Bubbles

bubbles 2.png

Commentary:

Words and images: pictures in the words and a sharp, black line severing the pictures. Solombra, in Octavio Paz’s words, the razor-sharp line between sun and shade. Breathe in the bubbles as they surge through the child’s wire ring. Rise with them as they float heavenwards, up to the cathedral roof, its spire, the blue sky beyond. When did you last feel this free? Shake out those cares, those worries, inhale, breathe deep, feel the sunlight bubbling through your veins, bringing you back to life, renewing your creativity. Go on, do it. You know you want to. More important, you know you need to. Those grey concrete streets have been wearing you down for too long. Gaze at flowers. Feel the trunk of a tree. Snuggle up to an alpaca. Grow a hollyhock in your garden. You haven’t got a garden? Buy a potted geranium and keep it in your house, summer and winter, your life-long friend and reminder that there are some things much more important than the daily toil. And YOU are one of them.

Bottle House 2

 

IMG_0257

The Bottle House 2

Here, as promised, is the bottle house 2. This time we visit the chapel, and what a lovely spot it is, as you will see, if you are brave, play the game, and click on the next link to the bottle house 2 The last time I visited, rain was falling, not heavy rain, but a light sprinkle that set the skies free and watered gardens and flowers. I should have some photos of the gardens too. If I have, I will post them. I promise!

IMG_0265.JPG

Bottle House, PEI

IMG_0251

Bottle House, PEI

A house made entirely of bottles? Well, not quite: the bottles are set in concrete, but the light … the light is unbelievable. Fragmented, many-colored, a tribute to he man who thought of the idea and then turned it into reality. House and gardens are both well worth visiting and I will do two posts on the bottle houses. Houses, for in fact there is more than one house. There is also a tiny chapel and I visit it every time I go to Prince Edward Island.

Be brave. Play the game. Take a look for yourself by clicking on one of the links to the bottle house.

IMG_0257.JPG

Beaver Pond

IMG_0072.JPG

The Beaver Pond at Mactaquac

Oh-oh, wrong Beaver Pond. That’s the Beaver Pond in Fundy National Park. Naughty, naughty! So, if you want to see the REAL Beaver Pond at Mactaquac, you’ll have to click on one of the links and see where it leads. “Oh what a tangled web we weave, when first we practice to deceive” … except this isn’t the first time I have made a mistake, and no, I wasn’t trying to deceive anyone. This is fun, though. I’ll be interested to see what you think of this little sequence. Let me know.

Au Revoir

Au Revoir

Au Revoir

Commentary:

This construction (verbal and visual) dates back to my visits to Oaxaca, Mexico (1995-2001). So many friends, so many happy relationships, and then the world turned and I never went back. I remember doing yoga early in the morning on the azotea. Zopilote, the turkey vulture, wings motionless, flew high above the world, the sun lighting up his wings with its fiery flame. Zopilote, aka Trickster, the bird who stole fire from the gods and brought it back to earth so women could make men their morning chocolate over the old wood stoves or open fires. Or was that all a myth, fake news as some would say today when everything we touch is fake? So much has been lost, destroyed. So much beauty, verbal and visual, has been laid aside, destroyed, and forgotten. Au revoir, good-bye, will we ever see it again? Adieu, goodbye, we will never see it again, it’s gone for good. So much meaning in these brief French phrases, synonyms in English, yet carrying such different meanings in French.

Amarrada nuestra barca a otra ribera … Antono Machado wrote those words. We will awake one morning, he suggested, to find our boat moored on the other side of the river between life and death. And so we will. But in our daily lives, we try to ignore that fact. We seize the day, drowning our sorrows in a sea of forgetfulness: for tonight we’ll merry, merry be, we sing, but tomorrow we’ll be sober. Or will we? And nowadays, who cares anyway? As Seamus Heaney writes “my friends and neighbors, let it flow. We’ll be stood no rounds in eternity.”

Yesterday, I met a man in a wheel chair sitting outside the store where I was shopping. He asked me if I could spare some change and I told him I only carried plastic (true). Then next man who approached gave him a cigarette. My beloved was sitting in the car and I gave her a five dollar bill from the parking money and asked her to give it to the man in the wheel chair. So: how did we feel? Good for an act of charity? Bad for not responding immediately? Terrible that we see people living in poverty in a supposedly rich country? Fearful that one day the money would run out and that we too would be out there, begging for money, grateful for a cigarette, a hand out, a helping hand … happy for anything that would help postpone the inevitable end?

And then there was the bird that fell don the chimney and perished in the fireplace. We never even knew he was there until we found his feathers and his body, lifeless among cold ashes. So which is it to be: au revoir or adieu? Or even worse, the middle finger, the scowl, and the old ‘screw you’?

Tracks

IMG_0777

Tracks
McAdam Railway Station #12

“Put your fingertips on the rail,
see if you can feel its pulsing beat.

No heart rail rhythm now. No tremble.
Put your ear on cold metal:

nothing but silence. No murmur,
however distant. Black fly whine.

No-see-ums flit. The train track’s
buzz of harmony is lost and gone,

replaced by careless nature. Listen
to the wind whistling in the woods,

hark to spring sounds, so subtle,
grass growing, rust accumulating,

sleepers turning over in their graves,
silent, rotting beneath forgotten rails.”

Comment: Nothing so lonely as an abandoned railway track, rusting beneath snow and rain, the wooden sleepers rotting into oblivion. That said, the Southern New Brunswick Railway still carries freight trains through McAdam, and it is the railway station that suffered, with the loss of passenger traffic, rather than the rails themselves. What a pleasure, incidentally, to hear the hoot of the approaching diesel, to count the wagons as the train came to a halt outside the station. Then came the joy of watching the engine separate wagons from the main train, shunt them into sidings, return, and take the freight train, slow at first, but rapidly gathering speed, out of the station and away into the distance. Such memories. So many ghost trains riding those rails. So many ghosts bewitching the windmills of the child’s mind that still inhabits the ageing brain.

IMG_0780

 

Murals

IMG_0692.JPG

IMG_0659 (2).JPG

Murals
McAdam Railway Station #11

Painting a mural,
inside, interior
wall, knowing it will
stand time’s test.

Viaduct broken,
a tumbled engine,
Canadian workers,
railwaymen all,

some from Macadam,
pebbled the floor,
handrail, radiator
camouflaged for war,

part of the painting.
Depart from the station.
Turn right. Straight ahead,
flaked peeling paint.

So sad, this outside
mural, exposed to winter’s
snow, frost, winds, and ice.
So vulnerable

and so ephemeral.
Such a short-lived
summer, over in a day.
Butterfly on a rock.

IMG_0691 (2).JPG

image1 (2) - Copy.JPG

Comment: This sequence comes from the indoor and outdoor work (murals) of my friend Geoff Slater. Geoff told me how ephemeral were the outdoor murals with a life-span of about ten years before they needed redoing. After that, the paint starts to fade, then crack, then dry and peel away. Our Canadian winters with their icy cold and the ensuing springs with their frost and thaw do not help. The protection, no ice, no snow, no sun, no rain, afforded to the interior murals means that they will last so much longer. Our outdoor art, unless cast in the firmest stone, is ephemeral. Like a butterfly, it will not last much longer than a brief summer day. Hence the final metaphor.

S.O.S

IMG_0678 (2).JPG

 

S. O .S.
McAdam Railway Station #8

“Dozing in the cab, I was.
Smelt a different smoke.
It wasn’t my engine’s.

Looked around.
Saw flames. One, two,
three houses on fire.

Steam was up. Yessir.
Three short hoots I gave.
Three long. Three short.

S.O.S. Mayday. Mayday.
S.O.S. S.O.S. Kept going
till house lights came on.

People running. Leaving homes.
Jumped out of the cab.
Ran out to help them.

They thanked me.
Said I had saved their lives.
What else could I have done?”

Comment: This is a third hand poem. It came to me from Geoff who heard the story from the hardware store owner who witnessed the fire. The narrator is the anonymous engine driver who raised the alarm. Of course I don’t know exactly what he did, said, or thought. Our knowledge of history can be divided into two great moments: the momentous events, recorded by expert historians via diligent research, and intra-historia, as Miguel de Unamuno, that great Spanish philosopher and rector of Salamanca University called it, referring to those small, individual moments when history is made by anonymous human beings who did what they had to do and then faded into the anonymity of a distant past, now wrapped in silence, as is the store-keeper and the driver of the train.

IMG_0678 (2).JPG

Defenestration

 

IMG_0781 (2).JPG

Defenestration
McAdam Railway Station 4

“When I first walked
by that tiny window,
right up there,
on the third floor,
I wanted to go up to it,
to stand there, to look out.

There was a young girl,
went up there one morning,
opened the window,
and threw herself out.

She must have been desperate.
Rejected by her lover,
who knows what state she was in.”

Defenestration?
It’s a funny word,
I had to look it up.

It’s from the Latin:
de means out from,
fenestra is the window,
fenêtre in French.

“She just opened the window
and threw herself out.”

Comment:  Geoff, in his role as tour guide, took Clare up to the third floor, showed her this window, and told her the story of the young girl who had jumped out, killing herself in the process. Clare said she was fascinated by the story and felt an urgent desire to stand there, and look out of the window. I am so glad she didn’t feel the need to throw herself out. Oral tradition: I love the way stories are passed from mouth to mouth, changing slightly all the while. Why did the young woman kill herself? Was she pregnant? We can only speculate and I guess we’ll never know for certain.

Carpe Diem

IMG_0790 (2).JPG

Carpe Diem

This tube of toothpaste,
nearing its end,
folded over, again and again,
doubled into itself.

Squeeze it tight.
It’s all you’ve got.
Spread it on
the worst teeth.

Brush as you always did,
with hope, up and down,
not sideways. Nothing
before means anything.

Everything afterwards
is merely hope or dream.
A child, you chased
wind-blown leaves

catching them before
they hit the ground.
A scarecrow now, scarred
with age, arms held out,

palms up, hoping a leaf
will descend, a sparrow
rest in your hand,
or on your shoulder.