Rage, Rage 54

Rage, Rage
54

Terminal and terminus,
they both mean nec plus ultra:
the Pillars of Hercules,
the end of the known world,
and my own world’s end.

I throw my hands skywards
in desperation:
“Is anybody up there?”
There’s no reply,
and I see no ladder
for angels to descend
or ascend.

Only the crows,
those black-winged
monarchs
destined to wear
the survivor’s crown,
cry out their anguish
as they wait for the day
when they’ll pick clean
my unburied bones and
rule this sickening world,
an earthly paradise no more.

Comment:

When I said “I am looking for a picture of a crow,” Moo went wild. “Me,” he said. “I’ve got one.” And indeed he had. Here it is – two crows perched like vultures over the body of a fast melting snowman. Our current world in miniature – and don’t forget the yellow snow and the doggy doing a dump. “Moo,” I said, “That’s not nice.” “True to nature, though,” he replied. “You want reality – you got it.”

Reality – what a strange word. Who knows nowadays what is real? The barber’s basin in Don Quixote – is it a barber’s basin or is it Mambrino’s Helmet? Good question. Relativism – it depends on your point of view. U a barber’s basin – turn it upside down Ω and it’s a helmet. So how do we deal with an object that has two functions and can be seen both as one thing and then another?

Good question. Cervantes solves the problem in his own unique fashion – U – bacía / basin and Ω – yelmo / helmet. Put them together and you get the neologism [newly invented word] baciyelmo – a basin that serves as a helmet and a helmet that serves as a basin. Wonderful – if it weren’t for the snout, I’d swear that was the origin of the pig-faced bassinet.

Some days, I try to understand all this – but I throw my hands skywards in desperation: “Is anybody up there?” Another good question. I often ask myself that question but I despair of an answer.

My friend Francisco de Quevedo voiced the same question in a dream that came to me last night.

¡Ah de la vida! ¿Nadie me responde?

Life ahoy! Will nobody reply?
Is anybody up there?
Will someone reply?

Blas de Otero once made a similar utterance –

“I raise my hands in supplication
– you cut them off at the wrist.”

Tell me, if you know, – what is this life if, full of care, we have no time to stand and stare. And look at those crows, standing there, staring, waiting … waiting for their turn to come. Patient, eternally patient. Just standing around. Waiting.

Rage, Rage 36 & 37

Rage, Rage
36

How many times
must I open these
Pandora’s Boxes
packed so lovingly
to give me the tests
I loathe?

Yesterday they gave me
a throw-away plastic potty,
and three wooden spatulas.

I also got
an air-dry sample card,
stamped and dated.

37

Today
a teenage apprentice
prompts me to reveal
my birthdate, then binds my arm
with a thick rubber thong.

She tells me to make a fist
and probes with blunt fingers,
searching in vain for a fresh vein
she can open to extract
and bottle a sample
of my precious blood.

I watch my body’s sap
pumping out
in irregular spurts,
driven by my heart,
that worn-out
flesh-and-blood machine.

Drip by febrile drip,
blood accumulates
and the teenager smiles
with youth’s perfections:
slim body, wit, and grace.

Now, my heart is once more
a time-bomb ticking
beneath her fingers.

Comment:

“Youth’s perfections: slim body, wit, and grace.” Those were the days, my friends, I thought would never end. Then I watched my weight rising, my body thickening, my hips and knees sticking. But I am still me – my own hair, my own teeth, my own limbs, creaky as they are.

I remember. back in the days, watching the TV series – $6 million dollar man.” remember him? Artificial everything and he could out run a car, out jump a kangaroo, outswim an otter, out fight the world’s greatest ever boxers, with one hand tied behind his back. Everything artificial. The willing suspension of disbelief.

Well, I called a couple of friends from my rugby playing days, and guess what? They were all in competition with the $6,000,000 man. An artificial hip… an artificial knee … an artificial shoulder. One of my friends, probably the best player of the lot, had a shoulder replacement, two hip replacements, and two knee replacements. Try going through a metal detector with that lot clanking like Don Quixote’s armor on a warm day.

And DQ was lucky. His magic balsam would heal a man, even if he had been chopped in half by a malignant giant with a sharp sword. Instructions to his squire – “if that happens to me, just join the two halves together as closely and as carefully as you can. Then sprinkle a few drops of the balsam on my body and watch how the two halves grow back together, almost instantly.”

Well, it doesn’t always work like that. I spent half an hour soaking my thumbs in hot water when I got them stuck together using some form of Crazy Glue or Gorilla Glue or Rhinoceros Glue or Elephant Glue or the like. Now there’s a magic balsam for you. However, don’t get into any hot water until the halves are well set and the flesh has grown afresh. Otherwise you might come apart in the bath!

PS Moo did not think this was an amusing piece. So he would only give me a very early cartoon of a ticking alarm clock – well, four of them. And each one set to go off at a slightly different time. Way to go Moo.

Rage, Rage 35

Rage, Rage
35

Now,
once a month, they stick
a needle in my arm
and check the levels
of my PSA, cholesterol,
and testosterone.

Is my blood pressure rising?
Is my cholesterol high?
Are my electrolytes
ticking slowly down?

The doctor keeps telling me
it’s a level playing field
but every week
he changes the rules
and twice a year
he moves the goal-posts.

What game is he playing?
A man in a black-and-white
zebra shirt holds a whistle
to his lips while another
throws a penalty flag.

It comes out of the tv set
and falls flapping at my feet.
Now I know for certain that
I’m living in the Red Zone
and I’m running out of time.

Comment:

Now, once a month, they stick a needle in me! Not always in the same place. But, I sometimes feel like a pin cushion. “The slings and arrows of outrageous fortune” have turned into the “probing instruments of innumerable doctors.” Try repeating those lines at speed and you will end up repeating the message, from lips to ear, like the battalions waiting to go over the top, used to do in the trenches of WWI.

Original message – “Send reinforcements, we’re going to advance.” Last message in sequence – “Send three and fourpence, we’re going to a dance.” Funny how times change. I am re-reading Don Quixote (yet again) and am bowled over by the length and complexity of the sentences. Then I realize how words, culture, times, and attitudes have changed. “Change and decay in all around we see…” – indeed we do.

How many people now know what ‘three and fourpence’ means? And how about LSD – and no, it’s not a psychedelic drug, it’s code for pounds, shillings, and pence. Well, for the original Latin terms for them anyway.

Oh the joys of AI – “The terms librasestercia (commonly sestertius), and denarius are the direct Roman ancestors of the British pre-decimal currency system (£sd), which was in use until 1971. The system was adopted from the Roman/Frankish model where a pound (libra) was divided into shillings (solidus) and pence (denarius).”

Oh the wonders of the British pre-decimal currency system (£sd). Four farthings = one penny; 12 pennies / pence = one shilling; 20 shillings = one pound; 21 shillings = one guinea. What fun we had adding and subtracting British coinage in those days, let alone multiplying and dividing for those wonderful state examinations.

Ah well, it’s all forgotten now, as are the jabs, the needles, and the tests. Anyone got a Wills’ Woodbine? Or a Player’s Navy Cut? And how about a Lucifer to light your fag? There weren’t any fags in my boarding school. Fagging was strictly forbidden. As was smoking. And drinking. And loads of other things that we did anyway.

Rage, Rage 34

Rage, Rage
34

A squiggle of spaghetti
or twisted noodles,
that’s what my brain
has become.

My second-hand mind
is a hand-me-down,
an antipersonnel bomb
from another place
and a distant time.

Blind, in so many ways,
with nowhere I want to go,
my soon-to-end days
lie humped on my shoulders,
weighing me down
as I limp along.

Comment:

You can blame my friend Moo for the painting. “That’s my view of your brain,” he told me. “A squiggle of spaghetti or twisted noodles.” I think his painting looks like what my Beloved, courtesy of Corrie Street (as was), calls a Spag Bowl. Funny how easy it is to become muddled and confused as we age. Did I shut the back door? Double-check. Yes, I did. And you can multiply that to the power of N (or DR – for don’t remember!). And what about those windmills that wave their arms in my mind? Will that be cash or “Charge!”

Re-reading the Quixote, side by side with a very good friend, I forget some of the ideas that I once had. I try to read my penciled marginal notes. What fun! First, I can hardly read them. Second, I can hardly understand them. And third, I have to reinvent what they might possibly have told me. All good fun. But sometimes, at the end of a session, my mind feels like the bodies of Don Quixote, Sancho, and Rocinante, after their meeting with the Yanguesans – battered, bruised, and beaten! Why, can someone kindly tell me, did Cervantes treat his two main characters to such frequent and brutal assaults?

Ah well, Friday today, and Friday is fish – not Spag Bowl. Are scallops fish? Not when they are sliced off your body with a razor-sharp sword. But then, I doubt if Quixote’s sword was razor sharp. It was probably vencida de la edad – conquered by age – just like he was. Conquered? No, not yet. Happily, I just limp along, however slowly. Ah yes, I forgot. I need a name for my Nexus. Maybe I’ll call it Rocinante, like DQ’s horse.

Book Burnings

Book Burning

A sharp-edged double sword,
this down-sizing,
this clearing out of odds and ends.

Library shelves emptying.
books disappearing, one by one.

So many memories
trapped between each page,
covers, dust-bound now,
dust to dust and books to ashes.

Sorrowful, not sweet, each parting,
multiple losses, characters
never to be met again,
except in dreams.

Heroes, thinkers, philosophers, poets,
their life work condemned to conflagration.

Alpha: such love at their beginnings.
Omega: such despair,
with Guy Fawkes celebrations
the means to their ends.

Word-fires:
the means of forging
those book worlds that surrounded us.

Bonfires:
the means to end them.

Steadfast, the book-fires,
flames fast devouring

all but an occasional volume
snatched by burning fingers,
from the flames.

Comment:

Funny things, book burnings. Why would anyone burn anything as innocent as a book? Good question. Yet people do. And people always have.

I think back to Don Quixote I, 6 and the Scrutiny of the Library. The Priest and the Barber go through the mad knight’s library and one by one examine the books of chivalry and either spare them, or cast them into the flames. This, in itself is a parody of some of the judicial actions of the Spanish Inquisition. In particular, any book that they considered to be unsafe or heretical went into the flames. Our Spanish Knight, of course, went mad through reading too many books of chivalry – and his brain dried up so that he totally lost all reason.

It is very interesting to read which books were spared and why. Equally interesting to find that many were burned on aesthetic grounds – they were not well written, or they were boring. Fascinating.

Fascinating too the book burnings that took place in Mexico during the Conquest of that country by the Spanish Conquistadores. Many pre-Columbian codices were burned. Priceless treasures and histories lost forever. Some, I think the Vindobonensis, still bear the marks of the flames when they were pulled from the fire in an effort to save them.

Moo tells me that my books will never be burned. And I am thankful for that. I asked why they wouldn’t be and he replied that nobody reads them anyway! Not such a comforting thought. So, in an effort to keep me happy and to preserve my books from the flames, another of my friends laid them out on the beach at Holt’s Point, New Brunswick. They certainly won’t burn when the tide comes in.

More important, I see that junk from Canadian Beaches, dated about 1960, has just arrived on the shores of the European continent, sixty plus years later. So – a floating book, a message, perhaps, in a time-bottle, destined to achieve immortality and live for ever. What a comforting thought for those of us who believe in the time and the tide that wait for no man! But they both might wait for his books.

Carved in Stone 70 & 71

Carved in Stone
70

Where can I survive
in this harsh world
where poetry and ideas
struggle to be free,
a world in which
the great literary myths
have been destroyed?

Where mass media rules,
sensationalizes, lies,
falsifies the power and glory
of words, now used
not to delight and educate,
but to manipulate.

A treacherous world
in which an evil genius rules
and constantly misleads us.

71

An Age, not of Enlightenment,
but of Endarkenment,
this is not the world
in which I want to live.

My chosen world
is that quiet corner,
outside El Rincón
in the Plaza Zurraquín,
by the Mercado Chico,
in Ávila, Spain,
where leaves and confetti
dance to the wind’s tune.

A world of mystery and dream,
personal perhaps,
but well known to
all of those dreamers
who have the eyes to see
and the heart to stand still
and listen.

Commentary:

“There is no earth, no heaven, no extended body, no magnitude, no place and that nonetheless I perceive these things and they seem good to me. And this is the most harrowing possibility of all, that our world is commanded by a deity who deceives humanity and we cannot avoid being misled for there may be systematic deception and then all is lost. And even the most reliable information is dubious, for we may be faced with an evil genius who is deceiving us and then there can be no reassurance in the foundations of our knowledge.” René Descartes (1596-1650).

Cervantes wrote about such times in Don Quixote. Do we see what others see? What is truth and what is fiction? How do we approach and understand authority? What do we believe and why do we believe? Are they windmills or giants, wineskins or warriors, a flock of sheep or an invading army? “Only believe, and thou shalt see” – but what do we believe and why do we believe. “The fault, dear Brutus, lies in ourselves, not in the stars, that we are underlings,” Shakespeare, from one of his many plays.

Carved in Stone 27

The philosopher in search of his stone.

Carved in Stone

27

Miguel de Cervantes –
I read and re-read his words,
envious of his ability to reach out
with language that thrills me still.

I see him as a total entity,
while I see myself in pieces,
broken, unable to express
the simplest thoughts.

As I age, I sense the water
slipping from the water-clock,
the candles burning lower.

I still cannot make the mark
I want to make, for they are beyond me,
those marvelous word-worlds.

My words are mortal, his are immortal.
Mine just ink stains on a humble page,
his cast in print, but crafted to last forever.

As I bear witness to those powers,
so much greater than mine,
my eyes fill with tears.

Commentary:

They are beyond me, those marvelous word-worlds. Indeed they are. But I do not seek to create ‘a marvelous word-world’. I am happy with ‘ink stains on a humble page’. I seek to reach out and find those one or two people who accept me for what I am and find their own selves in a small corner of the tiny gardens I discover or create. Not a world, then, but a tiny corner of my own world, described, and offered to those who have eyes to see and ears to hear and hearts and minds to feel and understand.

And what is this infatuation with the poem itself? I no longer write individual poems, I write sequences of linked poems, a set of poetic narratives, if you need to find a label for what I am trying to do. Cervantes once wrote “La épica también puede escribirse en prosa.” / Epic poetry can also be written in prose. What happens if we reverse that statement and say – “A narrative sequence can also be written in poetry.” Interesting, eh?

And what is this desire to leave something, some trace of us, behind? I cannot answer that question. The answer will vary for each one of us, and for each fall wall flower perishing against the garden wall. I look at the homeless, pushing their grocery carts, head down. Their existence is as important as mine. Their desire to survive, for another day, another week, another season – and winter is coming one – is more powerful than any poet’s desire to leave a work – a magnum opus – to celebrate their lives.

And yes, my words are mortal, as I am mortal, as Miguel de Cervantes and all the great writers were mortal. Patrick Lane once told me that if poets leave one poem behind them that is remembered, they have done well. Even the greatest poets, and you can check this in the anthologies over the ages, rarely leave more than ten or a dozen memorable poems. As for me, I am happy to say that I have never had a poem included in an anthology. Not to my knowledge anyway.

And what does Magnum Opus actually mean? I leave you with the quote from Wikipedia set out above. Click on it, and find yet another way to distract, deflect, and change the direction of our lives! Given that road, who would ever want to walk it to its end?

Carved in Stone 4 & 5

Carved in Stone 4 & 5

4

Maiden Castle –
Rome’s victorious Legions
sought out the main gates,
broke them down,
and placed their altars
to Mars or Mithras
on the ruins of the pagan temples
they desecrated.

What were they, those Romans,
but pagans themselves?

Their false gods
replaced the fake gods,
worshiped there long before
the legions’ arrival.

5

Later, the Saxon sword-song
superseded them
and the Roman Empire fell,
with a pendulum swing
that led to another set of gods.

How did they know
which was the true god?
Was it the belief in miracles
or the military might
that resolved the issue?

Bonfire night.
The sacred texts go up
in fire and smoke.

Brave is the man
who risks his hand in the fire,
defying the flames
to hold on to his truth.


Commentary:

“Brave is the man who risks his hand in the fire, defying the flames to hold on to his truth.” It appears that the Congregation of the Holy Office, aka the Inquisition, threatened to hold Galileo’s right hand in the fire unless he recanted and denied his scientific observations. Church theory held that the universe was terra-centric – the sun moved round that earth and the earth stood still – while Galileo showed that it was actually heliocentric – the sun stood still and the earth moved around it. Old and sick, he recanted in public, but was heard to mutter eppur si muoveyet it still moves.

Bonfire Night celebrates the discovery of the Gunpowder Plot. Barrels of gunpowder had been placed beneath the Houses of Parliament in Westminster, but they were discovered on November 5, 1605 and removed. Bonfire Night is also called Guy Fawkes Night, Guy Fawkes being one of the key plotters to remove the English Parliament. Leading up to Bonfire Night, young children in the UK place a ragged scarecrow, called a Guy, around the streets begging for “a penny for the Guy”! With these pennies they buy fireworks. Then, on November 5, the Guy is set atop a large bonfire and the fire is lit. This autumn burning is accompanied by fireworks.

Bonfire night also refers to the old medieval book burnings of texts that were anathema to whatever religion or regime was in control. Cervantes refers to them in Don Quixote, I, 6 (1605).

Clepsydra 31 & 32

31

… I become more aware
     of the world
          outside my mother’s womb

I listen to the house’s heartbeat
     the occasional creak
          intruding rarely
               the house inhaling
                    exhaling

 I pay attention
     to my own bodily sounds
          my heart rate slowing
               increasing

now I can hear
     the faint tick-tock
          of a distant clock

a sunray illuminates
     a dust mote
          that dances before my eyes

light without sound
     silent butterfly wings
          seeking celestial light …

32

… did I write
          these words for me
               or did I write them
                    for someone else

does it matter
     when the only thing that counts
          is the beauty released,
               when the butterfly breaks free
                    and takes flight …

Commentary:

“The only thing that counts is the beauty released when the butterfly takes flight.” Sounds beautiful, doesn’t it? Just like the old poetic adage “beauty is truth and truth beauty.” But is it true? There are some very ugly truths and it is very hard to beautify them, even though we do our best to do so. I have always hated simplicities like “lipstick on a pig” or “silk purse out of sow’s ear”. And then there’s ‘a rose by any other name would smell as sweet.’ Probably true. Yet an ugly truth is still an ugly truth however much the spin doctors try to spin it.

And for whom does a poet (he in this case, the poet being me) write his poetry? Did I write those words for me, or for someone else? Good question. I certainly wrote them in the hopes that someone, somewhere, perhaps you, whoever you are, might read them. But I don’t know you, can’t know you, how could I know you? But if I don’t know you, how could I write for you? Did Cervantes write the Quixote for himself, or for his readers? And who were his readers, did he know them? He certainly didn’t know me, because he passed away on April 23, 1616, same date as William Shakespeare and the Inca Garcilasso de la Vega. The same date, you notice, but not the same day! Puzzle that one out, if you will. Meanwhile, he died 328 years, give or take a month or two, before I was born, so I don’t think he had me in mind as he penned his words, much as I didn’t have you (specifically) in mind, as I penned mine.

Carpe diem – seize the day. Don’t wase it on such idle philosophical speculations. Speculation / peculation – go buy yourself a lottery ticket – you may even win the jackpot. Of course, if you wish, you can be like me. I never buy lottery tickets and that would put money in my pocket every week (think of it as winnings!) except I never take it out. And remember – “Keep your water weak and your cider strong, keep your hands in your pockets and you won’t go wrong.”

What are you doing this evening?

Daily writing prompt
What are you doing this evening?

What are you doing this evening?

This evening, I am thinking about how September is the month in which academics, thinkers, and philosophers, as well as everyday people, can be reborn. I wrote this article 25 years ago. Re-reading it now, I am amazed by its clairvoyance. Here are my thoughts from way back then.

“September Renaissance: The Annual Adventure of (Re)Creating the Individual.”

This address was delivered to faculty at MOUNT ALLISON UNIVERSITY on 07 September 1999. It is a revision (and an extension) of the adress I delivered to students at St. Thomas University during the inaugural speech delivered to the incoming class of students by the winner of the St. Thomas University Excellence in Teaching Award.

Tomorrow, 08 September, 1999, is a very special day for me, and I would like to share my Special Day with all of you.

“A Special Day?” you think. “It must be his birthday.”

But no, it’s not my birthday. Could it be my Saint’s Day then? If we were in class, and you were all students, I would see some puzzled faces. A hand would be raised: “Please Dr. Moore, what’s a Saint’s Day?”

I would smile at the student brave enough to ask that question. “Good question!” I would say. “When one person asks a question, class, there are twenty people in the room, perhaps more, who wanted to ask that question, but did not raise their hands because they were afraid to do so. Never be afraid to ask questions. Question everything. Question everyone. Ask questions all the time. That, in part, is what you are here for: to ask questions and to learn to ask the right questions.”

So: what is a Saint’s Day? Well, in Spain, people often have two celebrations a year: their birth day and their Saint’s Day. Their birthday is, of course, the day they are born; their Saint’s Day is the Feast Day of the Saint after whom they are named. That was a good question, class, and you have gained a little knowledge! But No! It is not my Saint’s Day.

Why is today such a special occasion for me? Again, if this were a classroom I might, at this stage, do one of several things:

  • I might divide you into groups and ask you to discuss the question;
  • I might turn on a video;
  • I might access the classroom computer and show you a multi-media presentation;
  • I might give you a lecture or a talk or a question and answer session, much as I am now doing;
  • I might send you to the library to find out the answer for yourselves;
  • I might send you to the computer room to surf the net in search of an answer;
  • I might ask you to work together on an interactive listserve and let others help you access the information;
  • I might send you home early with reading material for the next class;
  • I might send you home to watch a specific television program;
  • I might set you the question as a Problem Based Learning Group Research Project (written answers on my desk, tomorrow, by 3:15 pm!);
  • I might ask you to write your essay in a journal page or in a researched essay (due in six weeks time, with annotated bibliography!);
  • I might ask you to tap in to your subconscious and freewrite around the question for fifteen minutes;
  • I might tell you to do some thinking and asking around, because that specific question will be on the final examination;
  • I might ask you to design a poster or your own multi-media presentation demonstrating the meaning of the question and several possible answers …


… Clearly, there is no right or wrong approach and there are many ways of dealing with what is, on the surface, a relatively simple question. You are using many of these approaches in your own classes here at Mount Allison University and I do not presume to tell you that one way is right and another wrong. So much depends on the shifting relationships between teacher, learner, class size, class maturity, work capacity, research resources, and subject matter. At Mount Allison you have a national reputation for the excellence of your students and of your faculty. You have proved over a long period of time your ability to distinguish between the more important questions and the correct research and investigation procedures; above all, you know how to choose those that are most suitable to you and to your own students.

Since this is NOT a classroom, since you are not my students, and since I would have great difficulty in dividing you up into small groups so that you could discuss why tomorrow is such an important day for me, I will provide you with the required answer: TOMORROW, September 8, 1999, is my RE-BIRTH-Day! Tomorrow, I celebrate the day of my RE-BIRTH. Thirty-three years ago tomorrow, I was RE-BORN.

Permit me to share with you the matter of my RE-BIRTH!

It came about like this: On September 8, 1966, I got up at 4:00 am, ate a light breakfast, packed my suitcases into my father’s car, and headed for Heathrow Airport, London. There I boarded BOAC Flight 1040 and at 3:00 pm that afternoon I landed in Toronto, Ontario, Canada. By 3:15 pm, I was passing through Canadian Customs and Immigration and by 3:30 pm, I was RE-BORN as a Canadian.

This RE-BIRTH was not an easy process. It took me a long time to learn to act, think, and speak like a Canadian. It also took me a long time to realize that while the Canadian within me was growing stronger every day, other parts of me, even when they were rigorously maintained, were beginning to die. Thus, at the same time as I celebrate my RE-BIRTH as a Canadian, I mourn the gradual passing away of my Welshness, the slow disappearance of my Welsh family, the fading of my Welsh friends, some of whom I have not seen in more than thirty years.

Yes! I was RE-BORN 33 years ago tomorrow. But this is not the only RE-BIRTH that I have undertaken. There have been many other rebirths:

  • 28 years ago, I emigrated from Ontario and was RE-BORN as a New Brunswicker;
  • 27 years ago, I left the University of New Brunswick and was RE-BORN as a St. Thomas University professor;
  • 24 years ago, I was RE-BORN when I graduated with my PhD and was officially no longer a student;
  • 5 years ago, when I visited the Dominican Republic, I was RE-BORN as a conscious critic of certain neo-colonial policies and attitudes towards Developing Countries; in the DR, incidentally, I was also held up at gun-point — and surviving THAT little incident certainly guaranteed an instant RE-BIRTH which I celebrated in the closest bar!
  • 4 years ago, in December 1995, I was RE-BORN as a pseudo Professor of Education when I visited Oaxaca, Mexico, as part of what was later to be called the St. Thomas University – University of New Brunswick – Universidad Autónoma Benito Juárez de Oaxaca Faculty Exchange Program;
  • And tomorrow, on September 8, 1999, as I celebrate the 33rd anniversary of my being RE-BORN as a Canadian, I am in fact in the process of being RE-BORN yet again.


I will explain how in a moment. Meanwhile let me say that along with the pain and struggle for RE-BIRTH come various things:

  • PRIDE: in the fact that I, along with everyone else in this room, can achieve RE-BIRTH;
  • HUMILITY: in the knowledge of how fortunate I am, together with all of you gathered here in this room today, to be counted among those who are still capable of RECREATING their lives and of being RE-BORN;
  • RESPONSIBILITY: in the knowledge that when we are RE-BORN a new set of duties falls upon our shoulders;
  • ENERGY AND ENTHUSIASM: in the knowledge that I, like every one of you, am capable of sharing the secret of my RE-BIRTH with the students who come to my office and my class almost every day in search of the new selves which they wish to create for themselves.


This summer, to prepare myself for this Fall’s RE-BIRTH, I did the following:

• I revised all my courses;
• I attended the University of New Brunswick Multi-Media Institute for three weeks and completed my Certificate of Multi-Media Studies;
• I reconstructed, with the aid of Clare (without whom I would not be here today, but perhaps I’ll tell you more about that later), my web page;
• I (re)commenced my annual summer reading program to update my thinking.

I say all this to assure you that I know as well as you do that knowledge is not a solitary, self-contained unit which, once attained, stays with us forever. Knowledge is an ongoing process; learning is a lifetime commitment; you, as faculty, teach at Mount Allison University, as I teach at St. Thomas University, not just to earn a salary, but to continue a life-long commitment to teaching and learning. If you are like me, you love the sheer process of teaching and learning; you love the contact with young, developing minds.

I try always, as I am sure you do, to encourage my students to start their life studies with us at St. Thomas and to continue their life studies when they leave university. We do not say “Learn for four years and then you can stop learning for you will have all the knowledge you will need for the rest of your lives.” At least, I hope we don’t.

And it is the same thing for us, as faculty. For we, as faculty, are actively involved in our own ongoing research and scholarship, some of which we publish and some of which we use in our classes; research moreover, without which the knowledge we share with our students would be a dead package, taken from our notes, and handed over without thought or revision, or consideration, to the next generation, much as certain forms of knowledge were handed to me when I was an undergraduate by some of the teachers de cuyos nombres no quiero acordarme / by teachers whose names I do not wish to recall, to borrow the famous words with which Cervantes opened perhaps the world’s greatest novel: Don Quijote de la Mancha.


So what did I read this summer?

Amongst other things, I read about the RENAISSANCE — the RE-BIRTH of Western Civilization in the 15th and 16th Centuries; I also read about the REFORMATION that came about as a direct result of the challenges and questions posed by the RENAISSANCE; and I read about the COUNTER-REFORMATION that sprang up as a reaction to and dialogue with that first REFORMATION.

I also realized, not for the first time, the similarities between our own age and that of the RENAISSANCE. The RENAISSANCE, as Marshall MacLuhan pointed out in The Gutenberg Galaxy, was a time of new ideas and new technology; in addition, a radical change occurred in the paradigm of man’s learning and thinking. The known world was expanding with the voyages of discovery that set out to East and to West. Man’s view of the universe changed with the various discoveries in optics that allowed us to see objects in space larger and in more detail than ever before. This led, of course, to the concept of the heliocentric universe, where human beings were displaced, away from the centre of creation; a new concept for the Church, and one that they fought against bitterly at the time.

In the same period the printing press had an enormous influence on the dissemination of knowledge, and totally changed peoples’ ways of disseminating, creating, receiving and perceiving written information. It is very difficult for us to understand, even today — perhaps especially today — the impact of the printed word on a semi-literate society in which, again according to Cervantes, groups of people would gather in the evenings to have books read out loud to them by the one or two people in the village who could read. Walter Ong has described this process to us in Orality and Literacy, another book which I (re)read this summer. Suffice to say, that for us, as a television generation, it is difficult to understand the initial impact of radio upon our parents and grandparents. For the new generations of students emerging today, it is difficult to imagine life without the instant communication of television, telephone, email, and computer.

In many ways, the impact of print must have been similar to the impact of the electronic technological revolution which we are going through today. And one thing I know for certain, after completing my Certificate in MultiMedia Studies: none of us are aware, nor will we be fully aware for a long time yet, of the full impact of the electronic technological revolution upon the hearts, souls, intelligence, and minds (not to speak of the wrists and eyes) of those who use it and of those who are now growing up, many of whom know no other way of accessing information.

The paradigm of knowledge and technical skill is still changing and developing explosively; as a result, we are still unaware of exactly what can be achieved by the new media. Take computer chess, for example. Chessmaster 2000 had approximately 150 games programmed into its chess library; Chessmaster 4000 not only has 1500 games programmed in, but also presents us with games in which Karpov commentates in digital audio his own moves in his own matches!

Yet, in spite of this tremendous rate of progress, few of us who follow Chess would have dreamed that Deep Blue, programmed by a gentleman from Clare’s home town of Bournemouth, would thrash Karpov, the world chess champion from the Soviet Union, only a year or two down the road. Nor can we understand the extremely rapid progress that leads us in a matter of months, to see the memory banks in a pc clone expand from 1 gig of memory to 4 gigs of memory, to 6 gigs of memory, to the 10.6 gigs of memory that Dell is advertising in its latest computer sales. In some ways, it is like the 10, or 12, or 14 zeros that are now following the initial figures in the MEXICAN FOBAPROA SCANDAL: so many zeros that the concept of the magnitude of the debt is beyond the understanding of most of us.

In our day, then, as in the Renaissance, the paradigm of knowledge is expanding explosively. Knowledge in the Renaissance evolved so quickly that few individuals were capable of grasping the full meaning of the REVOLUTION, the RENAISSANCE, the REBIRTH which they were observing and in which they were involved. In fact, the RENAISSANCE BATTLE OF THE BOOKS or the continuing discussions between the ANCIENTS AND MODERNS were very similar in many regards to some of the discussions regarding the FUTURE OF EDUCATION that we are holding in all the Atlantic Provinces Universities right now. Authority or Innovation? The old ways or the new? Technology or Tradition? Whatever side we come down upon, these discussions are good for us all for they mean we are alive and thinking and that our knowledge is not a dead but a living thing.

This summer, I also (re)read Mikhail Bakhtin; I believe with him, that human beings can live in a DIALOGISTIC RELATIONSHIP WITH THEIR CHRONOTOPOS — that is to say, in less Bakhtinian language, that people can hold a dialogue with their time and their space, a dialogue which can bring about change, new directions, new commitments, in short, a RE-BIRTH.

And now, from Dialogue to Drama: Wayne C. Booth, in Freedom and the Individual (the Oxford University Amnesty International Lectures of 1992) wrote that we are all individuals, writing the drama of our own lives; each student’s entrance to Mount Allison University, in Wayne Boothian Theory, is a chance for that student to begin his or her play again; all students can rewrite their roles and their characters; as we can rewrite our lives and our roles. In short, each one of you can, like me, be RE-BORN. And believe me: September is the month in which this ANNUAL REBIRTH can and should take place.

I also read several books on the THEORY OF TIME: sidereal time, atomic time, linear time, instantaneous or contemporaneous time … many of the courses I teach at St. Thomas University are based on linear time: each term, they progress steadily from Day 1 to Day 36; however, our lives as teachers and learners are also based on seasonal or cyclical time. For teacher and student, the learning and teaching cycle begins anew every September; this is the time of the SEPTEMBER RENAISSANCE or RE-BIRTH. September then is the month for us ALL to be RE-BORN.

In some ways, the most important books I read this summer were all written on or about don Francisco de Quevedo. These books no longer have a single author. We are no longer dealing with one person’s ideas. Thus, although Pablo Jauraldo Pou’s name adorns the edition of the latest and best biography of don Francisco de Quevedo, Quevedo’s life has actually been researched by an extensive team of scholars, students, and friends, so large, that only the most important dozen or so can be acknowledged. The same is true of James O. Crosby’s edition of the Sueños, or of Ignacio Arellano and Lia Schwartz Lerner’s edition of the metaphysical poetry, or of Crosby and Jauralde’s edition of Quevedo y su familia en setecientos documentos notoriales, a compendium of legal documents concerning the Quevedo family which runs from 1572 to 1724.

In fact, when a single author, not a member of a team, writes on Quevedo nowadays, it is to offer a study of just a small portion of the author’s work. In this fashion, Josette Riandière de la Roche’s Nouveaux documents quévédiens: Une famille à Madrid au temps de Philippe II deals with a very short time period and only a selected aspect of the life of the poet. In similar fashion, Santiago Fernández Mosquera’s La poesía amorosa de Quevedo: disposición y estilo desde CANTA SOLA A LISI deals with only one aspect of Quevedo’s poetry, that of the love poems seen in the light of the sonnet sequence to Lisi.

TEAMWORK: it is becoming more and more necessary to work as a member of a team in order to keep up with the knowledge explosion with which we are confronted. I once said, tongue in cheek, that a TIER 2 CIDA GRANT APPLICATION demands the construction of a team. You need

  • a reader who specializes in how to read the AUCC / CIDA guidelines as they change from year to year;
  • an interpreter who specializes in what the current buzzwords are in government circles actually mean and how to use them in your documents;
  • an accountant who specializes in cash flow, international money transfer, and book balancing;
  • a manager who specializes in Results Based Management or whatever form of management system is the current government buzz word;
  • this manager must also have organizational skills to link the various parts of the application to the Results Based Management that is currently demanded by AUCC/CIDA.

Further, the manager must have people skills in order to hold the team together when things are going badly or well, for triumph and disaster, as we well know although both impostors are ever present when applying for Grants from Government Sources; you also need

  • a writer who specializes in writing up the final text so that it will convince the granting authorities that you, the applicant, another often forgotten member of the team, actually knows what you are doing;
  • finally you need what I call a people person or a wheeler – dealer who will get out there and make the appropriate contacts and find out who are the current movers and shakers and who will actually give you the internal promotion that your CIDA GRANT needs if the application is to be successful.

I would also suggest, perhaps not totally tongue in cheek, that a similar team approach to the writing of SSHRCC GRANTS FOR THE HUMANITIES would not be a bad idea.

TEAMWORK: As I said earlier, I completed my Certificate in MultiMedia Studies at the University of New Brunswick this summer. One of the things that I learned was the importance of teamwork in computing.

In our first SCENARIO FOR A CASE STUDY this summer, for example, we were required to design and build a commercial web site. Of course one person can build a website, and a pretty good one at that. But the studio team which we were given consisted of

  • a graphic artist,
  • a sound engineer,
  • a creative director,
  • a computer tech,
  • a multimedia specialist,
  • a photographer,
  • a specialist in digital photography,
  • a graphics designer, and
  • a colour specialist.

We did not have digital video capacity and were forced to contract digital video out. Costing was also a major part of the exercise: how many people, how many tasks, what order for the tasks, how many hours, how much time, how much money! I repeat: the new paradigms of knowledge that are developing around us will be demanding more and more teamwork from us.

I will end this brief presentation by reminding you that this fall, on Saturday October the Sixteenth, 1999, to be precise, the Atlantic Teaching Showcase will be coming to St. Thomas University, Fredericton. I hope to see some of you in St. Thomas, at that meeting. I am, as many of you know, the Chair of the Atlantic Association of Universities Teaching Showcase for this year.

However, I have not arranged the Showcase on my own. On the contrary: I have gathered a team of faculty and together we are working towards the Teaching Showcase. In fact, I have one person looking after finances, another looking after registration, another building a website, another looking after catering, another looking after audio visual equipment, another booking rooms, another organizing the program, another recruiting and organizing student help. We have planned and arranged the program between about eight of us.

An exercise in teamwork, no less.

I know that in all that I have said so far today, here at Mount Allison University, I am talking to people who know as much as I do, or more, about all these things: REBIRTH, RENAISSANCE, TEAM WORK, COLLABORATION. For a very long time, I have been impressed by the quality of Mount Allison’s teachers and by the quality of Mount Allison’s students.

In five weeks’ time, at the Atlantic Association of Universities Teaching Showcase, there will be a session entitled “WORKING TOGETHER: MODELS OF COLLABORATION INSIDE AND OUTSIDE THE CLASSROOM.” This particular session is a perfect example of the type of teamwork I have been talking about today. The session was presented to me in its entirety as a proposal for a single session incorporating 4 papers and some interactive discussion. The session will have a 90 minute slot and I very much hope to be present for what promises to be an exciting time. The session currently consists of a series of four papers, as follows:

  • “Mixing media: High Theory, Low Culture (or Inviting Popular Culture into the Classroom”;
  • “Collaborating with Students: Sharing Power over Syllabus Design”;
  • “Interdisciplinary Collaborative Project: A Model”;
  • “Beyond Discipline: Facilitating Collaborative Student Research”.

The session organizers are all associated with Mount Allison University and I would like to congratulate Professors Pat Saunders-Evans, Deborah Wills, Robert Lapp, Jeff and Ausra Burns on the hard work they have put in to an excellent integrated proposal.

Imitation, they say, is the best form of flattery. I have stood here today and spoken to you and you have kindly listened to my words. Tomorrow, I will spend part of my RE-BIRTH-DAY with you, here at Mount Allison. I have been invited to attend your Learning and Teaching Development Workshops, and I hope to take back to St. Thomas University some of the excellent ideas on which you are working here on campus. You are nationally and internationally recognized leaders in your field. Tomorrow, it will be my turn to listen to, and learn from, you!

Thank you for inviting me here.
And thank you for listening.