Blessings

Fin on Swing

Fin on Swing

So, how do you get movement into a two-dimensional space? How do you get the to and fro, the up and down, the legs out front, the hair out back? And there are so many things missing. The alpacas watching. The goats guzzling. The peacock making whatever noise a peacock makes. Oh dear, I forgot all of those things. But then, I was never a great artist – just a dabbler in line and color, in sorrow and joy, but joy and happiness, shape and color, emotions above all. And when childhood meets second childhood – then there is joy and laughter and swings that go faster.

Blue Birds Over

Blue Birds Over

There used to be “Blue birds over, the White cliffs of Dover” – and I remember how white and bright they were, when I was a teenager, returning from my summers in France and Spain, to see them, shining, and to know that I would soon be back in England – an England I no longer recognize.

Windmills, cliffs collapsing, line-ups for miles of trucks and traffic waiting to make their way into a Europe that we rejected. I remember travelling to France, Spain, Germany, Holland, Belgium, Luxemburg, Switzerland, Italy, Portugal and always being welcome. I remember the days when, as a pre-teen and an early teen, visas were still necessary for entry into some countries. And I remember how, later, with a European Passport, I was welcomed as a member of a larger community.

The Latin Mass, a common factor throughout Europe in my youth, now celebrated in many languages, is only open to those who speak those languages. Progressive or Retrograde? I guess, like beauty, everything is in the eye of the beholder. De gustibus non est disputandum – and that’s how it should be. But I long for that freedom, that sense of adventure, that sense of belonging that once, so long ago, I knew.

And yes, I wish I could still see those bluebirds over the white cliffs of Dover, not just lines of lorries and piles of portaloos and stress and discontent and impatience and misery. Just sign me sad, I guess, but now I know why those bluebirds are blue.

Rainbow Flower & Pot

Rainbow Flower and Pot

Finley has decided, quite rightly, that what she wants to paint, draw, or colour, is much more important than any of the page prompts in the drawing book I got her. That said, this could easily be a comic book cover – or the cover photo of my next book.

“I want to see the world again through the eyes of a little child” – Picasso. The gift of so doing is precious.

Me and My Bride!

Me and My Bride!

A friend wrote to me today and sent her greetings to ‘you and your bride’. Well, that delightful phrase set me thinking. Clare (my bride!) and I have known each other for 61 years and we have been married for 56 of them, 57 this Christmas. I often wonder how this wonderful woman has put up with me during all those years.

Mrs. Thomas Thomas, my good friend from the little village in Wales where my parents had their house, once told me about a friend of hers. That friend had been married for 35 years and had never had a quarrel or a fight with her husband. ‘There she goes,’ she told me one morning. ‘Never a fight with her husband. Bloody boring marriage, if you ask me.’

The point, I suppose, is that yes, there can be disagreements within a marriage, and doubts, and uncertainties, and questions about major decisions, and no, we don’t agree on everything? How could we? And one of the best parts about marriage, well, ours anyway, is agreeing to differ, and then making up again, as quickly as possible, after any disagreements.

Whatever, it is hard to argue against 61 years of togetherness and happiness. The secret formula? Clare’s – to learn my languages with me, to help me with my work, to lift me up when I am down. Mine – to love cooking for her, spoiling her, bringing her flowers, and trying to support her as she has supported me.

We have often led separate lives – Clare as a tennis player, a national gymnastics judge, a dedicated show secretary of the local kennel club, a show dog owner, groomer, and handler. Me – as a rugby player and coach, a researcher who has travelled frequently and visited important libraries in my field, a poet and short story writer who has taken and led workshops and writing groups.

We have also worked together at all levels. Each of my four graduate courses (MA, Toronto, 1967) demanded a paper every two weeks. Sunday, Monday, Tuesday – paper #1. Wednesday, Thursday, Friday -paper #2. Saturday – rugby with U of T Blues or Toronto Irish. Sunday, Monday, Tuesday – paper #3. Wednesday, Thursday, Friday – paper #4.

I would sit in the kitchen and write the papers in longhand. Clare would sit at the other side of the table and type each page as I finished it. She did the editing too, when and where necessary. She also developed her computing skills faster than I did. Result: web pages, art work, design, photography, and several of my book covers. Our keys to success include team work, mutual assistance, deep caring and sharing, but separate paths, when and if we needed to take them.

So, there you have it. A swiftly-penned picture of me and my bride, or, as I call her, my better two-thirds. My life would have been very, very different without her. And don’t forget: behind every lucky man, there stands a wonderful woman.

A Good Day’s Work

A Good Day’s Work
The Water Tower
11

“A good day’s work,” the artist said,
admiring, as light drained from the sky,
all the different blues of a lower sky renewed.

Above the tower, a deeper shade of blue.
At the tower’s foot, the nascent grass grew damp
with dew beneath the artist’s feet.

And so, to home, but not to rest.
The restless mind plans on and on,
the next day’s work, and after that, the next.

We who bear witness, our feet fixed in the earth below,
cherish each moment, admire the paints as they flow.
Time and space trapped in fragile things
and the water tower, a watch tower now,
standing guard, on high, watching over, mirroring,
all poor creatures, set on earth, and born to die.

Click here for Roger’s reading on Anchor.
A Good Day’s Work

The Water Tower 9

The Water Tower
9

How do you paint this water tower,
that garden, these flowers, those woods?
Up and down: two dimensions. Easy.
Where does light begin and darkness end?

Where do these things come from – depth
tactility, energy, water’s flow,
that rush of breathless movement
that transcends the painting’s stillness?

This water tower is more than a reservoir.
Restored, it reaches out, an old friend,
with all its strengths that reinforce the needs,
physical and spiritual, of so many people.

The water tower itself is more than a tower:
it symbolizes the creative power of life and art.

Click here for Roger’s reading on Anchor.
The Water Tower 9

The Water Tower 5

The Water Tower 5

Does the left hand know
what the right hand is doing?

Does the pencil know
where the artist’s hand is going?

Does the artist know
the point of arrival
before he even sets out
and takes his first step
on that life-long journey?

Or does he play the music by ear,
the paint by eye,
the pencil and brush
by the deftest of touches
that follow a path set
long ago in the summer stars
and the winter nights
of longing and strife?

Only the artist knows:
and he might not be telling.

Click here for Roger’s reading on Anchor.
Water Tower 5

Geoff Slater – Painter

Roger Moore – Poet

The Water Tower 4

The artist scales Jacob’s ladder,
per ardua ad astra,
through hardship to the stars.

He discovers a jigsaw puzzle
of shattered color and shape,
a serpent’s shed skin of paint,
battered patterns broken, stripped,
dangling, swayed by the wind
that washes and renews the world.

What world you ask?
The painter’s world. The world that dwells
within the meditating mind.
The creation that awaits the artist’s touch
in order to come alive and beckon us.
The secret, sacred world
of the artist’s hidden garden,
soon to be revealed.

Click here for Roger’s reading on Anchor.
The Water Tower 4

Geoff Slater – Painter

Roger Moore – Poet

Starless Night

Starless Night

Night without moon, without stars.
Dark sand dropped filling my mouth.
I walked the lonely bed of a dried up river.
When I stumbled in my dream,
my feet left no marks on the sand.

Colorless was my path
through shadow and shade
where a thousand figures of darkness
danced before me,
hollow their eyes,
their mouths black caverns.
No flesh decked their bones
and no night birds called.

Footless the earth worm
sighed a sibilant song.
Mindless he drew in a net
full of sorrows, silver fish
darkling losing their sparkle.

The dusky shawl of knitted dreams
wrapped itself around my shoulders
and I picked at knots of tangled memory
that bled like fresh wounds.

Click here for Roger’s reading on Anchor.
Starless Night

The Water Tower 3

Geoff Slater – Photos
Roger Moore – Poems

The Water Tower 3

Here there is no in media res.
We must begin at the beginning:
the inspection, the realization,
the determination to ensure
that all will be restored
and the Garden of Eden rebuilt,
here, where it stood before.

The feet that hold no defeat,
the hands that will reconstruct
the image growing within the artist’s mind,
the mind that will determine
how the brush will guide,
the bright paint slither.

But first the damage must be repaired,
the surface cleaned,
fresh straw in the manger
to signify a readiness for renewal,
rebirth, and the continuing cycle.

Click here for Roger’s reading on Anchor,
The Water Tower 3