Dreams

Which activities make you lose track of time?

Daily writing prompt
Which activities make you lose track of time?
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Which activities make you lose track of time?

I guess it depends on how you define activities. Sleeping certainly makes me lose track of time. But sleeping is not an activity, you say. So I say, what about sleep walking? A track to walk on, and sometimes sleep walkers lose track of themselves, and hands of the clock lost in the dark ahead of them, on they go, tick-tock, little clockwork soldiers marching until someone or something wakes them up. Where am I? They ask. And what time is it?

Watching my fox terrier chasing his tail as he runs round and round in circles, never quite catching it, but never giving up his high hopes of catching that little rat-tail of a tail that dangles there behind. And round about and out and in all day that silly dog did spin, spinning in prose and spinning in rhyme, until I lost all track of time.

Same thing happens with that little electric railway that ran on a single loop around the kitchen table. Diddle-da-diddly-da, just like a real train, except no smoke, no puff the magic dragon, no sense of a schedule or arriving and departing on time, when circular time is meaningless, as are the numbers on the sundial when the sun isn’t shining, or the hands on the clock when the numbers are missing, and you don’t know whether you are looking in time’s mirror or are standing on your head in the Antipodes and all the while the clock hands are marching round and round, tick-tock, and there is no track by which time can be tracked. And the runaway hands went round the track and the ghost train hooted whoo-hooo, as it vanished into the timeless tunnel of darkest night, and then exited. like Rip Van Winkle, the engine driver with a huge beard, and the carriages all covered with cobwebs and skeletons peeping out of the compartments and sitting beside some of the travellers as they snore on their seats.

And wow, the activity, if it be an activity, of walking my fingers over the keys has just made me lose track of the last ten minutes. And now it is time for me to drive to hospital, have a needle stuck in my arm, and allow a nurse to draw my blood. And the moment from the first sight of the needle to the moment it is withdrawn from the end is e-n-d-l-e-s-s and takes an eternity.

Window Pain

Window Pain

I live in a world beyond the material world.
At night, I swim, a silver fish, among the stars.
Constellations net me in their glistening hair.

By day I wander along a piano’s keys.
I replay life’s golden dreams again and again,
its quartets, concertos, and its symphonies.

A harmonious blacksmith, I no longer know
who, or what, I am. I only know I exist right here,
at my desk, looking out through my window,

a window in my mind, that serves as a mirror,
reflecting all I was, and am, and ever will be.
Sometimes, the sun shines. Often the rain

falls cold against that window pane, and I press
my nose against cold glass, and feel again the pain.

Bone Fire Night

Bone Fire Night

Sometimes the sun’s too bright
and we are best, at night, by moonlight,
when shadows flicker and we seize,
in the shimmering half-light,
half-truths glowing in the dark.

In the full light of day, these ideas
take forms, flesh themselves out,
grow skin and bone, flesh and blood,
their skeletal beings standing,
fully-clothed, beside us.

They take on match-stick bodies,
twisted, pipe-cleaner shapes,
or stick their stakes into the ground,
hold out their arms, and turn into
scarecrows that scare away the truth

Do they bring us release from our
darkest yearnings, or are they those
self-same cravings, hankering after
their day of glory, that precious moment
when they stand upright in the sun?

With the advent of bone fire night,
we stack them into wheelbarrows,
place them on the gathering pile
of outmoded thoughts and ideas,
light a match, and watch them burn.

A Game of Chance

A Game of Chance

You make me think of the road not walked,
the path untaken, the bay around the headland
where we never swam, the cliffs on the Gower
that we never had the time to climb.

Who knows which path is right or wrong
when we throw the dice and stake our future
on a single moment of time when, thinking done,
we come to a decision and take that first step.

The more I know, the more I realize that I know
so little and am surrounded by a world
not only unknown, but totally unknowable,
and me with my life dangling from a frail thread.

Sometimes, I dig deep into bottled sunshine,
But find no answers there, just the same questions
swirling round the glass, and the glass filled with
the same uncertainties and lack of knowledge.

I really don’t know where to go, or how to get there.
And then I remember that, if I don’t know where to go,
any path I take will lead me there. That is when I shuffle
the cards, breathe deep, and give the dice a throw.

A World of Silence

A World of Silence

My dreams are black-and-white movies,
no voices, with the cinema pianist tapping
silent notes on the hammer dulcimer.

Shadowy images, cast by a candle, flicker
along the walls, and I am back in school,
walking, half-asleep to midnight mass.

I stumble forward, from that distant past
towards a series of unknown futures
none of which may ever come to pass.

In the Big Top of my head, the gymnasts
hold hands and in silence float their clouds
above the heads of the wondering crowds.

To fall or not to fall, to fall to rise no more.
Soundless sighs erupt from silent, open
mouths as the tight-rope walker sets out.

The umbrella in his hand is a Roman candle
that throws shadows on the circus sand
as clowns with bulbous noses cavort below.

The ring-master flexes an inaudible whip.
The carnival ponies trot up and down.
The motor-bike rider accelerates. In the hush
the bike ascends the Wall of Death and falls,
diving down, down, down, into silence.

“All words come out of silence. The language of poetry rises from, and returns to, silence.” John O’Donohue, Anam Cara, p. 110.

A Darker Mist

A Darker Mist

Sometimes a dark mist marches over
the sea-salt marsh flats and, a sea-bird
come to land, nests in my heart. This lone
bird brings others and soon a colony sings
its chorus in time with the incoming tide
that threatens to overwhelm me.

My body’s weak clay responds to this
darkness and slips into the chaotic
cacophony of multiple voices
raised to shut me off from the light.

My soul, a seagull seeking the sun,
rises upwards, ever upwards,
in search of the sunshine, that silver
lining that redeems every cloud, belying
the darkness of this gathering gloom.

“You will find sorrow moving through you, like a dark mist over landscape.” John O’Donohue, Anam Cara, p. 94.

Poems for the End of Time

Poems for the End of Time

Here it is, and it is up and waiting for you! I already have my first copy. More on the way. The same artist who did the cover for People of the Mist did this one as well. He’s such a nice person – doesn’t charge me a penny.

Introduction

         Poems for the End of Time is composed of two linked collections, Meditations on Messiaen and Lamentations for Holy Week. They both have separate introductions in the body of the text.

         My graduate work at the University of Toronto (MA, 1967, and PhD, 1975) included studies on Golden Age / Early Modern Spanish Poetry (16th -17th Centuries). It enabled me to read and enjoy both the Renaissance and the Baroque poetry of Spain. My own interests lay within nature poetry, as expressed by the Spanish Mystics (St. John of the Cross and St. Teresa of Avila), the Neo-Platonic Poets (in particular, Fray Luis de León), and the Metaphysical poets (Luis de Góngora and Francisco de Quevedo). Echoes of their writings and thoughts are frequent within these two poetic sequences.

         I will write further on both sequences later in the book. Briefly, both sets of poems were written while listening to the music of Olivier Messiaen. Three of his compositions, Quatuor pour la fin du temps / Quartet for the End of Time, Éclairs sur l’au-delà / Lightning over the Beyond, and Petites esquisses d’oiseaux / Little Sketches of Birds, influenced me enormously. I listened to them every day while I was writing and revising these poems.

         These poems are not for the simple-minded. They form a contrasting tapestry of point and counter-point, filled with allusions, word-plays, internal rhymes, repetitions, and alliterations. They have a music all of their own.

Do not expect simplistic escapism. If you are serious in your efforts to read, listen to the magic of Messiaen as you turn the pages, much as I did while I was writing.

People of the Mist

People of the Mist

Cover Painting

Pale Face by Moo

Back Cover Synopsis

            What if you walked into a church in a foreign country and came face-to-face your dead father? In People of the Mist, Nemo, orphaned as a baby after the suicide of his unmarried mother, seems called to visit Oaxaca, Mexico, the city of the returning dead. Upon arrival, he visits the town’s main cathedral only to encounter his adoptive father, a man he had buried years earlier. Confused by what he thinks is a realistic vision, he seeks the help of a local witch doctor to explain his mirage. The shaman seems to hold the answer and presents him with a broken medallion. He challenges Nemo to find the other half, promising the quest and discovery will reveal the real purpose of the young man being called to Oaxaca.

Brief Biography

Roger Moore, is an award-winning teacher, researcher, poet, and short-story writer. His accolades include being a CBC short story finalist, as well as winning multiple awards from the WFNB. Born in Swansea, Wales, he now lives in Island View, NB, Canada. Between 1995 and 2001, he taught multiple classes in Oaxaca, Mexico, where he first encountered the Mixtec codices.

Click here to view on Amazon

B & W

B & W

black words     white page

thoughts

floating in space

airs and graces

the world’s wind

blowing through

freshening     cleansing

cotton clouds     silky sky

that one word

waiting

to be spoken

that one thought

soon to be borne

out from the dark

a new existence

brightens

blinds with its light

Click here for Roger’s reading.


“If you look at a page of poetry, the slim words are couched in the empty whiteness of the page.” John O’Donohue, Anam Cara, p. 69.