Water

Water: such a precious commodity, and more than a commodity, the very substance of life. Without it, we shrivel and die. Vegetation struggles to survive, the desert shifts its boundaries outwards, and a high tide of sand rises to engulf the cultivated land.

In Oaxaca, Mexico, the Atoyac, the Green River, often runs dry. When it does, women kneel on the sand and pebbles and dig little holes into which the water seeps. They wait for the holes to fill and use little cups to pour that water into their buckets. These water holes are also used to wash their clothes and they hang them out on the riverbank bushes to dry beneath a burning sun.

Twice I have been in Oaxaca when the rains have not arrived. I have seen the reservoirs sink lower and lower as the sun laps up the precious liquid and no rain falls. Oaxaca, with or without rain, is a land of dry toilets, chemical toilets, chemicals to put in the tap water when you wash and peel fruit and vegetables. You drink only bottled water. It is sold to the households in forty litre bottles and hawked round the street by boys on tricycles who cry out their wares.

In Oaxaca, almost every house has its own supply of water. The flat roof, azotea, catches the rain when it falls and channels it into large internal cisternas that trap the water and keep it cool.  Water to waste is a luxury that few can afford and most water is recycled when possible in one way or another.

The rules are strict: drink nothing direct from the tap; do not clean your teeth in tap water;  beware of ice cream and ice cubes; drink only water delivered from trusted hands. In addition: eat food only from establishments with running water and a reputation for safety. Avoid street vendors, especially the little ladies in the street who cook over open fires and and change their babies’ nappies only to return to their cooking with unwashed hands … There are so many things you learn if you want to be safe and streetwise. Above all, close your nose to the delights of those wonderful street side cooking smells.

Peragua

Water seeks its final solution as it slips from cupped hands.
Does it remember when the earth was without form
and darkness was upon the face of the deep?

The waters under heaven were gathered into one place
and the firmament appeared.
Light was divided from darkness
and with the beginning of light came The Word,
and words, and the world …

… the world of water in which I was carried
until the waters broke
and the life sustaining substance drained away
throwing me from dark to light.

The valley’s parched throat longs for water,
born free, yet everywhere imprisoned:
in chains, in bottles, in tins, in jars, in frozen cubes,
its captive essence staring out with grief filled eyes.

A young boy on a tricycle bears a dozen prison cells,
each with forty captives: forty fresh clean litres of water.
“¡Peragua!” he calls. “¡Super Agua!”

He holds out his hand for money
and invites me to pay a ransom,
to set these prisoners free.

Real water yearns to be released,
to be set free from its captivity,
to trickle out of the corner of your mouth,
to drip from your chin,
to seek sanctuary in the ground.

Real water slips through your hair
and leaves you squeaky clean.
It is a mirage of palm trees upon burning sand.

It is the hot sun dragging its blood red tongue across the sky
and panting for water like a great big thirsty dog.

Poema de Amor

Poema de Amor / Love Poem
Complete version

Mitla is a sacred burial place in the Oaxaca Valley. The caves in the hills above the town are said to lead directly to an underworld from which demons and devils emerge at night and by means of which humans can communicate with the souls of the dead. Mitla, in fact, is often called the city of the dead. Legend has it that if you embrace  a certain magic column in the Palace at Mitla, the time left for you to live can be measured by the distance between your fingers as they reach round the pillar and almost touch. The pillar, they say, grows and shrinks according to the length of the seeker’s life. Petrus,  a rock, in Latin, evolves into piedra, a rock or stone in Spanish: upon this rock will I build my church.

1
We walk on tiptoe round the garden
peeling free the sunlight cloud by cloud

sometimes the heart is a sacrifice of feathers
bound with blood to an ornate altar

petrus
this rock cold against my chest
piedra
centuries of glyphs alive in your face

if our arms meet round these all too human columns
what will become of us?

2
beneath your skin the woad lies as blue as this evening sky
yellow light bends low in the fields below us
each darkened pool a warrior fallen beneath the scythe

the moon paints a delicate circle
its great round open eye stands out
above the rooftops
tonight it bears an eye lid carved from  cloud

our teeth are diadems of whiteness
we tie shadows to our heels
and dance in triumph through street and square

3
daylight bends itself round rock and turns into shadow
we flourish in blocks of fire

dreaming new selves from roots and branches
we clasp each resurrection with greedy fingers
will the moon rise again tonight and will we watch?

dark angel bodies with butterfly wings
our shadows have eloped together

we can see them sitting side by side
bumping knees at a table in the zócalo

4
church bells gild the barrio‘s rooftops
our fingers reach to the skies and hold back light
we draw shadow blinds to shut out the day
night fills us with stars and silhouettes

we dream ourselves together in a silent movie
closed flesh woven from cobwebs
lies open to a tongue-slash of madness

the neighbor’s dog wakes up on the azotea
he barks bright colors as dawn declares day
and windows and balconies welcome the sun

can anyone see the dew-fresh flowers
growing from our tangled limbs?

your fingers sew a padlock on my lips
“Listen to the crackle of the rising sun!”

Click on this link to hear Roger reading on Anchor.
Poema de Amor

Fundy Lines

Fundy Lines

I just received this. One of my best friends reading Fundy Lines along the Fundy Shore. Thank you so much.

The Messenger

Clarity is essential now:
the cycle of seasons,
the will and willingness to change.
Nothing can alter this flow:
rain and river, pond and sea,
the moon pull of the tide.

Each half-truth glimpsed
through the helmet’s slotted visor
as we charge in the lists,
knee against knee,
spear against spear,
knight against knight.

On the shore at the earth’s edge,
a new planet mapped in miniature:
each grain of sand, a speck of dust,
light upon the palm,
yet the whole beach, in unison,
weighing us up, weighting us down.

This world, immanent, renascent,
growing more solid
through its thinning veil of mist.

Freckled the water,
as the wild man sculls towards us,
over the waves, over the sand,
a fisher of what kind of men?

Was he without guilt,
he who cast that first stone?

The pond’s water-mask,
reconfigures in ever-widening circles
traveling who knows where
o lap at an unseen shore.

Light bends like a reed.
Liquid are the letters dancing,
distorted, on speckled waters
and the white sand undulating
under the rising waves.

Click here for Roger’s reading on Acorn.
The Messenger

Fearful Friday

Fearful Friday

“I met a traveler from an antique land
who said: “Two vast and trunkless legs of stone
stand in the desert. Near them, on the sand,
half sunk, a shattered visage lies, whose frown,
and wrinkled lip, and sneer of cold command,
tell that its sculptor well those passions read
which yet survive, stamped on these lifeless things,
the hand that mocked them and the heart that fed.
And on the pedestal these words appear:
“My name is Ozymandias, king of kings.
Look on my works, ye Mighty, and despair!”
Nothing beside remains. Round the decay
of that colossal wreck, boundless and bare
the lone and level sands stretch far away.”
[Percy Bysshe Shelley]

Comment: Not my poem – I only wish it was – but certainly it expresses some of my sentiments at the current time. What on earth is happening? Who do we think we are? What do we think we’re doing? Where do we think we are going? ‘Vanity of vanities – all is vanity.’

Vis brevis. Ars longa.

Click here for Roger’s reading of Shelley’s poem.
Fearful Friday – Ozymandias – on Acorn

Empty Nest

Empty Nest

X marks the spot
where the energy ran out,
the moment when the tide turned
and water ebbed instead of flowing.

A place… a time…the sudden scent
not of presence, but of absence.
The absence of movement,
noise, of that other body
that once walked the rooms,
floors, opening and shutting doors,
windows, a robin’s whistle,
a thrush’s trilled song…
gone now, gone, all gone.

We drift through silent sadness,
avoid each other’s eyes,
sit with our heads in our hands
or knit our fingers together
in desperate gestures
that express our emptiness,
the emptiness of an empty nest…

Click here for Roger’s reading on Anchor.
Empty Nest

Star Struck

Star Struck

Last night, when least expected,
out of nowhere, a new star
and beyond it, the Red Planet.

Light fragments, disintegrates.
I grasp at snow flakes
as they stumble, falling stars
sliding down the sky.

I stretch out my hand
to grasp the magic of the moment,
but I cannot comprehend the mystery.

I shiver – knowing I must leave
the warmth of my bed,
my comfort zone,
to walk alone in cold and dark.


Click here for Roger’s reading on Anchor.
Star Struck


Gilt Trip

Gilt Trip

A walking gilt trip
and the woes of the journey
packed into the old kit bag
that bends your back
and weighs down your shoulders.

Take care lest you stumble,
for if you stumble
you will surely fall, and every fall
is a precipice that will never allow you
to get back up again.

Where is the stranger, the faceless one,
the as-yet-unknown one who will care
just because he cares and will help you
stand up once more on your own two feet?

Take root where you stand.
Plant your feet solidly into the ground.
The winds of change will blow,
but they will not topple you.

Raise your eyes to the sunrise.
Strive upwards, ever upwards,
turn towards the light,
that fragile lightness
of everlasting light.

Click on this link for Roger’s reading on Anchor.
G
ilt Trip


Reflections

Reflections

What do we really see
when we look in the mirror?
Do we see our real selves
or do we see the sad distortions
of our diminishment?

The Fairground on the Recreation Field
in Swansea used to have a hall of mirrors.
You handed over your three-penny bit,
not the silver one your granny gave you
so you would have good luck always,
then you walk up the wooden stair,
and there you are, staring at yourself.

Fatter, thinner, shorter, taller,
a half-and-half version,
thinner at the top
and so much fatter at the bottom,
like those old Christmas figures
you could flick, but never roll over.
Giggle city: and hysterics ruled.

Or did they?
So sad to think that, back then,
I saw myself as I am now:
forehead larger, fatter one end,
thinner at the other
with shriveled shanks,
wasted muscles.

And the Fairground brain scan?
Well, it didn’t exist. Thank God.
What is there now within my skull?
Just a crackle of old, dead leaves,
a rat-filled attic of dried memories,
a sand-bag of half-forgotten thoughts.

I remember sitting there,
at the Slip on Swansea Sands,
with the summer ending,
thinking about going back to school,
watching the tide creep slowly in,
wondering what life was all about.

Click here for Roger’s reading on Anchor.
Reflections

Hope

Hope

In the half-light, on my evening walk,
the first pale-green spears of spring
stuck out their tongues
from the lips of leaf mold
and dark earth to mock me.

“Back home,” they said, “the daffodils
are in full bloom. In Ireland
the shamrock refuses to surrender.
It will not be trampled underfoot.”

“But this is my home,” I replied.
“Believe: and spring will come,”
the earth cried out.
“La paciencia todo lo alcanza –
patience achieves everything.”

The darkness deepened. Night came on.
But the sun still shone within my heart,
and filled me with hope.

Click here for Roger’s reading on Anchor.
Hope.



Outreach

Outreach

It’s so easy to cast the tiniest
pebble into the tranquil pond.

Sit and watch the ripples spreading,
flowing outwards, touching unknown
shores with a smidgen of warmth,
a lapping of love.

Reaching out, from the center
to the periphery, not knowing
where the outreach is going,
but knowing that the effort is
never in vain if it helps someone’s
suffering, reduces their loneliness,
brings light to their lives,
and relieves their pain.

Bread cast upon the waters,
returned in great store,
three, five, seven, ten times
more than what you cast.

Your spider-web lines
thrown inwards and outwards
in a gesture of faith, hope,
and a charity chest of tenderness
to lighten a burden, to remove
the dark from another’s heart.

It’s so easy to select a pebble,
but who will throw that first stone?

Click here to hear Roger’s reading on Anchor.
Outreach