Fisher King

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King-Fisher-King

King-fisher, wounded wing, Fisher-King
ruling a shallow lake, water-logged,
beaver-gnawed trees, trunks and branches

rotting under water, green growth bearded
upon them, lily-padded the pond,
transformed year after year, to meadows, silt

gathering, filling in smaller channels,
only the mainstream flickers, flows beneath
freckled sunshine. Change hides in plain sight.

All things wither, perish. Cherish this changing,
these modified moods, sun and cloud, the land
recovering, coming back to fertility.

Swift the flight of the swallow’s low dip,
mottled the osprey, aloft in her nest.
King-fisher flying, return of the King.

Flickers

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Flickers
(1613 & 2019)

a watch spring
this cuckoo-clock heart
fully wound up
time’s ticker flickering
waiting to strike

black hole its beak
poked the world’s fabric
shredded into ribbons
robin’s nest torn
storm-tossed onto lawn

constant this love
its warm ashes lingering
searing holes in shoe soles
soul-sick with yearning
bright bonfires burning

metaphor and meaning
real and imagined
hammering on chimneys
territorial flickers
spring heartbeats drumming

losers of somethings
winners of others
wings lofting upwards
light above darkness
all creature comforts

a spring need to nest
an old man’s need to rest

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Baby, it’s cold outside

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Baby
it’s cold outside
(2016-2019)

damaged and diminished
no longer great but grating
gritting grinding worn-out teeth
stamp collection of small islands
seeking annihilation

no longer a leopard or a lion
a cat’s paw of wind
drifting a rudderless craft
without captain or sails
crew abandoning ship

Britannia ruling no waves
making waves in land-locked lands
billows of bitterness
filled with sweet nothings
torn from a long-lost love

a disunited kingdom now
untied not united
its shipwreck revealed
verbal Freudian slip
so many between cup and lip

lemmings at cliff edge
no blue birds over
white faces frowning down
denying anonymity’s oblivion
old lady of Threadneedle

a wheel-chaired cripple
stay-cationing in the Caymans
stooping to conquer
a hollow centre that won’t hold
though she can’t stand up straight

Tug Turmoil towing
drifting and shiftless
a common weal of festering
failures and faithless
flying enterprises

Eden 2

 

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Eden 2
(1956 AD)

Mushrooms
cremini oysters pearl
love them

love them not
garlic mushrooms
flash-fried
in atomic frying pans

nor magic mushrooms
nor radioactive fungi
spores parachuted down
mushroom grey
clouds

built this berth canal
an umbilical cord
birthing oceanic links
not division
nor destruction

Eden’s Garden
a walk in the park
an earthly paradise
closed to many
open for few

lost now
that projected paradise
not much room
four maneuvers
all things
vanished in a flash
horizon’s banana
split in an instant
everything lost

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Eden 1

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Eden 1
(1956 AD)

wet rags of dirty washing
hang on the Siegfried
line’s barbed wire

flesh rent ripped
broken-glass anger bottled
blood-mottled concrete

bones mixer-crushed
blood sacrifice a keep-safe
ash-cross camouflage
stretched sketched
over grime and crime

heavy the spike-toll
rooted the rock
chips off old blocks
these flint flakes flying

faceless this sphinx
inscrutable smile
where now
sands of the Nile

ample ammunition
beneath this apple tree
flat-footed lame-duck walk
goose-stepped after expulsion

walled this garden
to lock what in
to keep who out

 

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Russian Roulette

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Russian Roulette
(1789 & 1937 & 2019) 

trickster mind
bred in heaven’s
half-acre
gateway to counterpane
sleep-full forgetfulness

yesterday’s
visual banquet
bluebell primrose
clover and cowslip
gone all gone

cuckoo survives
emerges every hour
calls from cuckoo clock
skylarks lie buried
within vinyl grooves
no more to rise

lions tigers panthers
elephants rhinoceros
slipping off the ark
sliding into oblivion

soul’s dark night
empty the house
spun Noah’s wheel
no more bets
the stakes are set

space-ship earth
humanity’s house-boat
spins onward into what

wheel of fortune
onward she goes
where she’ll stop
nobody knows

Comment 1:
I am intrigued by the ideas in this poem. Sitting in the eye surgeon’s waiting room this morning, I watched a video on vanishing wild life. The result: I added some images to this poem and elaborated it a little bit more. There may be some twists to the cork-screw, some more spins of the gun’s roulette wheel. I am not sure that I am finished with this one yet.

Russian Roulette 2
(1789 & 1937 & 2019)

yesterday’s
visual banquet
bluebell primrose
clover and cowslip
gone all gone

cuckoo survives
emerges every hour
calls from cuckoo clock
skylarks lie buried
within vinyl grooves
no more to rise
unless the magician
waves his wand

who loads the gun
points the pistol
pulls the trigger
fires at lions tigers
elephants leopards
pushing them off the ark
sliding them into oblivion

soul’s dark night
land’s desolation
all covered by rising seas
Noah spins his steering wheel
les jeux sont faits
rien ne va plus

space-ship earth
humanity’s house-boat
spins onward into what
a roulette wheel of fortune
onward she goes
where she’ll stop
nobody knows

Comment 2:
Told you I hadn’t finished with it. Here’s the next version. Great to live in a bilingual province. What a pity that so many people do not speak both official languages. If you have read this far, let me know which version you prefer. I am going for the one below, the latest edition.

Rushing Roulette
(1789 & 1936-39 & 2019)

yesterday’s
visual banquet
bluebell primrose
clover and cowslip
gone all gone

cuckoo survives
emerges every hour
calls from cuckoo clock
skylarks lie buried
within vinyl grooves
no more to rise
unless the magician
waves his wand

who loads the gun
points the pistol
pulls the trigger
fires at lions tigers
elephants leopards
pushing them off the ark
sliding them into oblivion

soul’s dark night
land’s desolation
all covered by rising seas
Noah spins his wheel
steering space-ship earth
humanity’s house-boat
onward into who knows what
a roulette wheel of fortune
onward she goes
where she’ll stop
nobody knows

messieurs et mesdames
les jeux sont faits

rien ne va plus

.

 

Zeitgeist

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Zeitgeist

Zeitgeist is a concept from 18th- to 19th-century German philosophy, translated as “spirit of the age” or “spirit of the times”. It refers to an invisible agent or force dominating the characteristics of a given epoch.
Wikipedia 

Those who cannot learn from history are doomed to repeat it.

“Plus ça change, plus c’est la même chose.”

Poems for troubled times.

My current poems are deliberately cryptic. Each one is a mind game I am playing with you. I do not underestimate you. I have placed clues throughout each poem and if you follow the clues you will arrive at many of the poem’s hidden meanings. Some poems are more difficult than others, their meaning more recondite. Others seem very straightforward, yet still contain secrets.

This style of poetry has a long history going back to Anglo-Saxon riddles and way beyond, back into the mists of time. Luis de Góngora (1561-1627) and Francisco de Quevedo (1580-1645) specialized in similar forms of recondite poetry, often based on metaphor and the juego alusivo-elusivo, the game of alluding to something while eluding the act of saying what it is. Jorge Guillén (1893-1984) and Federico García Lorca (1898-1936) also played this game, as did Octavio Paz (1914-1998) and many of the surrealist writers. In the works of all of these poets, the clues may rest in the poem or they may be found in a generic knowledge of the mythology of the poem’s exterior world.

Our world finds itself in an incredible mess right now. Somehow, we have to sort it out. We must pick our ways through the difficulties of these troubled times, as you must pick your way through the intricacies of these poems. Many of you will give up. Some of you, the chosen few, will make your way to the heart of each poem. Remember that images and metaphors tie past, present, and future together. Each word, each image offers a picture that reflects some of the shared realities with which we live.

Remember, as I said above: “those who cannot learn from history are doomed to repeat it” (George Santayana). Otherwise expressed, in the words of T. S. Eliot: “Time present and time past / are both perhaps present in time future / and time future contained in time past” (Burnt Norton). The seeming anachronisms in my recent poems suggest that perhaps all time is ever-present and always one.

Dustbin Alley

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Dustbin Alley
(1789 AD)

all the dustbins
dancing down the street
trying to achieve
a spring time copulation
to create more dustbins

you can’t have a revolution
without dustbins
dustbin … dustbins … dirty
dusty dustbins

a sadistic way to look at
basket-bins full of sawdust
heading between potholes
wind-blown bins
a right St. Vitus’s Dance

him sitting next to me
knitting a new red cap
to place upon
the old dictionary
me standing
on Gibraltar’s Rock so fair
this square in Paris
Place de la Bastille
where tumbrils rattle
over cobbles

Old Moll in a Moll’s Cap
toothless fairy
at a Goblin Party
afraid of mushrooms
scared of toadstools
[sick]

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Carnival

 

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Carnival
(29 March 2019 AD
12 April 2019 AD
25 June 2019 AD)

house of cards
jacks and jokers
twos and threes
running wild
vacant faces
loaded wallets
crowded rooms

dry bones
wizened teeth
tongue-tied cheeks
feet shuffling

tiny corkscrew
worms gnawing
through what passes
as a brain

high-wire tumble
into this tumbril
wheel-of-fortune-barrow
plentiful cornucopia
copycat horn of luck

clock faces blank
no numbers no hands,
egg-white circles
stuttering uttering
cluttering
flustered minds
meaningless circus sounds

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Triumphs

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Triumphs

Waking to moonlight in the middle of the night, making it safely to the bathroom without tripping on the rug in the hall, managing to pee without splattering the floor, the seat,  the wall, or my pajamas, climbing back into bed, staring at the stars’ diminishing light until I manage to fall back to sleep. Waking to birdsong in the morning, walking to the bathroom without bruising my left arm against the door latch, shaving without cutting my face, getting in and out of the shower with neither a slip nor a fall and without dropping the soap, drying those parts of my body that are now so difficult to reach, especially between my far-off toes, pulling my shirt over those wet and sticky patches still damp from the shower, negotiating each leg of my pants hanging on to the arm of the rocking-chair so I won’t fall over,  tugging the pulleys of the plastic mold that allows each sock to glide onto my feet, oping the heel will end up in the right spot, forcing swollen toes into shoes now much too small, hobbling to the top of the stairs and lurching down them with my stick in hand, cautiously, one step at a time … on guard for the cat, the edge of the steps, the worn patches where my cane might catch or slip … one more step, and I’ve made it down. The first of today’s miniscule triumphs.