Gardens

Light

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How these flowers change with the changing light. This is full daylight, with the sun to the south shining directly on the house.

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This is the evening light, with a low sun shining from the west straight along the footpath. I am always amazed by what Monet saw in his paintings of light as it fell at different times of the day on various objects. The cathedral face at Rouen is a prime example. Here, in my garden with the hollyhock, I see how its colours change, how texture alters, how different features become more salient at different times of day.

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Sometimes it is hard to believe it is the same flower. We were so surprised when we first saw it, that we nearly pulled it up, thinking it was a weed. Luckily, we didn’t, and it rewarded us with a summer long, now into fall, series of blossoms, not to mention a myriad seeds for next season. We have become quite good friends, this hollyhock and I and we talk together regularly. Sometimes the other plants get jealous, and you can see they have faded slightly, bewildered by  his glory.

Hollyhocks

Hollyhocks

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We have never managed to grow a hollyhock before this summer, yet this one appeared from nowhere and quickly grew to more than eight feet tall. We didn’t plant it and we don’t know where it came from. Some little bird, maybe, on a migration journey from one garden to another. Who knows? What I do know is that these flowers are magnificent. This one has endured the summer’s heat, the occasional thunder storm, strong winds, and heavy rain. We had early frost in September, but it seemed to give the hollyhock strength and it blossomed on and on.

Right now, pine siskins and the occasional American goldfinch settle on our hollyhock and peck at the precious seed pods. Precious, because we have gathered some of the seeds, given others to a good friend, and offered some to the passerines who all too soon will be flying south. Those seeds we have kept we will plant. Hopefully, next year, we will have several of these beautiful plants growing in the garden.

The plant, incidentally, is more than ten feet in length. The vertical height is eight feet. Here, in this photo, it bends to touch its toes, hence the downward slant that it has taken.

KIRA Video

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Kira Video

So, our July project, a video of the first KIRA poet reading his KIRA poem, is now completed. I read One Small Corner at KIRA and Geoff Slater, Jeff Lively, and Cameron Lively added video to verse in this blend of magic. Thank you so much: I really appreciate this visual rendition of my words. So much so, that for once, I am at a loss for words. I will just let the video speak for itself and myself. Just click on the link below and you will be transported to KIRA and Kingsbrae Gardens on a magic carpet. swift and smooth.

KIRA Promotional Video

Our September / October project is to inaugurate the first KIRA Boutique Retreat (Creative Writing). This will run from September 30 to October 6. I will be one of the facilitators, along with Geoff Slater, the artistic director at Kingsbrae and Jeremy Gilmer, this year’s writer in residence (July 2018). For a description of my own stay at KIRA last year (June, 2017), click on the first link. Click on either the second or the third link below for more information on KIRA and the Boutique Retreat.

KIRA: an intensive creative experience WFNB, August 5, 2017).

 KIRA – Kingsbrae Garden

KIRA Boutique Writing Retreat

KIRA & so much more

 

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KIRA & so much more

KIRA & Kingsbrae Gardens are so much more than an outdoor adventure. They offer a journey into yourself, an exploration of your inner depths, a Jules Verne voyage into the interior of the world that you are: the artist, the creator, the truly spiritual person that you are capable of being.

How do I know? Because I have been there. I have walked those beaches, explored those shores, got my feet dirty in the Passamaquoddy mud, climbed those hills, viewed those islands from both sides. I have been out to sea to see those whales, have crossed the Old Sow from side to side, have imagined myself as a pirate for the shortest of times, crawling my sailing ship around the whirlpool, listening to its sucking sound, watching the seals as they rose from the depths, the sea gulls as they dropped from the skies.

Within the gardens, I have touched those secret places, grasped the flowers, crushed the leaves of herbs between sightless fingers and raised those perfumes to blind nostrils. I have also breathed in the scents of salt borne on a sea wind caressing the cheek, smoothing the brow, bearing away the cares of city and suburb.

Renewal is here and now. It is the sea wind’s kiss, the suck of mud, between the toes, barefoot, the rise and fall of tides, the ocean’s life forced into our lives and floating our cares and despairs away. Nothing of the city lurks here to ambush us, unless you bring it with cell phone, computer, texting, and the dull, grey air that will soon be vanquished and whisked away by the breeze, terns, gannets, the seal’s nose breaking through the sea’s surface, the deer crossing the road, demanding their right of way.

At the end of my own residency in KIRA (June, 2017), I tried to summarize my thoughts about the experience. To read them for yourself, click on this link: Residency, June 29, 2017. I was invited by the Writers’ Federation of New Brunswick to write about my stay. To read that, please click on this link: KIRA: an intensive creative experience WFNB, August 5, 2017).

To find information about your own potential residency at KIRA, click on this site KIRA – Kingsbrae Garden or this one KIRA Boutique Writing Retreat.

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Life-Long Learning

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Life-Long Learning
KIRA & Kingsbrae Gardens

It’s hard to believe I could be back with my friends at KIRA & Kingsbrae by the end of next month. What an honor and a pleasure to be invited to help facilitate the first KIRA Boutique Retreat on Creative Writing. Geoff, Jeremy, and me … we will make a truly creative dream team. We are working out the details as I type this.

My task will be to work with poets and short-story writers. I have just successfully completed two online courses from the School of Creative Writing at the University of Toronto, my  Canadian Alma Mater (MA, PhD). Kerry-Lee Powell offered the first course: Writing Short Fiction II, while the second course, Poetry II, found me studying with Sachiko Murakami.

Life-long learning is so important. Over my life, I am not that old at seventy-four, I have learned that it is the ability to change, to adapt, to learn new things, that marks us out as creative people. Since my escape from imprisonment in the Ivory Tower of Academia (aka retirement), I have ventured into several new worlds, including that of online learning. My two most recent online courses from U of T now stand alongside an online course from Humber College on novel writing. Alas, this course did more to confirm that I wasn’t really a novelist at heart. As we live, we learn. I have now laid aside my three embryo novels to concentrate on my stronger areas: poetry and short stories.

Along with these online courses, I have been through the give (offering) and take (participating) of multiple creative writing workshops. So much knowledge gained. I have also enjoyed several positions as academic editor, associate editor, editorial board member, of multiple national and international publications, in English, French, and Spanish. In each of these new adventures, there was so much to learn.

Now I have the chance to return some of that acquired and accumulated knowledge to others who, like me wish to practice their life-long-learning skills. The unique KIRA combination of conversations, selected workshops, one-on-one talks, round-the-table discussions, evening talks, and readings will open many horizons to writers old and new, and not least to myself. As I live, I learn.

Round-the-table discussions: The Spanish have a wonderful term for this, de sobremesa. This refers to the discussions that take place, around the dining table, when the meal is done and everyone is comfortable in each other’s company and multiple conversations flow.

As for KIRA itself, I look forward to returning to my conversations with the land, the sea, the flowers, the birds, the statues, the alpacas … I love talking to them in Spanish … and the rowdy, old peacock who squawks his joy at evening, when the sun goes down. And don’t forget those Indian Runner Ducks: Beatrix Potter talked to them … and so did I … in fact, in Beatrix Potter’s case, one of her own Runner Ducks, possibly a distant cousin to those at Kingsbrae Gardens, became better known as Jemima Puddleduck. Who knows? Between poetry and painting, you too may find your own version of Jemima Puddleduck … Paco the Alpaca, perhaps?

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KIRA: The three standing stones, though I think of them as talking statues. I stood in the middle between them, closed my eyes, opened my mind, and listened to the magic as the breeze blew through them and sang secret songs to the music of their stone flutes. They filled me  with the sound of their ancient voices, their poems and stories, the magical mysteries of their myths. Come and visit and I’ll show you how to stand still and listen to what the stones have to say. When you allow that poetry to flow through you, you’ll never suffer from writer’s block again!

Butterflies

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Butterflies

“Poetry gives permanence to the temporal forms of the self.”
Miguel de Unamuno.

That is what my writing is all about,
those temporal forms, fluttering and changing.
Butterflies, they live for a day or two,
perch and flourish, spread their wings,
excel for a moment, catch my attention,
then blown by a sudden gust of wind,
they tear their wings on a thorn
and perish in the blink of an eye.

Reborn in ditches, they cluster and gather,
congregate, black and yellow, on bees’ balm,
smother Cape Daisies and Black-eyed Susans.

Like shadows they shimmer, butterflies by day,
fireflies by night, terrestrial stars, lost, wandering,
floating in their forest firmament, hackmatack,
black oak, bird’s eye maple, silver birch, fir …

Impermanence surrounds us, dances beneath stars,
sings with robins, echoes the owl’s cry through woodlands,
poetry, the elemental soul, our words capturing nothing,
turning it into eternity, holding it for the briefest moment,
then letting it go. Island View, New Brunswick, Canada,
my home in the woods, my dialog with my place and time.

Dandelion Flowers

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Dandelion Flowers

My flowers fly bright flags as if trooping their colors
for Her Majesty, the Queen of England. They drink water
dosed with chemicals to keep them healthy and alive,
refusing to fade, flourishing in their vase on the table.

They withstand both sunshine and shade, neither wilting
nor fainting under the hot summer sun. In this house
there dwells no queen, just a domestic pussy cat
called Princess Squiffy who knows she may look at a Queen.

“Your Majesty,” say Cape Daisies as the pussy cat passes.
“Ma’am,” say Peonies and Pansies, bending knees, bobbing heads.
Outside my window, the garden fills up with onlookers,
still green Tomatoes, Clematis, and a tall Hollyhock.

A multitude of weeds crowds onto the lawn. Dandelions
standing splendiferous, waiting to take plebeian selfies,
for plebs, they are, vox populi, people’s voice, people’s choice.

Some ancient god must have loved them very much,
for they are ubiquitous, and totally indestructible.
That said, you must never trust them in your flower bed.

Dawn at KIRA

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Dawn
at
KIRA

1

A fiery wedge, fierce beneath
black-capped clouds, alive
the firmament with light,
breaking its waves over woods,
waters, tranquil the bay, grey,
yellow-streaked, then blue,
the new day dawning,
driving night away,
false shadows fleeing.

2

To rock this new born babe,
to swaddle it in a cloak of cloud,
disguised for a moment its promise,
nature nurturing heart and mind,
filling the flesh with memory’s
instantaneous flash breaking its light
into the dark where no light shone,
fearful, the dream world,
gone now, dwindling, as day light
shafts its arrowed flight.

3

How thoughtful My Lady
 who placed me here,
at this desk,
at this window,
 at this moment of time.

Glorious, this day-break:
words no justice can do
to peace and light,
this early morning,
filtering sunlight
through the waking mind,
relighting the fires
within the heart,
and glory
a word’s throw away
outside this window.

The Return

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The Return

This time last year I returned to KIRA for a visit after my one month artist’s residency. I have been back several times since, but each return is always more difficult than the last. Memories are golden and the reality of the return is never quite the same. Here’s the link to last year’s post on my first return to KIRA: KIRA Return July 2017 .

You can never walk in the same river twice (Heraclitus). This is what makes the return always so difficult. It is like the spoken word that, once spoken, can never be reclaimed.

I guess the return is more difficult for some people than for others. There are so many places to which I have never returned: Cardiff, Gower, and Swansea (Wales), Bath, Bournemouth, Bristol, Christchurch, Frome, Gloucester, Hengistbury, and Wick (England), Oaxaca (Mexico), Avila, Bilbao, Elanchove, Madrid, and Santander (Spain).

These place names scratch memory’s surface, no more, for there are places within those places, also never to be seen again, save in old photos and dreams. Yes, my dreams are tinged with sadness, the sadness of remembering. There is also the great joy of having been there, of having borne witness to this moment and that. Time and memories slip through grasping fingers like water or sand. The ephemeral: it will never last, even though we catch it for a moment in a photo or a verse.

 

Therapy Garden

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Therapy Garden

Sitting, absent-minded,
empty,
waiting for the sunlight to heal
my old bones and fill my fragile form

with light
so that I may shine,
a lighthouse on the land,
sunshine pouring out from me,
light enough to enlighten
the unenlightened
in their soul’s dark night,

no moon, no stars,
and me,
walking unafraid,
knowing I need fear nothing,
even in terminal darkness,

for my body now overflows
with this therapeutic light
that floats its boat on an inner
sea of tranquility.