Creativity

What aspects of your cultural heritage are you most proud of or interested in?

Daily writing prompt
What aspects of your cultural heritage are you most proud of or interested in?
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What aspects of your cultural heritage are you most proud of or interested in?

This dragon is not a dragon, well, it’s not a Welsh Dragon anyway. So, let us change the question – What aspects of your cultural heritage are you least proud of? Now that changes the perspective totally. I guess that I am least proud of the fact that, although born in Wales, I was never allowed to speak Welsh as a child. I speak with an English accent because I was sent to school in England so I wouldn’t even speak English like a person born in Wales. I am not proud of that aspect of my cultural heritage.

But I am proud of one little thing that stems from that Welsh cultural heritage – learning how to speak Welsh in my old age. It’s not easy to do that, here in Canada, but the internet carries many blessings, one of which is the learning of ‘foreign’ languages. Strange that Welsh should be considered a foreign language for somebody born in Wales. Something else not to be proud of, I suppose. Here’s my story.

Here I sit, an old man now, in front of my computer, learning at last my mother tongue, Welsh. I have discovered the beauty of simple words, not so much their meaning as their sound, the way they flow, the poetry of remembered rhythms: Cwmrhydyceirw, the Valley of the Leaping Stag, though legend has it that ceirw was really cwrw, and cwrw is beer, and its real name was the Valley of the Brown Stream Frothing like Beer.

Words have their own music, even if you cannot pronounce them properly: Mae hi’n bwrw glaw nawr yn Abertawe / it’s raining now in Swansea. Mae’r tywydd yn waeth heddiw / the weather’s worse today. Bydd hi’n dwym ddydd Llun / it will be warm on Monday. Place names also have their own magic: Llantrisant, Llandaff, Dinas Powis, Gelligaer, Abertawe, Cas Newydd, Pen-y-bont … Meaning changes when you switch from one language to another:  gwyraig ty / a housewife, gwr ty / a househusband, a concept of equality that has ruled Welsh lives since long before Julius Caesar invaded Albion, coming from Gaul with his legions in 55 BC.

The photographer asks me to smile. He wants me to say ‘cheese’ so I say it in French [fromage], then Spanish [queso], then Italian [formaggio]. “No, no, no,” he shakes his head. “I want to catch the real you. Try again.” So I say it in Welsh [caws]. He checks the memory card in his camera and looks puzzled.

“Your facial expression changes each time you speak a different language,” he tells me. “Please, won’t you just say ‘cheese’ in English? I want the real you.”

French, Spanish, Italian, then Welsh: all different and he wants the real me. Each language carves a new a map into my face.  Am I a clown, then, a comedian, a chameleon to wear so many masks and to slip so easily from one to another? And who am I, this stranded immigrant, marooned on a foreign shore that has finally become my home? Who or what is the real me?

“Cheese!” I say in desperation. “Got it,” he grins. “At last, I have captured the real you.”

¡Qué será, será!

¡Qué será, será!

“Those who the gods would destroy,
            they first make happy.”

Twenty-four hours
            after our power came back,
it had been gone for 52 hours,
            we lost it again.

And happy we were,
            cleaning out the freezer,
            draining the water from the bath,
            packing up the pots and pans.

We sat down for happy hour,
            a drink before supper,
            and zap – the power went.

Promises, they made,
            estimates of when the power
            would return – 4:30 pm –
            5:30 pm – 6:30 pm –

Now we don’t know
            when it will return.
            The power site says
            “No estimate available.”

I write these words by candlelight.
            The battery on the radio
            just failed and now our cell phones
            are rapidly draining.

“¿Quién sabe?” Some are saying.
            “¡Qué será, será!” say I.
            Whatever will be, will be.

Bird

Bird

The bird came to me
   on the wings of Hurricane Lee.

Carried along by stronger wings
   he perched in my tree.

A new species, he was unknown to me.
   Our own power lost, the usual ways
               of searching were denied me.

He moved from the tree
   to the window feeder and gazed at me,
               eye to eye, as the hurricane’s eye
                           passed overhead.

Free. To come and go at his will,
   but there is little free will
               when the hurricane blows.

A sudden, strong gust
   whisked him away.

Unknown, and a stranger still,
   he soon was lost to me.

Comment:

All my good will and new resolutions went down the proverbial plughole when Hurricane Lee swept in, washed away one of the roads near to me, and left us without power for 52 hours. We lit candles, as much for warmth as for light, and, when dark descended outside, gathered in their flickering glow. The time has come, the Walrus said, to indulge in simpler things. Water saved in the bath upstairs and in an assortment of pots, pans, and buckets, served for the washing of hands, the flushing of toilets, washing the dishes. Food was served cold – but we indulged ourselves with perishables that needed to be finished quickly. The morning face wash and shave, in cold water, no shower, was a throwback to old times. The experience brought us closer together. Neighbors with generators dropped round with hot food and drinks, and all went well. After two days of picnics, we got a bit bored. I managed to write lots of poems though. The creativity of that experience will live on in words.

How often do you walk or run?

Daily writing prompt
How often do you walk or run?
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How often do you walk or run?

The painting above tells the whole story (thank you, Moo). On the left, the deer head (or is it a sheep’s head? Moo didn’t tell me) represents my hip and knee joints. On the right, the wolf’s head (or is it a bear’s head, look at those teeth) represents the osteo-arthritis that is sinking its own teeth into me and removing much of my movement. So, how often do I walk or run?

Walking, every day. I use two sticks in the outside world, or one stick and the furniture at home. The sticks are fun. I use them like chop-sticks to pick up fallen objects. And I have discovered that if I drop one of the sticks, I can stand on its rubber tip and raise the handle enough either to grasp it, or to secure it with the other stick. Wow!

Some days it is a positive circus act. Yesterday, the very thoughtful grocery store had placed the 1% milk on the top shelf, where I couldn’t reach it. I held on to my trusty shopping cart with one hand, reversed my stick and, with the handle, pulled a carton of milk to the edge of the shelf. I let go of the cart, flicked the stick, and sent the milk carton tumbling into my other hand. It took some concentration and I was surprised by the applause that came from several watchers, none of whom offered to help me. I do the same with out of reach beer cans, too. Bags of sugar on the lower shelf are much more difficult. my chopsticks aren’t designed to pick up a 3lb bulky bag of sugar.

As for running, well, my nose runs, my eyes water and run, my tummy rumbles and runs, and I move at a slowly increasing four-legged plod to the bath room, hoping against hope to get there in time. I usually do. My premonitions have become very accurate over the last few months. However, do nose, eyes, and tummy runs count? If not, well then, running rarely happens nowadays.

With the walking, though, in spite of everything, I aim for 2000 steps a day. I usually make it to 3,000, especially when I go shopping, and occasionally make it to 4,000. And that, ladies and gentlemen, is the best I can do.

Poems for KIRA 2023 # 1

1

when we two came together
 we closed an ancient circle
becoming one with the standing stones
that measure seasons and time

now we harvest the summers
 lilies lupins fox gloves blue bells
a surfeit of wild flowers plucked
from the maze of our days

we wait and watch the slow snow
settling white on sarsen stone
as time weaves crow’s feet
into the corners of our eyes

2

i listen with my eyes
to the words and thoughts
of long-dead writers.

age-old and wise they walked
alone along the hidden ways
to set themselves free

they fled the royal courts
where power and jealousy
plotted twisted ways

cruel means
justified by brutal ends.
mindless quarrels bitter strife

i also ran away
and slowing down i found
an enviable life

enriched i live
harvesting a wealth
of goodness

days lived far from fear
 envy resentment distrust
in wooded seclusion

Comment: I was invited to attend KIRA as writer in residence this month. However, a weakened immune system and a series of setbacks over the late summer made this impossible. That said, KIRA and the early morning light seen from the Red Room live on in my heart and I will try to complete my planned project, here in Island View, over the next month or so. Wish me luck.

What’s your all-time favorite album?

Daily writing prompt
What’s your all-time favorite album?
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What’s your all-time favorite album?

My stamp album, of course. I am old enough to remember the joy of receiving letters from friends and pen-pals in far-away places with strange sounding names and oh, the joy of those colored squares of paper stuck in the top, right hand corner of the envelopes.

Then there were stamp dates, and stamp parties, where we gathered and swapped stamps, each trying to improve his or her collection. Not that I remember many young ladies saving stamps in those days, it seemed to be a boys only sport, like Conkers. I guess that was because those games were all dependent on one-up-man-ship. And yes, we have boycotts (some of them even open the batting for England), but I have never heard of girlcotts or one-up-woman-ship. I guess there are flaws in the language, all languages. Ceilings as well, probably – the height of linguistic folly.

Then there were stamp competitions when we could take our collections, more or less specialist, and show them off to our friends, admirers, and bitter rivals, hoping to gain fame and fortune. I for one never did. But I learned so much about the world, the rapidly changing world, as maps changed, borders changed, kings and queens changed, countries changed their names, divided their borders and morphed into something else.

Don’t forget those FDCs – First Day Covers – with their postal histories, not to mention the little booklets with the tear-out pages telling us all about Peter Rabbit, Flopsy Bunny, Mrs. Tiggy Winkle. and a dozen other tales. And then there were the special stamps – the penny blacks with their multiple Maltese Crosses, the Queen Victoria 9d green (mint), the Sea Horses, the French Painting Series, the Spanish Civil War stamps, issued on, and by, both sides of the conflict, and you mustn’t forget my own face as it appears on a Mexican do-it-yourself stamp, photo taken in Oaxaca, and the stamp sent back to Fredericton, NB, Canada, just for the fun of it.

My own stamp collection now sits in a cupboard, all covered in dust. I guess it is worthless. Nobody sends or receives letters anymore. Nobody collects stamps. Used stamps are now so much rarer. And those pristine new issues, so bright and cheerful, have never felt the lick of a lover’s tongue. And those envelopes have never borne the imprint of our secret messages – SWALK – PHTR – ICWTSY – and so many other little joys of a life that is long past, but never forgotten.

Monkey’s Clockwork Universe

Monkey’s Clockwork Universe

Some days, monkey winds himself up
like a clockwork mouse.
Other days he rolls over and over
with a key in his back like a clockwork cat.

Monkey is growing old and forgetful.
He forgets where he has hidden the key,
pats his pockets, and slows right down
before he eventually finds it
and winds himself up again.

One day, monkey leaves the key
between his shoulder blades
in the middle of his back.

All day long, the temple monkeys
play with the key, turning it round and round,
and winding monkey’s clockwork,
tighter and tighter, until suddenly
the mainspring breaks

and monkey slumps at the table
no energy, no strength,
no stars, no planets, no moon at night,
the sun broken fatally down,
the clockwork of his universe sapped,
and snapped.

Comment: a big thank you to all who have reminded that yes, I did write this book, and yes, it is one of my favorites. Oh those naughty little monkeys. For those of you who have read the book or heard me reading poems from Monkey Temple, all is well in Monkey Land and the King of Harlem, with a wooden spoon, still gouges out the crocodile’s eyeballs and beats the monkeys on their backsides, with a wooden spoon. I thank my old friend, Federico Garcia Lorca, for that wonderful vision from his own book, Poet in New York.

Friends

Friends
for Sarah
09-09-2023

What do we say when friends have birthdays,
what can we say? The conventional Happy
Birthday seems so inadequate.

It is even less satisfying to send a meme
of cake with candles, or gift-wrapped boxes
in colored packages tied with balloons.

How, in this age of instant communication,
do we reach out with sincerity and grasp
the importance of passing time when
electronic time and distance are meaningless?

I sit here at my computer contemplating
what words of joy and comfort I can send
to an online friend, that I have never met,
to help her celebrate her special day.

My mind is blank. My screen is blank.
I have so many questions, so few answers,
but I will reach out anyway and hope
she understands my tongue-tied silence.

Do you see yourself as a leader?

Daily writing prompt
Do you see yourself as a leader?
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Do you see yourself as a leader?

First, I want a definition of leadership. Here’s one – Leadership is the ability of an individual to influence and guide followers or members of an organization, society, or team. Leadership often is an attribute tied to a person’s title, seniority or ranking in a hierarchy.

Let us begin with the last sentence. Leadership often is an attribute tied to a person’s title, seniority or ranking in a hierarchy. I am without a title, I have no seniority and, furthermore, I do not belong in any hierarchy. So, having nothing onto which to hitch my leadership, I am clearly not a leader. In addition, I can say, in all honesty, that I have no followers. Where on earth would they follow me? I have no wish to go anywhere, let alone to lead other people into the wilderness that so often surrounds us.

So, what am I, if I am not a leader under that definition. Am I a follower? I doubt it. I cannot remember following anyone in thought, word, or deed. A maverick, then? Possibly. All in all, I have always felt that, rather than ‘belonging’, I was outside the hierarchical cultures in which I found myself and was merely an outsider, looking in through the window and watching and observing others as they boldly led, or meekly followed.

So being neither a leader nor a follower, what might I be? Well, I am a creative person. I see the world in a very different light. I also encourage others to see things differently and to present different points of view while embracing their own authenticity. I see myself as an innovator. I see myself as a problem solver. But my solutions have all too often come up against the red taped inhibitions that bind those hierarchical cultures into their unbending, iron strangleholds that limit or deny fresh visions of truth and beauty.

I always remember a story my grandfather told me about one of his experiences during WWI. “See that pile of sand over there?” “Yes, Sarge.” “Well, move it over here.” “Yes, Sarge.” “Right. Well done. Now move it back again.” “Yes, Sarge.”

Ah yes, leadership. And in those days to disobey a direct order was to volunteer yourself for ‘forty days in prison’ or ‘back to bread and water’ or, even worse, to qualify you for a blindfold and a firing squad.

Buy a Book by an Author from NB

Buy a Book by an Author from NB

This is buy a book by a New Brunswick Author time, sponsored by the Writers’ Federation of New Brunswick (WFNB). Alas, so many New Brunswick authors are almost faceless to the wider world beyond the Province and the Maritimes. It gives me great pleasure, therefore, to highlight one of the books that I dearly love from a New Brunswick author, Jane Tims.

Here is my review of Jane’s book, first published (the review) on Brian Henry’s Quick Brown Fox (14 March 2021). Thank you, Brian, for the work you do in assisting and developing writers all across Canada – and beyond – and a special thank you for all you have done to help me over the years.

Niche, poems and drawing by Jane Spavold Tims, reviewed by Roger Moore

Independently published. Available from Amazon here.

Niche, the fourth poetry book published by Jane Tims, is a neat configuration of six segments that elaborate and illustrate the poet’s original definition of the multiple meanings of her title word niche.  

It is difficult to separate the author from the act of narration as her keenly observed and skillfully executed drawings, together with their verbal representation on the page, are so autobiographical and so much an extension of her artistic and professional abilities that the objective separation of writer and text is scarcely possible. It is hard to forget that Jane Tims was, and to a great extent, still is, a highly competent professional botanist. The harnessing of the professional botanist, with her unique drawing skills and scientific knowledge, to the poet and auto-biographer is a key factor in the reading and interpretation of this text in which acute observation blends with an intimate knowledge of the observed botanical world, both flora and fauna, and this allows the poet, in her role of poetic narrator and lyrical voice, to weave a network of poems that are, at one and the same time, objective and intensely subjective.

The author emphasizes this when she writes in the Preface that “In biological terms, the niche is the quality of a space occupied by a living thing, the sum total of physical, nutritional, biological, psychological and emotional needs gathered together in one place.” She also reminds us that in human terms “niche can be a metaphor for home, community or personal space” and it is within these metaphoric spaces that the poetry text is elaborated. The text becomes a linked mixture of visual drawings, iterative thematic imagery and associative fields, all centred on the multiple meanings of niche. These terms are both biological and human in nature and the poet’s named world meets at this juncture between the human and the natural.

The section occupying space (1-19) bears the subtitle satisfying need and begins with a setting out of what this means in the following 12 poems and 4 accompanying drawings. The poem ‘apples in the snow’ with its companion drawing stands out for me. 

The section strategy, subtitled solidifying position (21-43) outlines in poetic terms, how plants, animals, and humans ensure their own survival. 

The section praying for rain, subtitled, avoiding danger and discomfort (45-68), offers views on discomforts and dangers. It also opens the discussion—relocate or stay where we are? 

The section mapping the labyrinth or places I have occupied (69-83), which contains the wonderful sentence “When I get lost on the road ahead, I look to the road behind me,” throws open the multiple meanings of home. 

The section new ways for water, subtitled coping with change (85-98), offers a double landscape, first, external, the things seen, touched, examined, remembered and described, and then the internal landscape that reflects upon them and is reflected in them. 

Finally, forgetting to move, with its subtitle getting comfortable (99-111), presents an autobiography that links observer (the twin personage of author and narrator) to observed (nature, both flora and fauna, and the added element of autobiography and self) via the symbiotic relationship of botanist to botany.

Two moments stand out for me. (1) Sadness is in seeking the space that is never found. (2) Loneliness is in trying to return to a space once occupied but no longer available. The whole concept of the Welsh word hiraeth is summed up in these two lines. Carpe diem, Jane Tims’ poetry indeed seizes the day and, with its minute, intense observation, it preserves so many precious moments. It also pays attention to that which has been lost, those moments that are irretrievable. They will vary for each reader, but hopefully, like me, you will take great pleasure in discovering them for yourself.

Visit Jane Tims’ website here.

Jane’s interview with Allan Hudson, another excellent NB author, can be found by clicking this link – South Branch Scribbler. The work of all NB authors should be celebrated over the first weeks of this month. Allan, thank you for supporting us – and you, too, Brian Henry. Living in NB, we need all the enthusiastic support we can get.