Mindfulness

Describe one simple thing you do that brings joy to your life.

Daily writing prompt
Describe one simple thing you do that brings joy to your life.
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Describe one simple thing you do that brings joy to your life.

Painting.

I was always told that I couldn’t paint. “You don’t have a clue. Give it up now. You’re wasting your time, and ours.” Same with drawing and any other form of visual and creative art. I tried to build model aircraft – Spitfires and Hurricanes, Gloucester Gladiators, SE5s -. They were ugly, lumpy, had crooked wings, and never flew properly. The few that I managed to launch often fell apart on landing. Same with model kites. The one I did manage to build took off in a half a gale and got stuck in a tree.

Failure!!!!!

Much later in life I re-discovered Henri Matisse. “I make meaning out of shape and color.” Then I stumbled across Salvador Dali’s famous statement: “I don’t know what it means, but I know it means something.” From there I started to take lines for a walk, and moved into cartoons – you will find some earlier on these pages *click here* – or – *click here* – or just explore these early pages for yourself.

From these cartoons, I moved, with the encouragement of Geoff Slater, the Art Director at Kingsbrae International Residencies for Artists (I was the first writer in residence, June 2017), to actually painting, for the first time, with acrylics on canvas. This led me to my Pocket Paintings / Peintures de Poche, made with acrylics on 4″ x 6″ postcards. What fun. I now have well over a hundred of these and, guess what! – just like my books, I give them away to my friends for free.

These simple, linked acts – writing – painting – gifting – bring me great joy.
Long may it continue.
Pax amorque.

Coming Soon ….

Coming soon ….. to a Rollator near you.

Yesterday I checked the galley proof and all seems well. The distortion on the photo above is all mine (!) and the original cover is much clearer, better, straighter, and brighter.

I have not posted for two weeks, and yet some of my faithful followers have still clicked on this site to see how I am doing. Thank you so much.

Several things happened last month. (a) I started a stretching and exercise program. (b) I upped my walking to 4000 steps a day. (c) I used a combination of Rollator [Nexus 3] and shopping cart to build up, slowly, to an hour a day of aerobic exercise.

That’s all good news for the physical body and the mental state, but not such good news for the creative cycle. Blog postings have suffered and my online social presence has been greatly reduced. On the good side, I have been out and about, around the garden and around the block, and have re-established contact with neighbors, friends, and the local canine newbies and golden oldies.

I also managed to edit and correct and revise Seasons of the Heart and this chapbook of poems, based on my meditations on Anam Cara (by John O’Donohue) will soon be available to gift to my closest friends.

As you probably know by know, I do not sell what I call my “Covey Collection” of self-published chapbooks and books. If you wish to support my efforts as an artist, you can do so by clicking on this link and seeing if there is anything that fancies your tickle, sorry, I mean tickles your fancy.

B & W

“Slim words couched
in the empty whiteness
of the page.”
John O’Donohue,
Anam Cara

black words
          white page
thoughts
          floating in space

airs and graces
          whirlwind words
blowing through
          freshening
cleansing

cotton clouds
          silky sky
that one word
          waiting
to be spoken

that one thought
          soon to be word-borne
out from the dark

a new existence
          to brighten us
blind us with light

White Space

White Space

A place of silence,
          white space
at page edge,
          bearing witness
to the absence
          of words.

A place to pause,
          rest,
to think.

A place,
          like the white space
between lines of prose,
          where eye and mind
can pause and rest.

Bewildering
          the pounding
of earwig music,
          the advert repeated

again and again,
          the omnipresent
sound byte.

Everlasting,
          the loop, the loop,
the interminable loop
          that intrudes on
silence.

Words

Words emerge
          from the silence
of blood and bone.

They break
          that silence
the day they are born.

Silence,
          once broken,
cannot be repaired.

A word once spoken
          cannot be recalled.

The greatest gift –
           knowing how to be alone,
how to sink into silence.

A world of words
          smothered at birth
and that world,
          dismissed, forgotten,
sometimes still-born.

A lost world of words
          whirled on the silent wind
that fans the unborn fire within.

The spider web of the mind
          blown clear by the wind
that blows unspoken words.

The hush of the tadpole
          swimming
into its own metamorphosis.

The sultry oblivion
          of blood and bone.

Poetry that expresses the authenticity of being. Playful, yes, but packed with meaning. Taste it on the tongue. Savor it in the mind. Touch the words on the page. Indulge yourself in the white spaces between the words. Read and re-read each poem. Dive into its depths. Swim – but do not let yourself drown. When you surface again, return to the light and remember, all will be well.

Illumination

Two Poems to help you find your way in the dark!

1

Suit of Lights

I am a man of straw
          shivered by raw winds,
frosted by the cold
          enveloping this enigmatic body
with its rattle of drying bones.

I walk with two canes,
          not just a sick man,
but a stick man.

My broken body
          hangs on the coat hanger
of my battered bones,
          its worn-out sack
knitted from skin,
          bonded with blood.

The magic hour descends.

Earth glows
          with a different light,
my world is transformed,
          translucent, bright.

A touch of the almighty,
          this beauty surrounding me,
blessing me.

I wear a sudden clarity
          with this suit of lights.

2

Illumination

You must find it for yourself.
         Were I to tell you what it is
and where it dwells,
          the light it brings you
would be warped,
          untrue.

Only
          you can find
that light.

Only you
          can strike the match,
ignite that blaze,
          trap its warmth
in your own bone cage.

Enlightened,
          you must dig and dig,
deeper and deeper,
          until you lose yourself
in a bottomless pit.

When you are lost,
          look up.

In the dark above,
            you will find
a tiny pinhole of light,
          a star to guide,
a glow-worm
          to light your way
in the darkest night.

It’s A Small World

It’s A Small World

Light returns to Island View after Monday’s eclipse. Here it is post the total eclipse and daylight is being restored. It was a wonderful experience, totally unlike the last total eclipse we saw, at Skinner’s Pond, In PEI, on 10 July 1972.

That one was unexpected. Nobody talked about it. Nobody said a thing. We travelled to Skinner’s Pond, the birth place of Stompin’ Tom Connors, just to see where he was born. We parked the car, put the dog on a leash, and walked on the beach. Normal sea-side sounds – waves, sea birds, wind among the dune grass – swallows rose and fell, twittering joyfully. A world at peace. Then it happened.

A shadow moved across the sun and the world started to darken. The dog went wild, strained at the leash, started to whimper. The bank swallows began to gather, then, as the darkness deepened, they dived for their burrows and vanished from sight. We shivered and wondered. We had no glasses of any kind. We avoided looking at the sun, and just experienced the world as it darkened and became colder and more silent, save for the sound of the wind in the grass. As the light returned, the dog settled down, the swallows emerged from their tunnels and took to the skies, twittering again. Life, light, and warmth returned to normal.

Monday’s eclipse was so very different. We weren’t intending to watch it, other than on the television. While I was out shopping, early that morning, I joked with the people I met that, during the eclipse, I was going to tuck myself into bed and hide my head under the blankets, in case it was dangerous. [Yes, I have read Day of the Triffids and seen the movie. Now that does date me.] On the way home, I met one of my neighbors. Was I going to watch the eclipse? Once in a life experience. Did I have the right glasses? He told me to avoid normal sunglasses. Told me I wouldn’t get the right glasses now. All sold out. He gave me a strange look when I told him of my decision to bury my head in the blankets – just in case – so no harm would come to me.

Several news items turned up on my computer. In one of them I read that approved special glasses – true specifics and details given – had vanished from the stores in Fredericton. Only one place still stocked them – Canadian Tire, South Side. Ha! I drove back into town and there, on the door of CT-South, I saw a sign – Eclipse Glasses available at Check Outs. I joined the line up of late buyers, bought two pairs, and headed joyfully home.

When the eclipse started, I drove around the block, looking for the best place from which to view it. I parked here, there, and everywhere, tried my glasses out – a small, black line, curved, was slowly and silently invading the sun’s disc. I drove back home and discovered, after an experiment or two, that our back porch was the perfect spot for viewing. We put chairs on the deck, sat down, and watched as the blackness on the sun’s face grew larger. No beach view this. The Island in Island View is in the St. John River / Wolastoq, on the other side of the hill. No sea gulls, no swallows, in our garden. In fact very few birds at all.

As it grew darker, we could hear the soulful hooting of some mourning doves. They soon grew silent. The crows, on the other hand, rose up to defend their territory, just like they do when a hawk passes over and puts its shadow between them and the sun. What a racket of sheer defiance.

Through our glasses we could see wavy lines of light flickering around the visible parts of the sun’s circumference. Occasional red streamers, flared up and out. Then the eclipse became total. We took off our glasses and for two minutes and seven seconds (or so) we basked in celestial glory. Breathtaking. Spell binding. A mystical moment of myth and magic. We sat in silence. Then, the spell broke. The sun emerged from its moon shadow and light returned. The earth warmed. Life was as it was. Nothing had changed, except for us. Light broke where no sun shone, and suddenly we realized so many truths.

How tiny is our world. How enormous is the space around us. How mighty is the universe. How fragile are we humans. How small and insignificant is our world. How glorious is our existence, the joy of life, of witnessing, of seeing such power and such glory. The joys of knowing that we are sentient, and alive.

Two images of partial eclipse – with clouds – Kingsbrae International Residencies for Artists (KIRA, June 2021).

Ice Flow

Ice Flow

Free fall, then scree on the road
to Wolastoq. with the fresh air
speaking to the rock face
in a long-forgotten tongue,
broken words metamorphosing
into fragmented scree at rock-foot.

Just for a moment we glimpse
the ancient water in the stone,
catch the flow of winter words.

The January sun, low in our eyes,
heavenly glory glancing off rock
to give earthly joy, golden beams
highlight damp, glistening slate.

Afternoon frost, water and rock,
polished into ice-maiden tears
that dance their sparkling way
and are held for a moment
in a vision that will last forever.

Comment:
Such beauty in silent things, ice, rock, sky. But learn to listen and perhaps you will hear them talking, one to the other. One day, you too may share their words of wisdom.

Poems for KIRA 2023 # 1

1

when we two came together
 we closed an ancient circle
becoming one with the standing stones
that measure seasons and time

now we harvest the summers
 lilies lupins fox gloves blue bells
a surfeit of wild flowers plucked
from the maze of our days

we wait and watch the slow snow
settling white on sarsen stone
as time weaves crow’s feet
into the corners of our eyes

2

i listen with my eyes
to the words and thoughts
of long-dead writers.

age-old and wise they walked
alone along the hidden ways
to set themselves free

they fled the royal courts
where power and jealousy
plotted twisted ways

cruel means
justified by brutal ends.
mindless quarrels bitter strife

i also ran away
and slowing down i found
an enviable life

enriched i live
harvesting a wealth
of goodness

days lived far from fear
 envy resentment distrust
in wooded seclusion

Comment: I was invited to attend KIRA as writer in residence this month. However, a weakened immune system and a series of setbacks over the late summer made this impossible. That said, KIRA and the early morning light seen from the Red Room live on in my heart and I will try to complete my planned project, here in Island View, over the next month or so. Wish me luck.

What does your ideal home look like?

Daily writing prompt
What does your ideal home look like?
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What does your ideal home look like?

My ideal home looks exactly like the one I am living in right now. In the country, surrounded by trees, with blossoming crab apples in the front garden and a mountain ash in full view from the kitchen window, what more could I ask for? Blossoms in the spring, a gradual flowering throughout the summer, and now, as fall approaches, the fruit ripening.

Verde, que te quiero verde. – Green, for I love you green. But what exactly is green? I sit on the front porch in the cool of summer, and look out on a sea of greens – green grass, green leaves, light green, medium green, dark green, and all kinds of shades and hues as the sunlight filters a subtle dance of colors through the leaves. The eye distinguishes so many different shades of green. Alas, I do not have the vocabulary to distinguish verbally what I see visually. Ah, poor poet, linguistically damaged, and writing with one hand tied behind my back, I suffer from an ability to feel and an inability to express. Terminological inexactitudes, Winston Churchill called them. But in my case, they are the lies I must create when the truth overwhelms me with its beauty.

And in winter, when the cold winds blow, and the leaves lose the safety of their trees to be blown hither and thither at the wind’s will, what then? A blanket of whiteness, shadows shifting beneath the moon by night, and a million brilliant sparkles beneath the sun by day. And the visitors, every night the deer come, stay awhile, then vanish, only to reappear the next day. At midnight, in the moonlight, I watch them from my window as they dance on their hind legs and nibble the hanging fruit that the mountain ash reserves, just for them, so that they will survive, as they have done for millennia, in this paradise that surrounds my ideal home.

Janus

Janus

I walked backwards into my childhood
a step at a time. I failed to find it
where I thought I had left it.

I opened cupboards, doors, drawers,
searched beneath beds, went outside,
rummaged through garden and garage,
and found absolutely nothing at all.

 My past was as dry as a squeezed orange
when the juice has gone and long days
left on the window ledge has dried it up.

I looked in the mirror, and the man
I saw was not the boy I had seen
the day before. How could he be?

Janus, two-faced, looks forwards and back.
I will no longer seek the self that was

I shall accept the self that is, the one that grew
outwards and upwards from the one
that was before. Acceptance. I can do no more.

Describe one habit that brings you joy.

Daily writing prompt
Describe one habit that brings you joy.
View all responses

Describe one habit that brings you joy.

Creativity. I was told, a long time ago, that genius is 99% perspiration and 1% inspiration. When I started creating – poetry, mainly – I waited for the muse to arrive and lamented when she didn’t. Then I tried to force her to visit me – and that didn’t work either. Then, in 1985, I started a journal. I wrote in it every day that year and, as I wrote, I realized that most of what I was writing was gibberish. But – and it’s a big but – a few literary gems gleamed out from the rubbish. The question then became – how to recognize them. The answer to that has come more easily, the longer I have worked at writing. It’s not the muse who needs persuasion, it’s the artistic eye and mind that need to be trained so that they can see the creative art in the surrounding world.

Now, after 38 years of regular journaling – and I try not to miss a day – I can distinguish easily between art and rubbish. My poetic creativity, often via a streak of surrealism, has wormed its way from poetry, into poetic prose (short stories and novels), and from there into my style of quasi-surrealist, quasi-expressionist paintings.

Where is the joy? The joy lies first, in the work itself, the contemplation of the blank page, then the slow tidal flow of words that fill the empty spaces. Then comes the joy of recognition, followed by the joy of selection, followed by the joy of polishing, and eventually, the joy of publication. The same is true of painting. Here, the empty canvas, like a beach with the tide coming in, fills up with color and shape and, like Matisse, I try to make meaning out of those colors and shapes. Am I great artist? Of course I’m not. I’m a dibbler and a dabbler, unknown and unrecognized, but joyous in my joy of creating something that will stand, for a little while, against time’s rising tide.