sometime
with thanks to Seamus Heaney

Sometime, make the time to drive to Alberton
where the Great Blue Herons
stand thigh deep in the incoming tide.
Lobster boats spark stars from the waves.

They white-water surge through a gap
in the sandbank where the lighthouse
stands red and white, outlined against
blue sky, golden sand, sparkling bay.

Follow the fast-eroding coastline, a little
less each year, past Jacques Cartier Park
to Kildare Capes. Black-backed gulls ride
shotgun on the red sand beach. Piping
plovers charge up and down the wind-rush
of surf digging for treasure, the crustaceans
that will fill their bellies and enable them
to survive their long journey south.

Head north past Sea Cow Pond to North Cape.
Quixotic windmills wave their arms, like giants.
The sand and pebble reef stretches its low-tide
footpath out to the lazy seals basking in late
summer warmth. Sea-birds seethe in great
white clouds while fishing boats bob on wild
waves and a black horse hauls Irish Moss
off the beach to be sun-dried on the shore.

An osprey hovers, drops its lightning bolt
to spear a flapping flounder on sharp claws.
The magic of that great bird’s fall and rise will
drive a wedge through your heart and split it open.

Click on this link for Roger’s reading.
Sometime

Coal Face

Coal Face

My family never forced me underground.
Nobody ever made me kneel at the coal-
face altar and worship, on my knees,
that grimy god with its coal-black soul.

A child in body and heart, nobody ordered
me to squirm down diminishing seams,
much too narrow for men or machines
and fitting only for the smallest child.

Fitting indeed, an early coffin, made to
measure, lying in wait for the slightest
slip of the rocks above or below. Tight
fitting, indeed, no wiggle, wriggle room.

Billy Blake, my mate from Trinidad,
younger than me, saw the black faces
of miners emerge from the mine, enter
the pit-head baths and come out white.

He, too, wanted to be white. He dug
underground, grew even blacker, went
into the showers, gouged his black skin,
drew rivers of blood, never changed color.

He died when the roof above him fell
without warning. They pulled him out.
Brought him to the surface. Prepared
him for burial. Wrote on his tombstone:

“His body was as black as night,
but oh, his soul was white.”

Click on this link for Roger’s reading.
Coal Face.