Dreams

A book is a book is a book

A book is a book is a book

“If one cannot enjoy reading a book over and over again, there is no use in reading it at all.” Oscar Wilde

A good friend of mine once told me that her creative writing writing prof in the MFA program told the class: “We are not writers. We are re-writers.” Our mission in life, then, is not just to rewrite, but to think and to revise. The art of writing lies in analysis, research, thought, and thinking carefully about (a) what we are about to write and (b) what we have just written. As a great Spanish writer once said “I write as I speak and when writing I count my syllables.”

So can the same principle be applied to reading? In my undergraduate poetry courses, one of my wiser profs announced that “It is better to read one poem a hundred times, than a hundred poems once.” Is re-reading better than reading? Good question. But it is what I call a swimming pool question: it has shallow ends and deep ends. Joke – it depends, you see, upon the quality of the material one is reading. For example, does a single reading of the Bible suffice? I read it through, page by page, when I was twelve years old. Was that it? No, I still return to it – the good book – from time to time, selecting, remembering, checking, looking for comfort, advice, or sometimes, pure joy in the sound of the language – King James version, of course.

What other books have I read and re-read? Lazarillo de Tormes, Don Quixote, The Hobbit, The Lord of the Rings, The first book in the Harry Potter series – it reminded me of elements of my own childhood, especially the cupboard under the stairs. Been there, done that, got the tee shirt. The Wind in the Willows, Gongora’s Polifemo, Quevedo’s Metaphysical Poems and his Cycle to Lisi. Octavio Paz’s Sunstone / Piedra de Sol, Lorca’s Romancero Gitano, his Poet in New York, and his plays. Platero y yo. Charlotte’s Web. Several of Shakespeare’s plays, including McBeth, Henry V, King Lear, and a couple more. Rudyard Kipling’s Kim and Stalky and Co. Mary Gentle’s Golden Witchbreed. Robert Bly’s Morning Poems, Iron John, The Sibling Society. Unamuno’s The Tragic Sense of Life and his Niebla. Enough, no more. It is not as sweet now as it was before. And there are so many more to which I have returned, again and again.

So, think about all the time wasted on trivial books, books that remained unfinished, books that have never been opened. One person’s vegetarian or vegan’s fare is a carnivore’s poison [sick]. Sometimes a book mirrors our thoughts. Sometimes it challenges us to rethink our lives and our philosophies. Sometimes it comforts us or takes us back into our childhood. And sometimes it just bores us and we cannot finish it.

A rose is a rose is a rose. A book is a book is a book. Or is it? We are not readers – we are re-readers. And if we aren’t, we ought to be. Think about that. Carefully.

Looking at the Stars

Looking at the Stars

“We are all in the gutter, but some of us are looking at the stars.”  Oscar Wilde

Another beautiful quote from Oscar Wilde. I look at the world around me and I see two different spheres – the celestial one where, on a clear night, Orion patrols the winter skies, his faithful dog star at his heels. These are nights of great beauty, fields where mythical animals wander their ways, clothed in sparking suits of light.

Then I open the newspapers, read the news, and wonder what we are all up to. Up to? Down to, rather, for I have that sneaking feeling that so many of us are indeed lying in the gutter, somewhere, thrown out of a moving car, and abandoned, like some dead deer in a roadside ditch. Everywhere, the news is dark and dreary – wars, rumors of war, shootings, beatings, corruption, lies – or terminological inexactitudes, as Winston Churchill called them, the word ‘lies’ not being permitted in the Mother of Parliaments.

The Mother of Parliaments, indeed. And what a non-sensical mess that has become. To repeat the litanies of nonsense spouted in the English Parliament nowadays, I hesitate to call it ‘the British Parliament’, is to risk rusting and ruining my computer keyboard with the salt tears I shed.

So many of them, then, literally lying- the word has multiple meanings – in the gutter. So many of us dragged down with them. But, each night, when the skies are clear and the clouds move away, I find myself, once again, looking up at the stars. Per ardua ad astra – through hardship to the stars.

Breathe deep – keep the faith and believe.

No Turkey, No Presents, No Tree

No Turkey, No Presents, No Tree.

And that’s how it is this year. Partly by choice. We decided against the stress of a turkey. Is it cleaned out correctly? Is it stuffed properly? Will we put bacon on top? Is it cooked to perfection? What about the trimmings? Stuffing (inside and out)? Bread sauce? Cranberry sauce? And the vegetables? And the Christmas Pudding? Will it be ready on time? Does it look nice? Have we laid the table properly? There are only two of us now. How much turkey can two people eat anyway? So we’ll have none of that this year. No stress. No cooking. No washing up. No leftovers. No turkey. The poem – The Twelve Days of Turkey – makes this clear.

As for the presents, well, that’s a sad story. We don’t really need anything. The house looks like a cross between a junk-shop and a museum gone mad. As Dylan Thomas said of Swansea Museum: it looks like a museum that belongs in a museum. And that’s what the inside of our house is beginning to look like. A crazy place inhabited by two crazy people and a crazy cat. Well, the cat would have loved some wrapping paper to play in, if it were a normal cat, but it’s not. So even the wrapping paper won’t be missed. No presents means no disappointment and that means that the Poem of Lower Christmas Expectations does not have to be written.

As for the tree, well, we don’t have a living tree, chopped down, and fed water daily, so that it can sprinkle its needles steadily over the carpet before it’s time to go. And the, on the way out, it drops the lot. Then we must vacuum clean, Hoover, Dyson, brush up, do the necessary, whatever it is, to make the place clean again. And oh, that cold January air when we open the sliding door to force the tree out. Force it out indeed – after 12 or so days inside, it doesn’t want to go out in the cold and freeze. And neither do we.

So, it’s a minimal Christmas. Three LED trees from past years. Clare’s Auntie’s artificial tree from her old shop in Cheap Street, Frome. Some strings of lights. Everything inside the house and nothing outside. And inside we have warmth, light, a fire in the stove, and for dinner, a tourtière, Acadian, all nicely spiced. With a selection of trimmings, to be determined later. Bread sauce and cranberry sauce probably. Oh yes, and we have a variety of puddings that can steam while we are eating. A minimal Christmas, then. No high expectations. The Christmas Mangers from Mexico and Spain all in place. And Christmas music, also from Mexico, on the disco and ready to go.

And yes, this will be the best Christmas ever. Because it is taking place within our hearts. And all best wishes for a wonderful day and an even better year to follow, to all of you, too.

Movement

Movement

Incoming tide, a sparkling sea,
waves dancing beneath the sun,
white-maned ponies prancing.

Summer light changing as a cloud
moves its shadow over meadows
where cows graze, their advance slow,
gentle their movements, browsing.

Autumn wind, the dry leaves
casting a red-gold rainfall
over the lawn, shuffling along,
in time to the whispered wind song.

Silent, the deer, soundless as they move
through the trees at garden’s foot,
walking the tight-rope edge
dainty, between kempt, and wild.

Click for Roger’s reading on Anchor.
Movement

Wilderness

Wilderness

This wilderness wasn’t a wilderness
until they arrived and called it ‘wild’.

They constructed roads, ran boats
up and down our rivers,
built bridges, fenced fields,
built stone buildings, desecrated
the curves of the land
with square shapes and right angles,
razor sharp lines that ‘tamed it,’
they said, but we said ‘destroyed it’.

Where now the spring salmon runs?
The dam that put the river in chains
drove all those fish away.

Upstream, down stream,
towards the river and away from it,
the four cardinal points
brought ruin to our sense of direction.

Where now the land’s lost soul,
the ancient paths our people walked?

In place of the circles we built from stone,
the stones that pointed the time of sky,
that tracked the seasons,
and planting time and harvest time,
they gave us clockwork clocks.

Yes, they tamed this wilderness,
but they broke it down and we watched,
helpless, as they stole its soul.

Click here for Roger’s reading on Anchor.
Wilderness

Circles

Circles

Secret and sacred,
this shadow world that walks
naked in the inner chambers
of the mysterious mind.

Here, in the valley,
surrounded by whaleback hills,
the horizon limited by fir and fin,
I live without limits
beneath a limitless sky.

Dream boats sail above me
on a sumptuous azure sea
and I am a mammal,
feet rooted in the soil, dwelling
at the bottom of a sea of air.

Mysterious, the circles
weave their cycles –
sunrise to sunset,
moonrise to moonset –
and in my dreams
a photo of the rising earth
seen from a cyclical satellite
we call the moon.

Click here for Roger’s reading on Anchor.
Circles

Boats

Boats

At night the boats arrive to carry you
away to the lands in which you dream.

Each boat carries a different cargo. Each
boat means a different size and shape.

To find out what they carry, you must climb
on board, raise the hatch cover, and descend
to where the riches rest in the dark below.

Ancient maps, formed by Freud, then redone
in the symbolic imagery of Jung, point out
the perils the traveler may meet as he sails away.

“Here be monsters, here be dragons, here be
anything you wish to configure in your dreams.

And here be the spice lands, emerald isles
embedded with their scents in a turquoise sea.

But steer clear of Scylla and Charybdis,
the pool that whirls, the rocks that close and
crash to crush you with their grinding teeth.”

Click here for Roger’s reading on Anchor.
Boats

Day of the Dead

Day of the Dead

writing by candlelight
the flickering flame
casting shadows
over thought and word

tell me what are shadows
but the false promises
festering in Plato’s Cave
or a fake finger show
projected on an unwilling wall

yellow and red the flames
sweet scented the smoke rising
from melting wax
my mind alive with memories

this night of nights
when family ghosts
drift through the room
and my childhood clutches
the red bag of my heart
with death’s cold fingers

Click here for Roger’s reading on Anchor
Day of the Dead


To be a writer (Revised)

To be a writer
revised version

To be a writer ….

Those who would true valor see,
let them come hither.
One here will constant be,
through foul or fair weather.
There’s no discouragement
will make her once relent
her first avowed intent,
to be a writer.

Those who beset her round
with dismal stories,
do but themselves confound:
her strength the more is.
No blank page can her fright,
she’ll with a sentence fight,
and she will have a right,
to be a writer.

Rejections nor false friends
can daunt her spirit.
She knows she at the end
will a book inherit.
So critics fly away,
she’ll fear not what they say,
she’ll labor night and day
to be a writer.

Click here for Roger’s reading on Anchor.
To be a writer
revised version

Comment: I first wrote this poem in January 2021. It is, of course, a rewriting of John Bunyan’s hymn / poem, To be a pilgrim from Pilgrim’s Progress. In the original version, I kept the male pronouns. However, after collaborating as the only male participant in [Quick Brown Fox] Brian Henry’s Advanced Writing Group of 13 fantastic women writers, I realized that the female pronoun was, in so many cases, the most appropriate one. I therefore made the necessary adjustments. You can find the old poem at this link – personally, I prefer the new version! https://rogermoorepoet.com/2021/01/11/to-be-a-writer/

Sisyphus

Sisyphus

Long gone, those good old days, dead and gone,
their centers collapsed in on themselves
unable to hold on to time’s hands
circling the clock of ages, that timeless rock.

Beyond these days, long days when light will fail
to enlighten, eyes will be dimmed, the burden
will grow heavier and even more heavy
with life lying in wait, to weigh us down,
always lying, and the lies themselves
more rocks added to the pile we must carry.

Carrying them is one thing. Rolling them up
this endless hill only to have them roll down,
again and again, forcing us to stoop once more,
not to conquer, but merely to live our lives,
to journey onwards, relentlessly, to endure
from the beginning of the end until the last,
and we must endure, will endure to the last.

“Il faut imaginer Sisyphe heureux.”
Albert Camus

Click for Roger’s reading on Anchor.
Sisyphus