Hope

A Place Eternal

A Place Eternal

When sunshine floods my body
it leads me down into a secret,
sacred space that I know exists
even though, all too often,
I am unable to locate it,
search as I may, but then,
when I no longer seek it,
it is with me, and I know
that I am no longer alone,
but wrapped in the comfort
of an angel’s protective wings.

That haunting presence lingers,
plays melodies within my mind,
invites me to return, keeps me warm
when chill winds blow.

I depart from that place,
a fingernail torn from the flesh.

“There is a place in the soul that neither space, nor time, nor flesh can touch. This is the eternal place within us.”

“You represent an unknown world that begs you to bring it to voice.”
John O’Donohue, Anam Cara, p. 105.

Painting: Sky Wound by Moo.

Sacred Moment

Sacred Moment


Evening falls, leads into night.
I search darkening skies
for the moon’s bright circle,
so meaningful, that light.

The moon, a thin wedding ring,
encircling a gilded cradle,
wherein five planets float.

Aligned, their circular lights
create such longing
in the observer’s heart.

The magic moment has come,
a moment forever sacred.
Whatever happens now
will be correct and right.

The Secret Fountain

The Secret Fountain

Go deep into yourself.
Search for the secret fountain,
the well with the sacred waters that renew,
replenish, and flow like sunlight.
Rest by its verdant banks. Here you can
find the self you thought you had lost.

Here, angels take wing and songbirds sing.
Telephone calls, e-mails, social media,
all such worldly things, lack meaning.

Rest awhile. The universe knows you.
Permit it to once again make friends
with who and what you are, what you were,
what you will always be, your eternal spirit
known, cossetted, comforted, and loved.

Your curriculum vitae no longer matters.
What matters is the heart of you,
that gold mine hidden deep within.
Here lies the mold of shining gold that will
enrich your soul, renew your life,
and gift you ever-lasting treasures.

A Darker Mist

A Darker Mist

Sometimes a dark mist marches over
the sea-salt marsh flats and, a sea-bird
come to land, nests in my heart. This lone
bird brings others and soon a colony sings
its chorus in time with the incoming tide
that threatens to overwhelm me.

My body’s weak clay responds to this
darkness and slips into the chaotic
cacophony of multiple voices
raised to shut me off from the light.

My soul, a seagull seeking the sun,
rises upwards, ever upwards,
in search of the sunshine, that silver
lining that redeems every cloud, belying
the darkness of this gathering gloom.

“You will find sorrow moving through you, like a dark mist over landscape.” John O’Donohue, Anam Cara, p. 94.

Why am I?

Why am I?

A coast line
where sea and shore
engage in a never-
ending dialog
of silence and sound.

Who sees such things?
The man or woman
who has eyes to see.

Who hears such words?
The person who has ears
to hear and a heart
with which to feel.

And who am I,
this old man walking
life’s sands at the tide’s
foaming edge?

With a clarity of vision
that morphs light into shadow,
and then back out again,
would you tell me, please,
who, and why, I am.

“The chorus of the ocean, the silence of stone.”
John O’Donohue, Anam Cara, p. 78.

Poems for the End of Time

Poems for the End of Time

Here it is, and it is up and waiting for you! I already have my first copy. More on the way. The same artist who did the cover for People of the Mist did this one as well. He’s such a nice person – doesn’t charge me a penny.

Introduction

         Poems for the End of Time is composed of two linked collections, Meditations on Messiaen and Lamentations for Holy Week. They both have separate introductions in the body of the text.

         My graduate work at the University of Toronto (MA, 1967, and PhD, 1975) included studies on Golden Age / Early Modern Spanish Poetry (16th -17th Centuries). It enabled me to read and enjoy both the Renaissance and the Baroque poetry of Spain. My own interests lay within nature poetry, as expressed by the Spanish Mystics (St. John of the Cross and St. Teresa of Avila), the Neo-Platonic Poets (in particular, Fray Luis de León), and the Metaphysical poets (Luis de Góngora and Francisco de Quevedo). Echoes of their writings and thoughts are frequent within these two poetic sequences.

         I will write further on both sequences later in the book. Briefly, both sets of poems were written while listening to the music of Olivier Messiaen. Three of his compositions, Quatuor pour la fin du temps / Quartet for the End of Time, Éclairs sur l’au-delà / Lightning over the Beyond, and Petites esquisses d’oiseaux / Little Sketches of Birds, influenced me enormously. I listened to them every day while I was writing and revising these poems.

         These poems are not for the simple-minded. They form a contrasting tapestry of point and counter-point, filled with allusions, word-plays, internal rhymes, repetitions, and alliterations. They have a music all of their own.

Do not expect simplistic escapism. If you are serious in your efforts to read, listen to the magic of Messiaen as you turn the pages, much as I did while I was writing.

Redemption

I had no paper with me in the car
so I wrote this poem on a bottle redemption slip.

Redemption

Redemption:
that’s what I seek
and some days it seeks me.
A double need this need to redeem
and be redeemed. A double need too
this god I need, the god who needs me.

Lonely he will be without me,
and I without him.
Knock and the door will open.
Seek and ye shall find.

I look and, yes, he’s there,
him within me and me within him.

This redemption slip is all I need:
empty bottles on the one hand,
my empty heart on the other,
both now redeemed.

All of this while I sit in the car
outside a fast-food chain
wondering if a bullet will come,
to break the car’s window pane,
or someone brutal who will rejoice
in his heaven-sent task of delivering
my personal order of take-out pain.

B & W

B & W

black words     white page

thoughts

floating in space

airs and graces

the world’s wind

blowing through

freshening     cleansing

cotton clouds     silky sky

that one word

waiting

to be spoken

that one thought

soon to be borne

out from the dark

a new existence

brightens

blinds with its light

Click here for Roger’s reading.


“If you look at a page of poetry, the slim words are couched in the empty whiteness of the page.” John O’Donohue, Anam Cara, p. 69.

The Appointment

The Appointment

“We have room tomorrow,” she said.
“But only between 7 and 9 am.
Shall I book you in for 8:15?”
“Sure,” I replied, not realizing
that I had forgotten to remember
the joys of rush hour traffic,
and the crush of crossing
the only bridge downtown.

I left home early only to find
chaos at the end of my road.
School busses, cars nose to tail,
trucks, cyclists, you name it,
it was all there, flowing, slow
but steady, with scarcely room
to insert a razor blade between
bumper and bumper. But that
was only the beginning.

The bridge downtown: it was
like threading a four wheeled camel
through the eye of a very small needle.
Crawlers, creepers, slugs and snails,
racing demons, speedsters, all of them
hustling, impatient, bustling, yielding
not an inch of space. My car became
a shuttle, weaving a thread of progress,
inch by inch, through the maze
that confronted and confounded.

I got to my journey’s end at last.
“You’re late,” said the girl at reception.
“You’ve missed your appointment.
Shall I book you in again?
Tomorrow at the same time?”

Click here for Roger’s reading.