Teddy Bear Tales TBT 1

 

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Oppressive-Possessives
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 Teddy Bear Tales 1

 “Possessives are oppressive,” my Teddy Bear whispers in my ear. “I’m not your Teddy and you’re neither my owner nor my master. The world exists without you possessing it. It will continue without you. And yes, I hear you, especially when you talk in your sleep. ‘My wife,’ you mutter, ‘my daughter, my flowers, my garden, my lawn, my birds, my bees, my deer, my house, my grounds, my groundhog, my car, my TV, my team, my Teddy.’ Well, permit me to share a secret with you. None of them are yours. You may think you own them, but you don’t.”

“My God …” I sat up in bed and held my Teddy Bear at arm’s length, staring into his button eyes.

“There you go again,” Teddy stared right back at me. “Whatever are you thinking? Those two little words, yours and mine, are a threat to the universe.”

Help!

 

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Help!

The world turns full circle
and my mother is on the phone.
It’s four AM. “Help me!” she cries,
from the far side of the Atlantic.

Her ship is sinking fast and she’s
nine sheets to the wind.
“I’ll stick my head in the oven,”
she says, “and turn on the gas.”

What can I say? What can I do?
She makes so many threats.
She’s crying “Wolf!” and her words
now bounce off this duck’s back.

Yet still I wake at night to hear
her whispered words, and they still
chill with their razor’s edge of
“Help me! Help! Please help!”’

Hyperbole: Wednesday Workshop

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Hyperbole

It is no exaggeration to say that Hyperbole is one of the most exciting and fascinating aspects of rhetoric.

At its most basic, hyperbole means exaggeration. When we start to explore the term, however, it means oh so much more.

Looking up synonyms for hyperbole, for example, we find the following: exaggeration, hype, metaphors, overstatement, amplification, coloring, distortion, embellishment, enlargement, magnification, PR, big talk, embroidering, laying it on thick, making a mountain out of a molehill, tall talk.

But let’s not stop there. Merriam Webster offers this as a definition: The representation of something in terms that go beyond the facts. “Enough food to feed a whole army” is a common example of hyperbole. Here are some more suggested synonyms, with a few overlaps: caricature, coloring, elaboration, embellishment, embroidering, embroidery, exaggeration, magnification, overstatement, padding, and stretching. Related words include: amplification, enhancement, fabrication, misrepresentation, fudging, hedging, hype, puffery, plum-mcduffery, and superlative.

The Power Thesaurus suggests that there are over 263 synonyms for hyperbole. It offers 14 pages of them. Here is the start of page one:

exaggeration / image, parallel, flower

overstatement / exaggeration, adornment, coloring

metaphor / exaggeration

embellishment / exaggeration, excess, decoration

distortion / exaggeration

magnification / exaggeration, fancy, line.

We could go on and on and on with this, world without end, secuale seculorum, for ever and ever, and all that, without exaggeration. The point is clear, we have more than enough definitions here to fill several rather large books and clearly, without being too catty about it, it would take at least nine lifetimes to read and understand them all.

Meanwhile, hyperbole possesses an adjective: hyperbolical. This is sometimes confused with the term hyperbolic which in turn is occasionally confused with the term hyperbollocks, as in the saying: “this article is, without embellishment or exaggeration, a load of hyperbollocks.”

Chuck Bowie comments: “Down the road, I hope we get to see your take on how to employ this useful tool without reducing the document to caricature.”

Roger Replies: Thank you for your comment, Chuck. I think that the application of hyperbole to a literary text or an image within a text depends entirely on the individual author. As authors and human beings, even in our daily speech and our interactions with other people, we can and do exaggerate. How we apply hyperbole to our structures and stories and characters is very individual. Clearly there must be a balance between emphasis (potentially good) and over-exaggeration (potentially bad, but with strong potential for parody and comedy), but so much depends on the individual situation. A stylistic analysis of each instance will reveal if the hyperbole is excessive. However, in my opinion, that necessitates the presence of a text, rather than a doctrinal theory about ‘how to do it’. The easiest way might be to analyze a text or two and see how hyperbole functions in specific circumstances. Certainly, as you so rightly note in the above comment, hyperbole can be used for comic purposes, as I have done in my article. Its overuse can both be criticized and parodied. An interesting study, with the seeds of a doctoral thesis planted therein, would be to demonstrate how, in Don Quixote, Cervantes moves from a hyperbolic parody of his character to a truer understanding of the essential dynamics of the main characters’ essential personalities. If I were fifty years younger, I might start that doctoral thesis.  Alas, within the self-imposed parameters of  this blog, there is neither time nor space. We can continue this conversation at our leisure. Thank you for responding.

April Ducks

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April Ducks … in Spanish … Patos de abril. Patos … because the double two of 22 look like two little ducks … and April … that’s the month we’re in … so Patos de abril … the twenty-second of April, or 22 abril … aka today … though you wouldn’t think so from the photo … taken today … just a few minutes ago …

Nice weather for ducks we say when it’s raining. But what do we say when late snow falls and we have between 4 and 6 inches of fresh snow down on the ground … on April 22nd … and it’s meant to be spring … and yesterday everything was green … and this is meant to be a color photograph … would you believe it? … and yesterday that Mountain Ash was full of birds … a downy woodpecker, creepers, purple finches, American Goldfinches, chickadees … robins were patrolling up and down the garden and juncos gathered with the early morning mourning doves beneath the feeders to pick up fallen seeds …

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Patos de abril … and winter has returned … we know the snow can’t last too long … we hope the sun will emerge and take it all away … I was late changing my snow tires this year … was that an omen? … I go in on Monday and get them done … we haven’t changed the garage around yet … the snow-blower sits by the garage door … a lion in winter in waiting and ready to roar … soon we will banish him to the back of the garage and bring out the mowers … soon … but not just yet … and certainly not today …

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Patos de abril … our indoor geraniums have survived the winter and defy the snow … they are sure the sun will return and the snow will emigrate somewhere … we don’t care where … if only we could build a wall … a great, big, expensive wall to keep winter away … an enormous, gigantic wall … a beautiful wall that unwanted snow storms wouldn’t cross … a wonderful wall … for which, of course, someone else will pay …

Scarecrow

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Scarecrow

Flash Fiction
Friday, 21 April 2017

            Sometimes at night I hear nocturnal animals walking across the lawn outside my bedroom window. Intruders in the garden, they rattle the feeders, walk dark through the woods, and sometimes howl at the coyote moon. My heart pumps sudden blood, rapid, through my veins and toes and fingers twitch as I toss around, restless, in my bed.

            Below me, in the hall, the grandfather clock ticks the night away. I stitch myself up in my dreams, count the black sheep in the family, and iron old ghosts upon the ironing board until they are as flat as the white shirts we wore in boarding school on Sundays.

            If I close my eyes, they rise up before me, those Sunday shirts, flapping their arms, and mouthing their apologies for the sorry life they made me lead. No, I didn’t need to spend those days praying on my knees before the stations of the cross. Nor did I need to ask forgiveness for all the transgressions pulled from me, like teeth, in the weekly confessional.

            Marooned in a catholic cul-de-sac, I went around and around in rigid circles like an academic puppet trapped in the squared circle of an endless syllogism. Who locked me into this labyrinth of shifting rooms where sticky cobwebs bind windows, doors, and lips? Why does the razor blade whisper a love song to the scars crisscrossing my treacherous wrist? Who sealed my lips and swore me to secrecy?  And why?

            A tramp with a three-legged dog, I sleep beneath a pier at midnight and watch the waves rolling up the summer beach to catch me out. Sometimes I steal a deckchair, place it at the edge of the sea and bid the tide to cease its climb. The moon winks a knowing eye and the waves continue to rise. Toes and ankles grow wet with wonderment and I shiver at the thought of that rising tide that will sweep me away to what unknown end?

            Last night I wrapped myself in a coward’s coat of many-colored dreams. My senses deceived me and I fell asleep in a sticky web spider-spun by that self-same moon that hid among the clouds and showed her face from time to time. My fragile fingers failed to unravel all those knots and lashings and I was a child again walking the balance beam that led from doubt to knowledge.

            A thin line divides the shark from the whale and who knows what swims beneath the keel when the night is dark and the coracle slides sightless across the sea? I gathered the loose ends of my life, wove them into a subtle thread, and made myself a life-line that would bind my bones and lash my soul to my body’s fragile craft.

            What could I possibly have dreamed as I paraded the promenade a stone’s throw from the barracuda? I crossed my fingers and the beggar at the gate rolled up his sleeves and bore witness to my penitential wounds.

            “How many times,” he asked, “can you pay those thirty silver pence? Don’t they lie heavy on your eyes and heavier on your heart?”

            “Indeed they do,” I answered. “Yet the debt must be paid, but I don’t know how, and where, and when, and to whom?”

            Carnivorous was the carnival he promised and he turned my small world upside down. With coals for eyes and a carrot nose, a scarecrow descended and devoured my town in a clash of flashing teeth. Beneath the waves, the conga stamped its sudden feet of flame. A sea parrot scraped its red and yellow beak against a rainbow of crusty, feathered rage. I awoke to the dog’s sudden tongue in my mouth: an invasion of salt, saliva, and wet, crumbling biscuit.

            That night I opened a bottle of Scotch and drained it dry. I took no prisoners. Around me, the dead and dying licked their wounds as they sank lifeless to the bottom of the glass.

            “Hickory-dickory-dock,” said the mouse as he ran up the grand-father clock. But that particular clock stopped long ago, at midnight, when the Queen of Hearts tied a dead rat to the pendulum, the house slipped sideways, and my heart was filled with woe.

            This morning, fresh snow. The garden basks white beneath pale sunshine. The back porch bears no footprints. The raccoon has abandoned me and chipmunk and squirrel have turned their backs. Today, the scarecrow will scare those nightmare crows away and not a memory will survive to haunt my waking dreams.

Never The Twain

 

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Never The Twain

“And never the twain shall meet.”

This was the chorus that my grandparents often chanted at me when family members started rowing with each other over one trivial incident or another.
“But what happens when the twain do meet,” I used to ask.
“Don’t be silly,” they said. “The twain never meet. Ever.”
But I know very well that they do.
I know.
I’ve seen them together.

Funny things, they are, the twain, and opposites in so many ways. But so nice, in spite of what some people, especially my grandparents, used to say about them.

Not only do they meet, but they can be happy together and very, very friendly.
“Long time, no see,” the twain say, and they often embrace quite warmly with a bunch of flowers held between them.

Mind you, the twain can also be quite awkward and occasionally very abusive towards each other. I remember my mother and father fighting “like cats and dogs” as my grandparents used to say.

Now, my grandparents had a cat. It was black and white and striped like a zebra. They called it Spot. My parents had a dog. It was an English Cocker Spaniel, gold in color, and off-spring to a famous sire, the Six-Shot Woody Woodpecker. They called the dog  Wimpy but it was by no means a wimp and fought with everything in sight, especially the cat.

So when my father and mother fought and the family cat and dog fought, I thought, quite reasonably in my opinion, that the dog (with his short hair) was male and the cat (with her long hair) was female, and that was the reason why they fought like cats and dogs. And “never the twain shall meet” as my grandparents used to say about my mother and father and the cat and the dog.

I guess it was too early to learn about the birds and the bees when, young and all too innocent, I was learning about the cats and the dogs.

And of course it’s only natural that the twain should meet. My mother and my father, like the cat and the dog, had to meet somewhere, didn’t they? How else would I be here? Now, we weren’t the sort of family that practiced contraception by throwing stones at the storks to keep the babies away.

But I could never work out why the cat always had female kittens while the dog had all-male off-spring. That was a bit too much for me, and nobody ever really explained anything I those days.

 

The Sneeze

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The Sneeze

Uncontrolled,
uncontrollable,
it bursts forth,
unstoppable.

I was painting at the time,
an imitation of Munch:
all those sad-faced
citizens walking the street.

The sneeze caught them
in mid-stride.
The looked shocked
and bewildered:
green, slimy eyes,
white-flecked beards,
yellow cheeks and chins,
tiny red specks.

Who knows in what
hidden fold of the brain
are great ideas born?

I smudged and smeared,
worked snot into paint,
molded sticky chunks
with a palette knife,
sculpted those so-sad faces
into wily coyote smiles.

“Genius, pure genius,”
the art critic cries.
I get full marks
and
win first prize.

Fake News!

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Fake News

At 10:00 AM today, Saturday, April 1, 2017, Donald Trump, the President of the USA, will sign an Executive Order reversing Galileo’s theory that the Earth moves round the Sun. As of 11:00 AM, thanks to the President, the Sun will once again move around the earth as, in the words of an unnamed source who wishes to remain anonymous, “it always has.”

Late last night the President tweeted:

Earth moves round sun? Fake News. Obama inspired scientist was wrong. SO SAD.

In addition, the President will be setting up two Commissions of Inquiry. The first will be ordered to investigate and establish the Flat Earth Phenomenon.

The President tweeted:

Obama and the Democrats are RWONG. VERY SAD. The Earths Flat. Any one can see that. Look out youre window. SO SAD.

An unnamed source said: “We have known this for a long time. Just waiting for the right moment to announce it. April 1 before mid-day felt good.”

In a third tweet, early this morning, the President asserted:

Just seen sun rise out of sea. Heading for Mar-a-Lago right now. Earth not moving. Have eyes. Can see.

The second Commission of Inquiry will look into the establishment of Coal-fired Space Travel.

Coal-fired space ships. An America Frst American First. Make America Great Again.

An unnamed source stated that “The President said he would put American miners back to work. And he’s a man of his word. Think how much coal it will take to send a space ship into space. Great President. He’ll Make America Great Again. Coal is so clean and so cheap. Democrats under Obama wasted so much money. So Sad.”

At the time of going to press, White House official staff were unavailable for comment.

So Sad.

New Brunswick Book Awards

It was quite the surprise, but I am very happy to see that my book of Flash Fiction Short Stories, BISTRO, is one of the three finalists in this year’s New Brunswick Book Awards, organized jointly by the Writers’ Federation of New Brunswick (WFNB) and The Fiddlehead. It’s great to see that self-published books can get recognition at the highest (for me) level. Thank you to all who are involved in organizing this annual book award.

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Bistro is available online at

https://www.amazon.com/Bistro-Flash-Fiction-Roger-Moore/dp/1537254405/ref=sr_1_2?ie=UTF8&qid=1490464520&sr=8-2&keywords=Roger+moore+Bistro

Here’s the link to the Writers Federation of New Brunswick / Fiddlehead New Brunswick Book Awards short list page

https://thefiddlehead.ca/content/announcing-finalists-new-brunswick-book-awards

 

Minus

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Minus

“The earth is geoidal, i.e. earth-shaped.”
These words, dictated to me by the geography
master when I was about fifteen years old,
taught me that teachers didn’t really know
all there was to know. Nor, indeed, did they
need to know everything. “I don’t know,
I’ll check and tell you later,” breaks the myth
of infallibility but sets up sympathetic links.

“What do groundhogs eat?” the little girl
asks her classroom teacher. “Spaghetti,”
comes back the instant answer from one
who doesn’t know that every day the child
watches the groundhog that lives in her yard
devour delicate New Brunswick violets.
“Spaghetti, with mushroom sauce, of course.”

Then one day comes the spelling test:
“How do you spell minus?”
“M-I-N-O-S.”
“Wrong. Try again.”
“M-I-N-A-S.”
“Wrong again.
You think you’re so clever.
Everybody knows it’s
M-I-N-U-S.
Don’t we class?”
The class breaks into shrieks and giggles.

Everyone knows how to spell minus:
even the one who has just read how Theseus
followed Ariadne’s thread to escape from
the Minotaur who roamed the Labyrinth
beneath the Cretan Palace of Knossos.

That one was present too, in her own mind,
at the Siege of Minas Tirith, when Gandalf
held five evil kings at bay and Aragorn fought
the nameless Dark Lord who dwelt beneath
the shadow in the land of M-O-R-D-O-R,
a Lord not so powerful M-I-N-U-S his ring.