Call Girl

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Call Girl
McAdam Railway Station 1

“She came down from Montreal
to look after all the railway workers.
We called her the Call Girl.”
The men in the room sit up
and pay attention. The women
look rather expectant.

“She was a great worker,
performed her duties willingly.
Up at four in the morning,
out into the streets,
knocking on the men’s doors,
waking them up for work
with her morning call.

We called her the Call Girl
because it was her vocation.
she was called to call.”

Comment:
I visited McAdam Railway Station last week, a Canadian National Heritage Site. The guides who were there, many of them members of the local historical society, were well-versed in tales of the station and the people who used to pass through there. I listened to their words with great care, admiring the quality of their images and speech, the terseness and accuracy of their words. This sequence of poems is based upon those people, excellent guides and raconteurs in the best sense of the word. These are their words, not mine, and with their permission, I am posting their stories here. The first poem was spoken by Elsie. Thank you so much, Elsie, for allowing me to share your words. Click this link to the McAdam Railway Station site if you want to see some great photos and read about the history of the McAdam Railway Station.

 

 

 

After the Floods

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After the Floods
(2004 BC)

as the crow flies
so the pigeon
holding straws
within its beak
time to rebuild

not so easy
mud walls fallen flat
rubble and rubbish
litter river banks

warped wooden planks
water-swollen
so much stolen
by wind and wave

who now knows
the unknown
perceives the abyss
beneath egg-frail
cockle-shell hulls

waters recede
islands re-emerge
bald skulls of hillocks
stripped of grass and trees
water-logged fields

old bones dug up
displayed in the ditch

Crows

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Crows

one day
whirled off my feet
next day
toes set
in concrete

a single black feather
floats down from the sky
meaning?

a bone to a dog
sun-flower seeds
strewn before squirrels
red and grey
the occasional chipmunk

only crows
black-winged marauders
monarchs destined to wear
a weighty crown,
cry out their anguish

mobbing the hawk
longing for the day
when they’ll rule again

Jack Pine at Tara Manor

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Jack Pine at Tara Manor
(1770 & 1834 & 1917 & 1977 & 2018 AD)

Tara Manor jack pine
arm-waving Maritimer
long-past sea-faring
cult-haired declamation
poem to a wilderness
cultured
cultivated now

you radiate disorder
flustered
clicking needles
clustered
knitting the wind

lop-sided
radical forest church
spired with birds
crows’ nest crowned
growing out extravagant

salted the air
old man’s beard
sprouting fresh bristles
old salt sea salt

always a helping branch
to point the time of day
each rough-barked limb
a friendly hand extended

every night
your black bristling branches
haul down the sun

Purple

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Purple

I pen poems
in emerald ink
but I prefer
the violence of evening’s
bruised violets

wind-beaten clouds
add dark depths
to a rainbow

a glow of satisfaction
flutters northern lights

the setting sun
hums low notes
to cello
and double bass

Comment: I like this, but I prefer the re-write. If you wish to express your preference, I would be glad to receive it. This is the third revision. Click here to read the first posted version of Purple. Any comments on the evolution of the poem would also be welcomed.

Purple

violent
evening’s
bruised violets

wind-beaten clouds
move through dark depths
a rainbow arcs
an iris curve

northern lights
flicker organ music
fugues of color
sound into light

low notes hum
bring tears to the eye
cello and double bass
serenade a setting sun

 

Butterflies

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Butterflies

butterflies
their ephemeral forms
flutter by
flickering
brief their sweet sway

they spread
paint-daubed
fanciful wings
fan flowers
flourish

eternity
perched briefly
on flowering bees’ balm

robin puffs out
his red breast
hauls down
tomorrow’s sun

white-throat sings
an evening elegy

Comment: 

“Poetry gives permanence to the temporal forms of the self.”
Miguel de Unamuno.

Memorial Service

15 May 2002 Pre-Rimouski 141

Memorial Service

In the funeral home we meet, crack jokes, exchange
greetings and pleasantries, renew friendships,
shake hands, avoid eye contact. Family members

greet us, recall our names, mention us in the same
breath as the dearly departed. Musical chairs:
we shuffle from hand to hand. Discomfort is both

mental and muscular. We tighten our faces
into skeletal smiles, peeling lips from teeth.
We search for washrooms, step inside, recover

breath and balance. Outside, empty chairs await.
We shun reserved seats, drift to the back of the room,
close to the exit. A polished pianist plays

Beethoven, some Bach, music that softens the soul
for the family’s sucker punch of intimate loss.
A sister stands up and speaks: growing up together,

so close. Sibling comforts extract a tear. All sigh.
She breaks down. Packets of Kleenex, strategically
placed, spring into action. Someone sobs. Like the common

cold, it affects us all. Service over, we pay tribute with known
family members. One after another, we offer our last
respects, and leave. Someone says “Follow us home.

We’ll celebrate.” Another discovers a flat tire
and calls the CAA. A man phones a Chinese take-out.
I hobble to the door, locate my car, and drive
the long way home, sitting in the car, all by myself.

Age of Spillage 2

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Age of Spillage 2

Fingers turn to butter, permit cups to slip,
flying saucers to take off, to stall and crash,

their broken bodies resting in peace and pieces
on kitchen floor, waiting to be picked up and buried.

Worse: bottle tops screwed up tight refuse to open.
Plastic wrapping, flagrant in its defiance,

wages its guerrilla war against ageing,
uncoordinated, arthritic fingers.

Tongue-twisters twist tongue, tones, and speech,
filling mouths with glottal stops and threadbare words.

The ribcage is a cupboard barren and bare.
So many slips between palate, teeth, and lips.

So many precious things dropping to the floor.
I cannot always bend and pick them up,
not even with my new mechanical claw.

Commentary:

A slight set of revisions to the earlier version. Any and all comments welcome.

https://rogermoorepoet.com/2018/07/23/age-of-spillage/

 

 

À Dieu

 

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À Dieu
(1920-33 & 20??)

nowhere have I found peace
save in a glass of wine
perfection in blood red grapes
long plucked from the vine

they say I cannot go again
and drain another glass
I say they speak in vain
their prohibition will not last

I know I will not live
forever but while I do
the wine will flow forgive me
I don’t want to walk out on you

sooner or later I’ll be called
I know one day I’ll have to go
bravely into the dark and cold
meanwhile let the red wine flow

 

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