My First Thanksgiving

My First Thanksgiving

For the first twenty-two years of my life,
Thanksgiving had no meaning, no substance,
no shape, nor form, nothing to hold me.

When I emigrated to Canada,
my Canadian cousins changed all that.
when they invited me to come to
Kincardine for Thanksgiving.

They served a traditional Thanksgiving Dinner
with vegetables in colored jellies
and all sorts of things I had never seen.

We were all surprised
at how alike we looked.
Like Cousin George in Vancouver,
or Cousin Elsie in Revelstoke.

They told me how WWII
had brought the family back together
on these special holidays –
Christmas in Wales for the Canadian troops
or Thanksgiving in Winnipeg
for the Welsh boys learning to fly.

That thanksgiving, the old family names
turned into photographs before me.
Snaps of my mother’s wedding,
my grandmother holding me on her knee.

And finally, as a special Thanksgiving gift
a long-distance phone call to Britain
and Clare on the phone saying
yes she would come to Canada
and yes she would marry me.

And I remember crying
all the way back from Kincardine
to Toronto and that was my first
Thanksgiving in Canada.

Inquisitor

Inquisitor
Sun and Moon

He told me to read,
and plucked my left eye from its orbit.
He slashed the glowing globe of the other.
Knowledge leaked out, loose threads dangled.
He told me to speak and I squeezed dry dust
to spout a diet of Catechism and Confession.

He emptied my mind of poetry and history.
He destroyed the myths of my people.
He filled me with fantasies from a far-off land.
I live in a desert where people die of thirst,
yet he talked to me of a man who walked on water.

On all sides, as stubborn as stucco,
the prison walls listened and learned.
I counted the years with feeble scratches:
one, five, two, three.

For an hour each day the sun shone on my face,
for an hour at night the moon kept me company.
Broken worlds lay shattered inside me.
Dust gathered in my people’s ancient dictionary.

My heart was like a spring sowing
withering in my chest
It longed for the witch doctor’s magic,
for the healing slash of wind and rain.

The Inquisitor told me to write down our history:
I wrote … how his church … had come … to save us.

Commentary:

No wonder the little girl in Moo’s painting looks so sad. She must have read this poem and understood how the exercise of power and authority, be it religious or secular, can effect those upon whom it is exercised. Times change, but so many things remain the same. The pendulum swings, and it moves from chaos to order and back again. The meaning of meaning – how we define chaos and how we define order define who we are.

Birds of a feather flock together. Manners maketh the man. Wonderful sayings. But fine words do not necessarily make for fine men or women at that. Serpents and senators, both can speak with forked tongues. It is up to us to apply discourse analysis and distinguish between what they say and what they actually mean. As my friend Jean-Paul Sartre once said – “L’homme n’est rien d’autre que ce qu’il fait.” A man is nothing more than what he does. His deeds reveal his true inner self – and remember – the plumage doesn’t necessarily make the bird.

Books

Books
… they fornicate at night
double in size and numbers
fall off the shelves
copulate in piles on the floor

… origami
I guess it’s what books do
when they wrap themselves
in their own pages
and enfold their stories
mingling their tales

… synaesthesia
the critics call it
that mixing of senses
taste with touch
and the lingering
smell of fresh print
tingling in the nostrils

… intertextuality
books talking to books
they start off with one word
and cling to each other …

… and you know
what happens next …

Commentary:

No comment!

Apocalypse When?

Apocalypse When?

A strange, milk-cloud sky, skimpy, with the sun
a pale, dimly-glowing disc, and my pen scarce
casting a shadow as the nib limps over the page.

Out on the west coast, fires still range free and this
is the result, these high, thin clouds casting a spider
web cloak over the sun face and darkening the day.

The west coast: five or six hours by plane and three
whole days to get there by train, even longer by bus,
all chops and changes with multiple stops.

The wind blew and the clouds came widdershins,
backwards across the continent. Today they reached
across the ocean to claw the sun from European skies.

It is indeed a small world after all. Isostasy:
you push the balloon in here, and it bulges out
over there, in the place you least expected

Now we are all interconnected in an intricate network
of a thousand ways and means. What does it all mean?
Ripples ruffle the beaver pond’s dark mirror.

The forest mutters wind-words, devious and cruel,
that I sense, but cannot understand. High in the sky
clouds turn into horsemen on plunging steeds.

Fear, fire, flood, foe, poverty, pandemic, crops destroyed,
unemployment, and, waiting in the wings, the threat of civil unrest,
leading to the apocalypse, and another war to end all wars.

Commentary:

Plus ça change, plus c’est la même chose. I wrote that particular poem several years ago. Poets, some people say, are sensitive to time and its changes. Certainly, this poem is full of premonitions that still ring true today. We have seen the sky cloudy from the various forest fires that have colored and covered the skies here in NB. We have smelled the burning and seen the sun blotted out, not entirely, but just enough for a slight, subtle chill to settle in. Shivers can come from the weather, but they can also arise from premonitions and fear of the future and what it might hold.

High in the sky, clouds turn into horsemen on plunging steeds. This particular line comes from Ponferrada – Pons Ferrata in Latin. Sitting in the park one day, I saw the clouds lining up, climbing higher and higher, then pouring down from the hills like a cavalry charge. It reminded me of the legends of St. James, the Moor-slayer / Santiago Matamoros, who appeared in the sky at various battles and helped the Spanish defeat the Moors, during the Reconquista, and reclaim the land of Spain. So may poetic moments were born from those days. We would do well to remember them.

Another war to end all wars – oh dear, oh dear, how many of those have there been throughout history? Countless, no doubt, and yet there’s always another one, waiting in ambush, just around the corner. Well, the next war to end all wars may just do that, especially if the unthinkable happens and it goes thermo-nuclear. Mad, the world is going mad and it’s very sad because madness – MAD > Mutually Assured Destruction – will destroy us and our planet. And then we will all be homeless, in the worst sense of the word, for as many demonstrators have said, waving their placards from side to side, ‘There is no Planet B.”

Drink up thy Tizer!

Drink up thy Tizer!

I wonder how many people actually remember Tizer, the Appetizer. It used to be sold in grocery stores and corner shops. Don’t forget the Tizer, shrieked the adverts. I hated the stuff – but others loved it. Sweet, sticky, a little bit like dynamic Lucozade – and who remembers that, I ask. The same people as had cod liver oil poured down their throats when they were little children in the United Kingdom. An old and almost forgotten generation with its own traditions. But this post is not about Tizer, it’s about cider. Good old Somerset / Zummer Zett scrumpy.

I met Scrumpy when I went to Bristol University. It was an alternate drink to beer, and many pubs sold cider, in one form or another. A pint of cider – sufficient unto the evening was a pint thereof. After a couple of months, one could manage two pints of Scrumpy. Our drinking competitions including drinking a Yard of Ale. Someone always brought one when we went on a coach trip and we always ended up in a bar, in the middle of nowhere, trying to drain our yards of ale. I remember one lad bravely trying to quaff a yard of cider – scrumpy at that. Honk city – and it had nothing to do with the geese. But it was spectacular.

My own adventures with scrumpy really started in my second year at Bristol. The boarding house I lived in stood close to the Coronation Tap, one of the best cider house in England, if not in Bristol. First night I went in there and asked for a pint of scrumpy the barman suggested I have just a half. In my best Somerset accent, I said no, I’d appreciate a full pint. The barman duly placed it before me. As he did so, the man standing next to me at the bar suddenly woke up from his meditations, poked me in the ribs with a boney finger, and announced “Ah, lad. That’ll put lead in thy pencil.” I looked over at his pint of scrumpy and saw a slice of lemon floating in it. “What’s that lemon doing there,” I asked. “I’m waiting for the cider to eat it,” the man replied. “Better for the scrumpy to eat the lemon than to eat my insides.” Another night, at the Cori Tap, I met an old gaffer who wouldn’t touch scrumpy. I asked him why not and he replied that one night he’d managed to down seventeen pints of scrumpy. “That’s a lot,” I said. “What happened?” “Oi spend three weeks in ‘orspital, in bed, doan I?” He muttered.

In my third year, Hamburg University Athletics Cub arrived by coach to participate in an athletics competition with Bristol. The Cross-Country Club became the Athletics Club, in the summer, and we specialized in distances from 400 > 800 > 1500 > 3000 > 5000 > 10,000 metres. Thirsty work on a hot summer’s day. We took the Hamburg athletes back to our apartment building and spent the Saturday night slurping scrumpy down the Tap. They slept on the floor at our place, and next morning, a Sunday, they went shopping early. When they came back to their coach, they all grinned happily at us, and waved their bottles of Tizer in farewell. I looked around and saw that they had twenty cases of those bottles stored in the bus. “Ve vill have gut trip to Hamburg, no?” I started to laugh and they all joined in, waving their bottles at me. I didn’t have the heart to tell them that Scrumpy came in barrels, not bottles, and that they had not purchased cider at the local stores. Alas, they had bought 20 cases of Tizer the Appetizer. Somehow, in translation, cider had become Tizer – oh the glories of discourse analysis and the meaning of meaning.

Clepsydra 21

Clepsydra 21

… she left me
          at the lighthouse
               rising tide
                    beach diminishing

and grew smaller
     as she walked away

I search the sand for sea-gems
     sand-dollars
          cerulean sea-glass
               rarest of all the reds

ground down
     polished
          sanded to perfection

so many worlds
     in a grain of sand
          their words going unspoken
               carried away by the sea-wind

the wind that haunts
     caves and cliffs
          hooting like a ghost train
               in a forlorn
                    tunnel of love

love lost
     love found
          an old love
               rediscovered
                    only to be lost anew

what is this thing
     called love …

Commentary:

Listen! “Can you hear the music?” “No, but I hear singing even though there’s no one there.” I know, I know, we have had this conversation before. Moo didn’t have a painting along the lines of ‘what is this thing called love’, so he dug out this one – Walking on Air – the painting, not Moo. But then, Moo’s a silly old romantic and verses and songs settle in his mind. All too often, when he walks he finds he’s ‘walking on air’! The two of us, Moo and me, have always loved that song. Great to work it into a commentary on a poem (again).

Love – what is this thing called love? And how many types of love are there? We use the word so frequently, or infrequently, if we are Mr. Grinch. But what does it mean? Love of self, love of other? And how many others can we love – I know that Minnie had a heart as big as a whale, but how many loves can fit into it? Love of father, mother, daughters , sons, brothers, sisters, cousins – how far do we go? Winning sports teams – everybody loves everyone on the team when they win they cup. That love is so much harder if they lose it – especially if there is a goat on the team, and I don’t mean greatest of all time! I mean sacrificial.

I love you with all my heart! Does that include the pacemaker and the stent? What does atrial fibrillation mean in that situation? Good questions. Neither me nor Moo have the answers. Write your answers on a postcard and send it to – where? With Canada Post on strike, you will need a team of real snails. Hitch your postcards to them. Threaten them with the salt shaker. And off they go. Snail mail is back. Or you could place them on a dog sled, hitch up the huskies and Mush, Moo, mush! Away they all go hauling the mail. Why does it always be the mail? Why can’t it be the Femail? Mail – Femail. Oh, but I love that. There, you see. We’ve just added another meaning to love. Let’s hope none of the huskies lies down to rest. That’s called a Canadian flat tire. Oh, I love that one too.

I am running out of time, space, and ideas. And that’s only one word from the poem that we’ve looked at. Oh, shame and scandal in the letter-box.

Clepsydra 18-20

18

… as free as the birds
     a sky full at North Cape
          where shores retreat
               year after year
 
the big red mud diminishes
     under advancing waters
          sea-threatened cliffs
               undermined roads
                    houses
                         the lighthouse

gulls follow the fishing boats
     herring gulls
          blotting out
               sun and sky
                    above the reef

with its seals
     basking in sunshine
          knowing themselves
               being themselves
                    thinking themselves safe

kings and queens
     of their sealdom
          never questioning …

19

… an osprey
     sudden the swoop
          turned into a stoop

water shattered
     total immersion
          then emerging
               with lusty thrusts of wings

claws clasping
     imprisoned prey
          prised from the sea
               raised to the skies
                    up and away
                         murderer and victim

oblivious below
     the black horse
          with cart and farmer
               gathering seaweed

all of them
     having no doubts
          safe in the security
               of their roles …

20

… while lost in the labyrinth
      I searched for a thread
               on life’s loom

a thread woven
     by an unknown
          unseen hand
               a hand and thread
                    I could never control

yet one day
     that thread
          will lead me out
               from the dark

then shall I see
     the sun’s great candle
          beneath which red rocks
               wave and water battered
                    crumble

here at North Cape
     in a way that nobody
          can understand …

Commentary:

The osprey “emerging with lusty thrusts of wings, claws clasping, imprisoned prey prised from the sea, raised to the skies, up and away, murderer and victim.” The words are based on the photograph. A quiet day, somebody shouted, and pointed, and clickety-click, I was lucky enough to capture the whole thing on my digital camera. This one shot summarizes it all.

The stanzas (16 & 17) that precede this moment are available here. Clepsydra, the book, is one single poem, one single sentence, that rambles on and on. Each stanza stands alone, each poem (numbered) stands alone, and the whole book stands alone as a single sentence summarizing what I have seen and where I have been. Bakhtinian Chronotopos – my dialog with my time and my place. In this case, my many dialogs with my multiple times and multitudinous places.

Albert Camus lent me the phrase ‘murderer and victim’. ‘Nous sommes, ou meurtrier ou victime‘. Quoted from memory. I hope I am not too far wrong. My memory fades as I age. Louis Aragon suggested I borrow his line “rois tombés de leurs chariots” – that I found in his collection Il ne m’est Paris sans Elsa. Here, I have applied it to the seals at North Cape, PEI – “seals – basking in sunshine – kings and queens of their sealdom.” Intertextuality – texts talking to texts and recalling segments of texts within other texts.” Wonderful. Alas, I fear the coming days when the memory may no longer be so clear. ‘What will be, will be’ said the Osprey as he pulled the flounder from the sea and carried him too his nest in a nearby tree.

Absence

Absence …

… makes the heart grow
callouses scabs you can
pick at with your finger
nails bleeding fresh blood

they remind you that you have
a heart feelings something
buried so deep you need
a pick and a shovel to dig
a shaft with wooden slats
placed carefully at the sides
so your mine won’t collapse

you dig deeper and deeper
until in the gloom you see
the feathered fluttering —

a broken-winged canary
sacrificed in its cage
so part of you can escape
flee the mine
and come out alive

Commentary:

A golden oldie. Moo thought Poppy Day (11/11/2024) would be a suitable painting. Those who survive rarely forget those they were forced to leave behind. Kindred spirits, they travel though life together, the live one carrying the other on his shoulders as he would have done earlier, had he been able to.

Moo still has a teddy bear. He tells me he has always slept with one. His first teddy was an Australian Koala, a real stuffed koala given him by his Australian family, back when he was born. Moo was reading a book on the Battle of Britain (15 September 1940). It had a picture of the gunner from a Bolton Paul Defiant, sitting in the gun turret. Behind him, he had his little teddy bear. Moo couldn’t stop crying. He thinks he might have been an air gunner in another life, and when he saw that teddy, it brought back so many memories – flak, night fighters, search lights, tracer bullets, pain, flames, and then the unending darkness. So many did not come back, especially the tail-gunners. Their absence is still a presence to someone in their families. And so it should be.

Autumn Leaves

Autumn Leaves

I used to run,
jump, and catch them
in mid-air,
one, two, three
in each hand.

Now
I stand and wait
for them to fall
and land, perhaps,
on my clothes
or catch in my hair

the Leprechaun luck
of my Irish heritage,
so long-denied,
with its pot of golden leaves
waiting for me
at summer’s cast-off
rainbow’s end.

Commentary:

Autumn Leaves, but where does it go to. Good question. Moo asked me that the other day. I just had to tell him that I didn’t know. However, he did offer me the perfect painting for the fall and the changing leaves. Fall Folly Age. I never realized that he could play with words like he plays with paint. Anyway, I know that last winter he painted a picture of little white dots with wings. “What are they?” I asked him. “Snow flies,” he replied. “You know, when the snow flies …” “When the snow flies do what?” “I don’t know.” Moo and I live in a mysterious world, as you have probably come to realize.

Any way, the combination of fall foliage and fall folly age is quite a good one and it shows the folly of ageing and trying to chase down falling leaves when gadding about in the garden with two sticks, one in each hand. Of course, in case you don’t like that painting, and I hope you do like it, because I do, then here’s another one for you.

The text reads – “Autumn leaves – catch them if you can – while you can -and close the door behind her – when she leaves.” Oh witty Moo. Painting and occasional poetry too.

OAS

OAS

I take up my pen to scribble
my name and a riddle in the sands,
neither seen nor understood
by folk in far off lands.

Yet here I stand on foreign strand
my body twice marooned
by friends and fate and oft of late
my achievements all lampooned.

I bid you spare a thought for me
and also for my fate:
I came, I saw, I got a job,
but retirement ain’t great.

A pittance for a pension,
a life on OAS,
a walking stick and SOS,
that’s all that’s left, I guess.

Commentary:

A Golden Oldie from way back (2013 or so). Things get worse, in many ways, but yma o hyd – we’re still here. And that’s the main thing. We need rain, more rain, and yet more rain. Yet the damp really gets to those of us who suffer from osteo-arthritis. Maybe we should put a tariff on it (250%) and then it would be priced out of existence. Then it can rain as much as it wants and the aches and pains will stay in Aix-les-Bains and not come running after me.

I asked Moo for a painting of rain drops falling on my head, but he didn’t have one. So I found a photograph of a real rain storm falling on the back porch, a year or so ago. We need one of those right now. Moo is nodding his head as I type. Oh dear, he just snored. He must have fallen asleep. He does much more noddy now than he used to. And so do I. Maybe I’ll do a photo of a big yawn next. Or he can paint one.