Spoken Poetry

Sound of Silence

Sound of Silence
Cara Anam, p. xv

Where do the deer go
when they leave their tracks
behind them and pass out of our sight?

We lose them when, like school children,
they scale the snow bank,
stop at the roadside, and look left,
right, and left again, then walk sedately,
one by one, across the road, and blend
into the dark woods opposite our house.

Too many friends have walked a similar way,
crossed the great divide, and lost themselves
in the unknown that lies there, out of sight.

All too soon, we will be faced by that same
decision, whether or not to cross.
Our paths already tell us where we’ll go,
but the hands of our body clocks don’t yet
point to how, or when.

Click here to listen to Roger’s reading.

White Wolf

White Wolf

The white wolf of winter
exits her den-warmth and
shakes snow from her coat. Flakes
fly, whitening the world.

She points her nose skywards,
clears her throat, howls until
cold winds blow their chorus
of crystals, crunchy crisp.

We cower behind wooden walls,
peer out through frosted glass.
The white wolf draws near and she huffs
and she puffs until door frames rattle.

The snow drifts climb higher,
blotting out the light. Night
falls, an all-embracing
Arctic night of endless
snow snakes slithering on
ice-bound, frost-glass highways,
side roads and city streets.

Outside, in the street lights’
flicker, snow flies gather.
Thicker than summer moths,
they drop to the ground, form
ever-deepening drifts.

Our dreams become nightmares:
endless, sleepless nights, filled
with the white wolf’s winter
call for snow and even more snow.

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Heart and Hearth

Heart and Hearth

I remember the old coal fires in Swansea.
My grandmother’s house in the Hafod,
with a hearth separate from the kitchen.
The hearth held a huge cast iron fire-place
where cookpots and kettles hung
 or nestled into smouldering coals.

My grandfather’s house in Brynmill,
had a magic fireplace. Banked in before bed,
it gave warmth and light all through the night.
Warmth, comfort, the family gathered,
the wisdom of the old shared with the young,
traditional tales and songs passed down.

Everybody was welcome and each one
had a special spot reserved around the fire.

Comment:

I have been revising this poem, shortening it, and changing it very gently. Funny how the old days come back and dance before us, like the flames dance on the coals, as the old ghosts walk now upon the logs.

Click here for Roger’s reading.

True Names

True Names
Iron John, p. 236

No one will know our true names
until after we have left this place.

Like that elusive moon in tonight’s sky,
our paths will be visible, seen, but not heard.

Orion herds the stars, steering them westwards,
away from the sunrise, to moon’s golden circlet.

So much has been lost, so many of us have gone,
leaving us to mourn unspoken thoughts, silent words.

In spring, sometimes, we can hear voices whispering
to us among burgeoning blossoms and leaves.

Who will bear witness to lovers’ wishes and desires
when the great separation springs upon them?

Who will sing songs, give speech to the little children
taken before their time and lost in the silent night?

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Questions

Questions
Four Elements, p. 137

After my mother died,
I lit a candle in every church,
a real bees’ wax candle,
not those tiny electric lights
that glow for a little while,
when you insert money
in the insatiable slot.

Like the minuterie
on each landing of a Parisian
staircase, it gives enough light for
a quick prayer, or a very short
moment or two of silence.

Where does the light go
when the electricity switches off?
Where does the flame go
when the candle is snuffed?
Where did my mother go
when her light went out?

One day, but not too soon, I hope,
I will have to follow her and find
the answers to all of my questions.

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Time and Tide

Time and Tide

Sitting, waiting patiently for
whatever may come along,
that is all I have left,
save for impatience, anger,
and frustration.

These canes that help me walk
will sometimes slide on the ice,
or catch in a crack and tumble me
forwards, into a stumble or fall.

I can only sit for so long
before a screen or an empty page.
Anguish gets the better of me
and I rise to my feet and lumber
round the house, avoiding
the loose ends of carpets
and the skittering cat.

A dropped plate that I can’t pick up,
the table shaken so that liquids spill,
such events are more frequent now.

I sometimes think I am sitting,
enthroned on time’s sea-side sand,
trying to hold back the rising tide,
that cares not, nor listens, nor obeys.

Light Breaks

Bandits

Two shadows,
at three in the morning,
their faces masked,
shifty in the moonlight,
slip soundless over snow,
as they move towards
the bird feeders.

They huddle together,
forming a darker patch.
I watch the feeders move,
but cannot see the seed
nor hear it as it falls.

The feeders empty,
they move again
towards the back porch,
climb the steps,
and settle once more.

I know that by morning,
all traces of seed will be gone,
devoured by Dyson and Hoover,
scavengers and professional
seed removers.

Comment: Light Breaks

“Light breaks where no sun shines…” but sometimes it takes a long time to happen. The name of my blog is rogermoorepoet and it’s main function is to showcase my poetry, above all, to my friends and followers. In my efforts to publish in print form, I have neglected to pay attention to the main function of this blog – poetry. Why? Because when I submit poems I always find the phrase – ‘must be unpublished – including on social media’! So I stopped publishing poetry on my poetry blog and on other social media. Okay, okay. I know. I am an idiot. BUT – light has now broken where no sun shone – Dylan Thomas, of course, another Swansea Boy, and as of today poetry is back. A big thank you to any and all who have been waiting for its return. Give me some encouragement – let me know if you like what I am doing – paintings and poetry!

Click here for Roger’s reading.

Deer, oh dear!

Deer, oh dear!


Deer

sitting here watching the deer
wandering through the garden
five six seven ten
never seen so many
twelve fifteen
a caravan
a convoy
one behind the other
walking in their footsteps
following on
so silent
then
ears pricked
turning watching listening
existential
here long before us
forever following old trails
knowing each change
each new direction
a connection
between us
and how it had been
for thousands of years
before we came here
to disturb them

Click to hear Roger’s reading on Anchor.

Swansea

Swansea

To be Welsh in Swansea is to know each stop on the Mumbles Railway: the Slip, Singleton, Blackpill, the Mayals, West Cross, Oystermouth, the Mumbles Pier. It’s to remember that the single lines turn double by Green’s ice-cream stall, down by the Recreation Ground, where the trams fall silent, like dinosaurs, and wait, without grunting, for one to pass the other. It’s to read the family names on the War Memorial on the Prom. It’s to visit Frank Brangwyn in the Patti Pavilion and the Brangwyn Hall. It’s to talk to the old men playing bowls in Victoria Park. It’s to know that starfish stretch like a mysterious constellation, at low tide, when the fishnets  glow with gold and silver, and the banana boats bob in the bay, waiting to enter harbour, and the young boys dive from the concrete pipes without worrying about pollution.  But when the tide turns, the Mumbles Railway has been sold to a Texan, the brown and yellow busses no longer run to Pyle Corner, Bishopston, Pennard, Rhossili, sweet names of sand and tide, where my father’s ghost still fishes for salmon bass, casting its lines at the waves as they walk wet footprints up the beach to break down the sand-castle walls I built to last forever at Brandy Cove and by the Slip on Swansea sands.

Click here to listen to Roger’s reading on Anchor.