What details of your life could you pay more attention to?

Daily writing prompt
What details of your life could you pay more attention to?

What details of your life could you pay more attention to?

I will be eighty next birthday. Sadly, I am aware that my life is moving slowly towards its endgame. The major pieces have left the chessboard and I, the King, shuffle forward, a step at a time, then one to the side, and sometimes one back, as my two faithful pawns age with me. The end is never far away at this stage of the game. One slip, one misjudgment, and it’s checkmate, mate. So – how to respond to today’s prompt?

Quite simply, I am now paying more attention to my death than to my life. I have already updated my will, and I have given power of attorney to a person I trust. I have spoken with my financial adviser, and he has given me a Will Companion. It contains a whole series of details to fill in – bank accounts, passwords, online contacts, clubs, societies, social media, precious objects, and, last of all, a page of funeral instructions. That was an eye-opener – everything from funeral home, instructions for service, cremation of burial, plot number or scattering, church, financial arrangements – well, I didn’t panic, but wow, it made me feel very uncomfortable.

In the first 24 hours after my death, someone will have to make between 40 and 70 decisions, all impacting the manner of my departure. If I want things done the way I want, versus the way they might happen, and if I want to choose burial vs cremation, order of service, hymns, obituary, family friends, acknowledgements, then – according to those who know – I should be doing it now. So, big decision, I went online and studied the recommendations of my local funeral home.

I have already filled in several online pages of forms and I have asked them to contact me, which they will do soon. Then we will talk over all those details that I so desperately want to avoid. But death is inevitable. To face it and accept it and to prepare for it while I am still alive is the bravest and the best and the most sensible thing I can do. So, here I go, paying attention, while still alive, to the little details that will surround my death.

The inevitable? Yes. Above, in the opening photo, you can see a Mexican Death Mask. The small pearl at the centre is the seed from which the baby will grow. The seed is the round spot beneath youthful beauty’s nose. then comes wrinkled old age, and wrapped around is the white skull, the final beauty, which I will never see, but others may. Writing these words, I do not feel sad or gloomy. I have lived in Oaxaca, Mexico, and know the powerful, loving emotions that surround the Day of the Dead. I feel grateful that I have good friends to advise me and to stand by me and my family. And when, not if, the inevitable happens, I will have done my best to be prepared. Pax amorque.

Poems for KIRA 2023 # 1

1

when we two came together
 we closed an ancient circle
becoming one with the standing stones
that measure seasons and time

now we harvest the summers
 lilies lupins fox gloves blue bells
a surfeit of wild flowers plucked
from the maze of our days

we wait and watch the slow snow
settling white on sarsen stone
as time weaves crow’s feet
into the corners of our eyes

2

i listen with my eyes
to the words and thoughts
of long-dead writers.

age-old and wise they walked
alone along the hidden ways
to set themselves free

they fled the royal courts
where power and jealousy
plotted twisted ways

cruel means
justified by brutal ends.
mindless quarrels bitter strife

i also ran away
and slowing down i found
an enviable life

enriched i live
harvesting a wealth
of goodness

days lived far from fear
 envy resentment distrust
in wooded seclusion

Comment: I was invited to attend KIRA as writer in residence this month. However, a weakened immune system and a series of setbacks over the late summer made this impossible. That said, KIRA and the early morning light seen from the Red Room live on in my heart and I will try to complete my planned project, here in Island View, over the next month or so. Wish me luck.

Friends

Friends
for Sarah
09-09-2023

What do we say when friends have birthdays,
what can we say? The conventional Happy
Birthday seems so inadequate.

It is even less satisfying to send a meme
of cake with candles, or gift-wrapped boxes
in colored packages tied with balloons.

How, in this age of instant communication,
do we reach out with sincerity and grasp
the importance of passing time when
electronic time and distance are meaningless?

I sit here at my computer contemplating
what words of joy and comfort I can send
to an online friend, that I have never met,
to help her celebrate her special day.

My mind is blank. My screen is blank.
I have so many questions, so few answers,
but I will reach out anyway and hope
she understands my tongue-tied silence.

Buy a Book by an Author from NB

Buy a Book by an Author from NB

This is buy a book by a New Brunswick Author time, sponsored by the Writers’ Federation of New Brunswick (WFNB). Alas, so many New Brunswick authors are almost faceless to the wider world beyond the Province and the Maritimes. It gives me great pleasure, therefore, to highlight one of the books that I dearly love from a New Brunswick author, Jane Tims.

Here is my review of Jane’s book, first published (the review) on Brian Henry’s Quick Brown Fox (14 March 2021). Thank you, Brian, for the work you do in assisting and developing writers all across Canada – and beyond – and a special thank you for all you have done to help me over the years.

Niche, poems and drawing by Jane Spavold Tims, reviewed by Roger Moore

Independently published. Available from Amazon here.

Niche, the fourth poetry book published by Jane Tims, is a neat configuration of six segments that elaborate and illustrate the poet’s original definition of the multiple meanings of her title word niche.  

It is difficult to separate the author from the act of narration as her keenly observed and skillfully executed drawings, together with their verbal representation on the page, are so autobiographical and so much an extension of her artistic and professional abilities that the objective separation of writer and text is scarcely possible. It is hard to forget that Jane Tims was, and to a great extent, still is, a highly competent professional botanist. The harnessing of the professional botanist, with her unique drawing skills and scientific knowledge, to the poet and auto-biographer is a key factor in the reading and interpretation of this text in which acute observation blends with an intimate knowledge of the observed botanical world, both flora and fauna, and this allows the poet, in her role of poetic narrator and lyrical voice, to weave a network of poems that are, at one and the same time, objective and intensely subjective.

The author emphasizes this when she writes in the Preface that “In biological terms, the niche is the quality of a space occupied by a living thing, the sum total of physical, nutritional, biological, psychological and emotional needs gathered together in one place.” She also reminds us that in human terms “niche can be a metaphor for home, community or personal space” and it is within these metaphoric spaces that the poetry text is elaborated. The text becomes a linked mixture of visual drawings, iterative thematic imagery and associative fields, all centred on the multiple meanings of niche. These terms are both biological and human in nature and the poet’s named world meets at this juncture between the human and the natural.

The section occupying space (1-19) bears the subtitle satisfying need and begins with a setting out of what this means in the following 12 poems and 4 accompanying drawings. The poem ‘apples in the snow’ with its companion drawing stands out for me. 

The section strategy, subtitled solidifying position (21-43) outlines in poetic terms, how plants, animals, and humans ensure their own survival. 

The section praying for rain, subtitled, avoiding danger and discomfort (45-68), offers views on discomforts and dangers. It also opens the discussion—relocate or stay where we are? 

The section mapping the labyrinth or places I have occupied (69-83), which contains the wonderful sentence “When I get lost on the road ahead, I look to the road behind me,” throws open the multiple meanings of home. 

The section new ways for water, subtitled coping with change (85-98), offers a double landscape, first, external, the things seen, touched, examined, remembered and described, and then the internal landscape that reflects upon them and is reflected in them. 

Finally, forgetting to move, with its subtitle getting comfortable (99-111), presents an autobiography that links observer (the twin personage of author and narrator) to observed (nature, both flora and fauna, and the added element of autobiography and self) via the symbiotic relationship of botanist to botany.

Two moments stand out for me. (1) Sadness is in seeking the space that is never found. (2) Loneliness is in trying to return to a space once occupied but no longer available. The whole concept of the Welsh word hiraeth is summed up in these two lines. Carpe diem, Jane Tims’ poetry indeed seizes the day and, with its minute, intense observation, it preserves so many precious moments. It also pays attention to that which has been lost, those moments that are irretrievable. They will vary for each reader, but hopefully, like me, you will take great pleasure in discovering them for yourself.

Visit Jane Tims’ website here.

Jane’s interview with Allan Hudson, another excellent NB author, can be found by clicking this link – South Branch Scribbler. The work of all NB authors should be celebrated over the first weeks of this month. Allan, thank you for supporting us – and you, too, Brian Henry. Living in NB, we need all the enthusiastic support we can get.

A Gift from a Friend

A Gift from a Friend.

My friend Allan Hudson re-posted this blog entry yesterday. It is always wonderful to be remembered by my friends. Allan does a great job with the South Bank Scribbler – and he is one of the best. Long may he and his blog work continue to support New Brunswick writers.

I look forward to working again with both Allan and Jane. Best wishes and many thanks to both.

Click on the link below for Allan’s interviews with Jane and I. And don’t forget to go down all the rabbit holes that appear in Allan’s articles. There is a great deal of information within those little burrows.

https://allanhudson.blogspot.com/2021/05/branching-out-with-new-brunswick.html?fbclid=IwAR1eZU13Iv0Fyaq59AfN6lNywLYgkN-PL0TUq6fVSXT2Rtb010cGbOQ8gAk

Are you holding a grudge? About?

Daily writing prompt
Are you holding a grudge? About?

Are you holding a grudge? About?

I have reached the stage in life when grudges belong to a distant past. Some of that past I still regret, but I have come to accept most of it as the normal rites of passage through which human beings must pass, if they are to grow and develop. This acceptance also comes from the understanding that the steps that led me to my current life and situation, were beneficial, even when I didn’t think they were at the time.

Garcilaso de la Vega once wrote: Cuando me paro a contemplar mi estado / y a ver los pasos por do me ha traído, hallo, según por do anduve perdido, que a mayor mal pudiera haber llegado. The Wikipedia translation offers us this – When I stop to contemplate my state and see the steps through which they have brought me, I find, according to where I was lost, that it could have come to a greater evil.

That said, I have learned to see the lesser evil in things that actually happened and the greater evils into which I might have fallen. I remember bearing grudges, but I feel that I have now set them aside. Reading John O’Donohue’s book Anam Cara, for the fourth or fifth time, has helped me to achieve that state of mind.

Some things do annoy me though. Speed reading is one of them. Well, not speed reading but the application of speed reading to any and all situations. In today’s Guardian, for example, I read that – “A lot of people, myself included, complain that they don’t have time to read but everyone has time to read a poem. You can read Ozymandias, for example, in just 17 seconds.”

One of the first things that I did in Grad School at U of T was to take a speed reading course. I found it absolutely essential in order to read and process the quantity of new material that was thrown at me by my profs. In my undergraduate education (Bristol University) I was told that “It is better to read one poem a hundred times than to read a hundred poems once.” As a poet, and a student of poetry, I prefer to dwell on a poem, to absorb its essence, its meaning, its subtleties, its associative fields, rather than to gulp it down in 17 seconds, for example, and then move on to something else. The poet and dreamer who live within me need that time to re-create, poeticize, and dream.

“What is this life if, full of care, we have no time to stand and stare, no time to stand beneath the boughs and stare as long as sheep or cows,” wrote W. H. Davies, author of Autobiography of a Super Tramp.

I realize just how much our lives have speeded up, how we are inundated by information, how we drown in sound-bytes, memes, and mini-clips. I also know that, however fast we read, we will never take it all in, not in one lifetime. Sometimes, less is more, slower is faster, we need to take time, to make time, to stand and stare. Seamus Heaney expresses it well – “Some time, take the time…” I don’t hold a grudge against those who can’t, or won’t, make and take that time. But I truly believe that many, many people would benefit by doing so. I also believe that a benevolent society would allow many more people to do just that.

Meanwhile, I will agree with the Guardian columnist that reading a poem in 17 seconds is much better than reading no poetry at all. So, some time, take the time….

September Song

September Song

In the gathering autumn shadows
summer flares as bright as the berries
adorning the Mountain Ash.

Beads of blood,
they hold late evening light,
as do the Black-eyed Susans
growing wild beneath my window.

Rain wet, wind swept some nights,
yet still they glow
with their bottled sunshine.

Fairy lights, Christmas garlands,
ash rosaries will circle another tree,
enlightening wrapped presents,
lighting up the vacant crib
waiting for that little child,
soon to be still-born.

Comment: Poetry is where you find it. The inspiration for today’s poem came from the Poem of the Week in The Guardian. Inspiration, I found it in two places – 1. the photograph at the head of this blog and 2. in the analysis of the poem, not in the poem itself. The twilight of this autumn world is indeed wonderful.

Why do you blog?

Daily writing prompt
Why do you blog?

Why do you blog?

I blog to make the world a brighter, healthier, happier place. I also blog to keep my readers aware of the existence of poetry, beauty, truth, love, and creativity. If I didn’t blog, those readers might never see the painting that I have attached above, painted by my friend Moo, of course – wrth gwrs. In fact, if I didn’t blog, you might never know that Moo is my friend, as is Sparkle. And if I didn’t blog you would never read the interview I had with Sparkle.

Who are you?
I am Sparkle.

What are you?
I am a fairy.

What???
I am a fairy. More important, I am your house fairy.

What on earth is a house fairy?
Well, when your granddaughter built a little fairy house and placed it where I could find it, and when I saw it and entered it, at her invitation, I became your house fairy.

Why did you choose that particular house?
Because it was built by a kind, loving young lady who didn’t want you to be alone. She built the house and outside the door she wrote Welcome Fairies. So I knew I’d be welcome. More important, perhaps, she built another fairy house in her own home and my friend Crystal lives there. Crystal told me there was a fairy home vacant, and she also told me where to find it. And she said that her human had told her that you might need a fairy friend to keep you company and stop you from being lonely. So, here I am.

I didn’t know that fairies could talk to humans.
They can’t, normally. But you are not a normal human being.

What do you mean by that?
You are a poet and a dreamer. Both poets and dreamers already have one foot in fairy land. Sometimes we call it la-la-land. It is a very special place and the people who can go into it are, in many ways, almost fairies. These are the ones we can talk to.

How do you know I am part-fairy?
Because I can see your wings.

But I don’t have any wings, not that I can see.
Quite. “Ah would some power the giftie gie us to see ourselves as the fairies see us.” That poem was written by a friend of mine, a long time ago. He was a poet and I could talk to him too. When the time comes for poets and dreamers to cross the rainbow bridge, their wings become visible and their spirits can fly again. That’s when they are able to return to fairy land.
Socrates was another friend of mine. He too was a poet and a dreamer. He dreamed that humans originally had one wing in the middle of their backs. When they found their soul-mates, they could join together and then, with two joined wings, they could fly to the heights of the spirit world.

Socrates? What did he know? He thought the world was flat.
He didn’t know everything, of course. But he was right about some people having a single wing and needing a partner to fly. You are very special – you have found one of those. Socrates just didn’t know that other people could have two wings, although they couldn’t be seen here, on earth, in this dream world where they dreamed they were wingless people.

So, am I dreaming that I am a wingless person?
Of course you are. But you will wake up to the truth one day. My task here, as your house fairy, in this house built for me by that cute young lady, is to help you realize your dreams. I will help you release the poet within and I will help you to reach out and make the world a brighter, kinder, more loving space, for other people who lack what you have – the power to dream and to create.

Oh dear. This is a little bit too much for me, Sparkle. I’ll have to sit down and think about it. It’s too much to take in all at once.
I know. But I have been chosen and I have been given the power to choose you. I have done so and I am here. And remember – I will never leave you nor forsake you.

Thank you so much, Sparkle. And thank Crystal and that little girl for me.
I will. Now I must go. It’s September and I have some fall sparkling to do. But don’t worry – I am here. I’ll be back. We’ll talk again.

Prophet and Loss

Prophet and Loss

I have sown so often on stony paths
and harsh roadside ways where thistles
bloom in purple patches and weeds choke
the fertile soils, closing flowers down.

Who knows what cold winds blow when
new seeds are shuffled, then cast, like bread
upon water, into the mind’s frustrated furrows?

Will flowers flourish, or will they perish,
still-born, in the depths of their stony graves?

I do not know for I cannot read the runes
the wind scatters across the sky when it shuffles
clouds and scrawls shadow-writing on the land.

Careless, I cast out word-seeds, knowing full well
that many will perish. But I also know that one
or two will put down roots. Eventually, developing
shoots will nourish my labor’s burgeoning fruits.

Comment: There is no profit in being a prophet.

Souvenirs

Souvenirs

Where have they gone,
the old days, the old folk,
the old ways of doing things?

I search for them, day after day,
but my cell phone isn’t
the old-fashioned circular dial,
nor the pick-up phone
with the shared party line,
when everybody listens in.

The garage is a mad hatter’s
maze of a workshop,
in which things grow legs
and walk this way, that way
every way to Sunday,
constantly getting lost.

I think I can hear them.
chittering, chattering.
but I cannot see them
nor hold them,
even though I would like
to clutch them tight.

Bats in the belfry,
and in the attic
mislaid items,
pens, ink, paints,
a tuck box, with keys,
a cricket bat,
cracked and yellow,
abandoned,
and forgotten.