When you were five, what did you want to be when you grew up?

Daily writing prompt
When you were five, what did you want to be when you grew up?

When you were five, what did you want to be when you grew up?

I attended an international research conference on Quevedo, a long time ago, when I was teaching full time. A senior researcher, at the reception, heard me speaking and spoke to me – “Excuse me, and forgive me for asking, but I love your accent. Where did you grow up?” The question took me by surprise and, slightly off-balance, I replied – “I don’t think I have yet.” I assume the laughter was provoked by whatever my fellow academics were quaffing at the time.

Yet the answer lies very close to the truth. When I was four or five years old, one of the local priests asked me a similar question – “What do you want to be when you grow up?” At that stage of my life, I lived in a very strange world. All around me, my family seemed to fight like cats and dogs. I watched my dog chasing cats, and thought that women were cats and men were dogs. And all they ever did was chase one another and fight. I didn’t want to live a life like that. “I never want to grow up,” I told that priest. “You have to grow up,” the priest replied. “Everybody has to grow up.” “Peter Pan didn’t,” I said. “And I won’t either.”

I have tried, like Picasso, to see worldly things through they eyes of that child who has always lived in me. Sometimes, it is not easy to do so. The bitterness of the adult world creeps in and my world is flooded by those same old conflicts that have been there ever since I can remember. Fray Luis de Leon wrote about them when, after five years, he was finally released from imprisonment by the Spanish Inquisition.

“Aqui la envidia y mentira / me tuvieron encerrado,” he penned. “Here, envy and lies / kept me imprisoned.” Rather than the rat race of the adult world, he chose to follow the “hidden path trodden by the few wise sages who have lived in this world.” He also chose to be surrounded by simplicity and the child-like pleasures of a solitary life in which he found himself “ni envidiado, ni invidioso” / “neither envied nor envious.”

And there you have it, drawn from the mind of a five year old child and framed in the words, more or less, of a an excellent Spanish poet, whose work, dating from the 16th. Century, borders on the mystical nature of pantheistic theological thought.

The painting, incidentally, is by my artist friend, Moo, and he calls it Pi in the Sky. You can think what you like about that and interpret it in any way you want. I hope Moo never grows up either.

Spirits

Spirits

Neon Orange, the tube said. I tried it out last night and this is what emerged. I call it Spirits, but that is really short for “We are spirits in the material world.” I have always loved that idea. So, how many spirits can you count in this painting? “Big ones, small ones, some as big as your head” – whatever that means. This is certainly a very different palette for me and the start of another set of experiments.

I have often wondered what that spirit world would look like. Perhaps they are all present in our material world? No wonder this planet of ours is so over-crowded! Or maybe they are spread across the universe and that is why the universe is expanding, to make room for them all, and even more of them in the making and on their way.

Is speculation as much fun as peculation? I can certainly do the former, but I’ve never done the latter. So, I guess I’ll never know. Never mind – life long learning – if somebody gifts me with enough of their money, one day I may speculate and peculate, and then I’ll find out, if I’m not found out first.

In the meantime, I guess I’ll stick to being a free spirit in a world that gets more materialistic every day. And this is my slogan – “Free spirits of the world, unite!” If there were enough of us, we could take it over, the world. Freeing it is one thing. Managing it afterwards might not be so much fun. I guess I’ll stick to speculation!

What movies or TV series have you watched more than 5 times?

Daily writing prompt
What movies or TV series have you watched more than 5 times?

What movies or TV series have you watched more than 5 times?

How do you define a TV series? If you mean ALL the episodes of, let us say, Coronation Street, I have to admit that I haven’t watched the whole series once, let alone five times. However, since I can recall Ena Sharples, Minnie Caldwell, and Martha Longhurst, and since I can also recall Ken Barlow as a schoolboy, I guess I have seen more than five, individual episodes over the last sixty years or so. I remember watching it on our black and white tv, very grainy, during the school holidays. Lots of strange, new advertisements, and ITV the only rival to the BBC.

Other TV series, of which I have seen at least five separate episodes, include Dr. Who, Last Tango in Halifax, Doc Martin, Midsomer Murders, and many others, including Watch With Mother, The Woodentops, Muffin the Mule, Sooty, Bill and Ben, and The Magic Roundabout. I can’t imagine watching Sooty hit Harry Corbett with a hammer five consecutive times! In the same show, yes, but I don’t think Harry Corbett, or I would survive watching a continuous loop of the series five times. “Oh no, Sooty. Don’t hit me with the hammer.” Whack! “Ouch!”

The same with films. I used to love going to the movies with my daughter. I took her to see Bambi one night. That movie was sold out so we watched Rocky instead. I can’t remember what number it was, but I do remember us chanting Bambi! Bambi! Bambi! as the blows in the boxing ring flew thick and fast. We were still chanting it when we drove home.

Another movie that we watched several times – The Time Bandits. I still have dreams of the horse breaking through the bedroom wall and into the child’s sleeping room. Scrooge, in one of its many reinventions, is a Christmas favorite, as is The Sound of Music, and A Child’s Christmas in Wales. I guess I might have seen them more than five times, though I usually get bored with the repetition and take a break and move away. Stagecoach is another family favorite and I have seen it in black and white as well as in color. But whether I have seen it more than five times is a good question.

Having said all of that, the one movie that my daughter and I did see on at least ten separate occasions was Labyrinth. I was researching in Spain at the time. We went to see it several times in Madrid. Then, when we moved to Granada, we saw it there, at least three times. At the beginning, I had to translate every phrase. “What are they saying now, dad?” But during our ninth viewing, in Almeria, I started to explain something in English and my daughter said: “Hush, dad. I’m trying to listen to the movie.”

So, there you are. Labyrinth wins, hands down, with ten full viewings, all in Spanish. But I have never seen it in English. And that’s today’s trip down memory lane. Thank you for reading this far (if you have) and goodbye.

If you could be someone else for a day, who would you be, and why?

Daily writing prompt
If you could be someone else for a day, who would you be, and why?

If you could be someone else for a day, who would you be, and why?

My instant response was – I would be a billionaire, names don’t matter, then transfer a couple of million to myself, then back out of the alternate persona for another day, and there I would be – rich and happy, my old self once more. Then I started thinking – ‘billionaires don’t do things like that’ – then I really started thinking. How much of my alternate persona would I take over? Would I be myself in another body? Or would I be that person, privileged, hard, caring only for myself and my fortune, sparing nobody as I strove for my ultimate desire, the Noah’s Ark of a bunker that would protect me from the oncoming disaster that I was myself encouraging to happen? Enough, I said to myself. That’s not for me.

I thought about it during the night, in those elusive moments between waking and sleeping, that half-sleep contained in the Spanish duermivela. And then the light bulb flashed and I knew who I would be.

I have always wanted to visit Australia. The cost, the length of the flight, the rigors of the journey, the fear of DVT, have all prevented me from making that voyage – quite simply a flight too far. But what if I could be my cousin Frances, in Sydney, for a day? I have never met most of her family, and this would be a wonderful chance for me to do so. I would see her husband, George, in close-up. Also her four children, two of whom I have never seen except in photos. I could also meet their partners, and the grand-children, and all of that merely by waking up in another body on another continent. If I timed it right, I might even manage to visit the Sydney Opera House and see the harbour bridge, or catch a test match, or a rugby international – the red lights are flashing – overload – overload – overload -!!! Too much – too greedy – KISS – Keep It Simple Stupid – !!!

Seeing the family, experiencing her daily life, looking at her garden, so beautiful in the photos, maybe even sinking my fingers into that rich earth, that would be more than enough. Ayer’s Rock – Uruburu – Alice Springs, the Fremantle Doctor, my cousins in Perth and Bundaburg, they will have to wait. Sydney and my closest family, that will be more than enough.

But how much will I retain upon my return? How much will I remember? And what will happen to Frances? Will she become me and be forced to suffer our Canadian winter, for a day, while I rejoice in her Australian summer? So many questions.

Too many questions. Maybe I’ll just be myself, after all, as Oscar Wilde says “Be yourself. Everybody else is taken.” I’ll just be myself and to the above offer I will reply: “Thanks, but no thanks. I just want to be me.”

You’re writing your autobiography. What’s your opening sentence?

Daily writing prompt
You’re writing your autobiography. What’s your opening sentence?

You’re writing your autobiography. What’s your opening sentence?

The End.

Why did I write that? Because I like reading T. S. Eliot – Four Quartets – “In my beginning is my end.” If that statement be true, then, ipso facto, The End must be my first sentence, because that’s my beginning. Eliot converted to Catholicism – and, according to the Jesuits, “The end justifies the means” – so, when we start with the end we are justifying the writing (the means) of all that led us there.

You don’t like my logic, you say? Why not? It is as straight as the corkscrew I hold in my hand when I am threatening to add the contents of a bottle of wine to my autobiography. Is a bottle’s end in it’s beginning? Of course it is. If you don’t open the bottle, you can’t finish it. If you don’t start it, you cannot end it, so in the beginning lies the end.

Oh the mysteries of mysticism, those truths that know no logic and follow no known paths from their beginning (via purgativa), through their middle (via iluminativa), to their end (via unitiva). Or is life and truth a circle that has no end? In which case wherever I begin the circle of my autobiography, there too is my end.

In my end is my beginning and in my beginning is my end.

Mors omnia solvit.
The End.

What are three objects you couldn’t live without?

Daily writing prompt
What are three objects you couldn’t live without?

What are three objects you couldn’t live without?

Oh this is so easy and so obvious. Every verb needs a subject and most verbs need an object. Can you imagine living a life in which no verb has an object? Indescribable. And how about an indirect object? Or a direct or indirect object pronoun? And now let us move on to the object of a preposition…

Wow! And now I must choose three out of those five? What are you trying to do to me? This is so cruel. It’s why I always fail IQ tests – there are so many answers that do not fit the desired paradigm of the programmers who set the questions and the appropriate answers. Are we all to be programmed then? And who shall program the programmers?

Or do you wish me to choose three inanimate things? If you did, you should say so in a clear and understandable fashion. An inkwell? A quill? A piece of paper? Salt or sand to scatter on wet ink? How many people out there remember post office pens, also called scratch pens, also called dip pens? There was a time when life without such objects was unthinkable.

And why stop at objects? What would life be without subjects?

Oscar Wilde once stated he could make a pun about any subject. A voice came out from the audience “Queen Victoria”. “The Queen, sir,” bellowed Oscar, “is not a subject.”

“Oh, Oscar,” I said to him, “I wish I had said that.” “You will, Roger,” he replied. “You will.”

And I just did.

Who are your favorite people to be around?

Daily writing prompt
Who are your favorite people to be around?

Who are your favorite people to be around?

Creatives – because creative people need support in their creativity and need to believe in themselves and in their creations. I wrote two days ago about Rejections and Silence – while both are needed by creatives – rejections to help perfect and polish – and silence in which to create – too many rejections and too much silence can result in alienation, depression, and the suppression of creative acts.

“We few, we happy few, we band of siblings!” Not quite what Harry said before the Battle of Agincourt, yet can we, the readers, be absolutely certain that what Shakespeare said he said was actually what he said? But we share the spirit of creativity with creators big and small, famous, infamous, and struggling. That is why we need to band together, to support each other, and to ensure that creativity isn’t killed by the straitjacket of a nine to five job, or longer, or the multi-employment that has become so necessary just to survive in our diminished and diminishing world.

“What is this life if, full of care, we have no time to stand and stare?” wrote W. H. Davies, one of the great Welsh poets. And he concluded this poem with a parallel couplet: “A sad life this, if full of care, we have no time to stand and stare.”

I hope you like the painting that heads this prompt that is turning into a joyous rant. It is by one of my creative friends, the poet-painter Moo. He calls it Spotted Coppers and he painted it last night after watching the Midsomer Murders episode that dealt with the theft of valuable Spotted Copper Butterflies. Intertextuality – one text leads to another, and the butterfly becomes a TV episode becomes a painting by a friend becomes a rant prompted by my computer and written by me.

That is the circle of creativity and it blends into the circle of friendships, and creative artists are both competitors and friends, for “whether creativity survives or no, I’m sure is only touch and go.” Another line that another great Welsh poet, this time Dylan Thomas of Swansea, might almost have said.

So, who are my favorite people to be around? Creative people, of course, with all their passions, energy, warts, flaws, and their constant need of encouragement and support.

What makes you feel nostalgic?

Daily writing prompt
What makes you feel nostalgic?

What makes you feel nostalgic?

I am not sure that nostalgic is the right word. I think of Robbie Burns with his “man’s inhumanity to man” and I realize that “the war to end all wars” never ended anything. It only started a series of new cycles. I am certainly not nostalgic for these endless cycles of violence and inhumanities. I am though nostalgic for man’s humanity to man, that spark of kindness and good will that seems, on the last day of the old year, with the new year about to come in, to have vanished. Could it be forever? I certainly hope not. May the new year (2024) bring peace, happiness, love, and understanding, to all the human beings on this tiny planet we, of necessity, share.

My friend Moo’s painting (above, thank you Moo), has for its title Fiat Lux – Let There Be Light. I am nostalgic for that light. May it soon return to our world.

Remembrance Day
11 November 2023

I wasn’t there
I never saw the gas clouds
            rolling over our positions
            never felt the barbed wire’s bite
            nor the bayonet’s jab

I never hung out my washing
            on the Siegfreid Line
            (“Have you any dirty washing, mother dear?”)
            never broke out of barracks
            never did spud bashing
            nor feasted on bread and water
            nor heard the rifle’s rapid rattle

I wasn’t there
            to see them carried away in carts
            coughing spluttering vomiting
            or bandages over their eyes
            walking slowly to triage a hand on
            the shoulder of the man ahead
            the sighted leading the blind

I wasn’t there
            but both my grandfathers were
            both decorated
            one mentioned in dispatches
            signed by Winston Churchill
            that one uninjured
            the other one gassed
            coughing up his lungs
            bit by bit for forty years

I am here now
    to remember
    and to honor them
           though so much
    has been lost

Describe a man who has positively impacted your life.

Daily writing prompt
Describe a man who has positively impacted your life.

Describe a man who has positively impacted your life.

Does it have to be a man? Many women have impacted my life in a positive fashion. My Welsh grandmother taught me how to cook. She would stand me on a small stool placed beside the stove and I would watch as she explained what she was doing and why she was doing it. She allowed me to stir the various mixtures, to help beat the eggs, and when she baked, she always gave me a small piece of cake mix or dough so that I could create something for myself and bake it in the oven with the all the other things. It is hard to beat that type of impact. The small stone she threw still sends ripples through my kitchen and that of my daughter and granddaughter.

When I think of kitchens, I think of the many, many kitchens that I visited when living in France, Spain, and Oaxaca, Mexico. In each of them I picked up so many hints and ideas. In Santander, how to make a tortilla espanola / Spanish omelet. Every evening, my first landlady would leave, on the kitchen counter, one egg, one potato, and one onion. That was my supper – but I had to make it myself. I have made Spanish omelets for 60 years now. Some are simple, others combine different ingredients. All come from the kitchens I have visited in Spain.

In France, I learned the Parisian way to scramble eggs. Again, my landlady taught me how to scramble them her way, the only correct way. My scrambled eggs, learned as I was perfecting my knowledge of French language and culture, are still the talk of the table, when I serve them. Oaxaca was a total revelation, as I have said on many occasions, as was Oaxacan cooking. The first thing I learned – how to prepare quesadillas. Alas, there are no offerings of flor de calabaza with wish to garner them, not here in Canada, not that I have seen, anyway. Next came pico de gallo, that inimitable blend of cilantro, onion, jalapeno, tomato, lime, and salt. All of these recipes came, verbally, and practically, from the wonderful women who have enriched my world, as did the bacon and eggs, on a tortilla, with salsa mexicana, and the eggs scrambled in orange juice. And we won’t talk about the chapulines, grass-hoppers fried in garlic, nor the avocado with tuna delicacies.

Of course there have been men as well. Mon, the friend who spent twenty-three years in a Franco jail as a political prisoner, and survived. He built his own boat, powered by an old engine from a bakery that he adapted, and together we fished the Bay of Santander, every Sunday, for three consecutive summers. He taught me the secrets of the bay, where the fish were, where they hid, how they moved with the tides. He would encourage me to jump over the side, in deep water that lifted me up with the surge of the Biscay, under my armpits, and wouldn’t let me back on board until I could name every part of the bote. I became a very quick learner, especially as he was eating the omelet and drinking the wine as I was speaking. It was another incredible enrichment.

 Juanra, from Avila, was another such teacher. He would take me on his Sunday excursions to buy the week’s wine for his hostal-restaurante, and together we would visit La Seca, and other local wine-growing regions. I remember the day he and the lady who owned the vineyard we were visiting baptized me. We stood, thirty five feet underground, beside a wooden barrel, one of twelve in that cellar, that contained 5,000 litres of white wine. Juanra climbed a six foot ladder, and stood beside a tiny feather that acted as a plug to keep air out of the barrel. The lady, who performed the role of high priest, gave me a glass, showed me where to hold it, beneath the spigot, so that the wine would fill it and I could taste and test it. She turned the tap on – but no wine came out – then she held my hand ‘to keep it and the glass steady’. “Ahora / Now!” she gave the command. Juanra withdrew the feather, the wine flowed, and the lady jiggled my arm and soaked me from wrist to elbow, shrieking with a high-pitched laughter that blended with Juanra’s bass guffaw. “Ya te hemos bautizado,” they cried in unison. “Now we have baptized you.” And there I stood, a child of the vineyard and an adopted son of the land.

Just one? Only one? How could you be so cruel? I remember with great fondness one of my rugby coaches. Many of the people who surrounded him thought he was a clown, and told me so behind his back. But he had a certain something – and I wasn’t sure what it was. One day, at a national coaching conference, he took me on one side. “You already know everything that people here can teach you. But, somewhere, there is one piece of gold. You may find it here, or there, or in the bar. But that one piece of gold is what you will take home with you.”

When I coached the provincial junior team, one summer, I invited that coach to visit and to help me coach. We walked onto the field together. “Leave this to me,” he said. I asked him what I could do to help and he said – “Nothing. Just sit in my back pocket. See what I see. keep quiet. Ask questions later.” He started with a warm up game of rugby, which he refereed. “Whenever I blow the whistle three times – like this peep! – peep! – peep! – I want you to stop wherever you are. Don’t move until I tell you to.”

Then followed the most wonderful master coaching session I have ever witnessed. A ruck – peep! – peep! – peep! – – “Who was first to arrive?” No answer. he pointed. “You were. What did you do? Why did you do it?” This went on and on – scrums, lineouts, kick-offs, penalties, 25 yard drop outs – we weren’t metric yet. “Peep! – peep! – peep! – What did you do? Why did you do it? What else could you have done? Why didn’t you do that?”

They had called him a clown, the ones with the papers, and the coaching certificates, and the education, behind his back, and to them he was clown. But to me, he was a master coach. He taught me how to look, to listen, to see, to ask questions, and never to judge anyone until I had walked in a person’s shoes, or sat in their back pocket, not just for a mile, but for a whole wonderful weekend. He had a wonderful sense of humor and the clown left everyone laughing. Clown? He might have been the Prince of Clowns, but I have never forgotten what he taught me, nor how he taught it.

Have you ever performed on stage or given a speech?

Daily writing prompt
Have you ever performed on stage or given a speech?

Have you ever performed on stage or given a speech?
I began teaching in 1966 and continued until 2009. In those 43 years of academia, I performed on stage almost every day and gave speeches at least once or twice per class. I began as a top down teacher – I had all the knowledge, and I shared it with the individuals in the class room who had oh-so-much-less knowledge than me.

One morning, later in my career, I looked at myself when I was shaving. I looked deep into my own eyes and asked myself the vital question – “What are you teaching?” I looked at myself, razor in had. My mind was as blank as the look on my face, covered as it was with shaving soap. Then I awoke to a new world – I was not teaching a subject, I was teaching people, real, live human beings who were searching for knowledge, real knowledge, not just book knowledge.

Up until that point I had looked upon teaching in the same way as most of my colleagues did, filling empty heads with knowledge. As one of my old professors, in my first university back in the UK, once told us, after a senate house lunch swilled down with expensive sherry – “Knowledge is that which passes from my notes to your notes without ever passing through anybody’s head.”

That was the day I got down off the stage. I stopped giving speeches – aka lectures – and I asked the people in my class what they wanted to know. The answers surprised me. That was the day I began my teaching career, my real career, teaching people to become better learners, self-teachers, and hence better people. I stopped teaching my subject, and started teaching my students. I taught them how to teach themselves, how to assess the teaching material they were using, how to express themselves verbally and in writing, how to think critically for themselves, how to question everything, including me.

In short, I no longer taught them. I introduced them to Chaos Theory, how to teach themselves, how to assess their own work, how to develop the skills necessary for life-long learning, and how to love the pursuit of knowledge, for its own sake and for their own self-development.

The day I made that decision, I left the stage, retired as an actor and a speech maker, and became a teacher, a real, live teacher, of real, live human beings. It was one of the best days of my life. When I meet my former students, I realize that the stones I cast that day are still rippling round the universal pond of knowledge. Long may those ripples continue to enrich the world of teaching and learning.